CHAPTER XV.

Life and manners in Uganda—The Peasant—The Chief—The Emperor—The Land.

To behold the full perfection of African manhood and beauty, one must

visit the regions of Equatorial Africa, where one can view the people

under the cool shade of plantains, and amid the luxuriant plenty which

those lands produce. The European traveller, after noting the great

length and wondrous greenness of the banana fronds, the vastness of

their stalks and the bulk and number of the fruit, the fatness of the

soil and its inexhaustible fertility, the perpetual springlike verdure

of the vegetation, and the dazzling sunshine, comes to notice that the

inhabitants are in fit accord with these scenes, and as perfect of their

kind as the bursting-ripe mellow bananas hanging above their heads.

Their very features seem to proclaim, “We live in a land of butter and

wine and fulness, milk and honey, fat meads and valleys.” The vigour of

the soil, which knows no Sabbath, appears to be infused into their

veins. Their beaming lustrous eyes—restless and quick glancing—seem to

have caught rays of the sun. Their bronze-coloured bodies, velvety

smooth and unctuous with butter, their swelling sinews, the tuberose

muscles of the flanks and arms, reveal the hot lusty life which animates

them.

Let me try to sketch one of these robust people, a Kopi or peasant of

Uganda, at home.

THE “KOPI” OR PEASANT.

Were it not for one thing, it might be said that the peasant of Uganda

realises the ideal happiness all men aspire after and would be glad to

enjoy. To see him in the imagination, you must discard from your mind

the inebriated, maudlin, filthy negro surrounded by fat wives and a

family of abdominous brats. He may be indolent if you please, but not so

indolent as to be unmindful of his own interests. For his gardens are

thriving, his plants are budding, and his fields are covered with grain.

His house has just been built and needs no repairs, and the fenced

courts round it are all in good condition.

Roll the curtain up and regard him and his surroundings!

He steps forth from his hut, a dark-brown-coloured man in the prime and

vigour of manhood, a cleanly, decent creature, dressed after the custom

of his country in a clay-coloured robe of bark cloth, knotted at the

shoulder and depending to his feet—apparently a contented, nay, an

extremely happy man, for a streak of sunshine having caught his face, we

have a better view of it and are assured it reflects a felicitous

contentment.

He saunters—while arranging his robe with due respect to decency—to his

usual seat near the gate of the outer court, above which a mighty banana

towers, shading it with its far-reaching fronds.

In the foreground, stretched before him, is his garden, which he views

with placid satisfaction. It is laid out in several plats, with curving

paths between. In it grow large sweet potatoes, yams, green peas, kidney

beans, some crawling over the ground, others clinging to supporters,

field beans, vetches and tomatoes. The garden is bordered by castor-oil,

manioc, coffee, and tobacco plants. On either side are small patches of

millets, sesamum, and sugar-cane. Behind the house and courts, and

enfolding them, are the more extensive banana and plantain plantations

and grain crops, which furnish his principal food, and from one of which

he manufactures his wine and from the other his potent pombé.

Interspersed among the bananas are the umbrageous fig-trees, from the

bark of which he manufactures his cloth. Beyond the plantations is an

extensive tract left for grazing, for the common use of his own and his

neighbours’ cattle and goats.

It is apparent that this man loves privacy and retirement, for he has

surrounded his own dwelling and the huts of his family—the cones of

which are just visible above—with courts enclosed by tall fences of

tough cane. While we leave the owner contemplating his garden, let us

step within and judge for ourselves of his mode of life.

Within the outer court we come to a small square hut, sacred to the

genius of the family, the household Muzimu. This genius, by the dues

paid to him, seems to be no very exacting or avaricious spirit, for the

simplest things, such as snail-shells, moulded balls of clay, certain

compounds of herbs, small bits of juniper wood, and a hartebeest horn

pointed with iron and stuck into the earth, suffice to propitiate him.

Proceeding from the outer court, we enter the inner one by a side

entrance, and the tall, conical hut, neatly constructed, with its broad

eaves overshadowing the curving doorway, which has a torus consisting of

faggots of cane running up and round it, stands revealed.

It is of ample circumference, and cosy. On first entering we find it is

rather dark, but as the eye becomes accustomed to the darkness, we begin

to distinguish objects. That which first arrests observation is the

multitude of poles with which the interior is crammed for the support of

the roof, until it resembles a gloomy den in the middle of a dense

forest. These poles, however, serve to guide the owner to his cane bunk,

but their number would confuse a nocturnal marauder or intruding

stranger. The rows of poles form, in fact, avenues by which the inmates

can guide themselves to any particular spot or object.

The hut, we observe also, is divided into two apartments, front and

rear, by a wall of straight canes, parted in the centre, through which

the peasant can survey—himself being unseen—any person entering.

In the rear apartment are bunks arranged round the walls for the use of

himself and family. Over the doorway of the hut within may be observed a

few charms, into whose care and power the peasant commits the

guardianship of his house and effects.

A scarcity of furniture is observable, and the utensils are few in

number and of poor quality. Under the former title may be classed a

couple of carved stools and a tray for native backgammon; under the

latter, some half-dozen earthenware pots and a few wicker and grass

basins. Some bark cloth, a few spears, a shield, a drum, a bill-hook or

two, a couple of hoes, some knobsticks and pipe stems, and a trough for

the manufacture of banana wine, complete the inventory of the household

effects.

Behind the peasant’s own dwelling are two huts of humbler pretensions,

also surrounded by courts, where we may behold the females of the family

at work. Some are busy kneading the bananas to extract their juice,

which, when fermented, is called _maramba_—delicious in flavour when

well made; others are sorting herbs for broth-food, medicines, or some

cunning charm; others, again, are laying out tobacco-leaves to dry,

whilst the most elderly are engaged in smoking from long-stemmed pipes,

retailing between the leisure-drawn draughts of smoke the experiences of

their lives.

Such is the kopi at home.

If the picture is not a faithful one of all his class, it may be

attributed to his own indolence, or to some calamity lately befallen

him. From it will be seen that the average native of Uganda has an

abundance and a variety of good food, that he is comfortably lodged, as

far as his wants require, is well and often married, and is secure from

enemies so far as a powerful sovereign and warlike multitudes can

command security. Still, there is one thing more that is necessary for

his happiness—protection from his sovereign.

