CHAPTER XXII

"SAMSON AGONISTES"

As Revere and Barry walked down the hill the soul of the younger man

was filled with light-hearted joy. He talked gayly to the old sailor,

who had speedily joined him; and although the monologue--since Barry

had said nothing--could not have been called a conversation, Richard

did not heed his silence.

It was but a short distance from the house to the ship, but in the

brief time required for the passage Barry lived over his life, or that

part of it at least which was of moment. As life is compassed in

instants to the drowning, so in these seconds through his mental

vision swept the past. He saw again the admiral as he had seen him in

the prime of manhood; he recalled once more the blue-eyed, sunny

little baby he had held so tenderly in his unfamiliar arms; who, in

the society of the two men, had grown to be a woman whom he loved. The

days and years of happy companionship, of humble and faithful service

on the one hand, of kind and generous recognition on the other, passed

before him with incredible swiftness.

The thought moved him to a sudden tenderness. As his eyes fell upon

the gay, debonair figure walking so carelessly by his side, he

hesitated. For a moment his determination wavered. Revere did not look

or act like a scoundrel, perhaps; but with equal swiftness came the

terrible evidence of those papers, those damning papers in the locker!

The ship, the maiden! The one was to be sold, the other betrayed.

Under God, that should never be! And he had kissed her. He was bound

to another. And she loved him and had wept before him. This trifler

was breaking her heart.

Every laugh that rang in his ears in his changed mood added intensity

to his malign purpose. He was no murderer, though. He believed

himself a chosen instrument in God's hand to effect a mighty

purpose,--salvation to those he loved.

Alas! humanity is never so hopelessly blind as when it does wrong,

believing that God sanctions it for some longed-for end.

The two men stopped as they reached the ship.

"It's just here, sir," said the old sailor, hoarsely. "I've been

examinin' her all mornin'. The supports is rottin' away. I think a

touch'll send her down. Would you mind goin' in there an' takin' a

look?"

He pointed toward a place on the keel enclosed between two rows of

weather-worn timbers, which supported, or helped to support, the body

of the ship. It was the place where, the night before, he and Emily

had pledged their hearts to each other and solemnly plighted their

troth. Revere recognized the spot, of course, with a thrill of

recollection; but of course he made no mention of the fact. Barry knew

it, however, and for that reason he had chosen it. The choice was part

of his revenge. Where Revere had loved--or trifled--there he should

die!

"Looks bad, doesn't it?" Revere said, walking into the _cul-de-sac_ so

carefully prepared for him, and stooping down and laying his finger on

the mouldering keel.

Barry promptly followed him and stood between the outermost

stanchions, barring the exit. The unconscious Revere was completely

enclosed. The keel on the rotting ways was in front of him, on either

side the close rows of supports, overhead the mighty floor of the

ship, back of him the huge form of Captain Barry. He suspected

nothing, however,--how should he?--until he turned to go back after

his brief examination, when he was greatly surprised to find the way

blocked.

His situation beneath the ship was such that he could not even stand

upright, but was forced to remain in a crouching position of great

disadvantage before the sailor. The old man stood with his arms

extended from stanchion to stanchion, a perfect tower of strength and

determination. It was useless for Revere, even if he had realized at

that moment what was about to happen, to attempt to move him by force.

In his weakened state he could do nothing. Even at his best he was no

match for the huge old giant barring his way.

The old man's face was engorged with blood, his jaw was set rigidly,

and a little fleck of foam hung upon his nether lip. There was such a

glare of demoniac rage in his eyes, such an expression of mortal

bitterness and malevolent antipathy in his grim and forbidding

countenance, that the heart of the young man, though he was as brave a

sailor as ever trod a deck, sank within him. He was fairly appalled by

this display of sinister and unsuspected passion.

"My God, man!" cried Revere. "What's the matter? Stand aside!"

"No, sir, you can't pass me. I'll never stand aside. Say a prayer,

for, as there's a ship above you an' a God that favors no traitors,

your hour is come."

His usually rough voice, harsher than ever on account of his emotion,

was shaking with passion.

"What do you mean?"

"I mean to kill you where you stand, where you kissed her last night,

you traitor, you dog, you that disgraces your uniform, you that sells

my ship, mine! You that robs the old admiral of life, that betrays

Miss Emily, that breaks her heart! You thought to play with that

child. But I know you! I found your orders. I read 'em, curse you! To

sell the ship,--God! my ship, that I've lived on, that I've loved, for

twenty-five years! I read your letters writ by that woman you're goin'

to marry! I saw you kiss Miss Emily, I saw her go from you cryin'!

Tears for you, damn you! You've got to die, an' I'll die with you!

You'll have the company of a better man to hell, where you belong!"

The old man's voice rose almost to a scream as he recounted the ideas

which had goaded him to this madness. The torrential sentences of the

grim indictment fairly burst from his lips with ever-increasing force

and fury. Revere heard him in a daze of surprise, at first scarcely

comprehending the man's meaning; yet, after all, his words explained

many things. As soon as the lieutenant found voice he protested.

"Barry, I swear to you----"

"Silence! It's too late to swear!"

Revere was brave; he fain would not die without a struggle for his

life. Indeed, he had not divined the manner of his death; but before

he could spring forward, Barry, as if he understood what he was about

to do, said, ruthlessly,--

"Stand where you are! If you move, I'll kick you to death like a dog!"

He could easily have done it, as the advantage of position was with

him. Rather anything than that, thought Revere, shuddering at the

brutality of it. A prisoner, he could do nothing. The man was mad. If

he chose to carry out his purpose, whatever it might be, the young man

was helpless.

"Very well, Barry," he said, instantly accepting the situation, and

summoning all his resolution to meet the inevitable, though his cheeks

and lips were white, "you saved my life once, you may take it back

now. I wish I could die standing, but if I cannot, why kneeling is as

good a way as any for a man to meet his Maker. You tell me to say a

prayer. Here it is. May God have mercy on your soul and on my soul,

and may He keep the child. That's all."

Not moving from his position, the old man began kicking at the

stanchions. The one on the right was defective, and gave way and fell

at the first blow. A shiver seemed to run through the ship; Richard,

for the first time, divined what was about to happen. He looked

forward and aft. The effective supports were all gone; some rotten

ones remained, outwardly intact, but bound to go under almost any

pressure; the few sound ones left had been carefully sawed almost

through. Why had he not noticed it? The whole ship, therefore,

practically rested on a single stout stanchion toward which Barry had

already turned. It was a splendid piece of timber, and Barry had put

it in himself a year before. When that came down, the ship would crash

into ruins and bury them beneath it.

As the prop upon the right had fallen, the hope leaped into his mind

that he might get away through the gap; but Barry reached down and

grasped him by the collar with one hand the instant the way was open,

and held him firmly while he turned his attention to the other

stanchion. It was hopeless for Revere to attempt anything.

Strange as it may seem, there was a certain admiration for the sailor

in Revere's mind, even in that frightful moment. He realized that the

attack upon him was not inspired by any petty cause. Given the belief

of the sailor, it was natural; he respected him for his desire to stop

what he believed to be base treachery; and Revere could have loved him

for his willingness to sacrifice himself to prevent what he conceived

to be a crime against the life of the admiral, the happiness of Emily,

and the existence of the ship.

"Barry," said Revere, calmly,--he was quite master of himself now,--as

the old man struck the last sound support a heavy blow with his foot,

"I must tell you, not because I am afraid to die, or because I fear

you, but to acquit myself of evil purpose in your mind, that my

engagement with that other woman is broken; that not an hour ago, in

my mother's presence, the admiral promised to give me his

granddaughter to be my wife."

"The ship?" cried Barry, hoarsely, as he felt his vengeance slipping

away from him, the cause itself being taken.

"I offered to buy it myself and leave it standing until it fell."

Men do not often lie in the very presence of death, and truth spoke in

the younger man's voice,--truth so clear that it pierced the tortured

soul of the jealous, mad, broken sailor. But, like many another man

convinced against his will, he refused to accept these statements. It

was a device, a cunning attempt to stay his hand and gain a life. He

would not heed.

"I don't believe you, damn you!" he said, kicking furiously at the

stanchion.

The last blow loosened it. Under the tremendous pressure from above,

the stick began slowly, very slowly, to slide on its wooden shoe. Its

motion was scarcely perceptible, yet it moved. Barry released his hold

on it, took a single backward step, and Revere rose to his feet. Barry

instantly grappled him with both hands. Revere was as a child in that

iron grasp. He did not struggle. He would preserve his dignity in the

face of death, and to attempt to escape would have been futile,

anyway. The two faces confronted one another, the sailor's convulsed

with anguish and rage, the officer's pale, but smiling a little; both

equally determined.

Forward and aft the rotten or sawed supports were giving way in quick

succession. Above them the ship was trembling and shivering from stem

to stern. A strange creaking was heard. A moaning cry, swelling into a

deep groan of anguish that had a sound of despair unspeakable in it.

The death-song of the ship! It was coming down on the ways! Moving

toward the water at last!

Fascinated, Revere turned his face upward and watched the shivering

frame above his head, murmuring, as he did so, Emily's name. The huge

bulk seemed to rise in the air for a second. To his distorted vision

it appeared to sway back and forth, up and down, yet it had scarcely

begun to move.

Ah! was it upon them?

It all happened in a few seconds. In another it would be over. Revere

closed his eyes.

At that instant a scream fraught with terrible agony broke upon the

ears of the two men.

"The ship is falling!" cried Emily's voice, high-pitched, shrill with

mortal terror. "Richard! What are you doing? Oh, God! Captain Barry,

save him!"

"Would that she might have been spared this!" flashed into Revere's

mind. He would have called to her had not something happened

instantly.

The voice awakened the dormant reason in the old man's being. She

loved this boy; perhaps he had told the truth.

"Save him! save him!"

The words rang in his ears. He had never disobeyed a command of hers.

He would not now. Too late! There was a terrible grating sound; the

last stanchion was grinding in its wooden shoe; it was sliding faster!

