Mildred sat in the long drawing-room writing. Not at the large
writing-table in front of the window, but at an old English writing-
desk, which had been moved from the corner where it had stood for
generations. She bent over the little table. The paper-shaded lamp
shed a soft and mellow light upon her vaporous hair, whitening the
square white hands, till they seemed to be part of the writing paper.
Once or twice she stopped writing and dashed tears from her eyes with
a quick and passionate gesture; and amid the rich shadows and the
lines of light floating up the tall red curtains, the soft Carlo
Dolce-like picture of the weary and weeping girl was impressive and
beautiful.
The marble clock at length struck twelve short tingling sounds.
Mildred closed the blotting-book. Then she closed the ink-stand, and
went up the high staircase to her room.
A sensation of chilliness, of loneliness was about her, and when she
came to her door she entered her room abruptly, as if she feared the
dead man. And, standing in the middle of her room watching the yellow
flame of the candle, she thought of him. She could see him pale and
stark, covered by a sheet, the watchers on either side. She would like
to go to him, but she feared the lonely passage. And she sat watching
the bright sky; and, without belief or even hope, she wondered if
Harold's spirit were far beyond those stars sitting with God in some
auroral heaven amid aureoled saints and choirs of seraphim. But this
dream did not detain her thoughts. They turned into remembrances of a
kind-hearted city man who went to town every day by the ten minutes
past nine train, who had taken the world as he found it, and who,
unlike her, had never sought to be what he was not. Then her thoughts
moved away from herself, and she feared that she had been a great
trial to him. But regrets were vain, there was no use regretting; he
was gone--she would hear no more of the ten minutes past nine. He
would go to the city no more; and in a few years he would be forgotten
by every one but her. How unutterably sad, how unspeakably sad, how
unthinkingly sad it all seemed, and, oh, how commonplace. In a few
years she, too, would be forgotten; in a few years they would lie in
the same ground forgotten; it would be the same as if they had not
lived at all.... How sad, how infinitely sad, how unthinkingly sad,
and yet how common-place.
But what would happen in the few years that would intervene before she
joined him in the earth! What? She had four thousand a year to dispose
of as she pleased, to do with as she liked, but this fortune meant
nothing to her. She had always had as much money as she had wanted.
His purse had always been hers. Money did not bring happiness, at
least it had not brought her happiness. And less now than ever would
it bring her happiness, for she desired nothing; she had lived her
life, there was nothing for her to do, she had tried and failed. She
had tried everything, except marriage. Should she try that? She had
promised Alfred that she would marry him. He had proposed to her that
afternoon. One man dying, another proposing to marry. That was life.
Every day the same situation. At this very moment, the same, and the
same will continue till the end of time.
What is it that forces us to live? There is nothing to live for except
trouble and misery, and yet we must live. What forces us to live? What
makes us live? Enigma. Nature, whatever that may be, forces us to
live, wills that we should live. 'And I, too, like millions of others
must live. But how am I to live? How am I to fill my life? If we live
we must find something to live for. Take a studio and paint bad
pictures? I couldn't. Go back to Paris and start a salon? I wonder!'
Then the desire to weep overcame her, and, so as to be able to
surrender herself wholly to grief and tears, she took off her gown and
released herself of her stays. She put on an old wrapper and threw
herself upon the floor. She threw herself over to this side and that;
when she got to her feet her pocket-handkerchief was soaked, and she
stood perplexed, and a little ashamed of this display of grief. For
she was quite conscious of its seeming artificiality. Yet it was all
quite real to her, only not quite real as she would have had it be.
She had wept for herself and not for him! But no, it was not so; she
had wept for them both. And she had taken off her gown, not because
she was afraid of spoiling it, no such thought had crossed her brain;
she did not care if she spoilt her dress or fifty dresses like it; no,
it was not on account of the dress, but because she felt that she
could find a fuller expression of grief in a loose wrapper than in a
tight dress. That was the truth, she could not help things if they did
seem a little incongruous. It was not her fault; she was quite
sincere, though her grief to a third person might seem a little
artificial. It was impossible to regret her brother more than she did.
She would never forget him, no, not if they buried him ever so deep.
She had been his little sister a long while; they had been children
together. Since father and mother died they had been alone in the
world. They had not understood each other very well; they were very
different, but that had not prevented them loving each other very
dearly. She did not know until this evening how dearly she loved him.
