CHAPTER IV

WHEN I AM MARIE

BOSTON.

Yes, I'm here. I've been here a week. But this is the first minute

I've had a chance to write a word. I've been so busy just being here.

And so has Mother. There's been such a lot going on since we came. But

I'll try now to begin at the beginning and tell what happened.

Well, first we got into Boston at four o'clock Monday afternoon, and

there was Grandpa Desmond to meet us. He's lovely--tall and dignified,

with grayish hair and merry eyes like Mother's, only his are behind

glasses. At the station he just kissed Mother and me and said he was

glad to see us, and led us to the place where Peter was waiting with

the car. (Peter drives Grandpa's automobile, and _he's_ lovely, too.)

Mother and Grandpa talked very fast and very lively all the way home,

and Mother laughed quite a lot. But in the hall she cried a little,

and Grandpa patted her shoulder, and said, "There, there!" and told

her how glad he was to get his little girl back, and that they were

going to be very happy now and forget the past. And Mother said, yes,

yes, indeed, she knew she was; and she was _so_ glad to be there,

and that everything _was_ going to be just the same, wasn't it?

Only--then, all of a sudden she looked over at me and began to cry

again--only, of course, things couldn't be "just the same," she

choked, hurrying over to me and putting both arms around me, and

crying harder than ever.

Then Grandpa came and hugged us both, and patted us, and said, "There,

there!" and pulled off his glasses and wiped them very fast and very

hard.

But it wasn't only a minute or two before Mother was laughing again,

and saying, "Nonsense!" and "The idea!" and that this was a pretty way

to introduce her little Marie to her new home! Then she hurried me to

the dearest little room I ever saw, right out of hers, and took off my

things. Then we went all over the house. And it's just as lovely as

can be--not at all like Father's in Andersonville.

Oh, Father's is fine and big and handsome, and all that, of course;

but not like this. His is just a nice place to eat and sleep in, and

go to when it rains. But this--this you just want to live in all the

time. Here there are curtains 'way up and sunshine, and flowers in

pots, and magazines, and cozy nooks with cushions everywhere; and

books that you've just been reading laid down. (_All_ Father's books

are in bookcases, _always_, except while one's in your hands being

read.)

Grandpa's other daughter, Mother's sister, Hattie, lives here and

keeps house for Grandpa. She has a little boy named Lester, six years

old; and her husband is dead. They were away for what they called a

week-end when we came, but they got here a little after we did Monday

afternoon; and they're lovely, too.

The house is a straight-up-and-down one with a back and front, but no

sides except the one snug up to you on the right and left. And there

isn't any yard except a little bit of a square brick one at the back

where they have clothes and ash barrels, and a little grass spot in

front at one side of the steps, not big enough for our old cat to

take a nap in, hardly. But it's perfectly lovely inside; and it's

the insides of houses that really count just as it is the insides

of people--their hearts, I mean; whether they're good and kind, or

hateful and disagreeable.

We have dinner at night here, and I've been to the theater twice

already in the afternoon. I've got to go to school next week, Mother

says, but so far I've just been having a good time. And so's Mother.

Honestly, it has just seemed as if Mother couldn't crowd the days full

enough. She hasn't been still a minute.

Lots of her old friends have been to see her; and when there hasn't

been anybody else around she's taken Peter and had him drive us all

over Boston to see things;--all kinds of things; Bunker Hill and

museums, and moving pictures, and one play.

But we didn't stay at the play. It started out all right, but pretty

soon a man and a woman on the stage began to quarrel. They were

married (not really, but in the play, I mean), and I guess it was some

more of that incompatibility stuff. Anyhow, as they began to talk

more and more, Mother began to fidget, and pretty soon I saw she was

gathering up our things; and the minute the curtain went down after

the first act, she says:

"Come, dear, we're going home. It--it isn't very warm here."

As if I didn't know what she was really leaving for! Do old folks

honestly think they are fooling us all the time, I wonder? But even if

I hadn't known then, I'd have known it later, for that evening I heard

Mother and Aunt Hattie talking in the library.

