As an evidence of the discontent caused by the depression of trade

since the revolution, it is said Leopold was grossly insulted by the

people of Ghent, about a year since. He was on a visit there, and was

going to the theatre; but the Ganders hired all the best boxes, and

locked them up! The Ostenders, however, are more loyal. The king and

queen were greeted at the theatre here, a few evenings since, with a

poetical address. The queen is here now; but her consort has gone to

England to negotiate, as the papers say, for the Princess Victoria,

in behalf of his nephew. Whether he or his _beloved_ cousin of Orange

will succeed, yet remains a problem.

Well--Bologne was the Alpha, and now, after travelling two thousand

miles, the Omega of my continental tour. To imitate the lofty style

of Chateaubriand's preface to his memoirs: I have been solitary in

crowded cities, and in the recesses of the Highlands of Scotland,

and the Alps of Switzerland; I have promenaded the Regent-street

of London, and the Boulevards of Paris; the parks of Brussels, the

Canongate of Edinburgh, the ramparts of Stirling and Geneva; sailed

on Loch Katrine and Lake Leman, on Loch Lomond and 'fair Zurich's

waters;' slept on the Great St. Bernard, and by the side of Lock

Achray. I have gazed on magnificent panoramas of cities, mountains,

lakes, valleys, from the summits of the Trosachs and the Rhigi, from

St. Paul's and Notre Dame, from the towers of Antwerp, and Edinburgh,

of Stirling and Windsor. I have sailed on the Tay and the Rhine, the

Clyde, the Thames, the Rhone, the Seine; scaled rocky heights on the

Swiss mule and the Highland pony; climbed to the sources of glaciers,

water-falls, and the Frozen Sea. I have been in the princely halls of

Windsor and Versailles, of Warwick, Scone, and Holyrood; the Louvre,

Tuilleries, and Luxembourg; rambled amidst the ruins of Melrose and

Kenilworth; of Dryburgh and the Drachenfels. I have heard the 'loud

anthem' in the splendid temples of York and Antwerp, Westminster

and Notre Dame, St. Paul's and Cologne. I have stood over the ashes

of Shakspeare and of Scott; of the poets and heroes of England and

France. I have gazed on the Works of Raphael and Angelo, of Reynolds

and Rubens, of Flaxman and Canova. My hand has been in Rob Roy's

purse, and on the skull of Charlemagne; on Bonaparte's pistols, and

Hofer's blunderbuss; on the needle-work of the Queen of Scots, and

the school compositions of the great Elizabeth; on the crown of the

Spanish Isabella, and the spear of Guy, Earl of Warwick! I have

traversed the battle fields of Bannockburn and of Morat, of Leipsic

and of Waterloo. I have seen men and women of all grades, from the

monarch to the chimney-sweep; kings, queens, princes, heirs apparent,

nobles and duchesses; and I have seen Daniel O'Connell! I have been

preached to by the plain presbyters of Scotland, and the portly

bishops of England; and heard mass in the convent in sight of Italy,

and in the gorgeous cathedrals of Belgium. I have seen wretchedness

and magnificence in the widest extremes. I have been dazzled by the

splendors of royalty, and have shuddered at the misery of royalty's

subjects. In short, (for I am giving you a pretty specimen of

egotism,) I have seen much, very much, to admire; much that we of

the 'New World' might imitate with advantage, and more still to make

me better satisfied than ever that we are, on the whole, or ought

to be, the happiest people in the world. Let us but pay a little

more attention to our _manners_, (for they certainly _may_ be much

improved,) and let us check the spirit of lawless and fanatical

agrarianism, which has shown itself to be already dangerous to our

liberties and prosperity, and we may with conscious pride take our

station first among the nations of the earth. Yes, my dear ----, I

now feel more than ever, that

'Midst pleasures and palaces though I may roam,

Be it ever so humble, there's no place like home!'

FOOTNOTES:

[11] Report on the State of Public Education in Prussia, etc.

New-York: WILEY AND PUTNAM.

[12] Among them are, the point of the nail with which Christ was

pierced on the cross; a piece of the identical cross; the leathern

girdle, and a piece of the winding-sheet of Christ; morceaux of the

hair of John the Baptist; of the chain with which St. Peter was

bound; of the sponge on which they gave vinegar to Christ; a tooth

of St. Thomas; the winding-sheet of the Virgin; beside relics of

Saints innumerable. These are all printed in a book, and of course

they must be true! But the Charlemagne relics you will not question.

