CHAPTER II: THE "CANTARES DE GESTA" AND THE "POEMA DEL CID"

When meat and drink is great plentye

Then lords and ladyes still will be,

And sit and solace lythe.

Then it is time for mee to speake

Of kern knights and kempes great,

Such carping for to kythe.

"Guy and Colbrand," a romance

The French origin of the cantares de gesta has already been alluded

to. Their very name, indeed, bespeaks a Gallic source. But in justice

to the national genius of Spain we trust that it has been made

abundantly clear that the cantares speedily cast off the northern

mode and robed themselves in Castilian garb. Some lands possess an

individuality so powerful, a capacity for absorption and transmutation

so exceptional, that all things, both physical and spiritual, which

invade their borders become transfigured and speedily metamorphosed to

suit their new environment. Of this magic of transformation Spain,

with Egypt and America, seems to hold the especial secret. But

transfigure the chansons of France as she might, the mould whence

they came is apparent to those who are cognisant of their type and

machinery. Nor could the character of their composers and professors

be substantially altered, so that we must not be surprised to find

in Spain the trouvères and jongleurs of France as trovadores and

juglares. The trovador was the poet, the author, the juglar merely

the singer or declaimer, although no very hard-and-fast line was drawn

betwixt them. Some juglares of more than ordinary distinction were also

the authors of the cantares they sang, while an unsuccessful trovador

might be forced to chant the verses of others. Instrumentalists or

accompanists were known as juglares de péñola in contradistinction

to the reciters or singers, juglares de boca.

The Singers of Old Spain

With the juglar, indeed, was left the final form of the cantar, for he

would shape and shear it, add to or suppress, as his instinct told him

the taste of his audience demanded. Not infrequently he would try to

pour the wine of a cantar into the bottle of a popular air, and if it

overflowed and was spilt, so much the worse for the cantar. Frequently

he was accompanied not only by an instrumentalist, but by a remendador,

or mimic, who illustrated his tale in dumb show. These sons of the

gay science were notoriously careless of their means of livelihood,

and lived a hand-to-mouth existence. A crust of bread and a cup of wine

sufficed them when silver was scarce. Unsullied by the lust of hire,

they journeyed from hall to hall, from castle to castle, unmindful

of all but their mission--to soothe the asperities of a barbarous age.

Our long-dead brothers of the roundelay,

Whose meed was wine, who held that praise was pay,

Hearten ye by their lives, ye singers of to-day!

But this simple state did not last. As the taste for the cantares grew,

the trovadores and their satellites, after the manner of mankind,

became clamorous for the desirable things of life, making the age-long

plea of the artist that the outward insignia of beauty are his very

birthright, and forgetting how fatal it is to

Stain with wealth and power

The poet's free and heavenly mind.

These "spirits from beyond the moon" did not, alas! "refuse the

boon." Kings, infantes, and peers indulged the trovador out of full

purses, flattered him by imitating his art and his life, and even

enrolled themselves in his brotherhood. Few men of genius are so

constituted as to be able to control altogether a natural hauteur

and superiority. In these early days poetical arrogance seems to

have been as unchecked as military boastfulness, and the trovadores,

pampered and fêted by prince and noble, at length grew insufferable

in their insolence and rapacity. The land swarmed with singers, real

and pretended, the manner of whose lives became a scandal, even in a

day when scandal was cheap. The public grew weary of the repetition of

the cantares and the harping on a single string. It became fashionable

to read romances instead of listening to them, and eventually we see

the juglares footing it on the highways of Spain, and declaiming at

street-corners in a state of mendicancy more pitiable by far than

their old indigent yet dignified conditions.

Few of the ancient cantares of Spain have survived, in

contradistinction to the hundred or more chansons that France can

show. But what remains of them suffices to distinguish their type with

sufficient clearness. As has been indicated, we owe our knowledge of

more than one of them to the circumstance that they became embedded

in the ancient chronicles of Spain. An excellent illustration of

this process of literary embalming is provided by the manner in which

the cantar of Bernaldo de Carpio has become encrusted in the rather

dreary mass of the General Chronicle of Spain which was compiled

by King Alfonso the Wise (c. 1260), in which it will be found in

the seventh and twelfth chapters of the third part. The poet-king

states that he has founded his history of Bernaldo upon "old lays,"

and in the spirit as well as the form of his account of the legendary

champion we can trace the influence of the cantar.

The Story of Bernaldo de Carpio

Young Bernaldo de Carpio, when he arrived at manhood, was, like many

another hero of romance, unaware that he was of illustrious parentage,

for his mother was a sister of Don Alfonso of Castile, and had wed in

secret the brave and noble Count de Sandias de Saldaña. King Alfonso,

bitterly offended that his sister should mate with one who was her

inferior in rank, cast the Count into prison, where he caused him to be

deprived of sight, and immured the princess in a cloister. Their son

Bernaldo, however, he reared with care. While still a youth, Bernaldo

rendered his uncle important services, but when he learned that his

father languished in prison a great melancholy settled upon him, and

he cared no more for the things that had once delighted him. Instead

of mingling in the tourney or the dance, he put on deep mourning,

and at last presented himself before King Alfonso and beseeched him

to set his father at liberty.

Now Alfonso was greatly troubled when he knew that Bernaldo was aware

of his lineage and of his father's imprisonment, but his hatred for the

man who had won his sister was greater than his love for his nephew. At

first he made no reply, but sat plucking at his beard, so taken aback

was he. But kings are not often at a loss, and Alfonso, thinking to

brush the matter aside by brusque words, frowned, and said sternly:

"Bernaldo, as you love me, speak no more of this matter. I swear to

you that never in all the days of my life shall your father leave

his prison."

"Sire," replied Bernaldo, "you are my king and may do whatsoever you

shall hold for good, but I pray God that He will change your heart

in this matter."

King Alfonso had no son of his own, and in an ill moment proposed that

Charlemagne, the mighty Emperor of the Franks, should be regarded

as his successor. But his nobles remonstrated against his choice,

and refused to receive a Frank as heir to the throne of Christian

Spain. Charlemagne, learning of Alfonso's proposal, prepared to invade

Spain on the pretext of expelling the Moors, but Alfonso, repenting of

his intention to leave the crown to a foreigner, rallied his forces

around him and allied himself with the Saracens. A battle, fierce

and sustained, took place in the Pass of Roncesvalles, in which the

Franks were signally defeated, chiefly by the address of Bernaldo,

who slew the famous champion Roland with his own hand.

These and the other services of Bernaldo King Alfonso endeavoured to

reward. But neither gift nor guerdon would young Bernaldo receive at

his hands, save only the freedom of his father. Again and again did the

King promise to fulfil his request, but as often found an excuse for

breaking his word, until at last Bernaldo, in bitter disappointment,

renounced his allegiance and declared war against his treacherous

uncle. The King, in dread of his nephew's popularity and warlike

ability, at last had recourse to a stratagem of the most dastardly

kind. He assured Bernaldo of his father's release if he would agree

to the surrender of the great castle of Carpio. The young champion

immediately gave up its keys in person, and eagerly requested that

his father might at once be restored to him. The treacherous Alfonso

in answer pointed to a group of horsemen who approached at a gallop.

"Yonder, Bernaldo, is thy father," he said mockingly. "Go and

embrace him."