No, I didn't listen. I _heard_. And that's a very different matter.

You listen when you mean to, and that's sneaking. You hear when you

can't help yourself, and that you can't be blamed for. Sometimes it's

your good luck, and sometimes it's your bad luck--just according to

what you hear!

Well, I was in the window-seat in the library reading when Mother and

Aunt Hattie came in; and Mother was saying:

"Of course I came out! Do you suppose I'd have had that child see that

play, after I realized what it was? As if she hasn't had enough of

such wretched stuff already in her short life! Oh, Hattie, Hattie, I

want that child to laugh, to sing, to fairly tingle with the joy of

living every minute that she is with me. I know so well what she _has_

had, and what she will have--in that--tomb. You know in six months she

goes back--"

Mother saw me then, I know; for she stopped right off short, and after

a moment began to talk of something else, very fast. And pretty quick

they went out into the hall again.

Dear little Mother! Bless her old heart! Isn't she the ducky dear to

want me to have all the good times possible now so as to make up for

the six months I've got to be with Father? You see, she knows what it

is to live with Father even better than I do.

Well, I guess she doesn't dread it for me any more than I do for

myself. Still, I'll have the girls there, and I'm dying to see them

again--and I won't have to stay home much, only nights and meals, of

course, and Father's always pretty busy with his stars and comets and

things. Besides, it's only for six months, then I can come back to

Boston. I can keep thinking of that.

But I know now why I've been having such a perfectly beautiful time

all this week, and why Mother has been filling every minute so full of

fun and good times. Why, even when we're at home here, she's always

hunting up little Lester and getting him to have a romp with us.

But of course next week I've got to go to school, and it can't be

quite so jolly then. Well, I guess that's all for this time.

* * * * *

_About a month later_.

I didn't make a chapter of that last. It wasn't long enough. And,

really, I don't know as I've got much to add to it now. There's

nothing much happened.

I go to school now, and don't have so much time for fun. School is

pretty good, and there are two or three girls 'most as nice as the

ones at Andersonville. But not quite. Out of school Mother keeps

things just as lively as ever, and we have beautiful times. Mother is

having a lovely time with her own friends, too. Seems as if there is

always some one here when I get home, and lots of times there are teas

and parties, and people to dinner.

There are gentlemen, too. I suppose one of them will be Mother's lover

by and by; but of course I don't know which one yet. I'm awfully

interested in them, though. And of course it's perfectly natural that

I should be. Wouldn't _you_ be interested in the man that was going to

be your new father? Well, I just guess you would! Anybody would. Why,

most folks have only one father, you know, and they have to take that

one just as he is; and it's all a matter of chance whether they get

one that's cross or pleasant; or homely or fine and grand-looking; or

the common kind you can hug and kiss and hang round his neck, or the

stand-off-don't-touch-me-I-mustn't-be-disturbed kind like mine. I mean

the one I _did_ have. But, there! that doesn't sound right, either;

for of course he's still my father just the same, only--well, he isn't

Mother's husband any more, so I suppose he's only my father by order

of the court, same as I'm his daughter.

Well, anyhow, he's the father I've grown up with, and of course I'm

used to him now. And it's an altogether different matter to think of

having a brand-new father thrust upon you, all ready-made, as you

might say, and of course I _am_ interested. There's such a whole lot

depends on the father. Why, only think how different things would have

been at home if _my_ father had been different! There were such a lot

of things I had to be careful not to do--and just as many I had to be

careful _to_ do--on account of Father.

And so now, when I see all these nice young gentlemen (only they

aren't all young; some of them are quite old) coming to the house and

talking to Mother, and hanging over the back of her chair, and handing

her tea and little cakes, I can't help wondering which, if any, is

going to be her lover and my new father. And I am also wondering what

I'll have to do on account of him when I get him, if I get him.

