CHAPTER XV.

Some Light With a Few Side-lights

The real spring in New York comes when blundering nature has painted

the outer wilderness for autumn. What is called "spring" in the city by

unreflecting users of the word is a tame, insipid season yawning into

not more than half-wakefulness at best. The trees in the gas-poisoned

soil are slow in their greening, the grass has but a pallid city

vitality, and the rows of gaudy tulips set out primly about the

fountains in the squares are palpably forced and alien.

For the sumptuous blending and flaunt of colour, the spontaneous

awakening of warm, throbbing new life, and all those inspiring miracles

of regeneration which are performed elsewhere in April and May, the

city-pent must wait until mid-October.

This is the spring of the city's year. There be those to hint

captiously that they find it an affair of false seeming; that the

gorgeous colouring is a mere trick of shop-window cunning; that the

time is juiceless and devoid of all but the specious delights of

surface. Yet these, perhaps, are unduly imaginative for a world where

any satisfaction is held by a tenure precarious at best. And even these

carpers, be they never so analytical, can at least find no lack of

springtime fervour in the eager throngs that pass entranced before the

window show. They, the free-swinging, quick-moving men and women--the

best dressed of all throngs in this young world--sun-browned,

sun-enlivened, recreated to a fine mettle for enjoyment by their months

of mountain or ocean sport--these are, indeed, the ones for whom this

afterspring is made to bloom. And, since they find it to be a shifting

miracle of perfections, how are they to be quarrelled with?

In the big polished windows waxen effigies of fine ladies, gracefully

patient, display the latest dinner-gown from Paris, or the creamiest of

be-ribboned tea-gowns. Or they pose in attitudes of polite adieux and

greeting, all but smothered in a king's ransom of sable and ermine. Or,

to the other extreme, they complacently permit themselves to be

observed in the intimate revelations of Parisian lingerie, with its

misty froth of embroideries, its fine-spun webs of foamy lace.

In another window, behold a sprightly and enlivening ballet of shapely

silken hosiery, fitting its sculptured models to perfection, ranging in

tints from the first tender green of spring foliage to the rose-pink of

the spring sun's after-glow.

A few steps beyond we may study a window where the waxen ladies have

been dismembered. Yet a second glance shows the retained portions to be

all that woman herself considers important when she tries on the

bird-toque or the picture hat, or the gauze confection for afternoons.

The satisfied smiles of these waxen counterfeits show them to have been

amply recompensed, with the headgear, for their physical

incompleteness.

But if these terraces of colour and grace that line the sides of this

narrow spring valley be said to contain only the dry husks of

adornment, surely there may be found others more technically

springlike.

Here in this broad window, foregathered in a congress of colours

designed to appetise, are the ripe fruits of every clime and every

season: the Southern pomegranate beside the hardy Northern apple,

scarlet and yellow; the early strawberry and the late ruddy peach; figs

from the Orient and pines from the Antilles; dates from Tunis and tawny

persimmons from Japan; misty sea-green grapes and those from the

hothouse--tasteless, it is true, but so lordly in their girth, and

royal purple; portly golden oranges and fat plums; pears of mellow

blondness and pink-skinned apricots. Here at least is the veritable

stuff and essence of spring with all its attending aromas--of more

integrity, perhaps, than the same colourings simulated by the

confectioner's craft, in the near-by window-display of impossible

sweets.

And still more of this belated spring will gladden the eye in the

florist's window. In June the florist's shop is a poor place,

sedulously to be shunned. Nothing of note blooms there then. The

florist himself is patently ashamed of himself. The burden of

sustaining his traditions he puts upon a few dejected shrubs called

"hardy perennials" that have to labour the year around. All summer it

is as if the place feared to compete with nature when colour and grace

flower so cheaply on every southern hillside. But now its glories bloom

anew, and its superiority over nature becomes again manifest. Now it

assembles the blossoms of a whole long year to bewilder and allure. Its

windows are shaded glens, vine-embowered, where spring, summer, and

autumn blend in all their regal and diverse abundance; and the closing

door of the shop fans out odours as from a thousand Persian gardens.

But spring is not all of life, nor what at once chiefly concerns us.

There are people to be noted: a little series of more or less related

phenomena to be observed.

