The orchestra struck up the opening bars of «Mefistofele.»

Martin was sitting out by the balcony railing with Henrik Rissler. They

listened to the music, looked out across the terraces, and said little.

Henrik Rissler had a smooth white forehead and calm limpid eyes. His

glance was long and questing; it seemed to slip over the objects

nearest it in order more quickly to reach those farther off. He was the

only one of Martin’s comrades who had sought his company outside of

school. They used to go to each other’s homes in the afternoon to talk

and smoke cigarettes, and once in a while they had gone on long walks

together, often in rain, snow, or wind, out to the park or through the

suburbs, talking the while of everything that concerns young men, of

girls and God and the immortality of the soul. Or they would go into

the gas-lighted streets with the sensation of throwing themselves into

the turmoil of the world, would stand in front of etchings in book-shop

windows, where they admired beyond everything a lithograph entitled

«Don Juan in Hades» with a motto from Baudelaire:

The hero all the while, half leaning on his sword,

Gazed at the vessel’s wake and deigned not to look up.

This picture excited their imagination, their hearts beat more quickly

when in the current of humanity they brushed elbows with a pretty girl,

and they believed they were living through an entire adventure every

time an old painted professional threw them an ardent glance.

But the original cause of their friendship was that they had both read

Jacobsen’s novel, _Niels Lyhne_, and loved it more than other books.

Inside the house the others were talking and laughing around the

punch-bowls, forming themselves into groups and coteries. Most of them

grouped themselves after their old custom according to social and

intellectual similarities and differences, which even on the school

benches had united some and separated them from others; Gabel and

Billfelt, Jansson and Moberg, Planius and Tullman. Others went about

somewhat morosely and talked about all keeping together.

Josef Marin rapped on a bowl and called for a toast «to the ontological

proof.» It was drunk with rather half-hearted acclaim. Everyone was so

tired of school matters that it didn’t seem worth the trouble even to

make fun of them.

Josef Marin was to be a clergyman, but he was still not quite settled

in his faith.

The music played student songs, «Stand Strong!» and «Here’s to Happy

Student Days!» Dusk began to fall over the tops of the trees, over

the roofs and chimneys of the city and the heights of the southern

mountains, the pallid dusk of spring twilight, which rarefies and

uplifts all things, making them hover with the unreality of a dream

world. The crowd, who were clinking glasses and drinking down on the

terrace and who a little while ago could still be clearly divided into

their component parts as lieutenants and students, guardsmen and girls,

and townsfolk with their wives and children, had now melted together

in the dusk into an indefinite mass. As though by an inexplicable

caprice the murmur suddenly became silent, so that for the moment one

could hear the plash of the water in the fountain and the last sleepy

bird-notes from the trees. And in the west already flamed a solitary

and mighty star.

«Look at Venus,» said Henrik; «how she glitters!»

Martin sat contemplatively drawing on the table, and the strokes under

his hand formed themselves into a woman’s arms and breast.

«Tell me,» he asked suddenly--he felt that he was blushing--«tell

me, do you think it’s possible for a man to live chaste till real

happiness in love comes to him? That’s surely what one would wish. To

be with women whom one has no feeling for, who belong to another class,

who have dirty linen and use ugly words and only think about being

paid--that must be loathsome.»

Henrik Rissler too became a little red.

«It’s possible,» he said; «yes, for some it’s always possible. People

are so different. But I know this much of myself, that it will hardly

be possible for me. Then at least the great love mustn’t keep me

waiting much longer.»

They sat silent and gazed at the star, which glittered ever more

brightly in the darkening blue.

«Venus,» Martin murmured, «Venus. She’s a great and beautiful star. But

I don’t see why she should have a name. Anyhow, she doesn’t come when

she’s invoked.»

Martin suddenly heard a strange voice behind his chair.

«Very true,» said the voice, «very true. She doesn’t come when she’s

invoked. An equally mournful and accurate observation!»

Martin turned in surprise. The stranger was a man carelessly dressed,

with a student cap, a pale narrow face and black mustaches which hung

down over his mouth so that it wasn’t easy to see whether he smiled or

was serious. His face looked oldish for the white cap, and it was not

entirely clean.

One of Martin’s companions stood beside him and made the introduction,

«Doctor Markel.»

Doctor Markel had come there with an older brother of Billfelt’s. They

had come from Upsala that day, eaten dinner at Hasselbacken, and then

invited themselves to share the student supper. The elder Billfelt

was giving a talk inside at the moment. Martin heard something about

«Upsala» and «alma mater.»

Doctor Markel sat down beside Henrik and Martin without further

ceremony.

