I accepted the third likewise; and I have told you about the fourth....

I have tried to kill _Martin Renard_. He was killing me. I have, in

the pages of the _Falchion_, actually killed him; but I have had to

resuscitate him. I cannot escape from him....

I am not setting down one word more of this than bears directly on my

tale of Andriaovsky's "Life." For those days, when my whole future had

hung in the balance, _were the very days covered by that portion of

Andriaovsky's life at which I had now arrived_. I had reached, and was

hesitating at, our point of divergence. Those checks and releases which I

had at first found so unaccountable corresponded with the vicissitudes of

the _Martin Renard_ negotiations.

The actual dates did not, of course, coincide--I had quickly discovered

the falsity of that scent. Neither did the intervals between them, with

the exception of those few days in which I had been unable to complete

that half-written sentence--the few days immediately prior to my

(parallel) acceptance by the _Falchion_. But, by that other reckoning

of time, of mental and spiritual experience, _they tallied exactly_.

The gambling chances of five years ago meant present stumblings and

haltings; the breach of faith of an editor long since meant a present

respite; and another week should bring me to that point of my so

strangely reduplicated experience that, allowing for the furious mental

rate at which I was now living, would make another node with that other

point in the more slowly lived past that had marked my acceptance of the

offer for the second half-dozen of the _Martin Renards_.

It had been on this hazardous calculation that I had made my promise to

Maschka.

I passed that week in a state of constantly increasing apprehension.

True, I worked at the "Life," even assiduously; but it was plain sailing,

mere cataloguing of certain of Andriaovsky's works, a chapter I had

deliberately planned _pour mieux sauter_--to enhance the value of the

penultimate and final chapters. These were the real crux of the "Life."

These were what I was reserving myself for. These were to show that only

his body was dead, and that his spirit still lived and his work was

still being done wherever a man could be found whose soul burned within

him with the same divine ardour.

But I was now realising, day by day, hour by hour more clearly, what I

was incurring. I was penning nothing less than my own artistic damnation.

Self-condemned, indeed, I had been this long time; but I was now making

the world a party to the sentence. The crowning of Andriaovsky involved

my own annihilation; his "Life" would be my "Hic Jacet." And yet I was

prepared, nay, resolved, to write it. I had started, and I would go

forward. I would not be spewed with the lukewarm out of the mouth of that

Spirit from which proceeds all that is bright and pure and true. The

vehemence with which I had rejected its divine bidding should at least be

correspondent with my adoration of it. The snivelling claims of the

Schofields I spurned. If, as they urged, "an artist must live," he must

live royally or starve with a tight mouth. No complaining....

And one other claim I urged in the teeth of this Spirit, which, if it

was a human Spirit at all, it could not disregard. Those pigeon-holed

obituaries of mine will proclaim to the world, one and all, the virtues

of my public life. In spite of my royal earnings, I am not a rich man. I

have not accepted wealth without accepting the personal responsibility

for it. Sick men and women in more than one hospital lie in wards

provided by _Martin Renard_ and myself; and I am not dishonoured in my

Institution at Poplar. Those vagrant wanderings with Andriaovsky have

enabled me to know the poor and those who help the poor. My personal

labours in the administration of the Institute are great, for outside

the necessary routine I leave little to subordinates. I have declined

honours offered to me for my "services to Literature," and I have never

encouraged a youth, of parts or lacking them, to make of Literature a

profession. And so on and so forth. All this, and more, you will read

when the day comes; and I don't doubt the _Falchion_ will publish my

memoir in mourning borders...

But to resume.

I finished the chapter I have mentioned. Maschka and her fiancé kept

punctiliously away. Then, before sitting down to the penultimate

chapter, I permitted myself the relaxation of a day in the country.

I can't tell you precisely where I went; I only know it was somewhere in

Buckinghamshire, and that, ordering the car to await me a dozen miles

farther on, I set out to walk. Nor can I tell you what I saw during that

walk; I don't think I saw anything. There was a red wintry disc of a sun,

I remember, and a land grey with rime; and that is all. I was entirely

occupied with the attempt I was about to make. I think that even then

I had the sense of doom, for I know not how otherwise I should have

found myself several times making little husbandings of my force, as if

conscious that I should need it all. For I was determined, as never in my

life have I been determined, to write that "Life." And I intended, not to

wait to be challenged, but to challenge.... I met the car, returning in

search of me; and I dined at a restaurant, went home to bed, and slept

dreamlessly.

On the morrow I deliberately refrained from work until the evening. My

challenge to Andriaovsky and the Powers he represented should be boldly

delivered at the very gates of their own Hour. Not until half-past eight,

with the curtains drawn, the doors locked, and orders given that on no

account whatever was I to be disturbed, did I switch on the pearly light,

place Andriaovsky's portrait in its now accustomed place, and draw my

chair up to my writing-table.

Widdershins · 第 68 / 71 题