PLAYS PRODUCED.

How this company were collected, or where they originally came from,

it is probably now no longer possible to ascertain. As they were

announced, upon their first appearance in New York, as a company

of comedians who had come from Philadelphia, it is highly probable

that they had played before in the Southern cities, and that they

came originally from the West Indies, where, especially in Jamaica,

theatrical companies from England had been in the habit of performing

for some years previously. During the two seasons of the company in

New York the following plays were given: “Richard III.”; Otway’s

“Orphan”; Dryden’s “Spanish Friar”; Farquhar’s “Sir Harry Wildair,”

being the sequel to the “Trip to the Jubilee”; “Recruiting Officer”

and “Beaux’ Stratagem”; “George Barnwell”; “The Beggar’s Opera”; “The

Distressed Mother”; Congreve’s “Love for Love” and the “Bold Stroke

for a Wife”; with the following farces: “The Beau in the Suds,” “The

Mock Doctor,” “The Devil to Pay,” “The Walking Statue,” “The Old Man

Taught Wisdom,” “Damon and Phillida,” “Hob in the Well,” and “Miss in

Her Teens.” The names of the _dramatis personæ_ were not printed in

the play-bills, for the reason, probably, that the same actor had to

play different parts in the same piece, but from references made to

individual performers, the following persons are known to have been

members of the company: Kean and Murray, the joint managers; Messrs.

Taylor, Woodham, Tremaine, Jago, Scott, Moore, Marks, and Master Dickey

Murray, the manager’s son; Miss Nancy George, Miss Osborne, Mrs.

Taylor, Mrs. Davis, and Mrs. Osborne. Kean, Tremaine, and Jago played

in tragic parts. Murray and Taylor were comedians. Miss Nancy George

and Miss Osborne were the chief ladies in comedy and tragedy. Woodham

and Mrs. Taylor were comedians and vocalists, and Kean, like his more

distinguished namesake, Edmund Kean, appears to have possessed some

musical talent, for on the occasion of his first benefit he announces

that he will sing “an oratorio.” Master Dickey Murray would seem to

have been a favorite of the public. The other actors performed in

subordinate parts.

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First Theater in America When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage. · 第 12 / 34 题