CHAPTER XXXII. THE MANNER OF APPLYING THE SAID COLOUR.

Let your work be dried with a clean cloth, then by means of a few

feathers streak it over with the above concoction in the same way as

you did when colouring the gold with the verdigris mixture. Then put

it on the fire. When you see it drying and beginning to steam hard

(do not let it steam quite dry) dip it in cold water. Then clean it

up, & once again let it simmer slowly in the tartar solution[189] for

such space as you may say an Ave Maria; yet again clean it in water

and polish it where you will. This gives the loveliest gilding and

of the most beautiful colour that can be made, and lasts for ever.

FOOTNOTES:

[189] _Bollire freddo nella grommata._

The treatises of Benvenuto Cellini on goldsmithing and sculpture · 第 32 / 37 章