One of the people, a young man, stands conveniently before this same

florist's window, at that hour when the sun briefly flushes this narrow

canyon of Broadway from wall to wall.

He had loitered along the lively highway an hour or more, his nerves

tingling responsively to all its stimuli. And now he mused as he stared

at the tangled tracery of ferns against the high bank of wine-red

autumn foliage, the royal cluster of white chrysanthemums and the big

jar of American Beauties.

He had looked forward to this moment, too--when he should enter that

same door and order at least an armful of those same haughty roses sent

to an address his memory cherished. Yet now, the time having come, the

zest for the feat was gone. It would be done; it were ungraceful not to

do it, after certain expressions; but it would be done with no heart

because of the certain knowledge that no one--at least no one to be

desired--could possibly care for him, or consider him even with

interest for anything but his money--the same kind of money Higbee made

by purveying hams--"and she wouldn't care in the least whether it was

mine or Higbee's, so there was a lot of it."

Yet he stepped in and ordered the roses, nor did the florist once

suspect that so lavish a buyer of flowers could be a prey to emotions

of corroding cynicism toward the person for whom they were meant.

From the florist's he returned directly to the hotel to find his mother

and Psyche making homelike the suite to which they had been assigned. A

maid was unpacking trunks under his sister's supervision. Mrs. Bines

was in converse with a person of authoritative manner regarding the

service to be supplied them. Two maids would be required, and madame

would of course wish a butler--

Mrs. Bines looked helplessly at her son who had just entered.

"I think--we've--we've always did our own buttling," she faltered.

The person was politely interested.

"I'll attend to these things, ma," said Percival, rather suddenly.

"Yes, we'll want a butler and the two maids, and see that the butler

knows his business, please, and--here--take this, and see that we're

properly looked after, will you?"

As the bill bore a large "C" on its face, and the person was rather a

gentleman anyway, this unfortunate essay at irregular conjugation never

fell into a certain class of anecdotes which Mrs. Bines's best friends

could now and then bring themselves to relate of her.

But other matters are forward. We may next overtake two people who

loiter on this bracing October day down a leaf-strewn aisle in Central

Park.

"You," said the girl of the pair, "least of all men can accuse me of

lacking heart."

"You are cold to me now."

"But look, think--what did I offer--you've had my trust,--everything I

could bring myself to give you. Look what I would have sacrificed at

your call. Think how I waited and longed for that call."

"You know how helpless I was."

"Yes, if you wanted more than my bare self. I should have been

helpless, too, if I had wanted more than--than you."

"It would have been folly--madness--that way."

"Folly--madness? Do you remember the 'Sonnet of Revolt' you sent me?

Sit on this bench; I wish to say it over to you, very slowly; I want

you to hear it while you keep your later attitude in mind.

"Life--what is life? To do without avail The decent ordered tasks of

every day: Talk with the sober: join the solemn play: Tell for the

hundredth time the self-same tale Told by our grandsires in the

self-same vale Where the sun sets with even, level ray, And nights,

eternally the same, make way For hueless dawns, intolerably pale--'"

"But I know the verse."

"No; hear it out;--hear what you sent me:

"'And this is life? Nay, I would rather see

The man who sells his soul in some wild cause:

The fool who spurns, for momentary bliss,

All that he was and all he thought to be:

The rebel stark against his country's laws:

God's own mad lover, dying on a kiss.'"

She had completed the verse with the hint of a sneer in her tones.

"Yes, truly, I remember it; but some day you'll thank me for saving

you; of course it would have been regular in a way, but people here

never really forget those things--and we'd have been helpless--some day

you'll thank me for thinking for you."

"Why do you believe I'm not thanking you already?"

"Hang it all! that's what you made me think yesterday when I met you."

"And so you called me heartless? Now tell me just what you expect a

woman in my position to do. I offered to go to you when you were ready.

Surely that showed my spirit--and you haven't known me these years

without knowing it would have to be that or nothing."

"Well, hang it, it wasn't like the last time, and you know it; you're

not kind any longer. You can be kind, can't you?"

Her lip showed faintly the curl of scorn.

"No, I can't be kind any longer. Oh, I see you've known your own mind

so little; there's been so little depth to it all; you couldn't dare.

It was foolish to think I could show you my mind."

"But you still care for me?"

