_The Poet deliberates whether he shall continue to write Elegies, or
whether he shall turn to Tragedy._
|There stands an ancient grove, and one uncut for many a year; 'tis
worthy of belief that a Deity inhabits that spot. In the midst there is
a holy spring, and a grotto arched with pumice; and on every side
the birds pour forth their sweet complaints. Here, as I was walking,
protected by the shade of the trees, I was considering upon what work my
Muse should commence. Elegy came up, having her perfumed hair wreathed;
and, if I mistake not, one of her feet was longer _than the other_.
[501] Her figure was beauteous; her robe of the humblest texture, her
garb that of one in love; the fault of her foot was one cause of her
gracefulness.
Ruthless Tragedy, too, came with her mighty stride; on her scowling brow
were her locks; her pall swept the ground. Her left hand held aloft the
royal sceptre; the Lydian buskin [502] was the high sandal for her feet.
And first she spoke; "And when will there be an end of thy loving? O
Poet, so slow at thy subject matter! Drunken revels [503] tell of thy
wanton course of life; the cross roads, as they divide in their many
ways, tell of it. Many a time does a person point with his finger at the
Poet as he goes along, and say, 'That, that is the man whom cruel Love
torments.' Thou art talked of as the story of the whole City, and
yet thou dost not perceive it; while, all shame laid aside, thou art
boasting of thy feats. 'Twere time to be influenced, touched by a more
mighty inspiration; [505] long enough hast thou delayed; commence a
greater task. By thy subject thou dost cramp thy genius; sing of the
exploits of heroes; then thou wilt say, 'This is the field that is
worthy of my genius.' Thy Muse has sportively indited what the charming
fair may sing; and thy early youth has been passed amidst its own
numbers. Now may I, Roman Tragedy, gain a celebrity by thy means; thy
conceptions will satisfy my requirements."
Thus far _did she speak_; and, supported on her tinted buskins, three or
four times she shook her head with its flowing locks. The other one,
if rightly I remember, smiled with eyes askance. Am I mistaken, or was
there a branch of myrtle in her right hand? "Why, haughty Tragedy," said
she, "dost thou attack me with high-sounding words? And canst thou never
be other than severe? Still, thou thyself hast deigned to be excited in
unequal numbers! [506] Against me hast thou strived, making use of my
own verse. I should not compare heroic measures with my own; thy palaces
quite overwhelm my humble abodes. I am a trifler; and with myself,
Cupid, my care, is a trifler too; I am no more substantial myself than
is my subject-matter. Without myself, the mother of wanton Love were
coy; of that Goddess do I show myself the patroness [507] and the
confidant. The door which thou with thy rigid buskin canst not unlock,
the same is open to my caressing words. And yet I have deserved more
power than thou, by putting up with many a thing that would not have
been endured by thy haughtiness.
"Through me Corinna learned how, deceiving her keeper, to shake the
constancy of the fastened door, [508] and to slip away from her couch,
clad in a loose tunic, [509] and in the night to move her feet without
a stumble. Or how often, cut in _the wood_, [510] have I been hanging
up at her obdurate doors, not fearing to be read by the people as they
passed! I remember besides, how, when sent, I have been concealed in the
bosom of the handmaid, until the strict keeper had taken his
departure. Still further--when thou didst send me as a present on her
birthday [511] --but she tore me to pieces, and barbarously threw me in the
water close by. I was the first to cause the prospering germs of thy
genius to shoot; it has, as my gift, that for which she is now asking
thee."
They had now ceased; on which I began: "By your own selves, I conjure
you both; let my words, as I tremble, be received by unprejudiced ears.
Thou, the one, dost grace me with the sceptre and the lofty buskin;
already, even by thy contact with my lips, have I spoken in mighty
accents. Thou, the other, dost offer a lasting fame to my loves; be
propitious, then, and with the long lines unite the short.
"Do, Tragedy, grant a little respite to the Poet. Thou art an everlasting
task; the time which she demands is but short." Moved by my entreaties,
she gave me leave; let tender Love be sketched with hurried hand,
while still there is time; from behind [514] a more weighty undertaking
presses on.