THE “MKUNGU” OR CHIEF.

It might be supposed that, if a peasant’s lot appears so enviable in

that land, a Mkungu’s or chief’s of the first rank would be happier a

thousandfold. That such is not always the case will be seen from the

following sketch of the present Premier, or Katekiro, of Uganda, whose

name originally, now almost forgotten, was Magassa. It may be proper to

state here that all Waganda, from the Emperor to the peasant, change

their names according as they advance in popular estimation.

About the time that Mtesa succeeded his father and beheaded the senior

chiefs of Uganda, there was observed at the court a smart, clever,

cleanly looking lad, assiduous in his attendance on the monarch, and

attentive to his smallest wishes. He was the son of a Mtongoleh or

sub-chief, and his name was Magassa. To his other desirable qualities

might be added a fine set of white teeth, bright eyes, and general good

looks. Mtesa became enamoured of him, and made him guardian over the

imperial lavatory, an office of great trust in Uganda.

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[Illustration: HUTS OF EAST CENTRAL AFRICA.]

1. Wangwana hut in camp.

2. Do. do.

3. Unyamwei hut.

4. Hut of Karagwé Uddu.

5. Hut of Uganda.

6. Small tembé of Ugogo.

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As Mtesa grew to man’s estate, Magassa the boy also became a young

man, for he was about the same age as his master, and, retaining

and improving those qualities which first attracted the monarch’s

eyes, was promoted in time to be a Mtongoleh of the body-guard, and

a double-barrelled gun was put into his hands, with the power of

gunpowder, and a few bullets and percussion caps, which caused the

heart of young Magassa to bound with joy. Perhaps he was even prouder

in the possession of a gun than he was of his rank, for frequently the

Mtongoleh of the body-guard has only the empty name to boast of.

However, being Mtongoleh (or colonel), he was liable to be despatched at

a moment’s notice to distant parts of the Empire on special service, and

the day came finally when Magassa was chosen.

Imagine a young British subaltern despatched by the Queen’s command,

specially chosen by the Queen for special service. How the young heart

palpitates, and the nerves tingle with delight! He spurns the ground,

and his head aspires to the stars! If a young British officer feels so

joyful at a constitutional sovereign’s choice, what must the elect of a

despotic autocrat like the Emperor of Uganda, feel?

No sooner has he left the imperial presence with the proud command

ringing in his ears than his head seems to swell, and almost burst from

delirious vertigo. His back, hitherto bent through long servile dread,

has suddenly become rigid and straight as the staff of his spear, and an

unusual sternness of face has somehow replaced the bland smiles which

hitherto decked it. For is he not “Kabaka” while on the Emperor’s

errand? Do not his soldiers respond to him when summoned with aweful

alacrity, saying, “‘Kabaka’ (Emperor), behold us”?

Woe to the party from whom offence came if young Magassa was sent with

his warriors to them! And woe to the warrior who committed any breach of

discipline when under Magassa’s command, or even to him who crossed his

humour when on the march on special service! Magassa’s spear was sharp

and swift, and his hands were at all times quick to gather spoil, and

soon it was observed that the poor Magassa was getting rich in slaves,

waxing great in name, and becoming exceedingly influential at court.

Promotions rewarded his adroitness and quick execution of commands,

lands of his own and bounties of slaves and cattle were bestowed upon

him, until Magassa became a Mkungu, or chief, of the second order.

Such a spirit as Magassa possessed, however, could not long remain

satisfied with this, while many above him could not boast of a tithe of

his deftness and ability, and were blind to observe and forestall the

humours of the despotic monarch; and a day came when a Mkungu of the

first order, named Pokino, offended Mtesa.

Casting his eyes about for a fit man to succeed him, Mtesa’s eyes

lighted on the sparkling, bright face of Magassa, and his decision was

at once made.

“Here, Magassa,” cried the Emperor, and the accomplished courtier fell

at his feet to the ground, to hear his command. “Haste, Magassa, take

men and eat up Pokino’s land and name, for old Pokino has forgotten me.”

“Twiyanzi, yanzi!” he cried and moaned, “Twiyanzi, yanzi, yanzi!” each

time more emphatic, and rubbing his cheeks in the dust; and then,

springing to his feet, he seized his spear, and, holding it aloft, as if

in the act of launching it, he proclaimed aloud, “By the Emperor’s

orders, I go to eat up Pokino. I will eat him clean out of land and

name, and Magassa shall become Pokino. Emperor behold me!” and again he

fell to the ground, screaming his thankful Twiyanzis, and loyally

abasing himself in the dust.

After the levee was over, Magassa, eager to change his name for

Pokino’s, beat his war-drum, unfolded his banner, and mustered his

followers, and, like the fell leopard, pounced upon purblind Pokino,

whom he quickly deprived of life, land, and name, and in place of their

former owner became their master. But with even old Pokino’s vast

estates and large possessions the young Pokino was apparently

discontented. Shortly afterwards the Emperor commanded him to “eat up”

Namujurilwa, the Achilles of Uganda, and it is owing to young Pokino’s

thirst for power and riches that Majwara, an infant son of that great

chief, became a slave to Njara of Unyanyembé, from whom I purchased his

freedom in 1871. I afterwards sent him to Livingstone, to whom young

Majwara ministered faithful service until that great traveller’s death.

With the fall of Namujurilwa, young Pokino became Lord of all Uddu, from

the Katonga valley to the Alexandra Nile, a district embracing over 3000

square miles, with twenty sub-chiefs recognizing him as their master,

possessing two great capitals, Namujurilwa’s at Masaka, and Pokino’s,

hundreds of women-slaves, and thousands of youthful slaves of both

sexes, with cattle also by the thousand, and chief of a population

numbering over 100,000. What a change this—from the keeper of the

lavatory to the Lord of Uddu!

Pokino’s life at his capital of Uddu, Masaka, is almost regal. He has

“eaten up” the lands of two great chiefs, old Pokino and the lion-like

Namujurilwa, and now out of the eater cometh forth meat, and out of the

strong cometh forth sweetness. His sub-regal court is crowded with

applicants and claimants for bounties, and slaves requiring to be fed,

and good offices are given with a liberal hand, and cattle are

slaughtered by hundreds, until Pokino’s open hand and large heart is

published throughout Uganda. By this politic liberality he secures the

affection of the natives of Uddu, the friendship of the great chiefs at

the court, and the approbation of the Emperor.