"Bernaldo," says the chronicle, "went toward him and kissed his

hand. But when he found it cold and saw that all his colour was black,

he knew that he was dead; and with the grief he had from it he began

to cry aloud and to make great moan, saying: 'Alas! Count Sandias,

in an evil hour was I born, for never was man so lost as I am now for

you; for since you are dead and my castle is gone, I know no counsel

by which I may do aught.'" Some say in their cantares de gesta that

the King then said: "Bernaldo, now is not the time for much talking,

and therefore I bid you go straightway forth from my land."

Broken-hearted and utterly crushed by this final blow to his hopes,

Bernaldo turned his horse's head and rode slowly away. And from that

day his banner was not seen in Christian Spain, nor the echoes of his

horn heard among her hills. Hopeless and desperate, he took service

with the Moors. But his name lives in the romances and ballads of

his native country as that of a great champion foully wronged by the

treachery of an unjust and revengeful King.

Although the cantares of Fernán González and the Children of Lara also

lie embedded in the chronicles, I have preferred to deal with them

in the chapter on the ballads, the form in which they are undoubtedly

best known.

The "Poema del Cid"

But by far the most complete and characteristic of the cantares

de gesta is the celebrated Poema del Cid, the title which has

become attached to it in default of all knowledge of its original

designation. That it is a cantar must be plain to all who possess

even a slight familiarity with the chansons de gestes of France. Like

many of the chansons heroes, the Cid experiences royal ingratitude,

and is later taken back into favour. The stock phrases of the

chansons, too, are constantly to be met with in the poem, and the

atmosphere of boastful herohood arising from its pages strengthens

the resemblance. There is also pretty clear proof that the author

of the Poema had read or heard the Chanson de Roland. This is not

to say that he practised the vile art of adaptation or the viler

art of paraphrase, or in any way filched from the mighty epic

of Roncesvalles. But superficial borrowings of incident appear,

which are, however, amply redeemed by originality of treatment and

inspiration. The thought and expression are profoundly national; nor

does the language exhibit French influence, save, as has been said,

in the matter of well-worn expressions, the clichés of medieval epic.

Its Only Manuscript

But one manuscript of the Poema del Cid is known, the handiwork of

a certain Per or Pedro the Abbot. About the third quarter of the

eighteenth century, Sanchez, the royal librarian, was led to suspect

through certain bibliographical references that such a manuscript might

exist in the neighbourhood of Bivar, the birthplace of the hero of

the poem, and he succeeded in unearthing it in that village. The date

at the end is given as Mille CCXLV, and authorities are not agreed

as to its significance, some holding that a vacant space showing an

erasure after the second C is intentional, and that it should read

1245 (1207 new style). Others believe that 1307 is the true date of

the MS. However that may be, the poem itself is referred to a period

not earlier than the middle of the twelfth nor later than the middle

of the thirteenth century.

As we possess it, the manuscript is in a rather mutilated and damaged

condition. The commencement and title are lost, a page in the middle

is missing, and the end has been sadly patched by an unskilful

hand. Sanchez states, in his Poesías Castellanas anteriores al Siglo

XV (1779-90) that he had seen a copy made in 1596 which showed that

the MS. had the same deficiencies then as now.

Its Authorship Unknown

The personality of the author of the Poema del Cid will probably

for ever remain unknown. He may have been a churchman, as Ormsby

suggests, but I am inclined to the opinion that he was a professional

trovador. The trouvères, rather than ecclesiastics, were responsible

for such works in France, and why not the trovadores in Spain? [26]

That the writer lived near the time of the events he celebrated

is plain, probably about half a century after the Cid sheathed his

famous sword Colada for the last time. On the ground of various local

allusions in the poem he has been claimed as a native of the Valle de

Arbujuelo and as a monk of the monastery of Cardeña, near Burgos. But

these surmises have nothing but textual references to recommend them,

and are only a little more probable than that which would make him

an Asturian because he does not employ the diphthong ue. We have good

grounds, however, for the assumption that he was at least a Castilian,

and these are to be found in his fierce political animus against the

kingdom of Leon and all that pertained to it. That Pedro the Abbot

was merely a copyist is clear from his mishandling of the manuscript;

for though we have to thank him for the preservation of the Poema,

our gratitude is dashed with irritation at the manner in which he has

passed it on to us, for his copy is replete with vain repetitions,

he frequently runs two lines into one, and occasionally even transfers

the matter of one line to another in his haste to be free of his task.

Other Cantares of the Cid

That other cantares relating to the Cid existed is positively

known through the researches of Señor Don Ramón Menéndez Pidal,

who has demonstrated that one of them was used in the most ancient

version of the Crónica General, of which three recensions evidently

existed at different periods, and it is now clear that the passage in

question does not come from the Poema as we have it, as was formerly

believed. [27] The passages on the Cid in the second version of the

Crónica are also derived from still another cantar on the popular

hero, known as the Crónica Rimada, [28] or Cantar de Rodrigo,

evidently the work of a juglar of Palencia, and which seems to be a

mélange of several lost cantares relating to the Cid, as well as to

other Spanish traditions. This version, however, is much later than

the Poema, and is chiefly interesting as enshrining many traditions

relative to the Cid as well as to the ancient folk-tales of Spain.

Metre of the "Poema del Cid"

It would certainly seem as if, like all cantares, the poem had been

especially written for public recitation. The expression "O señores,"

encountered in places, may be taken as the equivalent of the English

"Listen, lordings," of such frequent occurrence in our own lays and

romances, which was intended to appeal to the attention or spur the

flagging interest of a medieval audience. The metre in which the poem

is written is almost as unequal as its poetic quality. The prevailing

line is the Alexandrine or fourteen-syllabled verse, but some lines

run far over this average, while others are truncated in barbarous

fashion, probably through the inattention or haste of the copyist. [29]

It seems to me that the Poema, although of the highest merit in many

of its finest passages, has received the most extravagant eulogy, and

I suspect that many of the English critics who descant so glibly upon

its excellences have never perused it in its entirety. Considerable

tracts of it are of the most pedestrian description, and in places

it descends to a doggerel which recalls the metrical barbarities of

the pantomime. But when the war-trump gives him the key it arouses

the singer as it arouses Scott--the parallel is an apt and almost

exact one--and it is a mighty orchestra indeed which breaks upon our

ears. The lines surge and swell in true Homeric tempest-sound, and

as we listen to the crash of Castilian spears upon the Moorish ranks

we are reminded of those sounding lines in Swinburne's Erechtheus

beginning:

With a trampling of drenched, red hoofs and an earthquake of men

that meet,

Strong war sets hand to the scythe, and the furrows take fire

from his feet.

But the music of the singer of the Poema does not depend upon

reverberative effect alone. His is the true music of battle, burning

the blood with keenest fire, and he has no need to rely solely upon

the gallop of his metrical war-horse to excite our admiration, as

does the English poet.

The Poem Opens

The opening of the Poema del Cid, as we possess it, is indeed

sufficiently striking and dramatic to console us for the loss of the

original commencement. The great commander, banished (c. 1088) by

royal order from the house of his father through the treachery of the

Leonese party at the Court of King Alfonso, rides away disconsolately

from the broken gates of his castle. A fairly accurate translation

of this fine passage might read as follows:

He turns to see the ruined hold, the tears fall thick and fast,

The empty chests, the broken gates, all open to the blast.