There are his hunting-horn, (an elephant's tusk,) a piece of his arm,

and his leg; his coronation-sword; and to _crown_ all, the skull of

the emperor himself, taken from the tomb, and preserved in a brazen

casque. And so I have actually handled the skull of this redoutable

hero and warrior, the ruler of Europe one thousand years ago!

[13] Classic ground, again. 'Quentin Durward' escorted the ladies of

Croye on the same side of the river.

[14] The French and German names of several places are puzzling--as

for instance: Aix la Chapelle, _Aachen_; Liege, _Lutchen_; Mayence,

_Mentz_; Ghent, _Gand_; Munich, _Munchen_; Antwerp, _Anvers_. The

coins, too, of the various states, are a great annoyance. None but

French and English gold, and five-franc pieces, are universally

current. The Swiss _batzen_ will not pass in Germany, nor the

Prussian _kreutzers_, _groschen_, _florins_ or _thalers_, in Belgium.

Each state, duchy, and canton, has a different currency.

[15] See KNICKERBOCKER MAGAZINE for February, 1833, for a full

account of this memorable siege, and a spirited portrait of its

brave hero, one of the race of those from whom sprang the genuine

KNICKERBOCKERS.

LITERARY NOTICES.

ERNEST MALTRAVERS. By the author of 'Pelham,' 'Eugene Aram,'

'Rienzi,' etc. In two volumes, 12mo. pp. 411. New-York: HARPER

AND BROTHERS.

THIS novel is but half finished. At the conclusion of the second

volume, Mr. Bulwer remarks: 'Here ends the first portion of this

work; it ends with what, though rare in novels, is common in human

life; the affliction of the good, the triumph of the unprincipled.

Ernest Maltravers, a lonely wanderer, disgusted with the world,

blighted prematurely in a useful and glorious ambition; 'remote,

unfriendly, melancholy;' Lumley Ferrers, prosperous and elated;

life smiling before him; rising in the councils of the proudest and

perhaps the wisest of the European nations, and wrapped in a hardy

stoicism of levity and selfishness, that not only defied grief, but

silenced conscience. If the reader be interested in what remains--if

he desire to know more of the various characters which have breathed

and moved throughout this history--he soon will be enabled to gratify

his curiosity, and complete what the author believes to be a faithful

survey of the Philosophy of Human Life.'

Such is the author's apology for one of the most dangerous and

seductive books which it has ever been our fortune to read. Let

us examine its plan. Alice Darvil, a beautiful child of nature,

wholly uneducated and perfectly innocent, saves the life of Ernest

Maltravers, an English graduate of a German university, who had

sought shelter at her father's cottage. The murderous and revengeful

barbarity of the father compels the daughter to desert him, and

she is immediately thrown in the way of the student. Impelled by

gratitude and pity, Maltravers shelters the destitute beauty, takes

her to a country-seat, which he purchases on purpose, teaches her

music, elevates her benighted and earthward mind to heaven, falls in

love with, and seduces her! The father of Alice goes on from crime

to crime, till his burglaries extend to the cottage of Maltravers'

mistress, and his own child, who, in the temporary absence of her

lover, is carried away beyond his protection. Maltravers returns,

misses his Alice, grows melancholy, visits Paris in company with an

impertinent and selfish acquaintance, Lumley Ferrers, falls in love

with another man's wife, is rejected by her, quits Paris in disgust,

goes to Italy, forms an affectionate, platonic attachment for another

married lady, and then returns to London. In the meanwhile, Alice

flies from her father a second time, with Maltravers' child at her

breast. She seeks the cottage-scene of her early and unsophisticated

enjoyments, finds it occupied by other tenants, and is finally thrown

on the fostering protection of a saint-like banker, who makes her

Mrs. Templeton.