Is Pokino satisfied? Not yet, for there remains one more office which

Mtesa can give; but he must wait awhile for this.

The Emperor hears there is a country called Usongora, west of

Gambaragara[29] somewhere, rich in vast herds of cattle, and he commands

Pokino to go and gather some of them. Immediately the great war-drum of

Masaka sounds the call to war, and the natives from the banks of the

Alexandra Nile, the slopes of Koki plateau, and all the lake shore from

the Alexandra to the Katonga respond to it by thousands, for it is a

call to them to gather spoil, and when did a peasant of Uganda linger at

such a summons?

When Pokino begins his journey, he discovers he has a vast army at his

command, for other chiefs also are represented here by columns. Kitunzi

of the Katonga valley has sent Sambuzi, and Mkwenda, Kangau, and

Kimbugwé have also sent sub-chiefs with hundreds of warriors. Before

Pokino’s great army the people of Gambaragara retire up the slopes of

their lofty snow mountain, and, pursuing them as far as prudence will

permit, Pokino’s eyes view from afar the rolling grassy plateau of

Usongora, and an immense lake stretching beyond, which he is told is

Muta Nzigé.

Descending from the slopes of the snow mountain, he marches with

incredible speed to Usongora, sweeps in with long sure arms large herds

of cattle, despite the frantically brave natives, collects thousands of

straight-nosed, thin-lipped, and comely women and children, and drives

them towards Uganda.

Several difficulties present themselves in the way. The plain of

Usongora is covered with salt and alkali, which, intemperately eaten,

causes many deaths; and in the valleys sprout up mud-springs, and from

the summits of conical hills strange fire and smoke issue, and now and

then the very earth utters a rumbling sound, and appears to shake.

The Wanyoro, also, by thousands, combine with the natives of Gambaragara

to dispute his return. They lay ambuscades for him, and obstinately

harass him night and day. But Pokino’s spirit is up in arms. He defies

the supernatural noises of that Land of Wonders, Usongora, and by skill

and sagacity avoids the meshes laid to entrap him, and, when opportunity

affords, snares his ambushed enemies and annihilates them, and finally

appears in Uganda at the imperial capital with a spoil of cattle and

slaves fit to gladden even the imperial heart.

The Emperor appoints a day to receive him and his warriors, and, that

meed may be given only to the brave, has caused to be brewed immense

potfuls of potent pombé, which shall serve as a test to point out the

brave and the coward.

The day arrives. The Emperor is seated in unusual state, with his harem

behind him, his chiefs on either hand in order of rank, his musketeers

on guard, and his drummers and musicians close by, while aloft wave the

crimson-and-white-barred standards adopted by the empire. Before the

Emperor are arranged the pots of test-beer.

Pokino advances, prostrates himself in the dust, and begins to relate

his adventures and his doings in Usongora, while the heroes of the great

raid are enmassed in view and within hearing of his words.

After the conclusion of the story, the Emperor says briefly, “Drink, if

thou darest.”

Pokino rises, advances to the test-pots, receives the ladle, and dips it

into the pombé; then taking it up, he holds it aloft, and, turning to

the warriors who followed him, cries aloud, “Tekeh?” (“Am I worthy or

not?”)

“Tekeh!” (“Thou art worthy!”) responds the multitude with a shout.

Again he asks “Tekeh?” and again “Tekeh!” is shouted with renewed

acclamation, and, being found worthy, he drinks, utters his grateful

Twiyanzis to the Emperor, and retires to permit others to advance and

drink the test-beer. Those found worthy are rewarded, those unworthy are

doomed to death by popular condemnation.

Soon after this, Myanja, the Katekiro, was found guilty of the

overweening pride of appropriating to himself the most beautiful of the

female slaves without regarding his master’s right to select his

allotment first, and the result of this was that Myanja was disgraced

and shortly beheaded.

The Premier’s place being now vacant, Pokino was appointed to fill it;

and thus was the once humble Magassa elevated to be next in power to the

Emperor, with the utmost of his ambition fulfilled.

He is now daily seated on the carpet at the right hand of his sovereign,

controls all things, commands all men, and, when leaving the presence of

his master, he is escorted by all the chiefs to his own quarters,

waylaid by multitudes on the road with profound greeting, has the pick

of all females captured in war, the choicest of all cattle, and his

shares of all cloths, beads, wine, and other gifts brought to Mtesa; for

the Katekiro, alias Pokino, alias Magassa, is now Premier, First Lord,

and Secretary of State! But what next?

One day, while on a visit to my quarters, I permitted him to examine my

store of medicines. On explaining the various uses of laudanum, he

remarked, to my surprise, with a sigh, “Ah! that is the medicine I wish

to have. Can you not spare some for me?”

Poor Magassa! poor Pokino! poor Katekiro! He is already watching, while

yet young, in the prime and vigour of manhood, for he knoweth not the

hour when the Lord of the Cord may beckon to him.

It is left for some future traveller to tell us of his interview with

Kasuju, the chief executioner.

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[_To face page 308._

[Illustration: RUBAGA, THE NEW CAPITAL OF THE EMPEROR MTESA.]

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THE “KABAKA” OR EMPEROR.

The curtain rolls up, and discloses a hill covered with tall conical

huts, whose tops peep out above the foliage of plantains and bananas,

and lofty fences of cane. Up the hill’s gradually ascending slopes run

broad smooth avenues, flanked by cane palisades, behind which clusters

of huts show grey under a blazing sun, amid the verdure of the leafy

groves around them. The avenues are thronged by natives, clad in

picturesque costumes. White clothes gleam in the sunshine, in strong

contrast to red and brown. The people are wending their way to the

imperial quarters on the summit of the hill. While no ingress is

permitted, they crowd around the gates in social gossip, exchanging

morning greetings.

[Illustration: AUDIENCE HALL OF THE PALACE.]]