Sans raiment are the wardrobes, reft of mantle and of vair,

The empty hollow of the hall of tapestry is bare.

No feather in the falconry, no hawk to come to hand,

A noble beggar must the Cid renounce his fathers' land.

He sighed, but as a warrior sighs. "Now I shall not repine.

All praise to Thee, our Father, for Thy grace to me and mine.

The slanderous tongue, the lying tale, have wrought my wreck to-day,

But Thou in Thy good time, O Lord, the debt wilt sure repay."

As they rode out of Bivar flew a raven to the right,

By Burgos as they bridled the bird was still in sight.

The Cid he shrugged his shoulders as the omen he espied;

"Greetings, Cousin Alvar Fañez, we are exiles now," he cried.

The sixty lances of the Cid rode clattering through the town;

From casement and from turret-top the burgher-folk looked down.

Sore were their hearts and salt their eyen as Roderick rode by;

"There goes a worthy vassal who has known bad mastery."

And many a roof that night had sheltered Roderick and his band

But for the dread in Burgos of Alfonso's heavy hand.

The missive broad with kingly seals had run throughout the town:

"Who aids the Cid in banishment, his house shall be cast down."

So as the train rode through the streets each eye was turned aside,

All silent was the town-house where the Cid was wont to bide;

Both lock and bar were on the gates, he might not enter there.

Then from a casement spoke a maid who had the house in care:

"My lord Don Roderick, who took the sword in happy hour,

The King hath sent a letter broad to ban from hall and bower

Both thee and all thy company, 'tis doom to shelter one;

Never again who aids thee shall his eyes look on the sun.

Now go, and Goddës help with thee, thy pity we implore;

In all broad Spain thou canst not lack, O Cid Campéador."

Finding no place to lay their heads within the town, the Cid with his

men rode disconsolately to the plain of Glera, to the east of Burgos,

where he pitched his tents on the banks of the river Arlanzon. To him

came Martin Antolinez, one of his former vassals, who brought food

and wine for all his train and strove to comfort him. Not a maravedi

had the Cid, and how to furnish his men with arms and food he knew

not. But he and Antolinez took counsel together, and hit upon a plan

by which they hoped to procure the necessary sinews of war. Taking two

large chests, they covered them with red leather and studded them with

gilt nails, so that they made a brave outward show. Then they filled

the chests with sand from the river-banks and locked them securely.

Money-lending in the Eleventh Century

"Martin Antolinez," said the Cid, "thou art a true man and a good

vassal. Go thou to the Jews Raquel and Vidas, and tell them I have much

treasure which I desire to leave with them since it is too weighty

to carry along with me. Pledge thou these chests with them for what

may seem reasonable. I call God and all His saints to witness that

I do this thing because I am driven to extremity and for the sake of

those who depend upon me." Antolinez, rather fearful of his mission,

sought out the Jews Raquel and Vidas where they counted out their

wealth and their profits. He told them that the Cid had levied much

tribute which he found it impossible to carry with him, and that he

would pledge this with them if they would lend him a reasonable sum

upon it. But he stipulated that they must solemnly bind themselves not

to open the chests for a year to come. The Jews took counsel together,

and consented to hide the chests and not to look upon their contents

for a year at least.

"But tell us," they said, "what sum will content the Cid, and what

interest will he give us for the year?"

"Needy men gather to my lord the Cid from all sides," replied

Antolinez. "He will require at least six hundred marks."

"We will willingly give that sum," said Raquel and Vidas, "for the

treasure of such a great lord as the Cid must indeed be immense."

"Hasten then," said Antolinez, "for night approaches, and my lord

the Cid is under decree of banishment to quit Castile at once."

"Nay," said the Jews, after the manner of their kind. "Business is not

done thus, but by first taking and then giving." They then requested

to be taken to where the Cid lay, and having greeted him, paid over

the sum agreed upon. They were surprised and delighted at the weight

of the chests, and departed well satisfied, giving Antolinez a present

or commission of thirty golden marks for the share he had taken in

the business.

Donna Ximena

When they had gone the Cid struck his camp and galloped through the

night to the monastery of San Pedro de Cardeña, where his lady, Donna

Ximena, and his two young daughters lay. He found them deeply engaged

in prayer for his welfare, and they received him with heartfelt

expressions of joy. Taking the Abbot aside, the Cid explained to

him that he was about to fare forth on adventure in the country of

the Moors, and tendered him such a sum as would provide for the

maintenance of Donna Ximena and her daughters until his return,

as well as a goodly bounty for the convent's sake.

By this time tidings of the Cid's banishment had gone through the land

broadcast, and so great was the fame of his prowess that cavaliers from

near and far flocked to his banner. When he put foot in stirrup at

the bridge of Arlanza a hundred and fifty gentlemen had assembled to

follow his fortunes. The parting with his wife and daughters presents

a poignant picture of leave-taking:

Sharp as the pain when finger-nails are wrenched from off the hand,

So felt the Cid this agony, but turned him to his band,

And vaulted in the saddle, and forth led his menie,

But ever and anon he turned his streaming eyes to see

Dear faces he might see no more, till blunt Minaya, irked

To see the yearning and regret that on his heartstrings worked,

Cried out, "O born in happy hour, [30] let not thy soul be sad:

The heart of knight on venture bound should never but be glad.

The heavy sorrow of to-day will prove to-morrow's joy.

What grief can bide the trumpets' sound, what woe the battle's

ploy?"

Giving rein to their steeds, they galloped forth of the bounds of

Christian Spain and, crossing the river Duero on rafts, stood upon

Moorish soil. Far to the west they could see the slender minarets

of the Saracen city of Ahilon glittering in the high sun of noon,

emblematic of the rich treasure they had come to win in the land

of the paynim. At Higeruela still more good lances rallied to the

Cid's banners, border men to whom the foray was a holiday and the

breaking of spears the sweetest music. As he slept that night the

Cid dreamed that the Archangel Gabriel appeared to him and said:

"Mount, O Cid Campeador, mount and ride. Thy cause is just. Whilst

thou livest thou shalt prosper!"

With three hundred lances behind him, the Cid rode into the land

of the Moors. He lay in ambush while Alvar Fañez and other knights

made a foray toward Alcalá. In their absence the Cid observed that

the men of Castijon, a Moorish town hard by, came out of the place

to work in the fields, leaving the gates open. He and his men made

a dash at the gates, slew the handful of heathens who guarded them,

and took the town without striking a score of blows. The men were

well content at the treasure of gold and silver they found in the

quaint Moorish houses. But they were merciful to the inhabitants,

of whom they made servitors rather than slaves.