«Two young poets, eh?» he asked. «I venture to assume so, since the

gentlemen sit here by themselves apart from the vulgar throng and talk

about the stars. May I ask what your attitude toward life is? Do you

believe in God?»

Henrik Rissler looked at the stranger in surprise, and Martin shook his

head.

Doctor Markel looked entirely serious, except that there was a slight

mist over his eyes, which were large and mournful.

Some of the others had come up and were now listening to the

conversation. Planius and Tullman presented the same docile

countenances with which they had listened in class to the exposition of

the instructor. Gabel simpered sarcastically with his fine aristocratic

face, and behind him Josef Marin pressed up. Josef Marin was short

and slight; he looked pale and overworked. The two or three glasses

of punch he had drunk had already made him a bit convivial; but now

when he heard a serious question proposed and could not see that there

was any joke behind it, he broke in with all the earnestness he could

summon up at the moment: «I believe in God. But I don’t conceive Him as

a personal being.»

Doctor Markel seemed pleasantly surprised.

«Oh, you are a pantheist, charming! That’s what you must be too»--he

turned to Martin--«you who are studying to be a poet. For poets and

those who want to seduce girls--and that all poets wish--I cannot

sufficiently recommend the pantheistic conception. Nothing can be

more suited for turning the head of a young girl than the pantheistic

rhapsodizing with which Faust answers Gretchen’s simple question, ‹Do

you believe in God?› If he had answered as simply and unaffectedly as

she asked, ‹No, my child, I don’t believe in God,› you may be sure

the girl would have crossed herself, run home to her quiet chamber,

and turned the key twice in the lock. Instead he answers that he both

believes and disbelieves--which gives the impression of deep spiritual

conflict--and that God is really a name for the feeling that two lovers

have when they lie in the same bed. This he says with much feeling and

in beautiful language, so that it does not shock her modesty; on the

contrary, she thinks he talks like a priest, and the rest we know----

And for a poet---- But first allow me as an elder student....»

With easy familiarity Doctor Markel drank brotherhood with all who were

within range and then continued:

«For a poet, pantheism is a pure godsend, a regular gold-mine. If

he is a churchman, he will be given the Order of Charles XIII and

a good income, but will only be read by missies and be ridiculed by

the liberal papers, which have the largest circulation. If he is an

atheist, he will be considered a shallow and superficial fellow, a

poor sort, and he will have a hard time to borrow money. No, a poet

should believe in God, but in a god who is out of the ordinary run,

something not yet existent, never before shown in any circus, that

one can never really get hold of, for then the game would be up. The

pantheistic god is exactly the raw material needed for such a being.

That is the ideal for a god. Each and every one can carve him to his

own taste, he is never without humor, he never punishes and of course

never rewards either, he takes the whole show easily, which comes from

the fact that he lacks a small characteristic that even the simplest

of the town rowdies possesses to some extent: namely, personality.

That’s just the choice thing about him. To a personal god one must

stand in a personal relation; that is, one must become a religionist.

To be a religionist is excellent if one has just come out of Langholm

jail and needs to be rehabilitated in society. Otherwise it is

unnecessary. You see my drift, gentlemen: to stick to a personal god

entails a lot of unnecessary trouble, to be without a god entirely is

ticklish. Therefore one must have an impersonal god. Such a god sets

the imagination going and comes out finely in poetry without in return

entailing any obligation. With such a god one will be regarded by

cultured circles as a person of noble and enlightened thought and may

become pretty nearly anything from an archbishop to the editor of a

radical newspaper.

«In formal style this god may be called the Allfather, in common speech

the Lord. As a matter of fact he doesn’t need any name, it is with him

as with that star off there: no matter how one calls him, he won’t

come.»

The gesture with which Doctor Markel sought and, as it were, beckoned

to the star met only a dark and sullen firmament, for great clouds had

gathered, the star was gone, it had grown dusky as an autumn evening,

and some big raindrops now began to fall on the railing.

Doctor Markel’s lecture was not well received. Josef Marin, who had

been drinking more punch meanwhile and had become even paler than

before, muttered something to the effect that he ought to have a smack

on the jaw. The others got up in groups and discussed whether they

should go home.

The elder Billfelt took in the situation, rang for the waiter and

ordered champagne. He raised his glass and returned thanks in

well-rounded periods for the cordiality with which he and his friend,

Doctor Markel, representatives of Upsala and alma mater, had been

received by the future alumni. He then paid for the champagne and went

off with Markel.

«Your brother is a gentleman,» said Gabel to Billfelt.

