CHAPTER IV

I

Professor Max Gottlieb was about to assassinate a guinea pig with

anthrax germs, and the bacteriology class were nervous.

They had studied the forms of bacteria, they had handled Petri dishes

and platinum loops, they had proudly grown on potato slices the harmless

red cultures of _Bacillus prodigiosus_, and they had come now to

pathogenic germs and the inoculation of a living animal with swift

disease. These two beady-eyed guinea pigs, chittering in a battery jar,

would in two days be stiff and dead.

Martin had an excitement not free from anxiety. He laughed at it, he

remembered with professional scorn how foolish were the lay visitors to

the laboratory, who believed that sanguinary microbes would leap upon

them from the mysterious centrifuge, from the benches, from the air

itself. But he was conscious that in the cotton-plugged test-tube

between the instrument-bath and the bichloride jar on the demonstrator’s

desk were millions of fatal anthrax germs.

The class looked respectful and did not stand too close. With the flair

of technique, the sure rapidity which dignified the slightest movement

of his hands, Dr. Gottlieb clipped the hair on the belly of a guinea pig

held by the assistant. He soaped the belly with one flicker of a

hand-brush, he shaved it and painted it with iodine.

(And all the while Max Gottlieb was recalling the eagerness of his first

students, when he had just returned from working with Koch and Pasteur,

when he was fresh from enormous beer seidels and Korpsbrüder and

ferocious arguments. Passionate, beautiful days! _Die goldene Zeit!_ His

first classes in America, at Queen City College, had been awed by the

sensational discoveries in bacteriology; they had crowded about him

reverently; they had longed to know. Now the class was a mob. He looked

at them-- Fatty Pfaff in the front row, his face vacant as a doorknob;

the co-eds emotional and frightened; only Martin Arrowsmith and Angus

Duer visibly intelligent. His memory fumbled for a pale blue twilight in

Munich, a bridge and a waiting girl, and the sound of music.)

He dipped his hands in the bichloride solution and shook them--a quick

shake, fingers down, like the fingers of a pianist above the keys. He

took a hypodermic needle from the instrument-bath and lifted the

test-tube. His voice flowed indolently, with German vowels and blurred

W’s:

“This, gentlemen, iss a twenty-four-hour culture of _Bacillus

anthracis_. You will note, I am sure you will have noted already, that

in the bottom of the tumbler there was cotton to keep the tube from

being broken. I cannot advise breaking tubes of anthrax germs and

afterwards getting the hands into the culture. You _might_ merely get

anthrax boils--”

The class shuddered.

Gottlieb twitched out the cotton plug with his little finger, so neatly

that the medical students who had complained, “Bacteriology is junk;

urinalysis and blood tests are all the lab stuff we need to know,” now

gave him something of the respect they had for a man who could do card

tricks or remove an appendix in seven minutes. He agitated the mouth of

the tube in the Bunsen burner, droning, “Every time you take the plug

from a tube, flame the mouth of the tube. Make that a rule. It is a

necessity of the technique, and technique, gentlemen, is the beginning

of all science. It iss also the least-known thing in science.”

The class was impatient. Why didn’t he get on with it, on to the

entertainingly dreadful moment of inoculating the pig?

(And Max Gottlieb, glancing at the other guinea pig in the prison of its

battery jar, meditated, “Wretched innocent! Why should I murder him, to

teach _Dummköpfe_? It would be better to experiment on that fat young

man.”)

He thrust the syringe into the tube, he withdrew the piston dextrously

with his index finger, and lectured:

“Take one half c.c. of the culture. There are two kinds of M.D.’s--those

to whom c.c. means cubic centimeter and those to whom it means compound

cathartic. The second kind are more prosperous.”

(But one cannot convey the quality of it: the thin drawl, the sardonic

amiability, the hiss of the S’s, the D’s turned into blunt and

challenging T’s.)

The assistant held the guinea pig close; Gottlieb pinched up the skin

of the belly and punctured it with a quick down thrust of the hypodermic

needle. The pig gave a little jerk, a little squeak, and the co-eds

shuddered. Gottlieb’s wise fingers knew when the peritoneal wall was

reached. He pushed home the plunger of the syringe. He said quietly,

“This poor animal will now soon be dead as Moses.” The class glanced at

one another uneasily. “Some of you will think that it does not matter;

some of you will think, like Bernard Shaw, that I am an executioner and

the more monstrous because I am cool about it; and some of you will not

think at all. This difference in philosophy iss what makes life

interesting.”