In another moment the ship would be upon them! He had turned his head

as the first cry had met his ear, and had seen in one swift glance

Emily and another woman not a hundred feet away. Emily was bending

forward, her hands outstretched, struggling. She would have run to

them under the ship had not the other woman held her firmly,

protectingly. Both girls were white as death.

Barry seized Revere by the collar and threw him violently far from

him. The young man pitched downward and fell headlong on the grass in

the direction of the two women. The ground sloped abruptly away toward

the water on that side of the ship. In that same instant the sailor

threw up two great arms and caught the impending ship. He took the

place of the quivering, buckling, sliding oaken timber. For a second

he stood there in mighty majesty, a pillar of strength and resolution,

a tower of flesh and blood, sustaining a ship-of-the-line, a human

stanchion, magnificent in the frenzied, awful expression of a power

superhuman. Rigid, unbreakable, indomitable, he shored up the

ship,--Atlas holding the world!

"Go!" he gasped.

Revere, who had risen instantly, stepped toward him as if to assist

him.

"Go! Can't hold----"

It had come. Angry at the momentary check, the ship fell upon the man

as an avalanche falls upon the mountain. Beneath it the mighty knees

were bowing, the stubborn back bending, the great arms trembling.

Revere sprang backward and slipped far down the slope.

As he fell he caught sight of burning eyes from a face white as the

sea-froth, of lips set and bloodless, of jaws clinched, of sweat

standing upon a bronzed forehead--picture impressed upon his soul

forever!

There was a mighty roaring, detonating crash and all was over.

Crushed were the mighty arms, beaten down the massive shoulders,

broken the iron knees. The life of the man went out in the fall, and

the blood of his heart rippled along the blocks of the keel. With a

concussion like the discharge of a battery, the mighty war-monster

collapsed into a shapeless mass of timber, burying beneath it the man

who had loved it best. The ship that had been his own was nothing but

a heap of ruins above his still heart.

A cloud of dust rose and hung over the wreck in the quiet air.

War was to have been the trade of that ship-of-the-line. Blood should

have run upon her white decks, death she should have dealt out and

received, great battles should have made her famous, heroic men should

have written her name eternally on the red pages of her country's

history. Now it was finished; and yet, in the ending at least, there

had been a slight fulfilment of her destiny--to kill.

No struggle could have been more superb than the quiet one just over;

no effort more magnificent, no conflict more terrible, than that

between the man and the ship. No ship had ever claimed a nobler victim

than Barry, after all, and no fate could have been more fitting than

that which had come to man and ship together in the end.

The old war-vessel had lived through the still ages of peace, had

survived the long period of decay, had endured the disintegrating

assaults of time, only to accomplish her manifest purpose of

destruction as she fell.

And the hand that had loved her was the hand that had laid her low!

With dreadful feelings in their hearts, the three stood looking at the

ruins of the ship.

"Barry! Captain Barry!" screamed Emily, wildly. "Where is he?"

"There!" gasped Revere, hoarsely.

"And is there no hope?"

"None. He is gone forever. My God, wasn't it terrible? He held up the

ship!"

"Grandfather!" cried the girl, distraught. "Let us run to him."

The old man still sat on the porch, staring at what had been the

object of his gaze for so many years. There was a peaceful, yet

sorrowful, look upon his face. He had seen the ship fall; he realized

that his hour had come. He was fronting death and he knew it, yet he

was as calm as he had been when he had fronted death many times years

before. They gathered about him, understanding, helpless.

"Ay," he said, "the cruise is over. Where's Barry?"

"Under the ship, sir."

"And a good end! Strike the flag. I've lost my last command."

Instantly Revere ran to the foot of the staff and silently cast off

the halliards. As the little blue flag of a rear-admiral, with its

white stars, came floating gracefully, reluctantly, down from the

masthead where it had flown so long, the veteran slowly and painfully

rose to his feet. With his right hand he lifted the sword of the

_Constitution_, with his old vigor and his old grace he bared the

blade and brought it up before him in graceful salute, while the flag

fell into Revere's arms.

"Come aboard, sir," he said, softly, as if to an Eternal Captain.

He stood erect a moment and then sank gently back into the chair. For

the first time in his life he forgot the weapon in his hand. The sword

fell clattering at his feet. The emblem of power, authority, and rank,

all now slipping from him, lay neglected where it fell. A smile

quivered upon his lips, but otherwise he sat still and quiet, looking

out into the future. A few seconds. The light faded from his eyes, the

life left his heart. The ship had fallen, the flag was down. It was

the end.

The old man had entered the last haven, dropped anchor in the final

harbor. The little breeze which lifted his white hairs so tenderly had

wafted his soul into another country, a better--that is, an heavenly!

With a low cry, Emily threw herself on her knees before him.

Down on Ship House Point a light, a flame, burst out amid the torn and

shattered timbers. In a few moments the ruins of the now unheeded ship

were blazing furiously. Barry had cunningly planned it so that the

ship, after it had buried him, should be his funeral pyre.

Fitting it might have been, thought Revere in his heart, as he looked

at the flames roaring up from the ship, if the body of the admiral,

like that of the Vikings of old, might have been laid upon its burning

timbers.

* * * * *

L'ENVOI.

When he was buried, his country, recognizing his merit and remembering

his services again, sent its best to honor him in death. Admiral

Farragut, with a brilliant staff, was there. He was of the navy of the

present, Revere represented the navy of the future, and both stood

together at the grave of the navy of the past.

They buried him on the high hill overlooking Ship House Point. Down on

the Point, at the admiral's feet as it were, and just where the ship

had stood, Revere erected a huge block of rough granite which bore

this inscription:

JOHN BARRY,

Chief Boatswain's Mate of the

United States Ship-of-the-Line _Susquehanna_,

Who perished in the fall of that ship, September 20th, 1865.

"_Greater love hath no man than this, that a man lay down

his life for his friends._"

In the lofty character of his motives, in the atonement of his

self-sacrifice, in the greatness of his end, his purpose of

destruction was forgotten.

When his naval duties permitted, Emily and Richard often came back to

the old white house on the hill in the summer, and to Charles Stewart

Revere, John Barry Revere, little Emily Revere, and Richard Revere,

Junior, it was the most fascinating spot on earth. They stand with

their father by the huge Celtic cross which marks the admiral's

resting-place, and hear again the story of the sword of the

_Constitution_, destined one day to be drawn against the country in

which it had been made. Or--and this they like even better--they sit

with their mother (lovelier in Richard's eyes with every passing year)

beneath the shadow of the mighty rock on the Point, while she tells

them stories of old John Barry, and how at the last he held up the

ship.

_Part II_

VERACIOUS TALES OF VARIOUS SORTS

"When fiction rises pleasing to the eye,

Men will believe, because they love the lie;

But truth herself, if clouded with a frown,

Must have some solemn proof to pass her down."

CHURCHILL

"'Tis strange--but true, for truth is always strange,

Stranger than fiction."

BYRON

"Variety's the very spice of life."

COWPER

Copyright, 1900 and 1902, by J. B. Lippincott Company.

Copyright, 1901 and 1902, by Charles Scribner's Sons.

Copyright, 1902, by Henry T. Coates & Company.

Copyright, 1902, by The Golden Rule Company.

Copyright, 1902, by Daily Story Company.

Copyright, 1902, by Cyrus Townsend Brady.

COUPS DE THEATRE

"The world's a theatre, the earth a stage,

Which God and Nature do with actors fill."

THOMAS HEYWOOD

A VAUDEVILLE TURN

COMEDY

"My soul, sit thou a patient looker-on,

Judge not the play before the play is done:

The plot has many changes: every day

Speaks a new scene: the last act crowns the play."

FRANCIS QUARLES

The most popular theatre in America, according to the advertisements,

where nothing was played but the "continuous," was packed from parquet

to top gallery with a perspiring crowd of pleasure-seekers one hot

August night. The papers had said--_via_ the society columns, of

course--that everybody was out of town for the summer, and

incidentally, therefore, that all the ordinary places of amusement

were closed, except _Les Varietes_. However, the city was not quite

deserted; for, of the anchored ninety-nine hundredths of the

population, all who could do so, apparently in despair of other

amusement, and attracted by the popular prices, had crowded into "the

home of refined vaudeville," as it was called on the programme. The

house was fluttering with fans; most of the spectators and actors felt

as though they were slowly deliquescing in perspiration, but, on the

whole, the audience seemed to be enjoying it.

The usual _melange_--how natural and appropriate it seems to use

French words when treating of the vaudeville!--of entertainments

entirely suited even to a Mrs. Boffin, become a world-wide type of

matronly modesty and virtue--had been provided by the high-minded and

scrutinizing management. Ladies in short skirts capered nimbly over

the stage to the "lascivious pleasing" of the banjo; gentlemen with

one leg rode marvellously endowed bicycles in impossible ways;

tumblers frisked and frolicked about without the slightest regard

either for temperature or gravitation; happy tramps,--at least the

announcements said they were happy,--whose airy, carefully tattered

garments were in entire consonance with the heated atmosphere,

delivered themselves of speeches full of rare old humor and fairly

bristling with Boeotian witticisms. There were men singers and women

singers, musical cranks, freak piano-players, monologue artists,

burlesquers, and then a little play,--at least they said it was a

play.

So with these multifarious stirrers-up-of-varied-emotions the evening

drew toward its close. Finally, just before the biograph went through

its eye-shattering, soul-distressing performance, the little boy who

walked solemnly across the stage before each turn with such a queer,

self-important strut that the regular patrons--those who came early

and brought their luncheon--felt disappointed when he took a vacation,

set out upon the racks, provided on either side of the proscenium arch

for the purpose, a tablet bearing the name "Mademoiselle Helene."

When the curtain rose thereafter the stage was set for a woodland. The

lights were turned thrillingly low, so that the expectant audience

were scarcely aware how the tiny little body, whom they saw standing

in the full blaze of the calcium-light ray suddenly flashed upon her

from the mysterious apparatus in the balcony, had reached the centre

of the stage.