* * * * *

It rained as if the heavens were opened. They crowded into a street car

to go into the city and have coffee. Most of them voted to go to the

Hamburg Bourse.

Martin, who had always believed the Hamburg Bourse was a place where

the German merchants of Stockholm assembled to do business, found

himself to his surprise entering a café that seemed to irradiate a

fabulous magnificence. Here and there on the couches sat some of his

former teachers and a lot of oldsters who lifted their glasses and

nodded genially.

Coffee and liqueurs were brought in. There was talk of future plans.

Most of them were to study law and expected to spend the summer in

reading up. Enthusiasm rose, and rash promises were made to keep in

touch and not forget each other. At one end of the table Gabel and

Billfelt swore eternal friendship; at the other Jansson expatiated on

his feeling for Moberg. It was only with difficulty that Josef Marin

could be restrained from prophesying. When Josef Marin prophesied he

would read out long rigmaroles of stuff, marriage announcements from

the _Daily News_ mixed with bits from Tegnér’s _Svea_ and Norbeck’s

_Theology_, all recited in the solemn monotone with which he imagined

Elisha had chastised Ahab, and Ezekiel foretold the destruction of

Israel and Judah. It was one o’clock, getting on towards two, and

various members of the party had already said good night and gone off,

especially those who seriously meant to read up for law. The crowd

was thinning, the electric light had long ago been turned off, only a

couple of gas jets were still burning, and the waiters stood with the

air of martyrs as they yearned for sleep and _pourboire_. There was

nothing to do but break up.

Outside, the glimmer of dawn had already begun to spread over the

streets and squares. It was no longer raining, but the air felt moist

and cold and misty, and through the mist the clock-face of Jacobs

church shone like a moon in a comic paper.

It was hard to separate, and the company walked some distance down

along the car tracks past the opera house. Out of Lagerlunden came a

group of poets and journalists, and Martin looked at them reverently,

wondering whether it would ever be vouchsafed him to become one of

them. The student caps gleamed white in the night, whereupon moths came

fluttering from right and left, slipping their arms under those of the

young men and tempting them with promises of the greatest happiness

in life, until amid convivial mirth and harmless joking they arrived

at Charles XII’s Square, for Josef Marin had the fixed idea that he

must prophesy before Charles XII. But while he was prophesying, Gabel

caught the prettiest girl around the waist and began to waltz with her

around the statue, Moberg followed and trod a measure with an elderly

bacchante, and Martin stood with a pounding heart staring at a pale

little piece of mischief with eyes as black as charcoal and wondered if

he dared go up to her. But while he was wondering, Planius put an arm

around her waist and scampered off, and Martin stood alone and watched

them whirl about in the mist, pair after pair. But the morning breeze

from the south now began to clear the mist, driving it across the river

like white smoke, and the cross on St. Katarina’s cupola burned like

the morning star in the first rays of the dawn.

A policeman loomed up from down by the docks and gradually came nearer,

one of the girls set up a cry of warning, and the crowd dispersed in

all directions. A stout nymph took Martin by the arm and went along

with him.

«I must hold your arm, ducky,» she said, «or the cop will pull me in.

Besides, you might like to come home with me, eh? I’ve a right nice

place, you’ll see. I have a big lovely bed and sheets I embroidered

myself. I sit and embroider mornings mostly. One must have some fun for

oneself, and I can’t stand playing cards with mamma day out and day in

like the other girls, and they swear and carry on and act vulgar. I

don’t care about that sort of thing; I like nice agreeable boys like

you. If you’re real nice and come to me and come often, I’ll embroider

you a nightshirt for a keepsake----Oh, you haven’t any money! The

hell, you say; that’s another pair of galoshes! Then you must come

again when you have some. Just ask for Hulda. But tell me, is it true

there’s a girl at Upsala that’s called Charles XII?»

[Illustration: Two people by streetlight]

«Not that I know,» answered Martin.

«Well, good-by then»....

It was not quite true that Martin had no money; he still had a few

crowns left from the honorarium for a poem published in the _Home

Friend_ and had only made the excuse so as not to hurt Hulda’s feelings.

--V--

Martin lay awake a long time, unable to sleep. It was the little pale

girl with the black eyes that left him no rest. She had stood there so

pale and still and lonely; she had not taken any one’s arm or laughed

or chattered like the others. She had surely been seduced and deserted;

she perhaps had a little child that would freeze or starve to death if

she didn’t get it food and clothes by selling her body. How he would

kiss her if he had her in his arms now, how he would caress her and

give her the tenderest names, so as to make her forget who she was, a

common street-walker, and who he was, a chance customer like all the

rest! With whom was she now? With Planius, maybe. What could Planius

be to her? He was no better looking than Martin and he was as stupid

as a codfish. He had been one of the worst grinds and had only had a

plain «graduated» on his certificate. Why should she pick out just him?