There are quite a lot of them, and they're all different. They'd make

very different kinds of fathers, I'm sure, and I'm afraid I wouldn't

like some of them. But, after all, it's Mother that ought to settle

which to have--not me. _She's_ the one to be pleased. 'T would be such

a pity to have to change again. Though she could, of course, same as

she did Father, I suppose.

As I said, they're all different. There are only two that are anywhere

near alike, and they aren't quite the same, for one's a lawyer and the

other's in a bank. But they both carry canes and wear tall silk hats,

and part their hair in the middle, and look at you through the kind of

big round eyeglasses with dark rims that would make you look awfully

homely if they didn't make you look so stylish. But I don't think

Mother cares very much for either the lawyer or the bank man, and I'm

glad. I wouldn't like to live with those glasses every day, even if

they are stylish. I'd much rather have Father's kind.

Then there's the man that paints pictures. He's tall and slim, and

wears queer ties and long hair. He's always standing back and looking

at things with his head on one side, and exclaiming "Oh!" and "Ah!"

with a long breath. He says Mother's coloring is wonderful. I heard

him. And I didn't like it very well, either. Why, it sounded as if

she put it on herself out of a box on her bureau, same as some other

ladies do! Still, he's not so bad, maybe; though I'm not sure but what

his paints and pictures would be just as tiresome to live with as

Father's stars, when it came right down to wanting a husband to live

with you and talk to you every day in the year. You know you have to

think of such things when it comes to choosing a new father--I mean

a new husband. (I keep forgetting that it's Mother and not me that's

doing the choosing.)

Well, to resume and go on. There's the violinist. I mustn't forget

him. But, then, nobody could forget him. He's lovely: so handsome and

distinguished-looking with his perfectly beautiful dark eyes and white

teeth. And he plays--well, I'm simply crazy over his playing. I only

wish Carrie Heywood could hear him. She thinks her brother can play.

He's a traveling violinist with a show; and he came home once to

Andersonville. And I heard him. But he's not the real thing at all.

Not a bit. Why, he might be anybody, our grocer, or the butcher, up

there playing that violin. His eyes are little and blue, and his hair

is red and very short. I wish she could hear _our_ violinist play!

And there's another man that comes to the parties and teas;--oh, of

course there are others, lots of them, married men with wives, and

unmarried men with and without sisters. But I mean another man

specially. His name is Harlow. He's a little man with a brown pointed

beard and big soft brown eyes. He's really awfully good-looking, too.

I don't know what he does do; but he's married. I know that. He never

brings his wife, though; but Mother's always asking for her, clear and

distinct, and she always smiles, and her voice kind of tinkles like

little silver bells. But just the same he never brings her.

He never takes her anywhere. I heard Aunt Hattie tell Mother so at the

very first, when he came. She said they weren't a bit happy together,

and that there'd probably be a divorce before long. But Mother asked

for her just the same the very next time. And she's done it ever

since.

I think I know now why she does. I found out, and I was simply

thrilled. It was so exciting! You see, they were lovers once

themselves--Mother and this Mr. Harlow. Then something happened and

they quarreled. That was just before Father came.

Of course Mother didn't tell me this, nor Aunt Hattie. It was two

ladies. I heard them talking at a tea one day. I was right behind

them, and I couldn't get away, so I just couldn't help hearing what

they said.

They were looking across the room at Mother. Mr. Harlow was talking to

her. He was leaning forward in his chair and talking so earnestly to

Mother; and he looked just as if he thought there wasn't another soul

in the room but just they two. But Mother--Mother was just listening

to be polite to company. Anybody could see that. And the very first

chance she got she turned and began to talk to a lady who was standing

near. And she never so much as looked toward Mr. Harlow again.

The ladies in front of me laughed then, and one of them said, with a

little nod of her head, "I guess Madge Desmond Anderson can look out

for herself all right."

Then they got up and went away without seeing me. And all of a sudden

I felt almost sorry, for I wanted them to see me. I wanted them to see

that I knew my mother could take care of herself, too, and that I was

proud of it. If they had turned I'd have said so. But they didn't

turn.

