The tall double stocks were breathing heavily in the dark garden; the
delicate sweetness of the syringa moved as if on tip-toe towards the
windows; but it was the aching smell of lilies that kept Mildred
awake.
As she tossed to and fro the recollections of the day turned and
turned in her brain, ticking loudly, and she could see each event as
distinctly as the figures on the dial of a great clock.
'What a strange woman that Mrs. Fargus--her spectacles, her short
hair, and that dreadful cap which she wore at the tennis party! It was
impossible not to feel sorry for her, she did look so ridiculous. I
wonder her husband allows her to make such a guy of herself. What a
curious little man, his great cough and that foolish shouting manner;
a good-natured, empty-headed little fellow. They are a funny couple!
Harold knew her husband at Oxford; they were at the same college. She
took honours at Oxford; that's why she seemed out of place in a little
town like Sutton. She is quite different from her husband; he couldn't
pass his examinations; he had been obliged to leave. ... What made
them marry?
'I don't know anything about Comte--I wish I did; it is so dreadful to
be ignorant. I never felt my ignorance before, but that little woman
does make me feel it, not that she intrudes her learning on any one; I
wish she did, for I want to learn. I wish I could remember what she
told me: that all knowledge passes through three states: the
theological, the--the--metaphysical, and the scientific. We are
religious when we are children, metaphysical when we are one-and-
twenty, and as we get old we grow scientific. And I must not forget
this, that what is true for the individual is true for the race. In
the earliest ages man was religious (I wonder what our vicar would say
if he heard this). In the Middle Ages man was metaphysical, and in
these latter days he is growing scientific.
'The other day when I came into the drawing-room she didn't say a
word. I waited and waited to see if she would speak--no, not a word.
She sat reading. Occasionally she would look up, stare at the ceiling,
and then take a note. I wonder what she put down on that slip of
paper? But when I spoke she seemed glad to talk, and she told me about
Oxford. It evidently was the pleasantest time of her life. It must
have been very curious. There were a hundred girls, and they used to
run in and out of each other's rooms, and they had dances; they danced
with each other, and never thought about men. She told me she never
enjoyed any dances so much as those; and they had a gymnasium, and
special clothes to wear there--a sort of bloomer costume. It must have
been very jolly. I wish I had gone to Oxford. Girls dancing together,
and never thinking about men. How nice!
'At Oxford they say that marriage is not the only mission for women--
that is to say, for some women. They don't despise marriage, but they
think that for some women there is another mission. When I spoke to
Mrs. Fargus about her marriage, she had to admit that she had written
to her college friends to apologise--no, not to apologise, she said,
but to explain. She was not ashamed, but she thought she owed them an
explanation. Just fancy any of the girls in Sutton being ashamed of
being married!'
The darkness was thick with wandering scents, and Mildred's thoughts
withered in the heat. She closed her eyes; she lay quite still, but
the fever of the night devoured her; the sheet burned like a flame;
she opened her eyes, and was soon thinking as eagerly as before.
She thought of the various possibilities that marriage would shut out
to her for ever. She reproached herself for having engaged herself to
Alfred Stanby, and remembered that Harold had been opposed to the
match, and had refused to give his consent until Alfred was in a
position to settle five hundred a year upon her. ... Alfred would
expect her to keep house for him exactly as she was now keeping house
for her brother. Year after year the same thing, seeing Alfred go away
in the morning, seeing him come home in the evening. That was how her
life would pass. She did not wish to be cruel; she knew that Alfred
would suffer terribly if she broke off her engagement, but it would be
still more cruel to marry him if she did not think she would make him
happy, and the conviction that she would not make him happy pressed
heavily upon her. What was she to do? She could not, she dared not,
face the life he offered her. It would be selfish of her to do so.
The word 'selfish' suggested a new train of thought to Mildred. She
argued that it was not for selfish motives that she desired freedom.
If she thought that, she would marry him to-morrow. It was because she
did not wish to lead a selfish life that she intended to break off her
engagement. She wished to live for something; she wished to accomplish
something; what could she do? There was art. She would like to be an
artist! She paused, astonished at the possibility. But why not she as
well as the other women whom she had met at Mrs. Fargus'? She had met
many artists--ladies who had studios--at Mrs. Fargus'.
She had been to their studios and had admired their independence. They
had spoken of study in Paris, and of a village near Paris where they
went to paint landscape. Each had a room at the inn; they met at meal
times, and spent the day in the woods and fields. Mildred had once
been fond of drawing, and in the heat of the summer night she wondered
if she could do anything worth doing. She knew that she would like to
try. She would do anything sooner than settle down with Alfred.
Marriage and children were not the only possibilities in woman's life.
The girls she knew thought so, but the girls Mrs. Fargus knew didn't
think so.
And rolling over in her hot bed she lamented that there was no escape
for a girl from marriage. If so, why not Alfred Stanby--he as well as
another? But no, she could not settle down to keep house for Alfred
for the rest of her life. She asked herself again why she should marry
at all--what it was that compelled all girls, rich or poor, it was all
the same, to marry and keep house for their husbands. She remembered
that she had five hundred a year, and that she would have four
thousand a year if her brother died--the distillery was worth that.
But money made no difference. There was something in life which forced
all girls into marriage, with their will or against their will.
Marriage, marriage, always marriage--always the eternal question of
sex, as if there was nothing else in the world. But there was much
else in life. There was a nobler purpose in life than keeping house
for a man. Of that she felt quite sure, and she hoped that she would
find a vocation. She must first educate herself, so far she knew, and
that was all that was at present necessary for her to know.
'But how hot it is; I shan't be able to go out in the cart to-morrow.
... I wish everything would change, especially the weather. I want to
go away. I hate living in a house without another woman. I wish Harold
would let me have a companion--a nice elderly lady, but not too
elderly--a woman about forty, who could talk; some one like Mrs.
Fargus. When mother was alive it was different. She has been dead now
three years. How long it seems! ... Poor mother! I wish she were here.
I scarcely knew much of father; he went to the city every morning,
just as Harold does, by that dreadful ten minutes past nine. It seems
to me that I have never heard of anything all my life but that
horrible ten minutes past nine and the half-past six from London
Bridge. I don't hear so much about the half-past six, but the ten
minutes past nine is never out of my head. Father is dead seven years,
mother is dead three, and since her death I have kept house for
Harold.'
Then as sleep pressed upon her eyelids Mildred's thoughts grew
disjointed. ... 'Alfred, I have thought it all over. I cannot marry
you. ... Do not reproach me,' she said between dreaming and waking;
and as the purple space of sky between the trees grew paler, she heard
the first birds. Then dream and reality grew undistinguishable, and
listening to the carolling of a thrush she saw a melancholy face, and
then a dejected figure pass into the twilight.