"No; no, I don't. You should have no reason to think so if I did. When

I heard you'd made it up I hated you, and I think I hate you now. Let

us go back. No, no, please don't touch me--ever again."

Farther down-town in the cosy drawing-room of a house in a side street

east of the Avenue, two other persons were talking. A florid and

profusely freckled young Englishman spoke protestingly from the

hearth-rug to a woman who had the air of knowing emphatically better.

"But, my dear Mrs. Drelmer, you know, really, I can't take a curate

with me, you know, and send up word won't she be good enough to come

downstairs and marry me directly--not when I've not seen her, you

know!" "Nonsense!" replied the lady, unimpressed. "You can do it

nearly that way, if you'll listen to me. Those Westerners perform quite

in that manner, I assure you. They call it 'hustling.'"

"_Dear_ me!"

"Yes, indeed, 'dear you.' And another thing, I want you to forestall

that Milbrey youth, and you may be sure he's no farther away than

Tuxedo or Meadowbrook. Now, they arrived yesterday; they'll be

unpacking to-day and settling to-morrow; I'll call the day after, and

you shall be with me."

"And you forget that--that devil--suppose she's as good as her threat?"

"Absurd! how could she be?"

"You don't know her, you know, nor the old beggar either, by Jove!"

"All the more reason for haste. We'll call to-morrow. Wait. Better

still, perhaps I can enlist the Gwilt-Athelston; I'm to meet her

to-morrow. I'll let you know. Now I must get into my teaharness, so run

along."

We are next constrained to glance at a strong man bowed in the hurt of

a great grief. Horace Milbrey sits alone in his gloomy, high-ceilinged

library. His attire is immaculate. His slender, delicate hands are

beautifully white. The sensitive lines of his fine face tell of the

strain under which he labours. What dire tragedies are those we must

face wholly alone--where we must hide the wound, perforce, because no

comprehending sympathy flows out to us; because instinct warns that no

help may come save from the soul's own well of divine fortitude. Some

hope, tenderly, almost fearfully, held and guarded, had perished on the

day that should have seen its triumphant fruition. He raised his

handsome head from the antique, claw-footed desk, sat up in his chair,

and stared tensely before him. His emotion was not to be suppressed. Do

tears tremble in the eyes of the strong man? Let us not inquire too

curiously. If they tremble down the fine-skinned cheek, let us avert

our gaze. For grief in men is no thing to make a show of.

A servant passed the open door bearing an immense pasteboard box with

one end cut out to accommodate the long stems of many roses.

"Jarvis!"

"Yes, sir!"

"What is it?"

"Flowers, sir, for Miss Avice."

"Let me see--and the card?"

He took the card from the florist's envelope and glanced at the name.

"Take them away."

The stricken man was once more alone; yet now it was as if the tender

beauty of the flowers had balmed his hurt--taught him to hope anew. Let

us in all sympathy and hope retire.

For cheerfuller sights we might observe Launton Oldaker in a musty

curio-shop, delighted over a pair of silver candlesticks with square

bases and fluted columns, fabricated in the reign of that fortuitous

monarch, Charles the Second; or we might glance in upon the Higbees in

their section of a French chateau, reproduced up on the stately

Riverside Drive, where they complete the details of a dinner to be

given on the morrow.

Or perhaps it were better to be concerned with a matter more weighty

than dinners and antique candlesticks. The search need never be vain,

even in this world of persistent frivolity. As, for example:

"Tell Mrs. Van Geist if she can't come down, I'll run up to her."

"Yes, Miss Milbrey."

Mrs. Van Geist entered a moment later.

"Why, Avice, child, you're glowing, aren't you?"

"I must be, I suppose--I've just walked down from 59th Street, and

before that I walked in the Park. Feel how cold my cheeks

are,--Muetterchen."

"It's good for you. Now we shall have some tea, and talk."

"Yes--I'm hungry for both, and some of those funny little cakes."

"Come back where the fire is, dear; the tea has just been brought.

There, take the big chair."

"It always feels like you--like your arms, Muetterchen--and I am tired."

"And throw off that coat. There's the lemon, if you're afraid of

cream."

"I wish I weren't afraid of anything but cream."

"You told me you weren't afraid of that--that cad--any more."