The little miss was apparently not more than six years old. She had

short white stockings on her plump little pink legs, and her dainty

feet were covered with black ankle ties. She wore fluffy little pink

and white skirts like a ballet-dancer, and with her little bare arms

she blew graceful kisses to the audience as she bounded before it.

With her sweet blue eyes, her golden hair, she made a beautiful

picture, as she pirouetted around the stage on the tips of her ten

little toes, kicking up her little legs, bending her back, wriggling

her skirts in imitation of older and more sophisticated

performers,--to put it mildly,--which would have been more amusing if

it had not been a little pitiful.

So little, so cool, so sweet, so fresh, so innocent she seemed, that

in the hot theatre on that hot night no wonder a great, rapturous

"oh-h-h!" of delight and approbation burst from feminine lips--and

masculine ones, too, if the truth be told. As the little maid in

perfect silence continued her dance, exclamations of admiration rose

from the audience, and when she finished her first turn and stopped

panting, bowing, hand-kissing, the theatre rang with hand-clapping.

Though some of the fathers and mothers in the audience, with thoughts

of their own little folk, murmured under breaths, "What a pity! She

ought to be at home in bed!" the witchery of her movements and the

charm of her face were as strong upon them as they were upon the

others; more so--they had children of their own.

As she stopped and stood alone on the large stage after her final

_pas_, bowing again and again and throwing more kisses in that sweetly

infantile way, there was a commotion among the people enjoying

"standing room only" in the passage-way at the back of the parquet. A

tall, broad-shouldered man forced himself through the crowd, in spite

of angry remonstrances and rude resistance, and ran down the aisle.

His pale face was working with emotion, his eyes shining.

"Nellie!" he cried as he ran, in a voice that vibrated above the

applause in the theatre. "Don't you know me? Nellie! Nellie!" he

continued, stretching out his arms toward the little girl.

The noise of clapping hands died away as if by magic, as they heard

the cry, full of love and longing. The man stopped in full view of the

great audience. The little girl, hearing the cry, with one hand still

in the air where the kisses had stopped half blown away, looked at the

man over the footlights, half-dazed, apparently, by the situation.

"Papa! Papa!" she cried, suddenly awakening to life and bounding

toward him. "Papa, take me home!" Every soul in the hushed theatre

heard the words in the sweet treble of childhood.

[Illustration: "Papa! Papa!" she cried, "take me home!"]

"Where's your mother, baby?" asked the man, apparently oblivious of

everything but the little lass.

"She's dead, papa," answered the child, brushing her little hand

across her eyes. "I'm so glad you've found me. Oh, take me away!"

"I will! I will!" said the man, desperately, forcing his way toward

the stage.

Two of the ushers and an officer had hurried down the aisle and seized

him by the arms. The piano-player rose from his neglected instrument

and caught him also.

"Let me go!" roared the man, shoving them aside with superhuman

strength, apparently. "She's my daughter, I tell you! I will have

her!"

The lights on the stage were suddenly turned up. A hard-featured man

came forward and grasped the child by the arm.

"What's all this row?" he cried; "I'm the manager of Mademoiselle

Helene. Her mother left the child with me. She gets good food and

clothes and is well taken care of. What more does she want?"

"I want my papa! Oh, I want you!" cried the little girl.

"And you shall have me, dear."

"No," said the man on the stage, roughly, "she shall not!"

"Gentlemen," cried the other man, turning about and facing the

audience. "Friends, there is my little daughter. Her mother ran away

from me, left me. I haven't seen Nellie for two years. I just happened

in here to-night and recognized her, and----"

"Give him his daughter," broke out a burly man in the third row of the

parquet, rising in his seat as he spoke and shaking his fist at the

man on the stage, "or----"

The house was in a perfect uproar now. The women in tears, the men

screaming with flushed, excited faces.

"Let him have her!"

"Give her up!"

"Let the child go with her father!"

"Shame! Shame!"

"Mob him!"

"Lynch the wretch!"

The man on the stage fairly quailed before this outburst of popular

passion; the ushers and officer had released the other man, but before

he could take a step the local manager appeared on the stage in the

midst of the confusion. Lifting his hand to the crowd, he finally

succeeded in stilling the tumult.

"I have heard it all!" he cried, as soon as he could command

attention. "This theatre don't want to part father and daughter. Give

the child to the man. And get out of here!" he added, turning fiercely

and shaking his fist at the hard-featured man on the stage.

The latter let go the child's arm and shrank back in the wings,

followed by the jeers of the crowd. Then the local manager took the

little girl in his arms, stepped over the footlights, and handed her

to the man who had claimed her.

He lifted her up, kissed her, and pressed her tenderly to his breast.

She clasped her little arms around his neck and dropped her head on

his shoulder with a low cry of content.

"Thank you, sir!" said the man to the manager; "thank you all, ladies

and gentlemen! Oh, I have got her back again!"

He turned with his precious burden and walked rapidly down the aisle,

passed out of the door, and disappeared in the night.

The house rang with cheers. Men and women stood up and clapped and

applauded and yelled like mad. When a semblance of order was restored,

the local manager dismissed the audience. As he said, none of the

performers were in condition to go on further after the little tragedy

they had witnessed, which had ended so happily, after all. Nor was the

audience in a mood for any more vaudeville after the bit of real life

in which they had participated.

* * * * *

"How did it go off, Bill?" asked the brown-haired man of the local

manager in the office half an hour later.

"Fine!" said the manager. "It was the greatest act I ever saw. You did

splendidly, old man. I congratulate you."

"It has only one disadvantage," remarked the hard-featured man: "you

can only do it once in each town. It's only good for one-night

stands."

"And didn't Nellie do it well?" returned the other.

"She did that," replied the local manager; "she couldn't have done it

better! It almost made me weep myself."

"That child's a born actress," said the hard-featured man; "she'll be

a treasure some day, sure."

"She's a treasure now," replied the local manager. "What a pity we

couldn't do it over to-night!"

"Do you know, men," said the brown-haired man, "I feel real guilty

somehow. Seems like such a fraud----"

"Nonsense, Bill!" interrupted the manager, yet with a note of sympathy

in his tone.

"Rot!" commented hard features, not the least comprehending.

"Where is she now?" asked the other, shaking his head dubiously, still

uncertain and unconvinced.

"Her father and mother took her home right after the performance, and

I hope she is fast asleep in her bed by this time, like a good little

girl," continued the manager. "Here's your check, Bill. Be on hand

Monday night when we open at X----"

THE LAST TRIBUTE TO HIS GENIUS

TRAGEDY

"I have heard

That guilty creatures sitting at a play,

Have, by the very cunning of the scene,

Been struck so to the soul that presently

They have proclaim'd their malefactions;

For murder, though it have no tongue, will speak

With most miraculous organ."

SHAKESPEARE

The crime had been one of peculiar atrociousness. While the little old

man who kept the quaint curiosity-shop down on Linden Street seemed to

have few or no friends, he was blessed with a great many

acquaintances, especially among the people of the better class, for

whom it was quite a fad to visit the dingy, shabby little store, with

its assortment of bric-a-brac, mouldy books, articles of virtu, and

antiques, genuine or spurious, valuable or worthless, all heaped about

in promiscuous confusion.

Indeed, the "Major" was not the least curious object in the

collection. Few people knew that the title represented gallant and

youthful soldiering in Rebellion days before he shrivelled and dried

up in the musty little shop. When, therefore, he was found dead among

his raffle of goods, about half after seven on a summer evening, with

his brains brutally beaten out by a hammer, which lay by his side, the

greatest excitement was manifested everywhere. That a man should be

murdered in a store on one of the main thoroughfares of the city at

that hour and in that way; that the murderer should make his escape by

the front door, which was left open, were in themselves sufficiently

remarkable facts to engage widespread attention.

Rewards were offered by the city government; the metropolitan police

force, supplemented by the best detectives that could be imported, who

were paid by private subscription, worked upon the case in vain. No

clew presented itself, nothing whatever was discovered. The contents

of the shop were finally sold at auction and the store was closed. The

estate, which was surprisingly small, contrary to the general

opinion,--which, in fact, consisted merely of the proceeds of the sale

of the goods,--was administered in the interests of some distant

connections, and the whole affair after a short time was practically

forgotten. Yet somewhere on the earth a man wandered with the guilt of

murder heavy on his soul.

* * * * *

When it was announced in the advertisements that Sir Henry Irving, the

great English actor, was to play _The Bells_ on Thursday night,

society--and those not within the charmed circle who could scrape

together the unusual price demanded by the elaborate nature of Sir

Henry's staging--anticipated a great intellectual treat. To see the

character of Matthias interpreted by such a master of the tragic art

could hardly be called entertaining, of course, yet anything which

takes us out of the humdrum routine of every-day life and quickens the

blood that beats with such commonplace sluggishness ordinarily is most

desirable. It is easy, therefore, to understand the avidity with which

the opportunity for paying the unusual price for being shocked and

terrified was welcomed.

The play, with its damnable iteration of chiming sleigh-bells and its

awful portrayal of the struggles of a crime-stained human soul against

diabolic memories, proceeded with that wonderful smoothness and

effectiveness for which Sir Henry's productions were famous. After the

short intermission at the close of the second act, the audience, most

of whom were familiar with the story, settled themselves with

delicious thrills of foreboding anticipation to witness the dreadful

and harrowing denouement in which the murderer's dream--that the crime

of years is at last exposed and the brand of guilt is fixed upon his

honored brow--is exhibited on the stage in all its terrific realism.

The house, including the stage, was totally dark. A weird, ghastly

beam of light thrown from the wings fell fitfully upon the face of Sir

Henry,--no, of Matthias himself. The great actor's identity was lost,

merged, forgotten in the character he portrayed. Not another thing

could be perceived in the theatre. The gaze of every man and woman and

child in that vast assemblage was concentrated upon that beautiful,

mobile, terrible face. The silence with which the audience listened to

that piercing, shuddering voice out of the darkness was oppressive.