Suddenly the murmur of voices ceases, and the long rumbling roll of a

kettle-drum is heard, announcing that the monarch is seated on the

burzah. The gates are at once drawn aside, and a multitude of chiefs,

soldiers, peasants, strangers rush up tumultuously, through eight or ten

courts, towards the audience-hall, and in their noisy haste we may see

the first symptoms of that fawning servility characteristic of those who

serve despots.

The next scene we have is a section of a straw house, with a gable-roof—

about 25 feet high, 60 feet long, and 18 feet in breadth.

At the farther end, by the light afforded by the wide entrance, we

perceive the figure of a man clad in an embroidered scarlet jacket and

white skirt seated on a chair, guarded on either side by a couple of

spearmen and two men bearing muskets. The chiefs and principal men now

hastening through the gates bow profoundly before him; some, after the

Muslim’s custom, kiss the palms and back of his right hand; others,

adhering to the original customs of the country, prostrate themselves to

the ground, and, throwing their hands towards him, exclaim, while

kneeling, “Twiyanzi, yanzi!” after which they severally betake

themselves to their respective seats in order of rank. Two long rows of

seated men are thus formed along the caned walls of the hall of

audience, facing towards the centre, which is left vacant for the advent

of strangers and claimants, and the transaction of business, justice,

&c.

Being privileged, we also enter, and take a seat on the right-hand side,

near the Katekiro, whence we can scrutinize the monarch at our leisure.

The features, smooth, polished, and without a wrinkle, are of a young

man, who might be of any age between twenty-five and thirty-five. His

head is clean-shaven and covered with a fez, his feet are bare and rest

on a leopard-skin, on the edge of which rests a polished white tusk of

ivory, and near this are a pair of crimson Turkish slippers. The long

fingers of his right hand grasp a gold-hilted Arab scimitar; the left is

extended over his left knee, reminding one of the posture of Rameses at

Thebes. The only natural peculiarities of the face, causing it to differ

from other faces around me, are the glowing, restless large eyes, which

seem to take in everything at a glance. The character of the face,

however, is seen to change rapidly; even in repose it lacks neither

dignity nor power, but as cross thoughts flash through his mind the

corners of the lips are drawn in, the eyes expand, the eyeballs project,

his hands twitch nervously, and the native courtier begins to apprehend

a volcanic outburst of rage. If pleased, however, the eyes appear to

recede and contract, the lips relax their vigour, and soon a hearty

laugh rings through the hall.

But hush! here advance some ten or twelve people along the centre, and

prostrate themselves before the Emperor, and begin through a spokesman

to tell him of something to which, strangely enough, he does not seem to

listen.

By means of an interpreter we are informed that it is an embassy from

the lawless bandit Mirambo, who, hearing that Mtesa was likely enough to

send some 50,000 sharp spears to hunt him up, has sent these men with

propitiating gifts, and a humble declaration that he has no cause of

quarrel with Uganda. The gifts are unrolled to view and counted. So many

cloths, so much wire, some half-dozen dinner plates of European make, an

ample brass coffee tray, an Arab dagger silver-hilted, and a scarlet

coat.

Mtesa has been meanwhile carelessly talking to his chiefs while the

embassy addressed him, but suddenly he turns on the embassy his large

glowing eyes, and speaks quickly and with decision:—

“Tell Mirambo from me that I do not want his gifts, but I must have the

head of his man who slew my chief Singiri a year ago, as he was

returning from Zanzibar to Uganda, or I will hunt him up with more

Waganda than there are trees in his country. Go!”

Another party now comes up. A chief is dead, and they wish to know who

shall succeed him, and they have brought his sons along with them, that

the Emperor may make his choice.

Mtesa smiles and asks his chiefs to name the successor. One names

Bugomba, another Taniziwa, another Kaseje, another Sempa. The chiefs

fail to agree, and Mtesa asks playfully, “Which shall be chief?”

whereupon the majority name Taniziwa as elected, after which we have to

hear the “Twiyanzis” of the favoured one, and his ardent vows of

allegiance to the Emperor.

Just at this moment appears a long procession of females, old and young,

at the sight of whom the Emperor rises to his feet, and his example is

followed by all. Curious to know who they are, we ask, and are told that

they are descendants of Kamanya and Suna, wards and members of the

imperial family. These ladies, it appears, know when to time their

visits, and contrive to enter the levee late, as European ladies, to

attract attention, are supposed to enter church late.

As these ladies advance to the carpet, Mtesa greets each with a kind

word, and after they are seated proceeds to them, seats himself in their

laps, and embraces one after another. In return for these imperial

courtesies, they afterwards present him with live fowls, which he is

compelled to receive with his own hands, and pass over to a chief to

hold, that he may not appear to despise any of them. Surely if such a

despotic monarch can condescend to be so affable and kind to females,

there must be some good in him.

But the Emperor on this morning has caught a cold, and the watchful

chiefs have been observing the little uneasiness, and forthwith

half-a-dozen rush forward prone on their knees, and offer their

head-cloths, into which the imperial nose may relieve itself.

The Emperor playfully draws back in his chair, and says, “Oh, I don’t

want all these.”

“Well, take mine,” says one.

“No, take mine, Kabaka; mine is white, and of fine soft cloth;” and

Mtesa, prevailed upon by the whiteness and softness of the texture,

takes it, and relieves his afflicted nose, and then hands the cloth back

to its owner, who rubs it together hard, as though he wished to punish

well the cause of the affliction.

Suddenly from some place in the hall is heard a hawking sound, as from

some one likewise afflicted with a cold in the throat, and the eyes of

the Emperor are quickly fixed on the person; but the chiefs cry out

indignantly, “Out, out with you, quick!” and, peremptorily and sternly,

half-a-dozen “lords of the cord” seize upon the unfortunate and eject

him in no gentle manner.

After this interruption the tones of the native harp are heard, and the

Emperor calls to the minstrel and bids him play on his instrument, which

the accomplished musician is nothing loth to do. But while we listen to

the monotonous music, all are startled at the loud report of a gun!