The Taking of Alcocer

After they had rested at Castijon, the Cid and his array rode down

the valley of the Henares, passing by way of Alhamia to Bubierca and

Ateca, and as he was in unknown country, and environed round by hosts

of enemies, he took up a position upon a "round hill" near the strong

Saracen city of Alcocer, to which he set siege. But the place was

well guarded, and he saw that if he were to penetrate its defences

it must be by stratagem and not by fighting alone. So one morning,

after he had beleaguered Alcocer for full fifteen weeks, he withdrew

his men as if retreating in disgust, leaving but one pavilion behind

him. When the Moors beheld his withdrawal they exulted, and in their

eagerness to see what spoil the solitary tent might contain they

rushed out of the town, leaving the gates open and unguarded. Now

when the Cid saw that there was a wide space between the Moors and

the gates of Alcocer, he ordered his men to turn and fall upon the

excited rabble of Saracens. Small need had he to ask them to smite

the paynim. Dashing among the dense crowd with levelled lances, the

cavaliers of Castile did fearful execution. The wretched Moors, taken

completely by surprise, fled wildly in all directions, and soon the

plain was littered with white-robed corpses. Meanwhile the Cid himself,

with a few trusted followers, galloped to the gates and secured them,

so that with, much triumph the Spaniards entered Alcocer. As before,

the Campeador was merciful to such of the Moors as made full surrender,

saying: "We cannot sell them, and we shall gain nothing by cutting

off their heads. Let us make them rather serve us."

The Saracens of the neighbouring towns of Ateca and Zerrel were

aghast at the manner in which Alcocer had been taken, and sent word

to the Moorish King of Valencia how one called Roderigo Diaz of

Bivar, a Castilian outlaw, had come into their land to spoil it,

and had already taken the strong city of Alcocer. When King Tamin

of Valencia heard these tidings he was greatly wroth, and sent an

army of three thousand well-appointed men against the Campeador. In

his anger he charged his captains that they should take this Spanish

renegade alive, and bring him where justice might be done upon him.

The Cid knew nothing of the coming of this host, and one morning his

sentinels, pacing the walls of Alcocer, were surprised to see the

surrounding country alive with Moorish scouts, flitting from point

to point upon their active jennets, and shaking their scimitars in

menace. His own outposts soon brought in word that he was surrounded,

and his knights and men-at-arms clamoured to be led forth to do battle

with the infidels. But the Cid was old in Moorish warfare, and denied

them for the moment. For days the enemy paraded around the walls of

Alcocer. But the Cid, with three hundred men, knew well the folly of

attacking three thousand, and bided his time.

The Combat with the Moorish King

At last the Moors succeeded in cutting off the water-supply of

Alcocer. Provisions, too, were running low, and the Cid saw clearly

that such a desperate situation demanded a desperate remedy. Alvar

Fañez, ever panting for the fight like a war-horse that hears the

trumpet, urged an immediate sally in force, and the Cid, knowing the

high spirit of his men, consented. First he sent all the Moors out

of the city and looked to its defences. Then, leaving but two men to

guard the gate, he marshalled his array and issued forth from Alcocer

with dressed ranks and in strict order of battle. And here prose must

once more give place to verse. [31]

Huzza! huzza! the Moorman mounts and waves his crescent blade

Hark to the thunder of the drums, the trump's fanfaronade!

Around two glittering gonfanons the paynim take their stand,

Beneath each waving banner's folds is massed a swarthy band.

The turbaned sons of Termagaunt sweep onward like the sea;

So trust they to engulf and drown the Christian chivalry.

"Now gentles, keep ye fast your seats," cries the Campeador,

"And hold your ranks, for such a charge saw never knight before."

But the fierce heart of Bermuez that echoed to the drum,

Cried, "Santiago, shall I stay the while these heathen come?

With this bold banner shall I pierce yon pride of paynimrie.

So follow, follow, cavaliers, for Spain and Christendie!"

"Nay, comrade, stay!" implored the Cid, but Pero shook his head.

His hand was loose upon the rein. "It may not be," he said;

Then in his destrier's flank he drove the bright speed-making spur:

Like a spray-scattering ship he clove the sands of Alcocer.

Lost in a sea of Saracens, whose turbans surge as foam,

He stands unshaken as a cliff when on its bosom come

Madness of ocean and the wrath of seas that overwhelm.

So rain the hounds of Máhomet fierce blows on shield and helm.

"A rescue, rescue," cries the Cid, "and strike for Holy Rood!

Up, gentlemen of Old Castile, and charge the heathen brood!"

As forth the hound when from the leash the hunter's hand is ta'en,

As the unhooded falcon bounds, her jesses cast amain,

But fiercer far than falcon or the hound's unleashèd zeal

Comes crashing down upon the foe the fury of Castile.

Now rally, rally, to the flash of Roderigo's blade,

The champion of Bivar is here who never was gainsaid.

Three hundred levelled lances strike as one upon the foe.

Down, down in death upon the sand three hundred heathen go.

The lances rise, the lances fall, how fast the deadly play!

Ah, God! the sundered shields that lie in dreadful disarray.

The snow-white bannerets are dyed with blood of Moorish slain,

And chargers rush all masterless across the littered plain.

As lightning circles Roderick's sword above the huddled foe,

With Alvar Fañez, Gustioz, and half a hundred moe

He reaps right bloodily. But stay, the Saracens have slain

Bold Alvar Fañez' destrier; to aid him comes amain

The Cid Campeador, for sore the brave Minaya's need.

His way is barred, his stride is marred by a tall emir's steed.

His falchion swoops, his falchion stoops, down sinks the turbaned

lord.

"Mount in his place, Minaya, mount! I need thy trenchant sword.

The phalanx of the foe is firm, unbroken still they stand."

The stout Minaya leaps in selle, and falchion in hand

Strews death to left and right, his trust to rout the Moor

right soon.

But see, the Cid hath fiercely rid with blood-embroidered shoon

Upon the Moorish capitan, he cleaves his shining shield:

The haughty Moslem turns to fly--that blow hath won the field.

Bold Martin Antolinez aims a stroke at Galve's head;

The jewelled casque it cracks in twain, the infidel hath fled

Rather than bide its fellow; he and Fariz make retreat:

They caracoled to victory, they gallop from defeat.

Ne'er was a field so worthy sung since first men sang of war.

Its laurels unto thee belong, O Cid Campeador!

Fierce and sanguinary was the pursuit. The Moorish rout was complete,

and the little Castilian band had lost but fifteen men. Five hundred

Arab horses, heavily caparisoned, each with a splendid sword at the

saddle-bow, fell into the hands of the Cid, who kept a fifth share for

himself, as was the way with the commanders of such free companies as

he led. But greatly desiring to make his peace with King Alfonso of

Castile, he sent the trusty Alvar Fañez to Court with thirty steeds

saddled and bridled in the Moorish fashion.

But the Moors, even with the dust of defeat in their mouths, were not

minded to leave the Cid the freedom of their borders, and seeing that

he would not be able to hold Alcocer for long against their numbers,

he bargained with the Saracens of the neighbouring cities for the

ransom of Alcocer. This they gladly agreed to for three thousand marks

of gold and silver, so, quitting the place, the Campeador pushed

southward, and took up a position on a hill above the district of

Mont'real. He laid all the Moorish towns in the neighbourhood under

tribute, remaining in his new encampment full fifteen weeks.

Meanwhile Alvar Fañez had journeyed to the Court and had presented

the King with the thirty good steeds taken in battle. "It is yet

too soon to take the Cid back into favour," said Alfonso, "but since

these horses come from the infidel, I scruple not to receive them. I

pardon thee, Alvar Fañez, and withdraw my banishment from thee. But

as to the Cid, I say no more than that any good lance who cares to

join him may do so without hindrance from me."