Could one's attention have been distracted from that stage he might

have caught the quickening intake of deep breaths, or here and there

marked the low, quivering sighs with which nervous people, under the

influence of that terrible portrayal of the agony of remorse and

apprehension at detected murder, trembled, watched, and waited.

Yet there was nothing actually to be seen in the opera-house but the

face of the actor, or sometimes a white, ghastly hand and a dim, dark

suggestion of a body writhing in mortal torture, so keen as almost to

pass belief, in a _tour de force_ of unwilling confession. The

detachment was perfect, the illusion was complete; there before them

was a soul in judgment.

As the man was forced, under the influence of a higher power than his

own, to describe the murder, the base violation of hospitality, the

blow of the axe that killed a guest, by which fifteen years before he

had laid the foundation of his fortune; as he was constrained to act

again before his judges in hypnotic trance the awful happenings of the

tragedy of that Christmas Eve, of which none had suspected him; and

when, on being released from the spell, his confession was read to him

by the court, and the realization came to him that the fabric of

respectability which he had carefully created upon the shifting sand

of murder had crashed into nothing,--who, that has seen it, or heard

it, will ever forget the fearful anguish and despair of that wrecked

soul?

As Matthias fell prostrate at the feet of the judges, moaning in utter

desolation and abandonment, the appalling stillness was suddenly

broken, and this time the sound came not from the stage. Out of the

darkness of the auditorium a thin, high voice, fraught with a note of

torture more real and intense, if possible, than that which the

marvellous skill of the actor had produced, was hurled into the great

vault of the theatre.

"No, no," it cried; "you are wrong. It was a hammer!"

The surprise of the audience for the moment held them still, while the

voice shrieked out in the darkness,--

"It is enough! I'll confess. Guilty, oh, my God, guilty! It was I! The

murder--light, for God's sake, light!"

A woman screamed suddenly. People rose to their feet. One of those

strange, swaying movements which bespeak a panic ran through the

crowd. Matthias on the stage rose instantly, faced about, and walked

toward the dark footlights, a genuine horror in his soul this time,

for no human voice that he had ever heard had carried such mortal pain

as that which had just spoken. The theatre was filled with a babel of

voices. Confused shouts and cries came from all sides.

"Lights, lights!"

"What is it?"

"Go on with the performance!"

At that instant the lights were turned up. There, in the middle aisle,

a few rows from the orchestra rail, a tall, thin man, his haggard face

white with emotion, his eyes staring, his teeth clinched 'neath

bloodless lips, stood swaying unsteadily to and fro. His hands

uplifted as if to ward off a blow, he stood utterly oblivious of

everything but Matthias. From the chair beside him a woman with a face

scarcely less white, in which were mingled incredulity, surprise, and

horror, reached her arms up to him as if to save him.

"I can't stand it any longer!" cried the man, staring up at Matthias.

"You've done it. I'll confess all! It has torn me to pieces!" he

screamed, clutching at his throat. "The Major--I beat him to death

with his hammer, like you did, for his money. I took it from his

person. I knew it was there. I was his friend, his only friend. My

God! There was no place to burn his body. He's always at my feet. He's

staring at me now by you on the stage!"

Sir Henry shrank away involuntarily as the man went on.

"Pity, pity!" he wailed, staggering, stumbling forward, falling upon

his knees nearer to Sir Henry. "Mercy!" he whispered at last, yet with

such distinctness that they heard him in every corner of the theatre.

He knelt with his hands outstretched toward the stage, waiting for

reprieve, sentence, condemnation,--God knows what.

The audience stared likewise with suspended hearts from the great but

mimic figure of murder on one side of the footlights to the greater

and real figure of murder upon the other. As they gazed the man

wavered forward again, sank lower, his hands fell, but before he

collapsed completely, an officer of the law, the first to recover his

wits in the presence of the catastrophe, ran down the aisle and

pounced upon him. Grasping his shoulder, he cried,--

"You're my prisoner. I arrest you!"

"Too late," whispered the man; "I'm--going--going--to plead--in

another--court."

He pitched forward and fell on his face--dead. And a woman, dry-eyed

with horror, old love surviving honor, respect, righteousness, knelt

by his side, took his head in her arms, and strove to kiss away from

his brow the mark of Cain.

So the mystery of the Major's murder was solved at last, and Sir

Henry, as he thought it over in his chamber that night, realized that

he had received the greatest tribute that mortal man could pay to his

acting. His art had been so perfect--he had appeared the incarnation

of terror, remorse, and retribution--that to that struggling soul he

had been as the voice of conscience,--nay, as the very voice of God.

For the man had actually given way, broken down, and confessed a

secret crime under the mighty spell of his acting, and, as the

criminal in the play, had died in the confession!

OUT OF THE WEST

"The sun sets fair in that Western land,

Romance rides over the plains;

There hearts are gay at the close of day,--

Man's duty's done, God reigns."

WARREN GILES

IN OKLAHOMA

AN IDYL OF THE PRAIRIE IN THREE FLIGHTS

"The sun lay dying in the west,

The fresh breeze fanned my brow,

I rode the steed I loved the best--

Would I were riding now."

I.--THE FIRST FLIGHT

Most written stories end with a wedding, actual or prospective; but

this story, like most stories in real life, begins with one. The

little old stone church in Manhattan, Kansas, was crowded to the doors

one June afternoon. The gray-haired President, the younger men and

women of the faculty, and a small sprinkling of the towns-people were

there; but the great mass of the congregation was made up of the

students of the State Agricultural College, which was situated on a

gentle hill just outside the town. It was Graduation Day, and the day

on which Sue Belle Seville and Samuel Maxwell had elected to get

married.

Samuel was a Kansas boy, Sue Belle a Kentucky girl. They were both

orphans and both graduates from the college that day in the same

class: Samuel from the agricultural and mechanical department, Sue

Belle from the housekeeping, culinary, domestic sciences, and other of

the many departments feminine. Maxwell was a manly, energetic, capable

fellow, a good student, and a young man who, given an equal chance,

should make a fine farmer. On that day he was the envy of all the

young men of marriageable age in the college.

His bride to be, while she seemed made for better things than the

ineffably monotonous drudgery of an ordinary farmer's wife, was

nevertheless skilled enough, capable enough, resolute enough, to

master her lot and be happy in it whatever it might be. She was a

handsome girl, tall, straight, strong, black-haired, blue-eyed, with

the healthiest whiteness in her face that one could imagine.

The brief wedding ceremony was soon over. Old Dr. Fairman, the

President, gave the bride away in his usual courtly and distinguished

manner, and as the village organist played the wedding-march on the

sweet-toned old organ, Mr. and Mrs. Samuel Maxwell passed out of the

church, followed by all of the congregation. At the end of the long

cinder foot-path extending from the church-door under the double row

of trees to the street stood a brand-new Studebaker wagon filled with

household goods. Two stout, well-conditioned horses were harnessed to

it, while two others, a good mare and a handsome young horse, a

three-year-old colt, were fastened to the tail-board by long

hitching-straps. The wagon had been transformed by a canvas canopy

over the bed into what was popularly known as a "prairie schooner."

The new canvas was white as snow in the sunlight.

Maxwell handed his wife to the seat on the front, pitched quarters to

the negro boys who had been holding the horses' heads, gathered up the

reins, and, amid a storm of cheers and a shower of rice--especially

appropriate to an agricultural college, by the way--and other

manifestations of joy and delight, drove away on the wedding journey.

The watchers followed with their eyes the wagon lumbering slowly down

the main street until it crossed the bridge over the Kansas River and

disappeared among the hills to the southward.

After settling the expenses of their college course and paying for

their outfit, the two young people found themselves in possession of

some two thousand dollars between them; more than enough, they

fancied, backed as it was--or should I say led?--by two stout hearts

and by four strong young arms, to wrest a livelihood--nay, a fortune,

perhaps--from the prairies of the West.

An old, old story, this. A pair of home-builders going out into a new

land to conquer or die; to establish another outpost of civilization

on the distant frontier, or to fail. A man and a woman who had taken

their all in their hands to consecrate it by their toil to the service

of humanity, and to stake their happiness on the success of their

endeavor. True builders of the nation, they! Pickets they were, going

ahead of the advance guard of the army of civilization's marchers,

which, untold ages ago, started in some secluded nook in the far

Orient, and, impelled by an irresistible desire for conquest, in

successive waves of emigration, has at last compassed the globe,

rolled around the world. Leaders, these two, of that mighty deluge of

men and women for whom the sun of hope is ever rising,--but rising in

the West.

Never was such a wedding journey. It was springtime in the most

bountiful and fertile year that had come to the great State for a

generation. The way of the lovers, as they plodded ever southward and

westward, led them now past vast fields of yellowing wheat already

beginning to ripen for the thresher. Sometimes they drove for miles

through towering walls of broad-bladed, cool, green corn; sometimes

the trail led them over the untilled, treeless prairies covered with

tall, nodding sunflowers in all their gorgeous golden bloom,--blossoms

which gave the State a name; and not infrequently their way would take

them alongside a limpid river, in that happy season bank full from the

frequent rains, where the winding road would be overhung by great

trees.

They stopped at night at the different little towns through which

their way passed, and once in a while they enjoyed the hearty welcome

of a lone farm-house. Sometimes they hired a negro boy to drive the

wagon from one stopping-place to another, while they mounted the two

led horses and galloped over the prairie. Samuel rode well, but to see

Sue Belle on that spirited young steed of hers was to see the

perfection of dashing horsemanship. An instinctive judge of

horse-flesh, she had bought that three-year-old herself. He was a

chestnut sorrel with a white blaze on his face, and white forefeet, as

handsome and spirited as his mistress. In honor of her native State,

she called him Kentucky.

