I raised the trumpet to my ear.

Hark!—The hum of mighty hosts! It rose and fell, fainter and more faint;

then the murmur of water was heard and lost again, as it swelled and

gathered and burst in one grand volume of sound like a hallelujah from

myriad lips. Out of the resounding echo, out of the dying cadence a

single female voice arose. Clear, pure, rich, it soared above the tumult

of the host that hushed itself, a living thing. Higher, sweeter, it

seemed to break the fetters of mortality and tremble in sublime

adoration before the Infinite. My breath stilled with awe. Was it a

spirit-voice—one of the glittering host in the jasper city “that had no

need of the sun, neither of the moon to shine in it?” And the water, was

it the river clear as crystal flowing from the great white throne? But

no! The tone now floated out soft, sad, human. There was no sorrowful

strain in that nightless land where the leaves of the trees were for the

healing of the nations. The beautiful voice was of the earth and

sin-stricken. From the sobbing that mingled with the faint ripple of

water it went up once more, ringing gladly, joyfully; it went up

inspired with praise to the sky, and—hark! the Hebrew tongue:—

“The horse and his rider hath he thrown into the sea.”

Then the noise of the multitude swelled again, and a crash of music

broke forth from innumerable timbrels. I raised my head quickly—it was

the song of Miriam after the passage of the Red Sea.

The Automaton Ear, and Other Sketches · 第 17 / 42 题