I shouldn't like Mr. Harlow for a father. I know I shouldn't. But

then, there's no danger, of course, even if he and Mother were lovers

once. He's got a wife now, and even if he got a divorce, I don't

believe Mother would choose him.

But of course there's no telling which one she will take. As I said

before, I don't know. It's too soon, anyway, to tell. I suspect it

isn't any more proper to hurry up about getting married again when

you've been _un_married by a divorce than it is when you've been

unmarried by your husband's dying. I asked Peter one day how soon

folks did get married after a divorce, but he didn't seem to know.

Anyway, all he said was to stammer: "Er--yes, Miss--no, Miss. I mean,

I don't know, Miss."

Peter is awfully funny. But he's nice. I like him, only I can't find

out much by him. He's very good-looking, though he's quite old. He's

almost thirty. He told me. I asked him. He takes me back and forth to

school every day, so I see quite a lot of him. And, really, he's

about the only one I _can_ ask questions of here, anyway. There isn't

anybody like Nurse Sarah used to be. Olga, the cook, talks so funny I

can't understand a word she says, hardly. Besides, the only two times

I've been down to the kitchen Aunt Hattie sent for me; and she told

me the last time not to go any more. She didn't say why. Aunt Hattie

never says _why_ not to do things. She just says, "Don't." Sometimes

it seems to me as if my whole life had been made up of "don'ts."

If they'd only tell us part of the time things to "_do_," maybe we

wouldn't have so much time to do the "_don'ts_." (That sounds funny,

but I guess folks'll know what I mean.)

Well, what was I saying? Oh, I know--about asking questions. As I

said, there isn't anybody like Nurse Sarah here. I can't understand

Olga, and Theresa, the other maid, is just about as bad. Aunt Hattie's

lovely, but I can't ask questions of her. She isn't the kind. Besides,

Lester's always there, too; and you can't discuss family affairs

before children. Of course there's Mother and Grandpa Desmond. But

questions like when it's proper for Mother to have lovers I can't ask

of _them_, of course. So there's no one but Peter left to ask. Peter's

all right and very nice, but he doesn't seem to know _anything_ that I

want to know. So he doesn't amount to so very much, after all.

I'm not sure, anyway, that Mother'll want to get married again. From

little things she says I rather guess she doesn't think much of

marriage, anyway. One day I heard her say to Aunt Hattie that it was

a very pretty theory that marriages were made in heaven, but that the

real facts of the case were that they were made on earth. And another

day I heard her say that one trouble with marriage was that the

husband and wife didn't know how to play together and to rest

together. And lots of times I've heard her say little things to Aunt

Hattie that showed how unhappy _her_ marriage had been.

But last night a funny thing happened. We were all in the library

reading after dinner, and Grandpa looked up from his paper and said

something about a woman that was sentenced to be hanged and how a

whole lot of men were writing letters protesting against having a

woman hanged; but there were only one or two letters from women. And

Grandpa said that only went to prove how much more lacking in a sense

of fitness of things women were than men. And he was just going to say

more when Aunt Hattie bristled up and tossed her chin, and said, real

indignantly:

"A sense of fitness of things, indeed! Oh, yes, that's all very well

to say. There are plenty of men, no doubt, who are shocked beyond

anything at the idea of hanging a woman; but those same men will think

nothing of going straight home and making life for some other woman so

absolutely miserable that she'd think hanging would be a lucky escape

from something worse."

"Harriet!" exclaimed Grandpa in a shocked voice.

"Well, I mean it!" declared Aunt Hattie emphatically. "Look at poor

Madge here, and that wretch of a husband of hers!"

And just here is where the funny thing happened. Mother bristled

up--_Mother_--and even more than Aunt Hattie had. She turned red and

then white, and her eyes blazed.

"That will do, Hattie, please, in my presence," she said, very cold,

like ice. "Dr. Anderson is not a wretch at all. He is an honorable,

scholarly gentleman. Without doubt he meant to be kind and

considerate. He simply did not understand me. We weren't suited to

each other. That's all."