The War with Raymond Berenger

Now the Count of Barcelona, Raymond Berenger, a haughty and arrogant

lord, conceived the presence of the Cid in a territory so near his

own dominions to be an insult to himself, and in a high passion he

mustered all his forces, Moorish as well as Christian, so that he

might drive the Cid from the lands he held in tribute. The Campeador,

hearing of the advance of this host, sent a courteous message to Count

Raymond, assuring him of pacific intentions toward himself. But the

Count felt that his personal dignity had been offended, and refused

to receive the messenger.

When the Cid beheld the army of Raymond marching against his position

on the heights of Mont'real, he knew that his overtures for peace

had been in vain, and, dressing his ranks for the fierce combat that

he knew must follow, took up a position upon the plain suitable for

cavalry. The lightly armed Moorish horsemen of Berenger's host rushed

precipitately to the attack, but were easily routed by the Castilian

cavaliers. The Count's Frankish men-at-arms, a band of skilful and

warlike mercenaries, then thundered down-hill upon the lances of

the Cid. The shock was terrific, but brief was the combat, for the

knights of Castile, hardened by constant warfare, speedily overthrew

the Frankish horsemen. The Cid himself attacked Count Berenger, took

him prisoner, and forced him to deliver up his famous sword Colada,

which figures so prominently in the mighty deeds which follow. A

falchion which tradition states is none other than this celebrated

blade, the Spanish Excalibur, is still shown at the Armeria at Madrid,

and all pious lovers of chivalry will gladly believe that it is the

sword taken by the Campeador from the haughty Berenger, even though the

profane point out that its hilt is obviously of the fifteenth century!

Greatly content were they of the Cid's company with the victory no

less than with the spoil, and a feast worthy of princes was prepared

to celebrate the occasion.

In courtesy the Cid invited the defeated Count Raymond to feast

with him, but he refused the invitation with hauteur, saying that

his capture by outlaws had taken away his appetite. Nettled at this

display of rudeness, the Cid told him that he would not see his

realms again until he broke bread and drank wine with him. Three

whole days did the Count refuse to touch all provender, and on the

third day the Cid promised him immediate freedom if he would break

his fast. This was too much for the haughty Berenger, whose hunger

now outmatched his scruples. "Powers above!" exclaims the poet,

"with what gust did he eat! His hands plied so quickly that my Cid

[32] might not see their play." The Cid then gave him his liberty,

and they parted on good terms.

"Ride on, ride on, my noble Count, a free Frank as thou art;

For all the spoil thou leavest me I thank thee from my heart.

And if to turn the chance of fate against me thou shalt come,

Right gladly shall I listen for the echoes of thy drum."

"Nay, Roderick, I leave in peace and peace I shall maintain;

From me thou sure hast spoil enow to count a twelvemonth's gain."

He drove the spur, but backward glanced, he feared for treachery;

So black a thought the Cid had harboured not for Christendie.

No, not for all the wealthy world, who kept his soul in light.

Whose heart as his so free from guile, the very perfect knight?

The Cid Makes War Seaward

Turning from Huesca and Montalvan, the Cid began to make war toward the

salt sea. His eastward march struck terror to the hearts of the Moors

of Valencia. They took counsel together, and resolved to send such a

host against him as they thought he might not withstand. But he routed

them with such a slaughter that they dared face him no more. Three

years did the Cid war in that country, and his many conquests there

were long to tell. He and his men sat themselves down in the land as

kings, reaped its corn, and ate its bread. And a great famine came

upon the Moors, so that thousands perished.

Now the Cid sent messengers to Castile and Aragon, who made it known

that all Christians who came to dwell beneath his rule should fare

well. Hearing this, thousands flocked to his banner, and so greatly

was he reinforced that in time he was able to march against Valencia

itself, the capital of the Moors of that country. With all his host he

sat down before that city and beleaguered it. Nine months he environed

it, and in the tenth month the men of Valencia opened the gates and

surrendered the place. Great was the booty of gold and silver and

precious stuffs, so that there fell to his share alone treasure to

the amount of thirty thousand marks, and he grew in greatness so that

not only his own followers but the Moors of Eastern Spain began to

look upon him almost as their rightful lord.

Beholding his puissance, the Moorish King of Seville grew greatly

afraid, and resolved to bring the whole power of his kingdom against

him. Collecting an army of thirty thousand men, he marched against

Valencia. But the Cid encountered him on the banks of the Huerta,

and defeated him so completely that never again was he able to do

him scathe.

The heart of the Cid now began to grow hopeful that his King would

receive him into friendship and confidence once more. And he swore a

great oath that for love of Alfonso he would never let his beard be

shorn. "So," he said, "will my beard be famous among both Moors and

Christians." Once more he sent Alvar Fañez to Court with the gift

of a hundred splendidly appointed horses of the purest Arab blood,

praying that he might be permitted to bring his wife, Donna Ximena,

and their daughters, to the possessions which he had carved out for

himself by his good sword.

Meanwhile there had come to Valencia from the East a holy man, one

Bishop Don Jerome, who had heard afar of the prowess of the Cid and

longed to cross swords with the infidel. The Cid was well pleased with

him, and founded a bishopric of Valencia for the doughty Christian,

whose one thought was but to spread the worship of God and slay

Saracens.

When Alvar Fañez reached the Court, he sought audience of King Alfonso,

who was heartened to hear of the deeds of the Campeador, how he had

routed the Moors in five pitched battles, made their lands subject

to the crown of Castile, and erected a bishopric in the heart of

paynimrie, so that he readily granted permission that Donna Ximena

and the ladies Elvira and Sol should go to Valencia. Hearing this,

Count Garcia Ordoñez, of the Leonese party, who had secured the Cid's

banishment and who cordially hated him, was greatly vexed. But the

two Infantes or Princes of Carrión, in Leon, seeing how the Cid grew

in power and importance, resolved to ask his daughters in marriage

from the King, but meanwhile kept their counsel.

The time had long passed when the Cid should have discharged his debt

to the Jews Raquel and Vidas, and hearing that Alvar Fañez was at

Court they came to him and begged that it might be paid. Fañez assured

them that all should be done as the Cid had promised, and that only

stress of constant warfare had kept his master from fulfilling his

obligation to them. They were perfectly satisfied with this assurance,

and so greatly had they trusted the Cid that they had never opened

the chests to examine the nature of the security he had given them.

The Cid Welcomes his Family

Alvar Fañez now made ready to set out for Valencia with Donna

Ximena and the Cid's daughters, whom he safely conveyed to their new

home. When he heard that they were near at hand, the Cid, who had only

a few days before won his famous steed Babieca in a skirmish with the

Moors, leapt upon the charger's back, and rode off at a gallop to

meet them and welcome them to their new possessions. Greeting them

with much affection, he led them to the castle, from the towers of

which he showed them the lands he had won for them. And they gave

thanks to God for a gift so fair.

Now there was great stirring among the Moors of Africa when they heard

of the deeds of the Cid, and they held it for dishonour that he should

have redeemed so great a part of Spain from their brothers of the

Peninsula. Their king, Yussef, levied a mighty army of fifty thousand

men, and, crossing the seas to Spain, marched upon Valencia, hoping

to regain it for the Crescent. When the Cid heard this, he exclaimed:

"I thank God and the blessed Mother that I have my wife and daughters

here. Now shall they see how we do battle with the Moors and win our

bread in the land of the stranger!"