A dozen ejaculations are uttered, and as many chiefs rush out to enquire

the cause; but they have been forestalled by the adroit and eager lords

of the cord, who have thrown their nooses round the man’s neck and, half

strangling him, drag him into the Presence, whose imperial nerves have

been somewhat disturbed by the sudden discharge of gunpowder. The lords

of the cord, kneeling, say that the man let his gun fall while on guard,

and their eyes seem to ask, “What shall we do to him?” “Give him fifty

blows with a stick,” cries the angry Emperor, and the unfortunate fellow

is hauled away to receive such a punishment as will lame him for a

month.

There is now heard a lowing of cattle, of fat beeves and milch-cows, in

the court before the audience-hall, and a man advances, and after

prostration and “Twiyanzis” says he has brought a present from

Mankorongo, king of Usui.

“H’m. See to them, Katekiro, and give one to my steward Ka-uta to

dress up, and let each chief have an ox to-day, and give ten to my

bodyguard.” At this liberality all the chiefs rush forward, abase

themselves in the dust, and cry aloud their fervid “Twiyanzis.”

The chiefs resume their seats after this exhibition of their gratitude,

and a messenger arrives from the banks of the Victoria Nile, and

relates, to the monarch’s surprise, that Namionju, a petty prince near

Unyoro, has cast off his allegiance to him, and opened negotiations with

Kabba Rega, king of Unyoro.

On hearing the messenger’s news, the Emperor exclaims, his eyes

expanding widely, and projecting, “What! are all my people dead at

Nakaranga? Have I no chief, no people left, that Namionju treats me so?”

The answer is heard in the voices of the chiefs, who spring to

their feet simultaneously and rush out before the entrance of the

audience-hall, seize their spears or walking-sticks, and call aloud on

the Emperor to behold and number his chiefs, and with wild impressive

gestures toss their spears and arms on high until a stranger would

fancy that a revolution had suddenly begun. The Emperor, however,

calmly answers, “It is well,” upon which the chiefs leave their spears

without and regain their seats.

Then casting his eyes about him, he selects a fiery-looking young chief—

Maoor-ugungu by name—who instantly darts forward from his seat, and

prostrating himself exclaims, “_Kabaka_, I am here.”

“Go, Maoor-ugungu, take five Watongoleh and their men, and eat up

Namionju and his country.”

Maoor-ugungu, prompt as tinder upon receiving such an order, utters many

“Twiyanzis,” then springs to his feet, and, seizing a couple of spears

and a shield, throws himself into a heroic attitude with all the ardour

of a true son of Mars, and cries aloud:—

“Emperor, behold me! The Emperor commands, and Namionju shall

die, and I will gather the spoil. I will eat the land up clean.

Twiyanzi-yanzi-yanzi-yanzi!” and so on _ad infinitum_.

The Emperor rises. Tori the drummer beats the long roll on his drum, and

all the chiefs, courtiers, pages, claimants, messengers and strangers,

start to their feet. The Emperor—without a word more—retires by a side

door into the inner apartments, and the morning burzah is ended.

Those curious to know further of the Emperor’s life must pass through a

multitude of sharp-eyed, watchful guards, pages, and executioners,

thronging the court of the audience-hall, into the private courts, many

of which they will find apparently of no use whatever except to ensure

privacy, and to confuse a stranger.

In one they may see Mtesa drilling his Amazons and playing at soldiers

with his pets. They are all comely and brown, with fine virginal bosoms.

But what strikes us most is the effect of discipline. Those timid and

watchful eyes which they cast upon the monarch to discover his least

wish prove that, though they may be devoted to him, it is evident that

they have witnessed other scenes than those of love.

In another court, perhaps, they may find Mtesa just sitting down to eat

a slight noon meal, consisting of ripe bananas and curded milk; or they

may find him laughing and chatting with his favourite wives and female

children, who all sit around him, seeming to govern their faces

according to the despot’s humour; or perhaps he may happen to be found

with a favourite page examining the contents of the treasure-house,

where the gifts of various travellers, European, Turkish, and Arabic,

are stored; or he may be engaged with Tori, his factotum, planning some

novelty, in the shape of a waggon, carriage, ship, or boat, or whatever

the new fancy may be which has taken possession of his mind.

THE LAND.

Having learned somewhat through these sketches of the character of the

peasant, the chief, and the monarch, it now remains for us to take a

view of the land in order to understand its extent, nature, and general

aspect.

The form of the Empire governed by Mtesa may be best described as a

crescent. Its length is about 300 geographical miles, and its breadth

about 60, covering—with the islands of Sessé, Lulamba, Bufwe, Sadzi,

Lulamha, Damba, Lukomeh, Iramba, Irwaji, Kiwa, Wema, Kibibi, Uziri,

Wanzi, Uruma, Utamba, Mwama, Ugeyeya, Usamu, and Namungi—an area of

30,000 square miles. If we reckon in also Unyoro, Ukedi, and Ankori,

which recognize Mtesa’s power, and pay tribute to him, though somewhat

irregularly, we must add a further area of 40,000 square miles, making

the total extent of his empire about 70,000 square miles.

----------------------------------------------------------------

[_To face page 314._

[Illustration:

MTESA’S AMAZONS.

(_From a photograph by the Author._)

]

----------------------------------------------------------------

Some estimate of the population ought also to be offered. But it is to

be understood that it is only a rough estimate, made by a traveller who

has had to compile his figures by merely taking into consideration the

number of the army assembled at Nakaranga, and enumerating districts and

villages alone; the line of his travels.

Countries and Districts. Population.

Uganda proper (from Ripon Falls) to Katonga river 750,000

Uddu 100,000

Bwera 30,000

Koki 70,000

Usoga 500,000

Ukedi 150,000

Unyoro 500,000

Usagara or Ankori 200,000

Karagwé 150,000

Usui 80,000

Uzongora, including Ihangiro and Bumbireh 200,000

Sessé Island 20,000

Uvuma 15,000

All other islands 10,000

—————

2,775,000

=========

This number gives about thirty-eight persons to the square mile

throughout the empire of Uganda.

The productions of the land are of great variety, and, if brought

within reach of Europeans, would find a ready market—ivory, coffee,

gums, resins, myrrh, lion, leopard, otter, and goat[30] skins,

ox-hides, snow-white monkey-skins, and bark cloth, besides fine cattle,

sheep, and goats. Among the chief vegetable productions are the papaw,

banana, plantain, yams, sweet potatoes, peas, several kinds of beans,

melons, cucumbers, vegetable marrow, manioc, and tomatoes. Of grains,

there are to be found in the neighbourhood of the capital wheat, rice,

maize, sesamum, millets, and vetches.