As they progressed farther and farther southwestward the land became

more open, the farm-houses were greater distances apart, cultivated

fields less frequent, the towns were fewer in number and diminishing

in size, the rivers grew smaller and smaller, and trees almost

vanished from the landscape. Finally, away out in Cimarron County,

where the railroad stopped and civilization ended, they reached their

journey's end. Such a wedding-trip they had enjoyed, such a honeymoon

they had spent!

They bought a bit of flower-decked prairie, a quarter section crossed

in one corner by a little creek flowing southward until it joined a

larger steam flowing into the Arkansas River. The chosen land mostly

lay on the south side of a slight elevation from which they could

survey the grass-mantled plains melting into the unbroken horizon

miles and miles away. The country about was entirely uncultivated and

had been mainly given over to cattle-raising; it was a dozen miles to

the nearest house and fifteen to the town of Apache, the county-seat.

How still was that vast expanse of gently undulating land of which

they were the centre! An ocean caught in a quiet moment, and every

smoothly rolling wave petrified, motionless. How vast was the

firmament above them! To lie in the grass at night and stare up into

its blue unclouded distance filled with stars--shone they ever so

gloriously anywhere else on the globe?--was to reduce one's self to a

vanishing point in the infinite universe of God. Lonely? Yes, to

ordinary people, perhaps, but not to these two home-builders. They

were young, they were together, they were lovers, and they had to do

prosaic, God-given labor.

So they pitched their stakes upon the verdant hill, and, toiling early

and late, built there for themselves and those to come a home. With

iron share they tore the virgin sod; with generous hands they sowed

the seed; with all the hope of youth and love bourgeoning and

blossoming in their breasts, they began the earth-old process of

wresting a living from the tillage of the soil. "In the sweat of thy

face shalt thou eat bread." So ran the primal truth. Ah, yes, but this

time counted not a curse but a privilege, and enjoyed not without but

within an Eden.

II.--THE SECOND FLIGHT

Spring-time again upon the farm, and they were bidding it good-by.

Five years have dragged away, years filled with little but

misfortune--years of freezing winters, burning summers, drought, or

storm. Five lean years of failure, unprecedented but true. A long,

deadly, paralyzing struggle with that terrible minatory face of nature

which, thank God! is usually turned away from humanity, else we could

not bear the sight. The sun had beaten upon the farm and burnt it up,

the parasites had swarmed over the field and eaten it down, the winter

cold had frozen the life out of it, the fierce storms had swept over

it and torn it away,--winter and summer had been alike against them.

Last fall the deadly mortgage had grown from the little hand-breadth

cloud until it had covered the land, blanketed it, blighted it, filled

earth and sky to them. It was over. They had toiled for naught, and no

profit had they taken of all their labor under the sun. They were

beaten at last.

Once more the old Studebaker wagon. Within it a haggard, dogged,

disappointed man,--yet indomitable; a woman still young, robbed

forever of the brightness of youth, yet striving to nourish a spark of

the old hope,--a mother, too. Two little children clung to her,

healthy, lusty, strong, happy; they had neither known nor suffered.

There was the same old team between the "tugs," sobered, quieted,

saddened like their master, perhaps, and Kentucky. Kentucky was leaner

than he should be, not so well nourished as they would like to have

him, but his spirit was unabated. He, at least, had not been beaten

down.

So they set forth again. "Once more into the breach," brave pair. Life

insistently craves bread. Men must work; ay, and women too, though

they may weep as well. There were the little children, oh, father and

mother! treasure of health and teaching must be laid up for them. The

old cause must be tried out yet again. Farewell to defeat, farewell to

failure, farewell to the old. Let us stir up hope again, look forward

into the future, deserve a triumph. All had been lost but love; that

had not failed, and while God is it cannot. It is a mighty talisman

with which to attempt the morrow. So armed, they started out again.

With one hundred dollars in his pocket, a small lot of household

necessaries, a stove, some blankets, etc., and Kentucky, Samuel

Maxwell and Sue Belle and the two children started out in the wagon

again to have another wrestle with fortune. They determined to go to

the Kansas-Indian Territory border and try to secure free land in

Oklahoma Territory, which was to be opened for settlement that summer.

They hated the prairie where they had lived now. It was associated

with their ruin, eloquent of their future. That season bade fair to be

as bountiful a time as had been the year of their arrival, but they

could not stay. They had pulled up the stakes, and nothing was left

for them but to go on. Indeed, they were wishful to do so, and had

they known that, as it happened, the five years of starvation,

drought, and failure were to be succeeded by twice as many years of

abounding plenty, they would not have stayed. They loathed the spot.

They could not have remained anyway. Another man held the farm and

succeeded where they had failed, reaping where they had sown.

It was late summer when they reached Solomon City, from which they had

elected to make the run into the hitherto forbidden land. The place

was filled with all sorts and conditions of men and women attracted by

the possibility of getting a quarter section or a town lot practically

free in the Cherokee strip; there were half a million of them on the

border-line! And there, too, were congregated the human vultures that

live to prey upon the crowd.

The distribution of the lots and sections was to be made on the

principle of first come first served. All seekers for locations were

to line up on the edge of the strip on a given date at a certain hour,

and when a signal was given they were to rush into the Nation, drive a

stake in a quarter section, or in a town lot at the places where the

towns had previously been surveyed and lots plotted and staked out by

the government, throughout the vast body of land in the Indian

Territory thrown open for settlement. Then they were to hold their

places, living in tents and shanties, until they could erect houses

and prove their claims.

Samuel intended to ride Kentucky into the strip and take his chance at

a town lot. He had had enough of farms. Not many miles below Solomon

City, on the railroad running through the "strip,"--as the land was

called,--the future town of Newlands had been laid out by the

surveyors. It was a paper town as yet, but the day after the run would

see it suddenly become a city, and good lots would probably be of

value. If he could get a good one it might be worth several thousand

dollars, and he could start again. It was a desperate chance, but he

had to take it; there was nothing else.

Ill fortune was not yet done with them, however, for in scrambling

down the bank of the river to get water for his team, the unfortunate

man fell and broke his arm. He climbed up to the wagon, sank down on

the dry grass beside it, and gave way. Sue Belle stood by with white

face as the local doctor bound up his arm, but she did not cry. She

felt that she had other things to do, that she must play the man, and

that she could not indulge in the womanly luxury of weeping.

"I'm not crying, doctor, because it hurts," said Samuel, brushing away

his tears with his uninjured arm; "but because this seems to be just

the last straw in our bad luck. We were married five years ago, and we

bought a farm in Cimarron. I'm a good farmer, I was born on a farm and

raised on it, and I was trained in the Agricultural College in Kansas.

I know the thing theoretically and practically, too, but everything

failed us. We've lost everything, and we came here in the hope of

getting something out of the strip. God's forgot us, I guess."

The doctor had seen many cases like that in the Southwest, and, though

his heart was profoundly touched, he could do nothing.

That night Samuel lay awake in the wagon almost forgetting the pain in

his arm wondering what would become of them. He had lugged out his old

leather purse and counted the money that was left,--ten dollars! That

was all that stood between them and starvation! The strip was to be

opened to-morrow, the run would take place then. What, in God's name,

could he do?

"Sam," said Sue Belle, lying awake by his side, "don't give way so!"

"Give way, dear!" he groaned. "How can I help it? Ten dollars between

you and the children and starvation! This town here can't help any

one. These people around us can't Look at them! They're as poor as we

are. Five years of crop failure has hit them as hard as it has hit us.

The run takes place to-morrow, and I can't ride. I did hope that I

could get a town lot in Newlands. I don't believe that anything here

can outrun Kentucky; but now--oh, my God! my God!"

"Sam dear, I'll ride Kentucky."

She spoke resolutely, having thought quickly, and her mind was made

up.

"We've got no side-saddle," answered the man; "you know we sold it."

"I can ride astride," said the woman, having covered this point also

in her mind. "I used to ride that way when I was a girl. I've done it

hundreds of times, and I can make better time that way now."

"But, dear, you're a woman, and----"

"I can wear your clothes, dear. I'm almost as tall as you are. They'll

be rather large, but----"

"Oh, Sue Belle, I can't allow you to go in there alone, in all that

crowd, with----"

"I've got to do it, Sam! It's our last chance. It's for the children,

not ourselves. We could die. We've done our best. But think of them!"

She rose from her bed and crept over to the back of the wagon where

the little boy and girl lay sprawling side by side in the dreamless

sleep of childhood. She pushed from the baby brows the curly hair

matted with perspiration, and stooped and kissed them. She felt so

strong, so brave, so resolute, as if the burden which she had hitherto

shared with Samuel, or from which he had tried to spare her, had

suddenly fallen upon her own shoulders, and in some strange way that

she had been given strength to bear it.

Long time that night husband and wife talked over the situation. In

the face of her determination the man could not do otherwise than give

consent. In the morning, making him as comfortable as she could, she

plodded up through the dust to the city and bought from the wondering

shopkeeper a pair of high boots that fitted her, since it would be

impossible for her to use her husband's huge ones. At Sam's insistent

demand, she also hired for five dollars a poor stranded negro, who

looked honest and faithful, to drive the wagon after her into the

strip. That exhausted their ready money.

It was half after eleven o'clock when she returned to the wagon. The

doctor had been there, and had done what he could for her fevered

husband, but his arm still pained fearfully. He was up, however,--he

had to be,--and seated on the dusty grass in the shadow of the canvas

top. The children were playing about him. Bidding the negro boy hitch

up the team, Sue Belle slipped under the wagon-cover and dropped the

curtain. When she came out her tall form was encased in her husband's

only remaining suit of clothes. She wore a soft felt hat with her hair

tightly twisted under it. A loose shirt, trousers, and the new boots

completed her costume. Womanlike, she had tied a blue silk

handkerchief--last treasure-trove from her trousseau--around her neck.

There was a painful flush upon her thin face and her eyes were filled

with tears.