While the assistant tagged the pig with a tin disk in its ear and

restored it to the battery jar, Gottlieb set down its weight in a

note-book, with the time of inoculation and the age of the bacterial

culture. These notes he reproduced on the blackboard, in his fastidious

script, murmuring, “Gentlemen, the most important part of living is not

the living but pondering upon it. And the most important part of

experimentation is not doing the experiment but making notes, ve-ry

accurate _quantitative_ notes--in ink. I am told that a great many

clever people feel they can keep notes in their heads. I have often

observed with pleasure that such persons do not have heads in which to

keep their notes. This iss very good, because thus the world never sees

their results and science is not encumbered with them. I shall now

inoculate the second guinea pig, and the class will be dismissed. Before

the next lab hour I shall be glad if you will read Pater’s ‘Marius the

Epicurean,’ to derife from it the calmness which is the secret of

laboratory skill.”

II

As they bustled down the hall, Angus Duer observed to a brother Digam,

“Gottlieb is an old laboratory plug; he hasn’t got any imagination; he

sticks here instead of getting out into the world and enjoying the

fight. But he certainly is handy. Awfully good technique. He might have

been a first-rate surgeon, and made fifty thousand dollars a year. As it

is, I don’t suppose he gets a cent over four thousand!”

Ira Hinkley walked alone, worrying. He was an extraordinarily kindly

man, this huge and bumbling parson. He reverently accepted everything,

no matter how contradictory to everything else, that his medical

instructors told him, but this killing of animals--he hated it. By a

connection not evident to him he remembered that the Sunday before, in

the slummy chapel where he preached during his medical course, he had

exalted the sacrifice of the martyrs and they had sung of the blood of

the lamb, the fountain filled with blood drawn from Emmanuel’s veins,

but this meditation he lost, and he lumbered toward Digamma Pi in a fog

of pondering pity.

Clif Clawson, walking with Fatty Pfaff, shouted, “Gosh, ole pig

certainly did jerk when Pa Gottlieb rammed that needle home!” and Fatty

begged, “Don’t! Please!”

But Martin Arrowsmith saw himself doing the same experiment and, as he

remembered Gottlieb’s unerring fingers, his hands curved in imitation.

III

The guinea pigs grew drowsier and drowsier. In two days they rolled

over, kicked convulsively, and died. Full of dramatic expectation, the

class reassembled for the necropsy. On the demonstrator’s table was a

wooden tray, scarred from the tacks which for years had pinned down the

corpses. The guinea pigs were in a glass jar, rigid, their hair ruffled.

The class tried to remember how nibbling and alive they had been. The

assistant stretched out one of them with thumb-tacks. Gottlieb swabbed

its belly with a cotton wad soaked in lysol, slit it from belly to neck,

and cauterized the heart with a red-hot spatula--the class quivered as

they heard the searing of the flesh. Like a priest of diabolic

mysteries, he drew out the blackened blood with a pipette. With the

distended lungs, the spleen and kidneys and liver, the assistant made

wavy smears on glass slides which were stained and given to the class

for examination. The students who had learned to look through the

microscope without having to close one eye were proud and professional,

and all of them talked of the beauty of identifying the bacillus, as

they twiddled the brass thumbscrews to the right focus and the cells

rose from cloudiness to sharp distinctness on the slides before them.

But they were uneasy, for Gottlieb remained with them that day, stalking

behind them, saying nothing, watching them always, watching the disposal

of the remains of the guinea pigs, and along the benches ran nervous

rumors about a bygone student who had died from anthrax infection in the

laboratory.

IV

There was for Martin in these days a quality of satisfying delight; the

zest of a fast hockey game, the serenity of the prairie, the

bewilderment of great music, and a feeling of creation. He woke early

and thought contentedly of the day; he hurried to his work, devout,

unseeing.

The confusion of the bacteriological laboratory was ecstasy to him--the

students in shirt-sleeves, filtering nutrient gelatine, their fingers

gummed from the crinkly gelatine leaves; or heating media in an

autoclave like a silver howitzer. The roaring Bunsen flames beneath the

hot-air ovens, the steam from the Arnold sterilizers rolling to the

rafters, clouding the windows, were to Martin lovely with activity, and

to him the most radiant things in the world were rows of test-tubes

filled with watery serum and plugged with cotton singed to a coffee

brown, a fine platinum loop leaning in a shiny test-glass, a fantastic

hedge of tall glass tubes mysteriously connecting jars, or a bottle rich

with gentian violet stain.

He had begun, perhaps in youthful imitation of Gottlieb, to work by

himself in the laboratory at night.... The long room was dark, thick

dark, but for the gas-mantle behind his microscope. The cone of light

cast a gloss on the bright brass tube, a sheen on his black hair, as he

bent over the eyepiece. He was studying trypanosomes from a rat--an

eight-branched rosette stained with polychrome methylene blue; a cluster

of organisms delicate as a narcissus, with their purple nuclei, their

light blue cells, and the thin lines of the flagella. He was excited and

a little proud; he had stained the germs perfectly, and it is not easy

to stain a rosette without breaking the petal shape. In the darkness, a

step, the weary step of Max Gottlieb, and a hand on Martin’s shoulder.