The soil of the lake coast region from the extremity of Usogo to the

Alexandra Nile is of inexhaustible fertility. The forests are tall and

dense, and the teak and cottonwood, tamarind, and some of the gum trees

grow to an extraordinary height, while many of the lower uninhabited

parts near the lake are remarkable for the density, luxuriance, and

variety of their vegetation.

The higher land, for the most part devoid of trees and covered with

grass, appears better adapted for pasture, though the plantain and fig

trees flourish on the summit of the hills with the same vigour as near

the lake.

Westward of the smooth, rolling, pastoral country which characterizes

the interior of Usoga and Uganda, we observe that the land has lost its

surface of pasture grass, and its gently undulating character, and

heaves itself upwards into many-headed hills of rugged, abrupt forms,

and as we penetrate farther, these hills become mountains of a

stupendous type, with summits which, except on a fine clear day, the

naked eye cannot define. Deep, deep valleys, from whose depths we hear

the roar of resounding cataracts and falls, sunder these lofty

mountains. Upon their lengthy slopes great masses of glistening white

rock are seen half embedded in débris, where they have remained since

they were severed from the parent mountain which raises its head so

proudly into the sky above.

Beyond this scene again we come to where the land appears to have

concentrated itself, and fused all lesser mountains and hills into one

grand enormous mass, the height and size of which dwarfs all hitherto

seen, and which, disdaining vulgar observation, shrouds its head with

snow and grey clouds.

Indeed, so gradual is the transition and change in the aspect of

the land from Lake Victoria to Beatrice Gulf that one may draw this

one-hundred-miles-wide belt into five divisions of equal breadth,

and class them according to the limits given above. Let us imagine

a railway constructed to run from one lake to the other—what scenes

unrivalled for soft beauty, luxuriance, fertility, and sublimity would

be traversed!

Starting from the sea-like expanse of the Victoria Lake, the traveller

would be ushered into the depths of a tall forest, whose meeting tops

create eternal night, into leafy abysms, where the gigantic sycamore,

towering mvulé, and branchy gum strive with one another for room, under

whose shade wrestle with equal ardour for mastery the less ambitious

trees, bushes, plants, llianes, creepers, and palms. Out of this he

would emerge into broad day, with its dazzling sunshine, and view an

open rolling country, smooth rounded hills, truncated cones, and bits of

square-browed plateaus, intersected by broad grassy meads and valleys

thickly dotted with ant-hills overgrown with brushwood. Few trees are

visible, and these, most likely, the candelabra or the tamarisk, with a

sprinkling of acacia. As some obstructing cone would be passed, he would

obtain glimpses of wide prospects of hill, valley, mead, and plain, easy

swells and hollows, grassy basins, and grassy eminences, the whole

suffused with fervid vapour.

These scenes passed, he would find himself surrounded by savage hills,

where he would view the primitive rock in huge, bare, round-backed

masses of a greyish-blue colour, imparted to them by moss and lichens,

or large fragments flung together as in some Cyclopean cairn, sundered

and riven by warring elements. At their base lie, thickly strewn, the

débris of quartz-veined gneiss and granite and iron-coloured rock, half

choking the passage of some petty stream, which vents its petulance, as

it struggles through it to gain the clear, disencumbered valley, and the

placid river, guarded by banks of slender cane and papyrus.

And then the traveller would observe that the valleys are gradually

deepening, and the hills increasing in height until suddenly he

would be ushered into the presence of that king of mountains, Mount

Gordon-Bennett, which towers sheer up to the azure with a white veil

about his crown, surrounded by clusters of savage heights and ridges,

and before whose indisputable sublimity his soul seems to shrink.

Escaping from the vicinity of this mountain monarch, he would be swept

over a brown parched plateau for a short hour, and then, all suddenly,

come to a pause at the edge of an awful precipice some 1500 feet in

depth. At the bottom of this, slumbering serenely, and reflecting the

plateau walls on its placid surface, lies the blue Muta Nzigé.

GENERAL REMARKS.

I have still to add some details of interest. Mtesa, in the preceding

introduction to the reader, playing the part of Emperor at a public

burzah, has still only a vague and indistinct personality, and so, to

complete the portrait, I venture to append the following remarks.

On first acquaintance, as I have already said, he strikes the traveller

as a most fascinating and a peculiarly amiable man, and should the

traveller ever think of saving this pagan continent from the purgatory

of heathendom, the Emperor must occur to him as of all men in Africa the

most promising to begin with. For his intelligence and natural faculties

are of a very high order, his professions of love to white men great,

and his hospitality apparently boundless. Had he been educated in

Europe, there can be little doubt but that he would have become a worthy

member of society; but nursed in the lap of paganism, and graduate only

in superstition and ignorance, he is to-day no more than an

extraordinary African.

Flattering as it may be to me to have had the honour of converting the

pagan Emperor of Uganda to Christianity, I cannot hide from myself the

fact that the conversion is only nominal, and that, to continue the good

work in earnest, a patient, assiduous, and zealous missionary is

required. A few months’ talk about Christ and His blessed work on earth,

though sufficiently attractive to Mtesa, is not enough to eradicate the

evils which thirty-five years of brutal, sensuous indulgence have

stamped on the mind: this only the unflagging zeal, the untiring

devotion to duty, and the paternal watchfulness of a sincerely pious

pastor can effect. And it is because I am conscious of the insufficiency

of my work, and his strong evil propensities, that I have not hesitated

to describe the real character of my “convert.” The grand redeeming

feature of Mtesa, though founded only on self-interest, is his

admiration for white men.

When the traveller first enters Uganda, his path seems to be strewn with

flowers, greetings with welcome gifts follow one another rapidly, pages

and courtiers kneel before him, and the least wish is immediately

gratified, for to make a request of the Emperor is to honour him with

the power of giving. So long as the stranger is a novelty, and his

capacities or worth have not yet been sounded, his life in Uganda seems

to be a sunshiny holiday.