And she got up and swept out of the room.

Now wasn't that funny? But I just loved it, all the same. I always

love Mother when she's superb and haughty and disdainful.

Well, after she had gone Aunt Hattie looked at Grandpa and Grandpa

looked at Aunt Hattie. Grandpa shrugged his shoulders, and gave his

hands a funny little flourish; and Aunt Hattie lifted her eyebrows and

said:

"Well, what do you know about that?" (Aunt Hattie forgot I was in the

room, I know, or she'd never in the world have used slang like that!)

"And after all the things she's said about how unhappy she was!"

finished Aunt Hattie.

Grandpa didn't say anything, but just gave his funny little shrug

again.

And it was kind of queer, when you come to think of it--about Mother,

I mean, wasn't it?

* * * * *

_One month later_.

Well, I've been here another whole month, and it's growing nicer all

the time. I just love it here. I love the sunshine everywhere, and the

curtains up to let it in. And the flowers in the rooms, and the little

fern-dish on the dining-room table, the books and magazines just lying

around ready to be picked up; Baby Lester laughing and singing all

over the house, and lovely ladies and gentlemen in the drawing-room

having music and tea and little cakes when I come home from school

in the afternoon. And I love it not to have to look up and watch and

listen for fear Father's coming in and I'll be making a noise. And

best of all I love Mother with her dancing eyes and her laugh, and her

just being happy, with no going in and finding her crying or looking

long and fixedly at nothing, and then turning to me with a great big

sigh, and a "Well, dear?" that just makes you want to go and cry

because it's so hurt and heart-broken. Oh, I do just love it all!

And Mother _is_ happy. I'm sure she is. Somebody is doing something

for her every moment--seems so. They are so glad to get her back

again. I know they are. I heard two ladies talking one day, and they

said they were. They called her "Poor Madge," and "Dear Madge," and

they said it was a shame that she should have had such a wretched

experience, and that they for one should try to do everything they

could to make her forget.

And that's what they all seem to be trying to do--to make her forget.

There isn't a day goes by but that somebody sends flowers or books

or candy, or invites her somewhere, or takes her to ride or to the

theater, or comes to see her, so that Mother is in just one whirl of

good times from morning till night. Why, she'd just have to forget.

She doesn't have any time to remember. I think she _is_ forgetting,

too. Oh, of course she gets tired, and sometimes rainy days or

twilights I find her on the sofa in her room not reading or anything,

and her face looks 'most as it used to sometimes after they'd been

having one of their incompatibility times. But I don't find her that

way very often, and it doesn't last long. So I really think she is

forgetting.

About the prospective suitors--I found that "prospective suitor" in a

story a week ago, and I just love it. It means you probably will want

to marry her, you know. I use it all the time now--in my mind--when

I'm thinking about those gentlemen that come here (the unmarried

ones). I forgot and used it out loud one day to Aunt Hattie; but I

shan't again. She said, "Mercy!" and threw up her hands and looked

over to Grandpa the way she does when I've said something she thinks

is perfectly awful.

But I was firm and dignified--but very polite and pleasant--and I said

that I didn't see why she should act like that, for of course they

were prospective suitors, the unmarried ones, anyway, and even some of

the married ones, maybe, like Mr. Harlow, for of course they could get

divorces, and--

"Ma_rie_!" interrupted Aunt Hattie then, before I could say another

word, or go on to explain that of course Mother couldn't be expected

to stay unmarried _always_, though I was very sure she wouldn't

get married again until she'd waited long enough, and until it was

perfectly proper and genteel for her to take unto herself another

husband.

But Aunt Hattie wouldn't even listen. And she threw up her hands and

said "Ma_rie_!" again with the emphasis on the last part of the name

the way I simply loathe. And she told me never, never to let her

hear me make such a speech as that again. And I said I would be very

careful not to. And you may be sure I shall. I don't want to go

through a scene like that again!