Samuel groaned and shook his head, the negro boy gazed with mouth wide

open, his eyes rolling, and little Sue Belle shrank away from her

mother garbed in this strange manner. Kentucky, who had been given the

last measure of oats they possessed, did not recognize her until she

spoke, and then he stared at her in a wondering way as she saddled and

bridled him. A hatchet and a tent-peg tied securely to the saddle

completed her preparations. By her husband's insistence she strapped a

spur on her boot, although, as she said, she had never put a spur to

Kentucky in her life.

"You may have to do it now, dear," said Maxwell, and to please him she

complied.

Nobody paid any attention whatever to her, although the boundary was

lined, as far as eye could see and for miles beyond, with crowds of

people intending to make the run. On the very edge of the strip the

runners had assembled on horseback or muleback, on bicycles, in

buggies, sulkies, or in road wagons, and there were many dressed in

jerseys and running shoes who intended to make the run on foot. Back

of them in long lines were grouped wagons of all descriptions, mostly

filled with women and children. All sorts and conditions of men were

represented in the huge and motley throng.

It was a blazing hot day. The shifting horde raised clouds of dust

above the line, from which the bare, treeless prairie stretched away

southward for miles. There was not a soul on it except United States

cavalrymen, who were spread out in a long line, each man being placed

at a regular interval from his neighbor. To the front of the troopers,

the captain in command sat his horse, holding his watch in his left

hand to determine the correct time, while in his right he carried a

cocked revolver.

Twelve o'clock was the appointed hour. The soldiers on either side

held their loaded carbines poised carefully and looked toward the

captain, or, if too far away to see him, toward the next in line who

could. The signal for the start was to be given simultaneously over

the whole extended strip, stretching for many miles along the Kansas

border, by means of these troopers. No one was to move until the

signal was given. The soldiers had scoured the country for days to

evict the "sooners,"--those who had gone in before the appointed time

and attempted to conceal themselves that they might secure the best

lots.

Sue Belle turned and kissed the babies. Then she bent toward Samuel,

but he rose painfully to his feet and stood flushed and feverish while

he pressed her to his side with his sound arm.

"May God protect you, dear," he said, trembling with pain and

agitation.

"He will! He will!" exclaimed the woman, fervently, strong in her

endeavor. "Now be sure and have the wagon follow right after me. And

you know the doctor said he'd get you taken in some place in town as

soon as the run began; there'll be lots of room there then. I'm going

to ride straight down to Newlands and try for a town lot. They'll find

me there. They ought to be there by evening, and I'll manage somehow

till then."

"But how'll you live till I get there?"

"I can cook or wash for hire; there'll be lots to do there, and I'll

write to you at once. Don't worry about me, dear. I'm half crazy to

think of leaving you ill and alone----"

"I wish you had a revolver, Sue Belle," groaned Samuel.

"I wish I had, too," answered the woman; "but never mind, we are in

God's hands."

"Oh, Sue Belle, I can't let you go!"

"You must! I must go now! See! They're getting ready!"

She tore herself away from him and spoke to the colored boy.

"Joe," she said, "for God's sake, don't fail us! I leave you my two

little children; if you guard them safely and bring them to me

faithfully, whatever good fortune comes to us you shall share."

"'Deed I will, suh, ma'am, miss,--yes, suh," stammered the colored

boy. "I'll tek good caah on 'em, mista--lady," he added, in his

confusion.

III.--THE THIRD FLIGHT

Without another word the woman sprang on the horse and forced herself

as near the line as she could. She had lost an opportunity of getting

in the very front rank, but she knew her horse and did not care for

that. It wanted perhaps a minute to twelve o'clock, and a silence

settled down over the rude assemblage, although the excitement was at

fever heat. Pushing and jostling would gain no advantage now. The gray

old captain of cavalry sat his horse, intently gazing at his watch.

The seconds dragged and the multitude waited breathlessly. Suddenly he

closed it with a snap, lifted his pistol in the air, and before the

smoke of the discharge blew away a quick volley rang along the line.

With a sort of a roar that echoed up into the heavens for miles the

runners sprang forward. There was one mighty simultaneous surge of men

and animals, and then the line began to break. In the cloud of dust

that arose instantly, Maxwell, forgetful of his broken arm, strove

vainly to follow with his gaze Sue Belle's flying figure. The next

moment he noticed that the ground directly in front of him was

deserted. An idea flashed into his mind. Regardless of his pain, he

sprang to his feet, with his uninjured arm tore a loose bed-slat from

the wagon, and, stepping across the line, thrust it into the finest

quarter section of the strip. Nobody had thought of doing this. The

land adjoined the town of Solomon City, and could probably be sold

without delay for a good sum of money. It was his. They were saved!

Oh, why hadn't he thought of it before and prevented his wife from

making the run? But it was too late; she was gone. Calling the negro,

he had him take from the wagon a few of the boards which had been

brought along for the purpose, and nail them together in a tent shape

to make him a shelter. Laying a blanket and a quilt on the ground, and

setting a bucket of water therein, he crawled under it, knowing that

some one sent by the doctor would certainly come to him during the

day, and determined to hold his claim if he died for it. Then he bade

Joe load the children in the wagon, take them into the strip, tell his

wife of his good fortune, and bid her come back to him, if she could.

What of the woman riding on with a broken heart, yet with a grim

determination somehow to achieve fortune for her sick husband and her

children? She kept Kentucky well in hand, and yet easily passed

buggies, sulkies, runners, men on bicycles, and began to overtake the

horsemen galloping southward over the prairie. At first the dust

almost choked her. The man's saddle annoyed her, too; but as she got

into clear air, and began to get accustomed to the strangeness of her

position, she regained her self-control. She shook the reins lightly

over the horse, and he lengthened his stride and quickened his speed,

making swift progress for a long time.

Finally there was no one in front of her. To the right and left, as

far as she could see, horsemen were galloping on; back of her they

trailed in an ever-thinning mass. Most of them she was leaving

rapidly. Kentucky was of racing stock. He was three-quarter-bred and

game to the core. The sight of the other horses running by his side

inspired him. He had been ridden in a wild dash across the prairie

many a time, but never before in competition with other horses. He

took to the race instinctively, and galloped on as if he had been

trained to it from the beginning.

She had hard work to hold him, yet she knew she had a long ride before

her, and if she did not keep him well in hand he would be blown before

he went half the distance; so she held him down to it, riding warily,

watching carefully for prairie-dog holes, for if the horse should

thrust his leg into one he would break it, and that would be the end

of him and her ride as well.

So she galloped on and on, still in the front line, and with every

surging leap leaving some beaten runner behind. Now she drew ahead,

now she led the whole vast throng, and now the horse was out of hand.

He was running magnificently, but he had gotten away from her, not

viciously, but in pure joy at being free in this mad race over the

prairie. Presently she looked back. The nearest rider seemed to be

half a mile behind her. It was not necessary for her to get so far

ahead, and she tried again and again to check the horse, but without

success.

Kentucky was running his own race now. How he swept through the air!

It was magnificent! The exhilaration of the motion got into her blood.

It was long since she had had such a ride. She, too, came of racing

stock, and the habit of her sires reasserted itself in her being. For

a moment she forgot Samuel, forgot the children. She forgot everything

but that wide open prairie, the wind blowing across her face, the

rapid rise and fall of the horse as he raced madly on. Youth came back

to her and the joy of life; failure lay behind, success before. Her

heart beat faster in her breast. Kentucky gallantly carried her

forward. How long had she been riding? She could not tell. They were

not at Newlands yet, she was certain, so she raced away. After a long

time she looked back and was astonished to see two riders nearer to

her than any had been when she had looked before; all the rest were

miles behind.

The men were mounted on broncos,--the horse _par excellence_ of the

West,--wild, vagrant descendants of old Spanish breeds; animals

without blood, without birth, without beauty, without style, without

training, mean and vicious in disposition; utterly useless for a short

dash, and in an ordinary race unable to approach a thoroughbred; but

with a brutal, indomitable spirit, a capacity for unlimited endurance

and tireless ability to run long distances and live on nothing, and do

it day after day, which made them formidable and dangerous competitors

for all other horses of whatsoever quality. They were loping along

after her with an ugly yet very rapid gait, which they could keep up

all day if necessary.

Sue Belle thought Kentucky's stride was not quite so sweeping as it

had been; he seemed to be a little tired; still, he was doing his best

manfully. Although he yet held the lead, he was not built for this

kind of a run. She realized it, but there was nothing she could do to

husband his strength, nothing left her but to gallop on. And yet there

was lots of go in him yet. He was by no means done.

The prairie rolled away back of them as it was compassed by the flying

feet, and still the mighty ride went on. The first bronco was nearer

now. He was not quite a mile away, but the second was a longer

distance behind the first and falling back. The rest were nowhere. Of

all the throng only these three were in sight. Kentucky was very

tired. Surely they must be near Newlands now! The other horse was

coming up fast. She shook out the reins and called to her own. The

pursuer was nearer! He was so near that at last Kentucky realized that

he was being pursued. They were almost there! In front of them on the

horizon she saw the land-office, the station, and the hundreds of

white stakes marking the lots of the town.

The other horse was almost beside her now. Well, suppose he did win

the race? There were hundreds of lots there, and the second choice

would probably be as good as the first. Should she let him pass? No!

That was not the Kentucky way. Should the horse do it? No, again. She

leaned forward over the saddle and spoke to him; she drove the spur

into him at last. The surprised horse bounded into the air with a

sudden access of vigor, and he fairly leaped away from the bronco. It

was his final effort; when this spurt was ended he would be done for.

Would it be enough?

[Illustration: The surprised horse bounded into the air with a sudden

access of vigor]

In her excitement she turned and shouted back to the man, she knew not

what, waving her hat in disdain. Presently she turned into what

appeared to be the main street. Instinctively as they ran along she

chose what seemed to be the best lot in the prospective city, and then

reined in her panting, exhausted horse; she sprang to the ground, tore

the peg and hatchet from the saddle-bow, and drove the stake in the

lot. Not a moment too soon, with not a second to spare, she had won

the race! The wild bronco came thundering upon her heels. The man

jerked his horse to his haunches by the side of the triumphant

thoroughbred, dropped a rein to the ground to keep him, sprang from

the saddle, and stepped toward her.