Meanwhile, however, the pages, pursuivants, messengers, and courtiers

have been measuring him by rules and methods of their own. His faculties

have been calculated, his abilities keenly observed and noted, and his

general utility and value become accurately gauged, and all the time he

has been entertained royally, and courted and favoured beyond all his

expectations.

But now approaches the time for him to make return, to fulfil the

promise tacitly conveyed by his ready and friendly acceptance of gifts

and favours. He is surprised by being asked if he can make gunpowder,

manufacture a gun, cast a cannon, build a ship, or construct a stone or

a brick house. If a priest ordained, and his garb and meek, quiet

behaviour prove it, his work is ready cut for him; he has only to teach

and preach. But if a soldier, why should he not know how to make guns,

cannon, ships, brick houses, &c.? If he informs the Emperor that he is

ignorant of these things, why then he must pay in other coin. He has

guns with him, he must “give”; he has watches, “give”; he has various

trifles of value, such as a gold pencil-case, or a ring, “give”; he

wears good clothes, “give”; he has beads, cloth, wire, “Give, give,

give”; and so “give” to his utter beggary and poverty. If he does not

give with the liberality of a “Speki” or a “Stamlee,” who will

henceforth be quoted to his confusion and shame, there will be found

other ways to rid him of his superfluities. His men will be found

unfaithful, and will desert, attracted by the rewards of Mtesa and

glowing descriptions of his liberality, and one day, when he is about to

congratulate himself that he is more fortunate than others, he will find

himself suddenly bereft of half or three-fourths of his entire stock of

goods. If the traveller states that he is acquainted with a few arts, he

is expected to prove his words to the loss of his time and patience, and

the waste of many precious months; even then what little he has been

able to do with such lazy knaves as the Waganda will prove insufficient,

and he also, by craft, will be relieved of a few guns and bales.

From these exactions only the resident missionary would be exempt,

because he will be able to make ample amends for all deficiencies by

staying to teach and preach, and he in time would, in reality, be the

Emperor. To him Mtesa would bend with all the docility of a submissive

child, and look up with reverence and affection. The peculiar wayward,

petulant, inconsistent nature would become moulded anew, or be re-born,

to be presented henceforth to European travellers in an amiable, nay

loveable, aspect. Mtesa is the most interesting man in Africa, and one

well worthy of our largest sympathies; and I repeat that through him

only can Central Africa be Christianized and civilized.

It will be observed that I have styled Mtesa “Emperor” of Uganda, and

not king, like my predecessors Speke and Grant. But my readers may

remember that it has been mentioned in the brief sketch of the Premier

given above that all the Waganda, from the Emperor to the peasant,

change their titles and names according as they are estimated in the

popular consideration.

Before Suna’s death Mtesa was a Mlangira (prince); when he succeeded his

father, being yet young, he received the title of Mukavya or Mkavya

(king) of Uganda, but after he had distinguished himself in the conquest

of other kings, and won the imperial right, this title was changed for

Kabaka or Kawaka (Emperor). For the Empire of Uganda, as already

described, embraces several countries besides Uganda proper.

I was not aware of these several distinctions or grades until I had been

a long time resident at the court. The title of Mkama, again, such as

that of Mkama Rumanika of Karagwé, Mkama Mankorongo of Usui, is

synonymous with viceroy or sub-king, though literally translated it

means “lord.” Polite courtiers prone on the ground, abasing themselves

in the dust before Mtesa, will often address him as “Mkama ange” (my own

lord).

The children of Mtesa are all styled Ulangira (princes). Below this

title there seems to be no other designation of hereditary condition

save Kopi (peasant). Wakungu and Watongoleh alike are peasants born, and

therefore still peasants, though they may rank as chiefs and sub-chiefs,

or governors and lieutenant-governors, or generals and colonels. Thus

Mtesa at Nakaranga, when he was pleased to promise to reward him who

first landed at Ingira Island with the place of Katekiro, asked the

assembled chiefs, “For what is Pokino really? Is he not a peasant?”

The moral character of the people is far below that of the Emperor.

Indeed, if it were not for him, no stranger would dare to enter Uganda.

They have no respect for human life or human rights. Among themselves

they recognise only might, and Mtesa might even be pardoned for

exercising greater severity than he does, for this fierce people

requires to be governed with the almost unexampled severity of might and

power which Suna so cruelly employed. They are crafty, fraudful,

deceiving, lying, thievish knaves, taken as a whole, and seem to be born

with an uncontrollable love of gaining wealth by robbery, violence, and

murder, in which they resemble—except that they have the lawless

instinct to a greater degree than most—nearly all African tribes. Owing,

however, to their terror of punishment, the stranger is permitted to

wander in almost certain safety throughout Uganda, and is hospitably

treated as the “Emperor’s guest” (Mgeni). One has only to hear the word

“Nganya” (spoil) given by a person in authority to be surprised at the

greed there and then exhibited.

The adage has long been accepted for true, “Like father like son,” and

equally true would be the saying, “Like king like people.” The conduct

of the chiefs proves that in Uganda at least it is true, for, like the

Emperor, they adopt a despotic style, and require to be served by their

inferiors with abject servility and promptitude. Like him, also, the

chiefs are fond of pomp and display, and, as far as their rank and means

permit, they exhibit this vanity to the utmost.

Thus, the monarch has always about two score of drummers, a score of

fifers, half a score of native guitar-players, several mountebanks,

clowns, dwarfs, and albinoes, a multitude of errand-boys, pages,

messengers, courtiers, claimants, besides a large number of bodyguards

and two standard-bearers, either following or preceding him wherever he

goes, to declare his state and quality. The chiefs, therefore, have also

their followers, standard-bearers, and pages, and so on down to the

peasant or cowherd, who makes an infantile slave trot after him to carry

his shield and spears.

In person the Waganda are tall and slender. I have seen hundreds of them

above 6 feet 2 inches in height, while I saw one who measured 6 feet 6

inches. Of course the native Waganda must be distinguished from

strangers and slaves and their descendants imported from conquered

lands, and generally they differ from these by their more pleasing looks

and more agreeable features. This last, however, may be attributed to a

general love of cleanliness, neatness, and modesty, which pervades all,

from the highest to the lowest. A naked or immodest person is a

downright abomination to a follower of Mtesa’s court, and even the

poorest peasants frown and sneer at absolute nudity.