She told Mother about it, though, I think. Anyhow, they were talking

very busily together when they came into the library after dinner that

night, and Mother looked sort of flushed and plagued, and I heard her

say, "Perhaps the child does read too many novels, Hattie."

And Aunt Hattie answered, "Of course she does!" Then she said

something else which I didn't catch, only the words "silly" and

"romantic," and "pre-co-shus." (I don't know what that last means, but

I put it down the way it sounded, and I'm going to look it up.)

Then they turned and saw me, and they didn't say anything more. But

the next morning the perfectly lovely story I was reading, that

Theresa let me take, called "The Hidden Secret," I couldn't find

anywhere. And when I asked Mother if she'd seen it, she said she'd

given it back to Theresa, and that I mustn't ask for it again. That I

wasn't old enough yet to read such stories.

There it is again! I'm not old enough. When _will_ I be allowed to

take my proper place in life? Echo answers when.

Well, to resume and go on.

What was I talking about? Oh, I know--the prospective suitors. (Aunt

Hattie can't hear me when I just _write_ it, anyway.) Well, they all

come just as they used to, only there are more of them now--two fat

men, one slim one, and a man with a halo of hair round a bald spot.

Oh, I don't mean that any of them are really suitors yet. They just

come to call and to tea, and send her flowers and candy. And Mother

isn't a mite nicer to one than she is to any of the others. Anybody

can see that. And she shows very plainly she's no notion of picking

anybody out yet. But of course I can't help being interested and

watching.

It won't be Mr. Harlow, anyway. I'm pretty sure of that, even if he

has started in to get his divorce. (And he has. I heard Aunt Hattie

tell Mother so last week.) But Mother doesn't like him. I'm sure she

doesn't. He makes her awfully nervous. Oh, she laughs and talks with

him--seems as if she laughs even more with him than she does with

anybody else. But she's always looking around for somebody else to

talk to; and I've seen her get up and move off just as he was coming

across the room toward her, and I'm just sure she saw him. There's

another reason, too, why I think Mother isn't going to choose him for

her lover. I heard something she said to him one day.

She was sitting before the fire in the library, and he came in. There

were other people there, quite a lot of them; but Mother was all alone

by the fireplace, her eyes looking fixed and dreamy into the fire. I

was in the window-seat around the corner of the chimney reading; and

I could see Mother in the mirror just as plain as could be. She could

have seen me, too, of course, if she'd looked up. But she didn't.

I never even thought of hearing anything I hadn't ought, and I was

just going to get down to go and speak to Mother myself, when Mr.

Harlow crossed the room and sat down on the sofa beside her.

"Dreaming, Madge?" he said, low and soft, his soulful eyes just

devouring her lovely face. (I read that, too, in a book last week. I

just loved it!)

Mother started and flushed up.

"Oh, Mr. Harlow!" she cried. (Mother always calls him "Mr." That's

another thing. He always calls her "Madge," you know.) "How do you

do?" Then she gave her quick little look around to see if there wasn't

somebody else near for her to talk to. But there wasn't.

"But you _do_ dream, of the old days, sometimes, Madge, don't you?" he

began again, soft and low, leaning a little nearer.

"Of when I was a child and played dolls before this very fireplace?

Well, yes, perhaps I do," laughed Mother. And I could see she drew

away a little. "There was one doll with a broken head that--"

"_I_ was speaking of broken hearts," interrupted Mr. Harlow, very

meaningfully.

"Broken hearts! Nonsense! As if there were such things in the world!"

cried Mother, with a little toss to her head, looking around again

with a quick little glance for some one else to talk to.

But still there wasn't anybody there.

They were all over to the other side of the room talking, and paying

no attention to Mother and Mr. Harlow, only the violinist. He looked

and looked, and acted nervous with his watch-chain. But he didn't come

over. I felt, some way, that I ought to go away and not hear any

more; but I couldn't without showing them that I had been there. So

I thought it was better to stay just where I was. They could see me,

anyway, if they'd just look in the mirror. So I didn't feel that I was

sneaking. And I stayed.