She sat down by the window, took a pensive attitude, and abandoned
herself to the consideration of the pitifulness of life. She could see
her life from end to end. Her father had died when she was quite a
child, but she preserved a distinct impression of his death. She and
her mother had come to pray by the bedside for a last time. The face
of the corpse was covered with a handkerchief, and the nurse had
warned her mother not to remove the handkerchief. But, in a paroxysm
of grief, her mother had snatched the handkerchief away, and Mildred
had been shocked by the altered face. Though she had hidden her face
in her hands, the dead man's face had looked through, and she had felt
nothing but disgust. Her mother's illness had been protracted, she and
Harold had known that she was going to die for at least six months
before, and they had come to talk about it as they would of the coming
of summer or the approach of winter. They had got so accustomed to the
thought that they used to find themselves making plans as to where
they should go for a change when all was over. But, when the day came,
Harold's resignation broke down, he was whelmed in grief for days and
weeks. He had said to her:
'Mildred, if I had to remain here all day, I should go mad; it is my
business in the city that keeps me alive.'
Her mother was a simple old lady, full of love for her children,
Mildred had despised her mother, she had despised herself for her want
of love, and she had envied Harold his sincere love for his mother. He
had never, but she had always been aware of her mother's absurdity,
and therefore could not grieve quite so sincerely as Harold. She had
known all the while that her mother's death did not matter much. Very
soon she would be forgotten even by Harold. He could not always grieve
for her. She would become a faint memory, occupying less and less of
their thoughts, exercising no perceptible influence upon their lives.
Mildred had always feared that she was without a heart, and the
suspicion that she was heartless had always troubled her. In the
course of their love-quarrels Morton had told her that her failure in
painting was owing to her having no heart. She had felt that he was
right. She had not loved painting for its own sake, but for the
notoriety that she had hoped it would have brought her. She had never
been carried away. She had tried to be religious; she had changed her
religion. But she had never believed. There was no passion in her
heart for God, and she had accepted literature just as she had
accepted art. She had cared for literature only in proportion as
literature helped her to social success. She had had to do something,
literature was something, the Delacours were something, their
newspaper was something, and the time in which her articles had
appeared on the front page with her name at the bottom was the
happiest in her life. She was some one in the Delacours' household,
she was the pretty English girl who wrote French so well. She was some
one, no one knew exactly what, a mysterious something, a thing apart,
a thing in itself, and for which there was no match. She remembered
the thrill of pleasure she had felt when some one said:
'Je suis sur Mademoiselle, quil n'a fas une Francaise qui occupe la
mime position a Londres, que vous occupez a Paris?'
Self had been her ruin; she had never been able to get away from self,
no, not for a single moment of her life. All her love stories had been
ruined and disfigured by self-assertion, not a great unconscious self,
in other words an instinct, but an extremely conscious, irritable,
mean, and unworthy self. She knew it all, she was not deceived. She
could no more cheat herself than she could change herself; that
wretched self was as present in her at this moment as it had ever
been; she was as much a slave to herself as she had ever been, and
knowledge of her fault helped her nothing in its correction. She could
not change herself, she would have to bear the burden of herself to
the end. Even now, when she ought to be absorbed in grief for her
brother's death she was thinking of herself, of how she should live,
for live she must; she did not know why, she did not know how. She had
tried everything and failed, and marriage stared her in the face as
the only solution of the difficulty of her life. She had promised
Alfred Stanby to marry him that afternoon. Should she keep that
promise? Could she keep that promise? ... A thought fell into her
mind. Did Alfred know of her brother's death when he proposed to her?
She had heard something about a cigar; Harold had gone to the house to
fetch one. A few minutes after she had seen Alfred walking towards the
house. Had he gone to the smoking-room... found Harold dead on the
sofa and come and proposed to her?
'It is my money and not myself that has tempted him back,' she cried,
and she looked down the long line of her lovers. She had given her
money to M. Delacour.... But no, he had loved her whatever the others
might think, she knew that was so.... She could have had the Comte de
la Ferriere, and how many others?--rich men, too--men to whom money
was no consideration. But she had come back to Sutton to be married
for her money; and to whom? an old, discarded lover.