But she, to be sure, had made no choice; she had just taken the first

that came along. Martin understood this and found it quite natural. She

had given away her heart and soul and had no longer anything to give

but her body, so why should she deny that to any one when it was her

profession to sell it and when she had already got as deep in the mire

as a human being can get? Yet still, if Martin could meet her and she

could get to know him, perhaps she might become fond of him and begin a

new life. For her he would give up everything--all his dreams of poetic

fame and his future; he would choose some profession in which he could

immediately earn her and his upkeep; they would be married and live

far away from men in a little house by a lake deep in the woods. They

would row among the rushes in a little boat and dream away the hours,

they would land on an island and be together there all night, while the

stars burned above their heads. He would kiss away all sorrow, all dark

memories from her brow, and would be as fond of her little child as if

it was his own....

But while Martin let his fancy wander thus, he knew quite clearly at

the same time that under all these reveries lay nothing but desire--a

young man’s hunger for a woman’s white body. And the further on into

the night this lasted, while he lay awake and stared at the gray dawn

light trickling in through the blinds, the more bitterly he regretted

that he had said no to the other girl, the fat one.

--VI--

When one asks a young man who has just passed his school examinations,

«What do you intend to be?» he cannot answer, «A poet.» People would

turn away their heads and put their hands over their mouths. He may

answer, a lawyer or a painter or a musician, for a man can train

himself for all these fields at some public institution, and even

in one’s apprenticeship one has a modest place in the community, a

profession to follow, one already _is_ something; a student at the

university, or a pupil in the art school or the conservatory. It is not

much, but still it is always a sop to throw to indiscreet questioners,

and a conceivable future to point to in the case of these more kindly

disposed. But he who is to become a poet is nothing but a mockery

before God and man until he is recognized and famous. He must therefore

during all his long prentice years hang a false sign over his door and

pretend to be busy at something that people consider respectable.

This Martin realized, he found it perfectly natural and not to be

altered, and so when his father asked him what he was to be, he

answered not that he meant to become a poet but that he should like to

work as an extra in a government office. His father was pleased with

this answer, perceiving in it a sign that his son would be as sensible

and happy as himself. He had feared that Martin might want to go to

Upsala and study æsthetics and he felt within himself that he could

not have refused, but he trembled at all the outlay and trouble there

would be for a poor father of a family to keep a son at the university.

He was therefore delighted with the reply and had nothing to remark

except that Martin ought to try to enter not one office but as many as

possible. That evening he invited his son to go to Blanch’s café to

hear the music and drink toddy.

But the very next day he put the affair in motion, speaking with his

acquaintances in various departments and helping Martin to write

applications.

--VII--

Martin had to attend upon the chief of the bureau to which he most

desired to submit his services at eight o’clock in the morning in a

frock coat and white necktie. Cold and hungry, for he had not had

time to eat, he went up the steps of a quiet house in a fashionable

street and rang at the door of the general director. An attendant in

gold braid announced him and opened the door of a dark private room

with curtains only half up. Various articles of dress lay scattered

about here and there on the chairs, a great green laticlave hung on

the mirror, and at the threshold stood a chamber-pot, which he nearly

tripped over but checked himself in time and stood there making an

awkward bow. In the middle of the room stood a venerable old man in a

purple-red satin dressing-gown, gesticulating with a razor, his chin

covered with lather. Then out of the red satin and the white lather

proceeded a voice, which said: «You have a fine student certificate,

young gentleman, but don’t forget that honesty and diligence are and

will continue to be the highest requisites in government service. You

are accepted and may report tomorrow to begin your duties, if there is

anything to do. Above everything, be honest! Good-by.»

Martin assumed that this discourteous injunction was in accord with

ancient custom and refused to be daunted. He went to the office of the

department, where he was given a place at a table and a thick ledger

to inspect. He added up column after column. If the figures came out

right, his duty was to put ticks in the margin; if they did not, he was

to make notes of the fact. But they always did come out right. Martin

gradually came to the conviction that there were never any mistakes in

these accounts, and when this conviction became rooted in him, he gave

up adding entirely and merely put in ticks. Sometimes he looked up from

his real or pretended work and listened to the buzzing of the flies

or the rain plashing on the windowpanes, or to the conversation and

grumbling of the older men, or to a blind man playing a flute in the

yard.

Martin Birck's youth · 第 7 / 11 题