Then Mr. Harlow spoke again. His eyes grew even more soulful and

devouring. I could see them in the mirror.

"Madge, it seems so strange that we should both have had to trail

through the tragedy of broken hearts and lives before we came to our

real happiness. For we _shall_ be happy, Madge. You know I'm to be

free, too, soon, dear, and then we--"

But he didn't finish. Mother put up her hand and stopped him. Her face

wasn't flushed any more. It was very white.

"Carl," she began in a still, quiet voice, and I was so thrilled. I

knew something was going to happen--this time she'd called him by his

first name. "I'm sorry," she went on. "I've tried to show you. I've

tried very hard to show you--without speaking. But if you make me say

it I shall have to say it. Whether you are free or not matters not to

me. It can make no difference in our relationship. Now, will you come

with me to the other side of the room, or must I be so rude as to go

and leave you?"

She got up then, and he got up, too. He said something--I couldn't

hear what it was; but it was sad and reproachful--I'm sure of that by

the look in his eyes. Then they both walked across the room to the

others.

I was sorry for him. I do not want him for a father, but I couldn't

help being sorry for him, he looked so sad and mournful and handsome;

and he's got perfectly beautiful eyes. (Oh, I do hope mine will have

nice eyes, when I find him!)

As I said before, I don't believe Mother'll choose Mr. Harlow, anyway,

even when the time comes. As for any of the others--I can't tell. She

treats them all just exactly alike, as far as I can see. Polite and

pleasant, but not at all lover-like. I was talking to Peter one day

about it, and I asked him. But he didn't seem to know, either, which

one she will be likely to take, if any.

Peter's about the only one I can ask. Of course I couldn't ask

Mother, or Aunt Hattie, after what _she_ said about my calling them

prospective suitors. And Grandfather--well, I should never think

of asking Grandpa a question like that. But Peter--Peter's a real

comfort. I'm sure I don't know what I should do for somebody to talk

to and ask questions about things down here, if it wasn't for him. As

I think I've said already, he takes me to school and back again every

day; so of course I see him quite a lot.

Speaking of school, it's all right, and of course I like it, though

not quite so well as I did. There are some of the girls--well, they

act queer. I don't know what is the matter with them. They stop

talking--some of them--when I come up, and they make me feel,

sometimes, as if I didn't _belong_. Maybe it's because I came from a

little country town like Andersonville. But they've known that all

along, from the very first. And they didn't act at all like that at

the beginning. Maybe it's just their way down here. If I think of it

I'll ask Peter to-morrow.

Well, I guess that's all I can think of this time.

* * * * *

'_Most four months later_.

It's been ages since I've written here, I know. But there's nothing

special happened. Everything has been going along just about as it did

at the first. Oh, there is one thing different--Peter's gone. He went

two months ago. We've got an awfully old chauffeur now. One with gray

hair and glasses, and homely, too. His name is Charles. The very first

day he came, Aunt Hattie told me never to talk to Charles, or bother

him with questions; that it was better he should keep his mind

entirely on his driving.

She needn't have worried. I should never dream of asking him the

things I did Peter. He's too stupid. Now Peter and I got to be real

good friends--until all of a sudden Grandpa told him he might go. I

don't know why.

I don't see as I'm any nearer finding out who Mother's lover will be

than I was four months ago. I suppose it's still too soon. Peter

said one day he thought widows ought to wait at least a year, and he

guessed grass-widows were just the same. My, how mad I was at him for

using that name about my mother! Oh, I knew what he meant. I'd heard

it at school. (I know now what it was that made those girls act so

queer and horrid.) There was a girl--I never liked her, and I suspect

she didn't like me, either. Well, she found out Mother had a divorce.

(You see, _I_ hadn't told it. I remembered how those girls out West

bragged.) And she told a lot of the others. But it didn't work at all

as it had in the West. None of the girls in this school here had a

divorce in their families; and, if you'll believe it, they acted--some

of them--as if it was a _disgrace_, even after I told them good and

plain that ours was a perfectly respectable and genteel divorce.