While the foregoing events are taking place, Maltravers falls in love

again, and as he is on his knees, kissing the hand of his mistress,

Alice, who happens to be in the next room, enters, is heart broken,

goes away and gets married, as aforesaid. Among other important

characters now introduced, is the Lady Florence Lascelles, a great

beauty, and a greater fortune, who scorns all the fascinations of

rank, and falls so in love with Maltravers, that she writes to him

ardently and anonymously. But as other beauties sometimes are, this

one, though her whole soul is filled with Maltravers, is also a

coquette, and she gains the affections of poor Cæsarini, who is

on a visit to London, in the desperate adventure of getting fame

for poetry. Maltravers is flattered into a pseudo attachment for

Lady Florence, which ripens into love. This excites the madness

of Cæsarini, and the hatred of Lumley Ferrers, who, as cousin of

the lady, had been led to believe that his own pretensions might

be advanced in that quarter. Lumley now copies Iago, and makes use

of Cæsarini as his Cassio, who becomes instrumental in effecting a

break in the love-chain of Maltravers and Lady Florence. The latter

sickens, and dies of a broken heart. Alice is made a widow, after

having been made a lady, and Lumley Ferrers inherits her husband's

title. The daughter of Maltravers and Alice is betrothed to his worst

enemy, while the Cassio of the drama goes mad. Such is the state of

things at the conclusion of the second volume, which suggests the

explanation by the author, already quoted.

In reviewing this novel, we are struck with the consummate power

of the writer. To an imagination raised to the very focal-point of

burning, Mr. Bulwer unites the most penetrating intuition of those

psychological relations, which are comprehended by master-spirits

alone. The conceptions of his mind are invested by a transparent robe

of spirituality, through which they are mellowed and disguised, like

the beautiful time-stricken edifices in the gold-dust atmosphere

of Italy. A manifestation of this power is one of the strongest

characteristics of genius; but it serves to veil deformities

and disarm criticism. We are spell-bound while gazing on his

creations. We are so fascinated by the enchantment, that we cannot

be fastidious if we would. The true and the false are mysteriously

blended together; and, as in every distortion of the natural, we

are led, by a sort of metaphysical mirage, to be captivated more by

misrepresentation than by truth. Ernest Maltravers is certainly a

brilliant production. No other than Mr. Bulwer could have written

it. It is full of passionate beauty; it is glowing with ardent

aspirations for the beau ideal. It contains many just reflections on

human conduct, and many valuable hints on education. We are willing

to concede all this, and more. But its faults are too glaring to

be passed over, for they are the premeditated faults of a skilful

designer, who with an insincere spirit, would have the reader imagine

them to be out-shadowings of his own nature, the very portraiture of

his humanity.

We are not disposed to be hypercritical with Mr. Bulwer's writings;

but we can no longer concede that which we have heretofore claimed

for him, a purpose to hold up to the world the rewards of virtue

and the consequences of vice. On the contrary, the tendency of his

morality seems to be, that we are the victims of destiny, and that

circumstances alone determine the phases of character, and prescribe

the paths of virtue and vice. He attacks the sanctity of marriage

with unholy zeal. In 'Ernest Maltravers' he inculcates the principle

that illicit love may in certain cases be innocent, and that where

true affection is, the bond of matrimony is unavailing. His morality

has sometimes the coldness of moonlight, but seldom the radiance

and the warmth of the sun; and it is owing to the separation of the

affections from the understanding, the disunion of Love and Truth in

his nature, that Mr. Bulwer delights in the hollow and unsatisfactory

fascinations of his intellect, and is led astray by his self-hood to

despise the religion of the heart. With all his genius, he is wide

from the path of greatness. The deep well of German metaphysics, at

which he has drunk so largely, may invigorate the mind and mystify

the imagination; but the logical acumen which it imparts, does not

direct to usefulness, nor lead to truth; and the discursive powers

which range through its suggested labyrinths, come back at last to

the goal they started from, weary and disgusted with unavailing

efforts after good.

It is a truth, inseparable from the relative condition of man, that

he could not possibly have had an idea of God, unless it had been

revealed to him. After a revelation, we find in nature concurrent

proof of his existence; but by a law of mental action, we transfer

the truth derived from the revelation to the evidence which is around

us, and flatter ourselves that we reason _à priori_ from this source.