"I want that there lot!" he said, roughly. "It's the best lot in the

place. You kin take somethin' else."

Sue Belle rose to her feet. Her hat had fallen off in the wild ride

and her black hair floated over her shoulders. Excitement had put a

light in her eyes, color in her cheeks. She looked handsome, almost

young again,--altogether beautiful. The man was right. She could see

that she had succeeded in getting the best lot in the city. As she

stood up the man stared at her wonderingly. He was a cowboy,--fringed

trousers, bearskin chaparejos, loose shirt, broad hat, Mexican spurs,

and all.

"Good God!" he shouted. "It's a woman!"

"Yes, I am a woman," answered Sue Belle, desperately.

"Well, I'm d----d!" he burst out.

"You've ordered me away from the lot, but----" she went on, heedless

of his interruption.

"Well, gimme a kiss, sis, an' you kin stay on it," said the man, with

a hideous leer.

Sue Belle looked around desperately. She was practically alone on the

prairie save for this man and the other one, now about a mile distant.

The station and land-office were too far away for her to summon

assistance from them. She was absolutely helpless, entirely in this

man's power.

"Will you let me alone if I do?" she asked, at last.

"Oh, come, now, you're too pretty to be left alone, my dear," said the

man, coming closer.

Resisting the impulse to shriek, she faced him hatchet in hand. With

swift feminine instinct she comprehended him in a glance. He was just

an ordinary kind of a cowboy, bad when his bad side was uppermost, but

capable of all sorts of nobility and self-sacrifice if his good side

could be reached. She thought swiftly then,--she had to. She made up

her mind to appeal to him.

"Wait," she said; "don't come nearer until I speak to you. You're

right, I am a woman. I have a husband and two children. We had a

little fortune which we put into a farm in Cimarron County five years

ago. Through a succession of misfortunes we've lost every dollar. We

have nothing except a team and this horse. We came down here to try to

get something for our children. Yesterday my husband fell and broke

his arm. He was going to ride in here. He could not do it. I had to

make the run in place of him. I left him alone, back there on the edge

of the strip, with his broken arm. With the last ten dollars we had on

earth I bought these boots and employed a negro boy whom I never saw

before to bring my little children after me. I want this lot. I won it

fairly. It's the best lot in the town. But you are a man; you are

stronger than I. You may--" she flushed painfully, "kiss me if you

must,--if you will give me your word of honor that after that you will

leave me this lot. You understand that I--I--only submit to it--for

the sake of the children and for my poor husband."

Her eyes were full of tears now, as she clasped her hands, looked at

him appealingly, and waited with burning face, trembling lips, and

heaving bosom.

"Ma'am," said the cowboy, his face also flushing under his tan, as he

took off his sombrero, "I don't want no kiss. Leastways, I don't take

no kiss under these circumstances. You kin have that there lot. I jist

rode in yere fer the fun of the thing. I don't want no lot nohow.

What'd I do with it? Sell it fer booze. You beat me on the square,

though if it had been five miles farther I'd a beat you. Them Kentucky

hosses--I 'low he's a Kentucky hoss?--ain't no good fer long-distance

runnin' side this flea-bitten bronc. I don't want no lot noways. You

stay right here on that there lot, an' fer fear less'n somebody might

come along an' try to make you give it up, I'll stay with you with my

gun handy."

"Thank you and God bless you," said Sue Belle, gratefully, looking at

him with swimming eyes.

Then she put her head down on Kentucky's saddle, where the horse stood

cropping the short grass, threw her arm around his neck, and sobbed as

if her heart would break. The cowboy surveyed her in astonishment and

terror; but, before he could say anything, the second man came racing

up.

"Well, you two young fellows have the best lots in the place, I

suppose. I'll have to take what's left," said the newcomer,

cheerfully. "Great Jupiter! what's that fellow crying about?"

"'Taint a feller," said the cowboy, "it's a female, a woman."

"A woman!" exclaimed the other. "Say, you cowboy," with an ugly look

on his face, "have you been making a woman cry?"

[Illustration: "Say, you cowboy, have you been making a woman cry?"]

"I reckon I hev," answered the cowboy, nonchalantly.

"You infernal----" exclaimed the man, stepping toward him.

"Oh!" cried Sue Belle, raising her head, "he didn't. I'm crying for

joy!"

As he caught sight of her the man bowed instantly toward her with the

grace of a gentleman who recognized under any accident of clothes a

lady.

"My husband is ill," said Sue Belle, swiftly divining another friend,

one of another class, too; "he broke his arm yesterday, and I had to

take our horse and ride here for him and the two little children, and

this gentleman----"

"Lord!" said the cowboy, "I ain't no gent. I'm a cow-puncher."

"This gentleman came after me and promised to protect me from

everybody. And that is why I cried."

"Sir," said the second man, extending his hand, "I beg your pardon for

my suspicions. You are a gentleman."

"Nobody never called me one before," growled the cowboy, much

embarrassed, shaking the proffered hand awkwardly but heartily. "I

don't care fer no lot myself an' I'm goin' to hold this lot next to

hern fer the little kids."

"Well, that's just about what I came for, too. I'm a student, a senior

at Columbia College, New York, madam," he said, turning to Sue Belle,

"out here for the summer to look after some of my father's Kansas

property. I thought I'd run down here just for the fun of it. You said

you had two children, did you not?"

"Yes, sir."

"Allow me. I will hold the lot on the other side of you for the other

one. So you see, with this gentleman and myself, you will be

surrounded and protected by the east and the west."

Before the afternoon was half gone all the lots in Newlands had been

appropriated, lumber had been brought in, portable houses and tents

erected, saloons opened, a daily paper started, and the young Bishop

of Oklahoma was on the ground organizing a church; the place was

actually assuming the appearance of a city even in so short a time.

The story of Sue Belle's ride had been told everywhere by her gallant

flankers, and by common consent the focus of activity for the city of

Newlands was centred about those three lots. The happy, grateful woman

could have sold them a hundred times at an increasing price had she

chosen to do so.

Late in the afternoon Joe came up with the wagon and the children. He

had been faithful to his trust. Sue Belle was very much frightened

when she learned that her husband had secured a claim. She knew he

would endeavor to hold it, and she feared extremely for him lying ill

and alone on the prairie. Leaving the children in the care of some of

the women who had followed their husbands on the trail, with the

promise of the whole town that her three lots would be held inviolate

for her, accompanied by her two faithful, self-constituted guardians,

she mounted the refreshed Kentucky again and rode back to her husband,

lying alone, half delirious, in his shed on the prairie, clinging

desperately to his quarter section.

Thus the tide changed at last and now came flooding in with fortune.

PASSING THE LOVE OF WOMAN

THE END OF A FRONTIER TELL

"I am distressed for thee, my brother Jonathan: very pleasant hast

thou been unto me: thy love to me was wonderful, passing the love

of women."

THE BIBLE

There were but two women in the camp, Martie was one of them, and

Martie was the cause of it. The statement that it was on account of

her they quarrelled, and it was through the quarrel the terrible state

of affairs was brought about, cannot be denied.

Martie and her mother--her mother was the other woman in the camp,

and, except that she had been responsible for Martie years before, she

didn't particularly count--had come to the rough little mining

settlement with Martie's father, a mining engineer, who represented

certain speculative holdings in the East which needed personal

attention.

Before they arrived the camp had been a fairly peaceable one: the boys

got drunk just about so often, once in a while there was a shooting

affair, but Medicine Dog was as orderly a camp as might have been

found in Colorado, until Martie came. It was a serpent, I believe,

that introduced the trouble in the Garden of Eden. I wonder what the

wild beasts thought of the advent of Eve. At any rate, Martie first

reformed and then disorganized Medicine Dog.

Following her arrival there was an ebullition of "boiled

shirts,"--come by express in response to telegraphic communications

with Denver, the first evidence of the reform. This was followed by

the influx of a lone Chinaman, imported for the reboiling of the said

shirts, his life, liberty, and the peaceful pursuit of his vocation

over the tubs being guaranteed him by the camp, the second evidence of

the reform. There was a consequent amelioration of manners,

proportioned to the prevalence of shirt bosom, too. "Boiled shirts"--I

use the language of the camp--are the beginning of that civilization

of which "plug hats" are the end. Medicine Dog never got that far,

except in its dreams; even Martie was not quite equal to promoting the

"plug hat."

The saloon, too, felt the good--or evil, according to the point of

view--effect of Martie's presence, and the wonderful part of it was

that Big Sam, who dispensed liquor, profanity, and on occasions, if

necessary, bullets from his "Colt's 45," from behind the bar, bore the

situation philosophically. He was as much under Martie's sway as

anybody else. That was the last evidence of the reform. And when a

preacher--a wandering missionary--came along, Big Sam cheerfully, if

temporarily, suspended business one Sunday morning and they had

services in the saloon, the preacher on the counter to conduct them,

and Martie on a table where they could all see her, with a portable

organ to lead the singing.

That was the only time Martie's presence graced the saloon. The effect

of her presence there was lasting. The boys could hardly swallow their

whiskey during that or the next day.

"It tastes as if it had sugar in it," said Dan Casey, mournfully,

subtly referring to the sweetening effect of Martie's visit. When it

came to choosing between Martie and whiskey, the difficulties of the

situation were enough to appall the stoutest heart in Medicine Dog.

Casey signified his change of heart in the matter of clothing by

trimming his beard--there was no barber in the camp yet--and by adding

a green tie to his shirt, and when MacBurns appeared with a yellow

silk streamer across his bestarched bosom, Casey took it as a direct

reflection upon his religious and political views, and for a time

Medicine Dog threatened to resume its pristine liveliness.