The host of Yussef soon came in sight, and environed Valencia so

closely that none might enter or leave it, and when the ladies beheld

the great army which surrounded the city they were much afraid. But

the Cid bade them be of good cheer. "Hearten ye," he said, "for, see,

marvellous great wealth comes to us. Here comes a dowry against the

marriage of your daughters!" [33]

The Battle with King Bucar

Springing upon Babieca, the Cid led his lances against the Moors of

Africa. Then began a contest great and grim. The Spanish spears were

red that day, and the Cid plied his good blade Colada so terribly that

the Saracens fell before his strokes like corn before the sickle. He

aimed a great blow at King Yussef's helm, but the Moorish chieftain,

avoiding it, gave his horse the rein and galloped off the field,

his dusky host following him in headlong rout. Countless was the

spoil in gold, silver, richly caparisoned horses, shields, swords,

and body-armour.

Too wearied with ceaseless slaughter to give chase, the Cid rode back

to where his wife and daughters had sat watching the progress of the

battle, his dripping sword in his hand. "Homage to you, ladies,"

he cried. "Thus are Moors vanquished on the field of battle." But

ever mindful of his King and liege-lord, he at once dispatched Alvar

Fañez and Pero Bermuez to Court, with the tent of King Yussef and two

hundred horses with their caparisons. Greatly pleased was Alfonso. "I

receive the gift of the Cid willingly," he said, "and may the day of

our reconciliation soon arrive."

The Infantes of Carrión, seeing that the reputation of the Cid

increased daily, were now fully resolved to ask the daughters of the

Campeador in marriage from the King. Alfonso agreed to enter into

negotiations with the Cid, not only for the hands of his daughters,

but with the idea of effecting a reconciliation with him, for he was

well aware of all the service which the Campeador had done him. So

he sent for Alvar Fañez and Pero Bermuez and acquainted them with

the offer of the Infantes of Carrión, requesting them to convey it

to the Cid without loss of time and assuring him of his esteem.

The envoys hastened to Valencia and told the Cid how the King had

sent him a gracious message, asking for the hands of his daughters

for the Infantes of Carrión. The Cid was right joyful on hearing

this. "What the King desires is my pleasure," he said, "though the

Infantes of Carrión are haughty, and bad vassals to the Throne. But

be it as God and the King wills."

Then the Campeador made great preparations and set out for the Court,

and when the King knew he was approaching he went out to meet him. And

the Cid went on his knees before the King and took the grass of

the field in his teeth to humble himself before his lord. But Don

Alfonso was troubled at the sight, and, raising him, assured him

of his grace and affection, at which the Cid was greatly moved and

wept joyfully. Then the King feasted the Cid bravely, and when the

banquet was at an end asked for the hands of his daughters for the

Infantes of Carrión. The Cid made reply that he and his daughters

were in the King's hands and that Alfonso himself might give the

damsels in marriage.

The Cid's Daughters Wed

After some days spent in feasting and rejoicing, the Campeador

returned to Valencia with the two Infantes of Carrión. He told his

wife and daughters that the marriage was of the King's making and

not of his, as he was not without misgivings as to the result of

the alliance. Nevertheless he made great preparations, as befitted

the importance of such a ceremony with two of the greatest lords in

Spain, and Donna Elvira and Donna Sol were espoused to the Infantes

of Carrión in the church of Santa Maria by the good warrior-bishop

Jerome. The wedding celebrations lasted fifteen days, and the Cid had

no reason to be dissatisfied with his sons-in-law, who bore themselves

as gallantly in the lists as in the dance.

The Adventure of the Lion

The Infantes of Carrión and their wives had remained in Valencia

for about two years when a mishap befell. One day, during the time

of the afternoon siesta, a lion, kept for baiting in the ring, broke

loose from its cage and made its way into the palace. The Campeador

reclined upon a couch asleep, but his dauntless followers gathered

round him to protect him, all except the Infantes of Carrión, one of

whom crept beneath the couch on which the Cid slept, while the other

made such speed to quit the palace that he fell across the beam of a

wine-press and rent his robes. The clamour awoke the Cid, who rose,

and, going to where the lion crouched, firmly placed his hand on the

brute's bristling mane and led him back to his cage. Nor did the lion

resist, evidently knowing his master.

The Infantes of Carrión, when they knew all danger was past, came

out of hiding, looking so pale and terrified that the hardy soldiers

of the Cid could not restrain their laughter. At this the haughty

northern grandees felt deep insult and resentment and an unmanly

feeling of revenge awoke in their hearts.

Within a few days of this incident news reached Valencia that Abu Bekr,

the commander of the armies of the King of Morocco, was marching upon

the city. The Cid and his captains rejoiced at the news, but not so

the Infantes of Carrión, who took counsel together as to how they

might avoid the fighting and return to their own territories.

Here a break occurs in the narrative, and from a later passage it is

clear that the missing lines relate to a test of the courage of at

least one of the Infantes, who, stung by an imputation of cowardice,

armed himself and set out to fight a Moor, who, however, put him

to flight. But Pero Bermuez, to save the Cid's feelings, slew the

Saracen and made it appear that the Infante had done so.

A 'Secret Service' Story of "The Cid"

A most romantic tale hangs upon the first line of the next passage:

"May the time come when I deserve as much of both of you."

The line is supposed to be the last in the speech of Pero Bermuez

to the Infante Don Ferrando, who had probably expressed gratitude

to him. The first English author to attempt a translation of the

Poema del Cid was John Hookham Frere, the translator of the plays of

Aristophanes, who was for some years British Minister at Madrid. He

made a conjectural reading of the above line, which he communicated

to the Marquis de la Romana. Some years later, in 1808, when the

Marquis was commanding a body of troops in the French service in

Denmark, Frere was able to accredit a confidential messenger to him,

assuring the Spanish commander of the genuineness of the message he

carried by mention of the amended line, the correction in which was

known only to the Marquis and himself. The circumstance led to one

of the most important movements in the war against Napoleon.

The Fighting Bishop

The Infantes of Carrión, who did not relish the idea of a protracted

struggle with the Moors, resolved to betake themselves to the

security of their own estates at the first opportunity. But, as if

to shame them, the warlike Bishop Jerome appeared before the Cid

armed cap-à-pie and entreated his permission to take part in the

fighting. The Cid smilingly gave his assent, and no sooner had he

done so than the doughty churchman mounted a great war-horse and,

issuing out of the gates, galloped headlong against the Saracens. At

the first onset he slew two of them outright, but had the misfortune

to break his lance. Nothing daunted, however, this ardent disciple

of the Church militant drew his sword and, brandishing it about his

head like a trained knight-at-arms, flung himself once more upon the

Moorish ranks with all the weight of his charger. Laying about him

left and right, he killed or wounded a heathen with every blow. But

the enemy closed round him, and it would have gone hard indeed with

the fighting bishop had not the Cid, who had witnessed his gallantry

with all a warrior's admiration for the deeds of another brave man,

laid his lance in rest and, setting spurs to Babieca, plunged into

the thickest of the fray. Beneath his terrific onset the lightly

armed Moors gave way in terror. Wheeling, he came at them again,

crashing through their ranks like a tempest, and dealing death and

destruction wherever he went. The Moors wavered, broke, and fled

amain. The whole army of the Cid now bore down upon them, horse and

man, bursting into their camp, breaking the tent-ropes, and dashing

aside the gaudy Eastern pavilions where they had lodged.