"I'm not--I just told him so. But I'm afraid of it all; I'm tired

trying not to drift--tired trying not to try, and tired trying to

try--Oh, dear--sounds like a nonsense verse, doesn't it? Have you any

one to-night? No? I think I must stay with you till morning. Send some

one home to say I'll be here. I can always think so much better

here--and you, dear old thing, to mother me!"

"Do, child; I'll send Sandon directly."

"He will go to the house of mourning."

"What's the latest?"

"Papa was on the verge of collapse this morning, and yet he was

striving so bravely and nobly to bear up. No one knows what that man

suffers; it makes him gloomy all the time about everything. Just before

I left, he was saying that, when one considers the number of American

homes in which a green salad is never served, one must be appalled. Are

you appalled, auntie? But that isn't it."

"Nothing has happened?"

"Well, there'll be no sensation about it in the papers to-morrow, but a

very dreadful thing has happened. Papa has suffered one of the

cruellest blows of his life. I fancy he didn't sleep at all last night,

and he looked thoroughly bowled over this morning."

"But what is it?"

"Well--oh, it's awful!--first of all there were six dozen of

early-bottled, 1875 Chateau Lafitte--that was the bitterest--but he had

to see the rest go, too--Chateau Margeaux of '80--some terribly ancient

port and Madeira--the dryest kind of sherry--a lot of fine, full

clarets of '77 and '78--oh, you can't know how agonising it was to

him--I've heard them so often I know them all myself."

"But what on earth about them?"

"Nothing, only the Cosmopolitan Club's wine cellar--auctioned off, you

know. For over a year papa has looked forward to it. He knew every

bottle of wine in it. He could recite the list without looking at it.

Sometimes he sounded like a French lesson--and he's been under a

fearful strain ever since the announcement was made. Well, the great

day came yesterday, and poor pater simply couldn't bid in a single

drop. It needed ready money, you know. And he had hoped so cheerfully

all the time to do something. It broke his heart, I'm sure, to see that

Chateau Lafitte go--and only imagine, it was bid in by the butler of

that odious Higbee. You should have heard papa rail about the vulgar

_nouveaux riches_ when he came home--he talked quite like an anarchist.

But by to-night he'll be blaming me for his misfortunes. That's why I

chose to stay here with you."

"Poor Horace. Whatever are you going to do?"

"Well, dearie, as for me, it doesn't look as if I could do anything but

one thing. And here is my ardent young Croesus coming out of the West."

"You called him your 'athletic Bayard' once."

"The other's more to the point at present. And what else can I do? Oh,

if some one would just be brave enough to live the raw, quivering life

with me, I could do it, I give you my word. I could let everything go

by the board--but I am so alone and so helpless and no man is equal to

it, nowadays. All of us here seem to be content to order a 'half

portion' of life."

"Child, those dreams are beautiful, but they're like those

flying-machines that are constantly being tested by the credulous

inventors. A wheel or a pinion goes wrong and down the silly things

come tumbling."

"Very well; then I shall be wise--I suppose I shall be--and I'll do it

quickly. This fortune of good gold shall propose marriage to me at

once, and be accepted--so that I shall be able to look my dear old

father in the face again--and then, after I'm married--well, don't

blame me for anything that happens."

"I'm sure you'll be happy with him--it's only your silly notions. He's

in love with you."

"That makes me hesitate. He really is a man--I like him--see this

letter--a long review from the Arcady _Lyre_ of the 'poem' he wrote, a

poem consisting of 'Avice Milbrey.' The reviewer has been quite

enthusiastic over it, too,--written from some awful place in Montana."

"What more could you ask? He'll be kind."

"You don't understand, Muetterchen. He seems too decent to marry that

way--and yet it's the only way I could marry him. And after he found me

out--oh, think of what marriage _is_--he'd _have_ to find it out--I

couldn't _act_ long--doubtless he wouldn't even be kind to me then."

"You are morbid, child."

"But I will do it; I shall; I will be a credit to my training--and I

shall learn to hate him and he will have to learn--well, a great deal

that he doesn't know about women."

She stared into the fire and added, after a moment's silence:

"Oh, if a man only _could_ live up to the verses he cuts out of

magazines!"

The Spenders: A Tale of the Third Generation · 第 15 / 41 章