The quarrel was compromised by Martie; for when she artfully caused

the news to be circulated that she doted on red or blue ties and could

not abide green or yellow ones, Casey and MacBurns discarded the

colors of their choice and settled the affair by wearing Martie's.

Martie wore those colors herself. She was the reddest-cheeked,

bluest-eyed, and bonniest girl that had ever come across the

mountains, so Medicine Dog swore unanimously, at any rate. As occasion

served, the various members of the camp maintained Martie's cause with

strenuous and generally fatal effect to various gentlemen from other

camps who were rashly inclined to question the assertion. Martie would

have shone anywhere in the open air, and in womanless Medicine Dog she

was a heroine, a queen. That was the beginning of disorganization,

too.

The two men hardest hit were Jack Elliott and Dick Sanderson. Elliott

was a jolly, happy-go-lucky fellow born in the East, Sanderson a

quieter man from the middle West, who complemented his companion

admirably. They worked a rich claim together on the mountain side with

good results. They were steady-going fellows and both were dead shots

with the rifle. They were great-hearted young men, who loved each

other with an affection that some men develop under certain

circumstances for one another until a woman intervenes. Martie

intervened. Both men fell in love with her, and as they were men of

education,--being fellow-graduates of the old University of

Pennsylvania,--they were not content with the mere blind adoration

which the rest of Medicine Dog exhibited. They wanted Martie, and as

the days grew longer and they knew her better, they wanted her more

and more.

Each man dreamed dreams of a house on the mountain side overlooking

the camp with Martie as its mistress and with himself as titular, if

not actual, master. There had never been a wedding celebrated in the

valley, and they were both united upon the desirability of having one.

Each one, however, wanted to be the bridegroom!

Martie recognized the difference between these two men and the rest of

the camp, although in no way did they hold themselves aloof from the

general society of Medicine Dog--that would not have been tolerated by

the rest of the boys. She realized that either of them might

legitimately aspire to her hand, for they were in an entirely

different category from the rude, humble, faithful adorers like Big

Sam and Casey and the boys, and Martie loved one of them.

But Martie was a coquette. It wasn't in a girl of Martie's temperament

to be otherwise in a camp with a hundred men in love with her, the

only other woman being Martie's mother, and she didn't count when

Martie was around. And by degrees that which neither of the men

wished, which both of them would fain have avoided, was brought about.

There was a dissolution of partnership, a rupture of old associations,

a shattering of ancient friendship. As is always the case, where both

had loved, they now hated.

I said that they were both good shots with the rifle. That hardly

describes their capacities. If the mine had failed, they could have

earned a fortune on any vaudeville stage. One of their "stunts"--as

the boys called it--was really remarkable. Such was their confidence

in each other that when one balanced a little can of whiskey on his

head and the other bored a hole through it neatly with his rifle at a

distance of sixty yards and upward the spectators hardly knew whether

to admire the nerve of the can-holder or that of the marksman the

more; although Casey deprecated the performance on account of the

liability of the whiskey to go to waste! They shot equally well, and

sometimes the one and sometimes the other held the target. It had

grown an old story to Medicine Dog, but strangers always wanted to see

the feat performed. After the rupture between them they did it no

more, of course.

It was Martie who had separated them and it was Martie who brought

them together again. Both men paid assiduous court to her, and she

positively refused under any circumstances to give either a final

answer until they became friends once more and swore to accept her

decision without prejudice to that friendship. Martie was a power, and

she had her way.

A reconciliation was effected, and the two men went back to work on

their joint claim.

Still, Martie hesitated over that decision. Some intuition told her

that no promise would avail against the satisfaction on the one hand

and the disappointment on the other when she made a choice; but make

it she must, and finally, after much hesitation, she announced that

she chose Sanderson. His joy could not quite obliterate in her mind

the impression caused by Elliott's grief. Elliott was too much of a

man, however, to make any open outcry. He believed that if Sanderson

had been out of the way he would have been successful, and his belief

was probably correct; but the matter had been decided, and he

swallowed his disappointment as best he might and bore Sanderson's

triumph in silence.

A sporty stranger came to Medicine Dog one day shortly after the

engagement was announced, and the conversation in the saloon turned

upon the marksmanship of the camp. Medicine Dog prided itself on the

ability of Elliott and Sanderson. The stranger was incredulous, and

wagers were made and the boys repaired in a body to the

Elliott-Sanderson claim and told of the bets. Neither man was anxious

for the test, but for the honor of the camp, and because of the

disappointment of the boys themselves, they felt that they could not

refuse. Each volunteered to hold the can and each urged the other to

shoot. Finally they agreed to decide the matter by tossing a

coin,--the usual method of settling mooted points.

Fate appointed Elliott to use the rifle. He seized the weapon and

started up the trail to get his distance. In that same moment a grim

and ghastly temptation, proportioned in its appeal to the strength of

his passion, entered his soul. If he killed Sanderson the field would

be free. Martie's affections were not so deeply engaged but that she

might be won. The idea whitened his lips and blanched his face and

shook his hand, and it occurred at the same moment to Sanderson. He

realized, as he walked across the clearing and backed up against a

tree, the possibilities of the situation, and his own dark face went

as white as that of his companion. But he was game. His emotion was

not fear,--at least not fear for himself,--or if it were fear, it was

for Elliott. As he prepared to receive the shot he prayed--and he was

not a praying man; nobody much at Medicine Dog was in the habit of

praying then--that Elliott might be equal to resisting the terrible

demand.

As for Elliott, his soul was torn in a perfect tempest. He could see

nothing but the fact that there before him was the man who had won the

object for which he would have given his soul, that the man was

unarmed, that if he shot him no power on earth could ever connect him

with the crime of murder, for he could swear that it was an accident.

The best of marksmen sometimes make blunders; all do not shoot with

the continued accuracy of a William Tell. Satan possessed the man's

soul for the moment. Ay, it was the woman who had tempted the man,--so

it was in the Garden of Eden,--but this time a woman innocent and

unwitting. Poor little Martie! She could not help it, after all.

These thoughts crowded the minds of the two men as they took their

stations. Elliott faced Sanderson and slowly raised his rifle. By a

violent effort he mastered his trembling as he glanced along the

polished barrel and drew the exquisite bead upon the little black spot

on the can where he was to send the bullet.

There was something in the air, in the attitude of the two men, in the

situation, which suddenly broke upon the consciousness of the

onlookers. They shifted uneasily. Finally Big Sam burst out, amid a

chorus of approval:

"For God's sake, Elliott, don't shoot! You're not in the mood to-day,

old man. We'll willin'ly lose the bet. Give the stranger his money,

boys."

It was Sanderson who broke the silence.

"What are you afraid of, Sam?" he cried, taking the can in his hands.

"By Heaven, the man doesn't live," he shouted, translating everybody's

thought in his impetuosity, "that dare charge my partner with foul

play!"

"No, no, of course not," came in expostulation from the crowd of

spectators.

"That's right, then," said Sanderson, calmly. "Go ahead, Jack. I'll

trust you."

He lifted the can again to his head, folded his arms, and faced his

friend, a little smile on his lips.

Once more Elliott lifted his gun, which he had dropped during the

conversation. This time his nerves were quite steady. He glanced along

the barrel again. Should he send a shot into that smiling face?--his

friend's face? A moment would determine. He aimed long and carefully

at the target he had selected.

The smile would have died away from Sanderson's face had he not fixed

it there with a horrible effort. Elliott again so lingered over his

aim that the men once more started to interfere. The tense situation

was more than they could bear. What was the matter?

Suddenly the devil that had possessed him released the miner.

Elliott's love for man passed his love for woman. He forgot Martie as

he faced Sanderson. His courage came back to him and his clearness of

vision.

He dropped his rifle, and before any one could stop him, although

Sanderson screamed, "For God's sake, Jack, don't do it!" and the men

surged toward him, he whipped out his pistol, pointed it at his own

breast, pulled the trigger, and fell bleeding from a mortal wound

through the right lung.

"Men," he gasped out brokenly, "you're right--I was going to

kill--him--on account of--Martie, you know, but--but he trusted me

and--I could--not. Yet I'm a murderer--in the--sight of God--and my

punishment--is--this. Dick--don't tell Martie."

There was a look of peace on his face as they gathered around him.

They drew back a little as Dick Sanderson knelt down and took him in

his arms.

"Jack, Jack!" he sobbed, "I knew your temptation, but I knew you

wouldn't shoot me, old man. You were braver than I. I don't know what

would have happened if the coin had flipped my way. Oh, Jack, I wish

to God you had killed me!"

"Now--I'm--forgiven," whispered Elliott, feebly, lifting his hand

toward the other, and then he smiled, and then it was all over.

"Gentlemen," said Sanderson, crying like a baby, as he rose to his

feet, "he died for me."

"And for Martie," added Casey.

"Yes, and for Martie."

"Stranger," said Big Sam, turning to the man who had made the wager,

"the money is yourn. I wish to God we'd never bet!"

"Gentlemen," said the stranger, "I don't take no money from no gents

w'ich is won under them circumstances, but if you gents'll come down

to the saloon and likker with me----"

"That's handsome of you, stranger, but we don't none of us git no

likker in this camp to-day. That there saloon closes in Medicine Dog

until arter the funeral of the finest and whitest-hearted gentleman

and the best shot that ever lived in this camp," said Big Sam, turning

mournfully away.

WITH GREAT GUNS AND SMALL

"A thousand glorious actions that might claim

Triumphant laurels, and immortal fame,

Confus'd in crowds of glorious actions lie,

And troops of heroes undistinguished die."

ADDISON

"Who cries that the days of daring are those that are faded far,

That never a light burns planet bright to be hailed as the

hero's star?

Let the deeds of the dead be laurelled, the brave of the elder

years,

But a song we say, for the men of to-day, who have proved

themselves their peers."

CLINTON SCOLLARD

Woven with the Ship: A Novel of 1865 Together with certain other veracious tales of various sorts · 第 22 / 24 章