Upon the terror-stricken ranks the horsemen of Castile

Came thundering down; King Bucar's men the iron tempest feel.

And down to dust the severed arm, the severed steel-capped head

Fall lifeless, and the charger's hoofs trample the gory dead.

"Ha! stay, King Bucar!" cries the Cid. "Now tarry, Moorish lord;

You came to seek me o'er the sea, mine is the peaceful word."

"If peace is in thy naked sword and in thy charging steed,

Then I would flee it," cried the King, and spurred his horse

to speed.

With hasty stride the King doth ride straight for the open sea;

Spain's champion is at his side, never again will he

Know the delights of Algiers' halls; Colada shines on high:

Now whether by the sword or sea, King Bucar, wilt thou die?

The good blade shears the Moor in twain, down to the saddle-bow;

So perished the Algerian lord--may every Moor die so!

And thus upon this day of fame the Cid his guerdon won,

Worth many a purse of minted marks, the noble blade Tizon!

Riding back from the fray, the Cid espied the Infantes of Carrión

and welcomed them. "Now that they are brave will they be welcomed by

the brave," he said, rather wistfully, to Alvar Fañez. The proud and

shallow princes were wrathful when they overheard this, and the shadow

of vengeance once more arose within their haughty hearts. "Let us take

our leave of the Cid and return to Carrión," they said. "We have been

flouted and insulted here by these banditti and their leader. On the

way home we shall know how to avenge ourselves upon his daughters."

With this cowardly purpose they smilingly requested the Campeador

to permit them to depart. Sorrowfully he granted it, and loading

them with presents and bestowing upon them the famous swords Colada

and Tizon, which he had himself taken in battle from the Moors, he

requested Feliz Muñoz, his nephew, to accompany the Infantes and his

daughters to Carrión.

The Infantes' Revenge

Great was the grief of the Cid and Donna Ximena at parting with the

ladies Elvira and Sol, and they were not without some misgivings. But

they charged Feliz Muñoz to keep good watch over their daughters,

and this he promised to do. After journeying for some days the party

had to traverse the great forest of Corpes, where in a glade they

pitched pavilions and spent the night. In the morning the Infantes

sent their suite on ahead, and, taking the saddle-girths from the

horses, beat the unfortunate daughters of the Cid most cruelly. The

wretched ladies begged for death rather than suffer such disgrace,

but the cowardly Infantes, laughing scornfully, mocked them, cast them

off, and so dealt with them that they left them for dead. "Thus,"

they said, "the dishonour of the affair of the lion is avenged,"

and mounting their horses they rode off.

As the deserted and dishonoured wives of the cowardly pair lay bleeding

on the grass, Feliz Muñoz, their cousin, who had lodged during

the night in another part of the forest, rode up, and seeing their

piteous condition hastened to their relief. Having dressed their hurts

to the best of his ability, he rode quickly to the nearest town and

purchased clothing and horses for them as befitted their station. When

these tidings reached the Cid in Valencia great anger rose in his

heart. He did not give it vent, however, but sat moodily pondering

upon the dishonour done to his daughters. At last, after many hours,

he spoke. "By my beard!" he cried, "the Infantes of Carrión shall not

profit by this." Soon the ladies Sol and Elvira arrived at Valencia,

and he received them lovingly, but not compassionately. "Welcome, my

daughters," said he. "God keep ye from evil! I accepted this marriage,

for I dared not gainsay it. God grant that I see you better married

hereafter, and that I have my revenge upon my sons-in-law of Carrión."

The Court at Toledo

Then the Cid dispatched messengers to King Alfonso, acquainting him of

the great wrong done to his daughters by the Infantes, and pleading

for justice. The King was greatly wroth at the news, and ordered the

Court to sit at Toledo and the Infantes to be summoned before him to

answer for their crime. They begged to be excused attendance, but

the King peremptorily refused to accept any apology or subterfuge,

and demanded their instant compliance with his summons. With great

misgivings they journeyed to Toledo, taking with them the Count Don

Garcia, Asur González, Gonzalo Asurez, and a great band of dependents,

thinking thereby to overawe the Cid. The Campeador himself soon arrived

at Court, with many a trusted veteran, all armed to the teeth. He wore

a rich robe of red fur broidered with gold, and his beard was bound

with a cord to preserve it. When he entered the Court with his men all

rose to greet him save the Infantes of Carrión and their party, for he

seemed a great baron and the Infantes might not look at him for shame.

"Princes, barons, and hidalgos," said King Alfonso, "I have summoned

ye here that justice may be done the Cid Campeador. As ye all know,

foul wrong has been done his daughters, and I have set judges apart to

moderate in this business and to search out the right, for wrong I will

not have in Christian Spain. I swear by the bones of San Isidro that he

who disturbs my Court shall quit my kingdom and forfeit my love, and

he who shall prove his right, on his side am I. Now let the Cid make

his demand and we shall hear the answer of the Infantes of Carrión."

Then rose the Cid, and in the Court among all these great barons and

lords there was no nobler figure. "My lord the King," he said, "it is

not I alone whom the Infantes of Carrión have wronged, but yourself

also, who gave them my daughters in marriage. Let them first restore

my swords Colada and Tizon, since they are no longer my sons-in-law."

The Infantes, hearing the Cid speak thus, thought that he would urge

no more against them if they restored the swords, and so they formally

handed them over to the King. But it was the Campeador's intention

to punish them by every means in his power, so when he received the

wondrous falchions from the hands of Alfonso he at once presented

them to Feliz Muñoz and Martin Antolinez, thus showing that it was

not for himself that he desired them. Having done this, he turned

once again to the King.

"My liege," he said, "when the Infantes left Valencia I bestowed upon

them three thousand marks in gold and silver. Let them now restore

this, since they are no longer my sons-in-law."

"Nay, if we do this," cried the Infantes, "we must even pay it out of

our lands in Carrión." But the judges demanded that the sum be paid

in Court without delay. The treacherous princelings could not raise

such a treasure in money, so the Court decided that it must be paid in

kind. Then the Infantes saw that there was no help but to acquiesce,

and brought many a steed and trained palfrey with their furniture to

repay the Cid, borrowing from the members of their suite and entering

into such obligations as would burden them for many a day.

Redress by Combat

When this matter had at last been settled, the Cid then advanced his

principal grievance against the Infantes, and asked for redress by

combat in the lists for the great wrong they had done his daughters. At

this Count Garcia, their spokesman, rose to defend the Infantes. He

pleaded that they were of princely degree, and for that reason alone

were justified in casting off the daughters of the Cid. Then Fernán

González, the elder of the Infantes, himself rose to approve the speech

of his vassal, and cast fresh scorn upon the alliance he had made,

justifying his cowardly action by his princely rank as a thing quite

natural and fitting. At this Pero Bermuez opened the vials of his

wrath upon the Infantes, taunting them with cowardice in the affair

of the lion and casting defiance of battle in their teeth.

