By Booth Tarkington

I

For a lucky glimpse of the great Talbot Potter, the girls who caught it

may thank that conjunction of Olympian events which brings within the

boundaries of one November week the Horse Show and the roaring climax

of the football months and the more dulcet, yet vast, beginning of the

opera season. Some throbbing of attendant multitudes coming to the ears

of Talbot Potter, he obeyed an inward call to walk to rehearsal by way

of Fifth Avenue, and turning out of Forty-fourth Street to become

part of the people-sea of the southward current, felt the eyes of the

northward beating upon his face like the pulsing successions of an

exhilarating surf. His Fifth Avenue knew its Talbot Potter.

Strangers used to leisurely appraisals upon their own thoroughfares are

apt to believe that Fifth Avenue notices nothing; but they are mistaken;

it is New York that is preoccupied, not Fifth Avenue. The Fifth Avenue

eye, like a policeman's, familiar with a variety of types, catalogues

you and replaces you upon the shelf with such automatic rapidity that

you are not aware you have been taken down. Fifth Avenue is secretly

populous with observers who take note of everything.

Of course, among these peregrinate great numbers almost in a stupor so

far as what is closest around them is concerned; and there are those,

too, who are so completely busied with either the consciousness of being

noticed, or the hope of being noticed, or the hatred of it, that they

take note of nothing else. Fifth Avenue expressions are a filling meal

for the prowling lonely joker; but what will most satisfy his cannibal

appetite is the passage of the self-conscious men and women. For here,

on a good day, he cannot fail to relish some extreme cases of their

whimsical disease: fledgling young men making believe to be haughty to

cover their dreadful symptoms, the mask itself thus revealing what it

seeks to conceal; timid young ladies, likewise treacherously exposed by

their defenses; and very different ladies, but in similar case, being

retouched ladies, tinted ladies; and ladies who know that they are

pretty at first sight, ladies who chat with some obscured companion only

to offer the public a treat of graceful gestures; and poor ladies

making believe to be rich ladies; and rich ladies making believe to be

important ladies; and many other sorts of conscious ladies. And men--ah,

pitiful!--pitiful the wretch whose hardihood has involved him in cruel

and unusual great gloss and unsheltered tailed coat. Any man in his

overcoat is wrapped in his castle; he fears nothing. But to this hunted

creature, naked in his robin's tail, the whole panorama of the Avenue is

merely a blurred audience, focusing upon him a vast glare of derision;

he walks swiftly, as upon fire, pretends to careless sidelong interest

in shop-windows as he goes, makes play with his unfamiliar cane only to

be horror-stricken at the flourishings so evoked of his wild gloves; and

at last, fairly crawling with the eyes he feels all over him, he must

draw forth his handkerchief and shelter behind it, poor man, in the

dishonourable affectation of a sneeze!

Piquant contrast to these obsessions, the well-known expression of

Talbot Potter lifted him above the crowd to such high serenity his face

might have been that of a young Pope, with a dash of Sydney Carton. His

glance fixed itself, in its benign detachment, upon the misty top of the

Flatiron, far down the street, and the more frequent the plainly visible

recognitions among the north-bound people, the less he seemed aware

of them. And yet, whenever the sieving current of pedestrians brought

momentarily face to face with him a girl or woman, apparently civilized

and in the mode, who obviously had never seen him before and seemed not

to care if it should be her fate never to repeat the experience, Talbot

Potter had a certain desire. If society had established a rule that

all men must instantly obey and act upon every fleeting impulse, Talbot

Potter would have taken that girl or woman by the shoulders and said to

her: “What's the matter with you!”

At Forty-second Street he crossed over, proceeded to the middle of the

block, and halted dreamily on the edge of the pavement, his back to the

crowd. His face was toward the Library, with its two annoyed pet lions,

typifying learning, and he appeared to study the great building. One

or two of the passersby had seen him standing on that self-same spot

before;--in fact, he always stopped there whenever he walked down the

Avenue.

For a little time (not too long) he stood there; and thus absorbed he

was, as they say, a Picture. Moreover, being such a popular one, he

attracted much interest. People paused to observe him; and all unaware

of their attention, he suddenly smiled charmingly, as at some gentle

pleasantry in his own mind--something he had remembered from a book,

no doubt. It was a wonderful smile, and vanished slowly, leaving a rapt

look; evidently he was lost in musing upon architecture and sculpture

and beautiful books. A girl whisking by in an automobile had time to

guess, reverently, that the phrase in his mind was: “A Stately Home for

Beautiful Books!” Dinner-tables would hear, that evening, how Talbot

Potter stood there, oblivious of everything else, studying the Library!

This slight sketch of artistic reverie completed, he went on, proceeding

a little more rapidly down the Avenue; presently turned over to the

stage door of Wallack's, made his way through the ensuing passages, and

appeared upon the vasty stage of the old theatre, where his company of

actors awaited his coming to begin the rehearsal of a new play.

Harlequin and Columbine · 第 3 / 17 题