Mr. Bulwer has a glimpse of this great truth, and only a glimpse;

for in the work under notice, he inculcates the sophism that the idea

of the Creator could not arise in an uneducated mind. He does not

perceive, that under the divine dispensations manifested in the Word,

a revelation has already taken place, which is reflected from the

face of nature; and that it is impossible for one, in this advanced

state of man, not to read the record of the divine creation--not to

mention the extreme improbability, that a child of fifteen should

never have heard the name of God, when it is oftener on the lips of

the uneducated than on those of the refined, though abused and taken

in vain.

Our limits will enable us to glance at only one more of the prominent

faults of this book. We refer to Mr. Bulwer's ideas on duelling.

What do our readers think of such sophistry as this: 'There are some

cases in which human nature and its deep wrongs will be ever stronger

than the world and its philosophy. Duels and wars belong to the same

principle; both are sinful on light grounds and poor pretexts. But it

is not sinful for a soldier to defend his country from invasion, nor

for a man, with a man's heart, to vindicate truth and honor with his

life. The robber that asks me for money, I am allowed to shoot. Is

the robber that tears from me treasures never to be replaced, to go

free?' Again: 'As in revolutions all law is suspended, so are there

stormy events and mighty injuries in life, which are as revolutions

to individuals.' It follows, of course, that a revolution may take

place 'in the little kingdom man,' whenever his majesty sees fit. It

is unnecessary to show up the monstrosity of such politics, and of

that morality which, guided alone by worldly philosophy, makes it

sometimes sinful, and sometimes not, to take the life of a fellow

being. There are men enough in the world who will fight as they

judge expedient; but Mr. Bulwer is the only one who has had the

hardihood to defend the practice, as sometimes under the sanction of

omnipotence.

We had some remarks to make on the sudden transitions of character,

as delineated by our author, which strike us as exceedingly

unnatural. But we have already transcended our space, and only record

an impression here, which must be apparent to every reader. On the

appearance of the sequel to Ernest Maltravers, we may examine this

fault at leisure.

* * * * *

MEMOIRS OF AARON BURR. With Miscellaneous Selections from his

Correspondence. By MATTHEW L. DAVIS. In two volumes. Volume

Two. pp. 449. New-York: HARPER AND BROTHERS.

THIS volume will prove even more generally interesting than its

attractive predecessor, heretofore noticed in this Magazine. The

early pages are devoted to an account of Col. Burr's habits and

character, as a man and a lawyer; a history of the rise of political

parties in this state, with copious extracts from various letters

written during the war of the revolution; an account of the Clinton

and Schuyler parties; Burr's political position on being elected

Vice-President, and his course in that office; and a report of false

entries made by Jefferson in his 'Ana,' of conversations said to have

been held with Burr. Farther than this, we have not found leisure

to read attentively; but on glancing hurriedly over the remaining

pages, we perceive that they are devoted to a detail of the most

prominent and interesting events in the life of the _notorious_

subject, interspersed with letters from various eminent Americans,

and including a correspondence with his daughter Theodosia, a full

account of the premeditated and disgraceful duel with General

HAMILTON, his departure for England, the 'incidents of travel'

in Great Britain, France, Germany, and Sweden, and his return to

New-York, in 1811. We shall take another occasion to refer more in

detail to the work, and in the mean time commend it to the attention

of our readers, with the single remark, that we see nothing in its

pages to change our opinion that the murderer of ALEXANDER HAMILTON

can only pass without censure while he passes without observation;

and that the less his friends or apologists meddle with his memory,

the kinder they will be to his reputation.

* * * * *

AN ADDRESS DELIVERED BEFORE THE MEMBERS OF THE AMERICAN

INSTITUTE. By the Rev. ORVILLE DEWEY. Published at the request

of the Institute.

IT was our good fortune to form one of the dense auditory before

whom this excellent Address was delivered; and although we are

unable to convey to the reader an adequate idea of the effect its

verbal publication produced, we may nevertheless afford a 'taste

of its quality,' by a few choice extracts. We were pleased, at

the very opening, to perceive that the Address was not to embrace

political questions, connected with the arts of industry, nor to

be a compendium of minute statistics, relating to the Institute,

and manufactures in general--a course so common on such occasions.