Enter Asur González

The argument waxed high, when at that moment Asur González, a haughty

vassal of the Infantes, entered the hall.

With early viands and with wine flushed were his face and brow,

Disordered were his garments and his mantle hung full low.

He scanned the Court with bearing rude, right clownish was

his vaunt:

"How now, my lords? What have we here? Thinkst Carrión to daunt?

What bruit is this about the Cid, the lordling of Bivar?

At drawing tithes from dusty millers better is he far

Than ruffling at a Cortés; he to match with Carrión!"

Then up leapt Muño Gustioz: "Ha' done, thou knave, ha' done!

Drunkard, who lookest on the wine before ye tell a bead,

Who never yet did keep thy troth, evil in word and deed,

The only boon I crave is but to have thee where my sword

May cut the false tongue from thy throat and cease thy lying word."

"Enough, enough," Alfonso cried, "I give thee my consent

To meet each other in the lists; so ends this Parliament."

The tumult which the King had endeavoured to abate had hardly died

away when two cavaliers entered the Court. The new-comers were

ambassadors from the Infantes of Navarre and Aragon, who had come to

request the King to bestow the hands of the Cid's daughters upon their

masters. Alfonso turned to the Cid and requested his permission to

ratify the marriage at once, and when the Campeador had humbly given

his consent he answered to the assembled nobles that the espousals

would duly take place, adding that the combat between the disputants

would be fought out on the morrow.

This was right woeful news to the Infantes of Carrión, who, in great

fear, requested him to permit them some delay to procure fitting

horses and arms, so that at last the King scornfully fixed the day of

combat at three weeks from that date, and the place where it was to

be fought out as Carrión itself, so that the Infantes should have no

grounds of excuse for absence or be able to plead that the champions

of the Cid had been granted any undue advantage.

The Cid then took his leave of the King, and on parting pressed him to

accept his courser Babieca. But Alfonso refused the proffered gift,

saying courteously that if he accepted it Babieca would not have so

good a lord. Turning to those who were to uphold his cause in the

lists, the Campeador bade them an affectionate farewell, and so he

departed for Valencia, and the King for Carrión to see justice done.

The Trial by Combat

When the time of truce was over the contending parties sought the

lists. The Cid's men did not waste much time in arming themselves,

but the treacherous Infantes of Carrión had brought with them a

number of their vassals in the hope that they might be able to slay

the Cid's champions by night, when they were off their guard. But

Antolinez and his comrades kept good watch and frustrated their

design. When they saw that there was no help for it but to meet their

challengers à outrance, they prayed the King that the Cid's men might

not be permitted to use the famous swords Colada and Tizon, for they

superstitiously dreaded the trenchancy of these marvellous weapons,

and bitterly repented that they had restored them. Alfonso, however,

refused to listen to this appeal.

"Ye have swords of your own," he said brusquely. "Let them suffice

you, and see that you wield them like men, for, believe me, there

will be no shortcoming on the side of the Campeador."

The trumpets sounded and the Cid's three champions leapt upon their

impatient destriers, first having made the sign of the Cross upon

their saddles. The Infantes of Carrión also mounted, but none so

blithely. The marshals or heralds who were to decide the rules of the

combat, and give judgment in case of dispute, took their places. Then

said King Alfonso: "Hear what I say, Infantes of Carrión. This combat

ye should have fought at Toledo, but ye would not, so I have brought

these three cavaliers in safety to the land of Carrión. Take your

right; seek no wrong: who attempts it, ill betide him."

The description of the scene that follows has more than once been

compared with Chaucer's description of the combat between Palamon

and Arcite in The Knight's Tale, and, as will be seen, a resemblance

certainly exists. [34]

And now the marshals quit the lists and leave them face to face;

Their shields are dressed before their breasts, their lances are

in place.

Each charger's flank now feels the spur, each helm is bending low,

The earth doth shake as horse and man hurl them upon the foe.

The echo of their meeting is a sound of meikle dread,

And all who hear the deadly shock count them as good as sped.

The false Ferrando and Bermuez strike lance on either's shield,

The Infant's spear goes through the boss, but the stout shaft

doth yield

And splinters ere the point can pass thorough the other's mail.

But Pero's shaft struck home, nor did the seasoned timber fail;

It pierced Ferrando's corselet and sank into his breast,

And to the trampled ground there drooped the Infant's haughty crest.

Bermuez then drew Tizon's bright blade; ere ever he could smite

The Infant yielded him and cried, "Thou hast the victor's right."

While this combat was proceeding Antolinez and the other Infante

came together. Each of their lances smote the other's shield and

splintered. Then, drawing their swords, they rode fiercely against one

another. Antolinez, flourishing Colada, struck so mightily at Diego

that the good blade shore its way clean through the steel plates of his

casque, and even cut half the hair from Diego's head. The terrified

princeling wheeled his courser and fled, but Antolinez pursued him

with mock fury and struck him across the shoulders with the flat of

his sword. So had the hound the chastisement of cowards. As he felt

the blade across his withers Diego shrieked aloud and spurred past the

boundaries of the lists, thus, according to the rules of the combat,

admitting himself vanquished.

When the trumpets of the pursuivants sounded, Muño Gustioz and Asur

González ran swiftly and fiercely together. The point of Asur's spear

glanced off Muño's armour, but that of the Cid's champion pierced the

shield of his opponent and drove right through his breast, so that

it stuck out a full fathom between the shoulder-blades. The haughty

Asur fell heavily to the ground, but had enough of life left in him

to beg for mercy.

King Alfonso then duly credited the Cid's champions with the victory,

and without loss of time they returned to Valencia to acquaint their

master with the grateful news that his honour had been avenged.

Shortly afterward the espousals of the Cid's daughters to the noble

Infantes of Navarre and Aragon were celebrated with much pomp. The

Poema del Cid, however, concludes as abruptly as it begins:

So in Navarre and Aragon his daughters both did reign,

And princes of his blood to-day sit on the thrones of Spain.

Greater and greater grew his name in honour and in worth;

At last upon a Pentecost he passed away from earth.

Upon him be the grace of Christ, Whom all of us adore.

Such is the story, gentles, of the Cid Campeador.

The Real Cid

Cervantes' summing-up upon the Poema del Cid is perhaps the sanest on

record. The Cid certainly existed in the flesh; what matter, then,

whether his achievements occurred or not? For the Cid of romance is

a very different person from the Cid of history, who was certainly a

born leader of men, but crafty, unscrupulous, and cruel. The Poema

is thus romance of no uncertain type, and as this book deals with

romance and not with history, there is small need in this place to

provide the reader with a chronicle of the rather mercenary story of

Roderigo of Bivar the real.

"Mio Cid," the title under which he is most frequently mentioned, is

a half Arabic, half Spanish rendering of the Arabic Sid-y, "My lord,"

by which he was probably known to his Moorish subjects in Valencia,

and it is unlikely that he was given this appellation in Spain during

his lifetime. But even to this day it is a name to conjure with in

the Peninsula. So long as the heart of the Briton beats faster at the

name of Arthur and the Frenchman is thrilled by the name of Roland

the Spaniard will not cease to reverence that of the great romantic

shadow which looms above the early history of his land like a very

god of war--the Cid Campeador.

Legends & Romances of Spain · 第 2 / 13 章