Silently Martin raised his head, pushed the microscope toward him.

Bending down, a cigarette stub in his mouth--the smoke would have stung

the eyes of any human being-- Gottlieb peered at the preparation.

He adjusted the gas light a quarter inch, and mused, “Splendid! You have

craftsmanship. Oh, there is an art in science--for a few. You Americans,

so many of you--all full with ideas, but you are impatient with the

beautiful dullness of long labors. I see already--and I watch you in the

lab before--perhaps you may try the trypanosomes of sleeping sickness.

They are very, very interesting, and very, very tickelish to handle. It

is quite a nice disease. In some villages in Africa, fifty per cent. of

the people have it, and it is invariably fatal. Yes, I think you might

work on the bugs.”

Which, to Martin, was getting his brigade in battle.

“I shall have,” said Gottlieb, “a little sandwich in my room at

midnight. If you should happen to work so late, I should be very pleast

if you would come to have a bite.”

Diffidently, Martin crossed the hall to Gottlieb’s immaculate laboratory

at midnight. On the bench were coffee and sandwiches, curiously small

and excellent sandwiches, foreign to Martin’s lunch-room taste.

Gottlieb talked till Clif had faded from existence and Angus Duer seemed

but an absurd climber. He summoned forth London laboratories, dinners on

frosty evenings in Stockholm, walks on the Pincio with sunset behind the

dome of San Pietro, extreme danger and overpowering disgust from

excreta-smeared garments in an epidemic at Marseilles. His reserve

slipped from him and he talked of himself and of his family as though

Martin were a contemporary.

The cousin who was a colonel in Uruguay and the cousin, a rabbi, who was

tortured in a pogrom in Moscow. His sick wife--it might be cancer. The

three children--the youngest girl, Miriam, she was a good musician, but

the boy, the fourteen-year-old, he was a worry; he was saucy, he would

not study. Himself, he had worked for years on the synthesis of

antibodies; he was at present in a blind alley, and at Mohalis there was

no one who was interested, no one to stir him, but he was having an

agreeable time massacring the opsonin theory, and that cheered him.

“No, I have done nothing except be unpleasant to people that claim too

much, but I have dreams of real discoveries some day. And-- No. Not five

times in five years do I have students who understand craftsmanship and

precision and maybe some big imagination in hypotheses. I t’ink perhaps

you may have them. If I can help you-- So!

“I do not t’ink you will be a good doctor. Good doctors are fine--often

they are artists--but their trade, it is not for us lonely ones that

work in labs. Once, I took an M.D. label. In Heidelberg that was-- Herr

Gott, back in 1875! I could not get much interested in bandaging legs

and looking at tongues. I was a follower of Helmholtz--what a wild

blithering young fellow! I tried to make researches into the physics of

sound-- I was bad, most unbelievable, but I learned that in this wale of

tears there is nothing certain but the quantitative method. And I was a

chemist--a fine stink-maker was I. And so into biology and much trouble.

It has been good. I have found one or two things. And if sometimes I

feel an exile, cold-- I had to get out of Germany one time for refusing

to sing _Die Wacht am Rhein_ and trying to kill a cavalry captain--he

was a stout fellow-- I had to choke him--you see I am boasting, but I

was a lifely _Kerl_ thirty years ago! Ah! So!

“There is but one trouble of a philosophical bacteriologist. Why should

we destroy these amiable pathogenic germs? Are we too sure, when we

regard these oh, most unbeautiful young students attending Y. M. C. A.’s

and singing dinkle-songs and wearing hats with initials burned into

them--iss it worth while to protect them from the so elegantly

functioning _Bacillus typhosus_ with its lovely flagella? You know, once

I asked Dean Silva would it not be better to let loose the pathogenic

germs on the world, and so solve all economic questions. But he did not

care for my met’od. Oh, well, he is older than I am; he also gives, I

hear, some dinner parties with bishops and judges present, all in nice

clothes. He would know more than a German Jew who loves Father Nietzsche

and Father Schopenhauer (but damn him, he was teleological-minded!) and

Father Koch and Father Pasteur and Brother Jacques Loeb and Brother

Arrhenius. Ja! I talk foolishness. Let us go look at your slides and so

good-night.”

When he had left Gottlieb at his stupid brown little house, his face as

reticent as though the midnight supper and all the rambling talk had

never happened, Martin ran home, altogether drunk.

Arrowsmith · 第 4 / 40 章