'Figures cannot _lie_,' perhaps, but they can do things quite as

disagreeable. Mere statistics are dismal bores to great masses,

oftentimes, in the hands of matter-of-fact, hum-drum speakers,

oppressively full of information; reminding the hearer of Swift's

elixir, 'which being drank, presently dilates itself about the

brain of the orator, whence instantly proceed an infinite number of

abstracts, summaries, compendiums,' etc., all reducible upon paper,

and fruitful of the most potent oscitant qualities. How many new

members of Congress, who felt it their duty to attend to the public

weal, in gratitude to their constituents, have been wakened by the

watchful sergeant-at-arms, after the house had adjourned, from a

deep sleep which had fallen upon them, as they 'by parcels something

heard, but not attentively,' of 'figure-works and statistics,' from

some arithmetical debater! 'In 1834, Sir, before the passage of the

law creating the 'North American Window-Glass and Putty Company,'

owing to the high price of putty in the United States, there were

in ten counties in the state of Mississippi, nine hundred and

sixty-two windows and a half, utterly destitute of glass; and it

is worth stating, as a remarkable fact, that of the three hundred

and twenty-seven panes which were fastened with a cheap adhesive

substitute, the large number of two hundred and eighty-three were

utterly useless. That putty--I say _that_ putty, Mr. Speaker--would

not stick!' And thus proceeds the bore statistical,[16] in a speech

'thin sown with profit or delight.' But we are keeping the reader

from 'metal more attractive.'

After a felicitous exordium, descriptive of the scene which the

Fair presented to the eye of the spectator, the writer proceeds to

consider the connection between the arts of industry, and especially

the mechanic arts, and the intellectual and moral improvement of

society. He shows that the mechanic, laboring at his work-bench, is

toiling for the general improvement; that the man who designs and

erects a noble structure, speaks to passing multitudes, who may never

read a book, and helps to refine and humanize the ages that come

after him; that 'even he who makes a musical instrument, is laying

up, in those hidden chambers of melody, the sweet influences that

shall amuse, and soften, and refine many a domestic circle through

life; and he, yet more, who can place upon our walls the canvass

glowing with life, becomes the household teacher of successive

generations.' The orator next repudiates the idea, that labor-saving

machinery has ever been the cause of permanently injuring the

working-classes; and this position he clearly establishes, by a

variety of well-chosen illustrations. A few remarks succeed, in

relation to improvements in matters of comfort and economy, of which

advantage might be taken by American house-keepers. The French

bed, consisting of two thin matresses of wool, upon a foot deep of

hay or straw, is pronounced to be four times as cheap as ours, and

twice as comfortable. One half of the fuel, too, which is burnt in

this country, the writer avers, is literally thrown away, the heat

passing into the dead wall of the chimney. This is doubtless true.

The excellent stoves of Dr. NOTT, however, now so generally demanded

in all parts of the country, from his capable successors, Messrs.

STRATTON AND SEYMOUR, of this city, have done much toward awakening

attention to the great economy of heat and fuel, which they exemplify

and inculcate.

Labor, the writer justly contends, exercises and tasks the intellect;

and he repels, with proper earnestness and force, the too common

error, that the mind never labors, save over the written page or the

abstract proposition. 'The merchant, the manufacturer, the mechanic,

is often a harder thinker than the student. The machinist and the

engineer are employed in some of the finest schools of intellect.'

The tasks for which no such consideration can be pleaded, such as the

dull, heavy labors of the hod, the writer humanely hopes some method

may yet be found to relieve.

Could any thing be more admirably reasoned, or more beautifully set

forth, than the arguments in favor of the true nobility of labor,

contained in the annexed paragraphs:

"How many natural ties are there between even the humblest

scene of labor, and the noblest affections of humanity! In this

view, the employment of mere muscular strength is ennobled.

There is a central point in every man's life, around which

all his toils and cares revolve. It is that spot which is

consecrated by the names of wife, and children, and home. A

secret and almost imperceptible influence from that spot,

which is like no other on earth, steals into the breast of the

virtuous laboring man, and strengthens every weary step of

his toil. Every blow that is struck in the work-shop and the

field, finds an echo in that holy shrine of his affections.

If he who fights to protect his home, rises to the point of

heroic virtue, no less may he who labors, his life long, to

provide for that home. Peace be within those domestic walls,

and prosperity beneath those humble roofs! But should it ever

be otherwise; should the time ever come when the invader's

step approaches to touch those sacred thresholds, I see in the

labors that are taken for them, that wounds will be taken for

them too; I see in every honest workman around me, a hero.

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