It has been mentioned above that the Waganda surpass other African

tribes in craft and fraud, but this may, at the same time, be taken as

an indication of their superior intelligence. This is borne out by many

other proofs. Their cloths are of finer make; their habitations are

better and neater; their spears are the most perfect, I should say, in

Africa, and they exhibit extraordinary skill and knowledge of that

deadly weapon; their shields are such as would attract admiration in any

land, while the canoes surpass all canoes in the savage world.

The Waganda frequently have recourse to drawing on the ground to

illustrate imperfect oral description, and I have often been surprised

by the cleverness and truthfulness of these rough illustrations. When

giving reasons firstly, secondly, and thirdly, they have a curious way

of taking a stick and breaking it into small pieces. One piece of a

stick delivered with emphasis, and gravely received by the listener in

his palm, concludes the first reason, another stick announces the

conclusion of the second reason, until they come to the “thirdly,” when

they raise both hands with the palms turned from them, as if to say,

“There, I’ve given you my reasons, and you must perforce understand it

all now!”

Nearly all the principal attendants at the court can write the Arabic

letters. The Emperor and many of the chiefs both read and write that

character with facility, and frequently employ it to send messages to

one another, or to strangers at a distance. The materials which they use

for this are very thin smooth slabs of cotton-wood. Mtesa possesses

several score of these, on which are written his “books of wisdom,” as

he styles the results of his interviews with European travellers. Some

day a curious traveller may think it worth while to give us translations

of these proceedings and interviews.

The power of sight of these natives is extraordinary. Frequently a

six-guinea field-glass was excelled by them. Their sense of hearing is

also very acute.

It is really wonderful into how many uses the ingenious savage of these

regions can convert a simple plant. Regard the banana-plant, for

instance. At first view, in the eyes of the untaught civilized man, it

seems to be of no other use than to bear fruit after its kind, for the

stalk of it cannot be employed as fuel, and its fronds soon fade and

wither and rend, and unless the savage pointed out its various uses, I

fear the civilized man would consider it of slight value. It is,

however, of exceeding utility to the native of Uganda.

1. Its fruit, green or ripe, forms his principal food. When green, the

Waganda peels his bananas, folds them carefully up in the form of a

parcel, enclosed in green banana-leaves, and, putting a small quantity

of water in his pot, cooks them with the steam alone. This mode of

cooking green bananas renders them floury in appearance, and, in taste,

most sweet and palatable. When ripe, they form an admirable dessert,

and, taken in the morning before coffee, serve with some constitutions

as an agreeable laxative.

[Illustration:

MUSICAL INSTRUMENTS.

1. Kinauda. 2. Whistle of Ubujwe. 3. Caravan horn of guide.

4. Drum of Uzimba. 5. Flute of kopi or peasant. 6. Drum of

Uganda. 7. Guitar of Usoga. 8. Great war-drum of Uganda.

9. Guitar of Uganda. 10. One-stringed banjo of Unyamwezi.

]

Of the banana proper, there are several varieties, each distinguished by

a special name, just as the European gardener distinguishes his several

varieties of potatoes. Some are 3 inches in length, with deep green

coats, and seem fat with matter. Others, 6 inches in length, and of a

lighter green colour, are considered the best; others are short, plumpy

fruit, great favourites also. There is another species, known by a dark

point, rather bitter to the taste and unfit for food, but specially

reserved for the manufacture of wine, for which it alone is adapted.

2. The fruit of this latter species furnishes the natives with the

maramba, a honey-sweet, cider-flavoured wine, and, when mixed with a

little millet, sweet beer also. When fermented and perfect, the latter

is a potent liquid, and a quart suffices to disturb the equilibrium of

many men; but there are old topers, like Prince Kaduma, who would toss

off a gallon and be apparently only slightly elated after it. A small

draught of maramba taken at dawn I found beneficial to the system.

3. The banana-fronds serve as thatch for houses, fences for enclosures,

and as bedding. They are also used to protect milk, water, and flour

vessels from dust and impurities, are employed as table-cloths, on

which food is spread, and, like newspapers or brown paper, are used

as wrappers for gifts of eatables, such as ripe bananas, butter,

meat, eggs, fish, &c., while they serve daily and universally as

pudding-cloths in the Kiganda households. The cool, thick shade

afforded by a banana plantation is well known.

4. The stems are sometimes used for fences and defensive enclosures;

they are also frequently employed as rollers, to move heavy logs, or for

the transportation of canoes overland from point to point, when the

strategies of war demand it. The pith or heart of the stalk is scraped

and made into sponges of a dough-cake pattern, and may be seen in almost

all Kiganda lavatories. Frequently the indolent prefer to knead a fresh

sponge-cake and make their ablutions with this to going to the river,

lake, pond, or well, or troubling themselves to fetch a vessel of water.

The fibres of the stalk are used as cord, and are adapted for almost

every purpose for which cord is useful. The poorest peasants make rough

but serviceable shields also from the stalk, while the fishermen of the

lake make large sun-hats from it. Many other uses might be mentioned,

but the above are sufficient to prove that, besides its cool agreeable

shade, the banana-plant will supply a peasant of Uganda with bread,

potatoes, dessert, wine, beer, medicine, house and fence, bed, cloth,

cooking-pot, table-cloth, parcel-wrapper, thread, cord, rope, sponge,

bath, shield, sun-hat, even a canoe—in fact almost everything but meat

and iron. With the banana-plant, he is happy, fat, and thriving; without

it, he is a famished, discontented, woe-begone wretch, hourly expecting

death.

[Illustration:

NGOGO FISH.

10 inches long, 3 inches deep; scaleless; horn at each shoulder; two

long thick filaments on upper lip, four on lower. Found in Speke

Gulf, Lake Victoria.

]

-----

# 29:

This part of Pokino’s history was related to me by Pokino himself,

Kitunzi, Sambuzi, and his page.

# 30:

The white goats of Usoga are like the famous Angora goats, with fine

silky hair from 4 to 8 inches in length.

Through the Dark Continent, Vol. 1 (of 2) · 第 15 / 18 章