Nothing I could say made a mite of difference, with some of the

girls, and then is when I first heard that perfectly horrid word,

"grass-widow." So I knew what Peter meant, though I was furious at him

for using it. And I let him see it good and plain.

Of course I changed schools. I knew Mother'd want me to, when she

knew, and so I told her right away. I thought she'd be superb and

haughty and disdainful sure this time. But she wasn't. First she grew

so white I thought she was going to faint away. Then she began to cry,

and kiss and hug me. And that night I heard her talking to Aunt Hattie

and saying, "To think that that poor innocent child has to suffer,

too!" and some more which I couldn't hear, because her voice was all

choked up and shaky.

Mother is crying now again quite a lot. You see, her six months are

'most up, and I've got to go back to Father. And I'm afraid Mother is

awfully unhappy about it. She had a letter last week from Aunt Jane,

Father's sister. I heard her read it out loud to Aunt Hattie and

Grandpa in the library. It was very stiff and cold and dignified, and

ran something like this:

DEAR MADAM: Dr. Anderson desires me to say that he trusts you are

bearing in mind the fact that, according to the decision of the

court, his daughter Mary is to come to him on the first day of

May. If you will kindly inform him as to the hour of her expected

arrival, he will see that she is properly met at the station.

Then she signed her name, Abigail Jane Anderson. (She was named for

her mother, Grandma Anderson, same as Father wanted them to name

me. Mercy! I'm glad they didn't. "Mary" is bad enough, but "Abigail

Jane"--!)

Well, Mother read the letter aloud, then she began to talk about

it--how she felt, and how awful it was to think of giving me up six

whole months, and sending her bright little sunny-hearted Marie into

that tomb-like place with only an Abigail Jane to flee to for refuge.

And she said that she almost wished Nurse Sarah was back again--that

she, at least, was human.

"'And see that she's properly met,' indeed!" went on Mother, with an

indignant little choke in her voice. "Oh, yes, I know! Now if it were

a star or a comet that he expected, he'd go himself and sit for hours

and hours watching for it. But when his daughter comes, he'll send

John with the horses, like enough, and possibly that precious Abigail

Jane of his. Or, maybe that is too much to expect. Oh, Hattie, I can't

let her go--I can't, I can't!"

I was in the window-seat around the corner of the chimney, reading;

and I don't know as she knew I was there. But I was, and I heard. And

I've heard other things, too, all this week.

I'm to go next Monday, and as it comes nearer the time Mother's

getting worse and worse. She's so unhappy over it. And of course that

makes me unhappy, too. But I try not to show it. Only yesterday, when

she was crying and hugging me, and telling me how awful it was that

her little girl should have to suffer, too, I told her not to worry

a bit about me; that I wasn't suffering at all. I _liked_ it. It was

ever so much more exciting to have two homes instead of one. But she

only cried all the more, and sobbed, "Oh, my baby, my baby!"--so

nothing I could say seemed to do one mite of good.

But I meant it, and I told the truth. I _am_ excited. And I can't help

wondering how it's all going to be at Father's. Oh, of course, I know

it won't be so much fun, and I'll have to be "Mary," and all that;

but it'll be something _different_, and I always did like different

things. Besides, there's Father's love story to watch. Maybe _he's_

found somebody. Maybe he didn't wait a year. Anyhow, if he did find

somebody I'm sure he wouldn't be so willing to wait as Mother would.

You know Nurse Sarah said Father never wanted to wait for anything.

That's why he married Mother so quick, in the first place. But if

there is somebody, of course I'll find out when I'm there. So that'll

be interesting. And, anyway, there'll be the girls. I shall have

_them_.

[Illustration: "I TOLD HER NOT TO WORRY A BIT ABOUT ME"]

I'll close now, and make this the end of the chapter. It'll be

Andersonville next time.

Mary Marie · 第 4 / 9 章