[Illustration: COQUETRY AVENGED.]
_Coquetry Avenged._--_Lady_: “Ah, Herr Lieutenant, I have rejected many
addresses!”
_Lieutenant_: “Is that so? Well, you have had time to do so!”
_Judge_: “Prisoner, do you confess your guilt?”
_Prisoner_: “No. The words of my counsel have convinced me of my
innocence.”
_Lady_: “And so you are a friend of my son Edward? I shall be delighted
to hear what news you can tell me about him. Is he enjoying his studies
at the university, and has he grown accustomed to the intricacies of
town-life? Has he learned to find his way about?”
_Student_: “Oh yes, he is all right so far as that is concerned. Only
he has some difficulty in finding his way home from the tavern.”
“COME, John, get up on the mare!”
“Pray, why should I make such a detour to get around to the other side?”
AT THE BALL.--_Gentleman_: “Do you play on the piano?”
_Lady_: “No.”
_Gentleman_: “Ah, then you sing?”
_Lady_: “No, sir,--neither have I had the influenza.”
_Maid_ (to her young mistress, who has written a love-letter for her at
her request): “Oh, thank you so much, Miss! The letter is beautiful.
But please don’t forget to put a postscript: Excuse bad writin’ and
spellin’!”
“IT is very provoking that your wife should have read my last letter to
you. I thought you said she never opens your letters?”
“She doesn’t generally, but you committed the folly of writing
‘Private’ upon the envelope.”
IF you ask a man for the date of his birth, he tells you only the year;
if you ask a woman, she never tells you more than the day.
_Custodian of the Schloss at Heidelberg_ (explaining the functions of
his office to stranger): “What the professors are to the university,
that _we_ are to the Schloss.”
IN COURT.--_Defendant_: “Gentlemen, I have much to say in favour of my
client. First----”
_Prisoner_ (interrupting him): “You’d better not give yourself any
trouble trying to pull me through, Herr Doctor. I take it the gentlemen
haven’t much faith left in either of us.”
_A._: “I wish I knew something to give my uncle for his birthday. He is
such an old miser that no matter what I buy him, I’m sure he will not
use it.”
_B._: “Why, that’s glorious! All you have to do is to fill half-a-dozen
of bottles with water, cork and seal them well, and stick on a label,
‘Old Rhine Wine, 1780.’”
FREDERICK, a tailor’s apprentice, has lent a shilling to Henry, a
barbers journeyman. To show his gratitude, Henry says: “Frederick, if
you should ever get into straits, if all your friends should fall off
from you; if your father and mother, your sister and brother, should
leave you in the lurch, then come to me, and take my word for it, _I’ll
shave you, and never charge you a penny_!”
_Stranger_: “Beg pardon, sir, will you tell me which road I must take
to get to the university?”
_First Student_: “I don’t know precisely myself. It is only two years
since I came here. It is more likely you know, Bummer--you’ve been here
for eight years.”
_Second Student_: “I? I have forgotten long ago.”
NOTE.
ACKNOWLEDGMENTS are here tendered to Herr Wilhelm Raabe, for his kind
permission to include the translation from _Hunger-Pastor_; to Herr
Julius Stinde, for his kind permission to translate from the _Familie
Buchholz_; to Herr W. H. Riehl and his publisher, to translate from
_Jörg Muckenhuber_; to Herr Friedrich Theodor v. Vischer, and to the
Deutsche Verlagsanstalt, Stuttgart, to translate from Herr v. Vischer’s
_Auch Einer_; to Herr Ernst Eckstein, to translate from _Besuch im
Carcer_; to Messrs. Kegan Paul, Trench, Trübner, & Co., Limited, and
to Mr. Leland, for their kind permission to include Mr. Leland’s
translations of Scheffel and others (see _Gaudeamus_, published by
Messrs. Kegan Paul). Best thanks are also to be accorded to various
German authors and publishers, who have so courteously sanctioned
translated extracts.
BIOGRAPHICAL INDEX OF WRITERS.
HUGO VON TRIMBERG is said to have been the rector of a school near
Bamberg, 1260-1309. He wrote several books of a didactic and satirical
type, including _The Runner_ and _The Gatherer_, the latter of which he
tells us was lost during his lifetime. He severely denounces everything
and everybody pertaining to the younger generation, and chants the
praises of the “good old times.” His writings are somewhat desultory,
and their chief interest lies in the inserted fables which serve him to
spin out a moral.
HANS SACHS was born at Nuremberg, on 5th November 1494. In his
fifteenth year he was apprenticed to a shoemaker, and was instructed
in the elements of “master-singing” by the linen-draper Nunnenbeck. As
a travelling journeyman in his trade he visited the schools of all the
celebrated master-singers of Germany. Returning after five years to his
native town, he devoted himself to his calling of shoemaker and to the
art of song. His first poetic production was a hymn which he composed
in Munich in 1514. The Reformation inspired him to an allegorical ode
in honour of Luther, entitled “Die Wittembergisch Nachtigal,” which
was followed by a great number of short religious poems. He died at
Nuremberg in 1576, his last years having been clouded by insanity. He
was an extraordinarily prolific writer of songs, plays, and farces.
CHRISTOFFEL VON GRIMMELSHAUSEN (1620-1676) was born at Gelnhausen.
During his youth he served in the army, and his experiences of life
as a soldier in the Thirty Years’ War are related in the romance of
_Simplicius Simplicissimus_. During his later years he was mayor of the
small town of Renchen, in the Black Forest. In his various writings he
made use of a whimsical collection of _noms-de-plume_, thereby somewhat
complicating the task of literary research.
LUDWIG TIECK (1773-1853) was the son of a rope-maker in Berlin. In
his studies at the universities of Halle, Göttingen, and Erlangen,
he devoted special attention to the Romanic languages, and later,
at Berlin, to the history of art, Old German poetry, and modern
literature. He soon found himself in opposition to the views of poetry
then popular. After his marriage, he lived for a while in Jena on
intimate terms with the two Schlegels, removing with them to Dresden,
and later publishing an “Almanac of the Muses” in company with A. W.
Schlegel. After 1840 he received a pension from Frederick William IV.
of Prussia; he took up his residence at Berlin, where he died. He
contributed a great deal to the Shakespeare literature of Germany, with
the aid of historical and literary studies on this subject made during
a visit to London in 1818, and wrote many dramas, lyrics, and novels,
as well as works of severe literary criticism.
JEAN PAUL FRIEDRICH RICHTER, commonly called Jean Paul, was born in
1763 at Wunsiedel, in the Baireuth district. His writings abound in
pleasing recollections of his youthful days, though these were spent
in poverty. After passing through the gymnasium at Hof, and pursuing
a course of studies at Leipsic, he made some attempts in satire, but
without success. He was for some time employed as private tutor in
several families, and after the publication of an incomplete romance
entitled _The Invisible Lodge_, gained a reputation as a humorist. His
later works include _Hesperus_, _The Life of Quintus Fixlein_, _Titan_,
_Siebenkäs_, _Wild Oats_, and several other discursive romances. He
was induced by his friendship for Herder to revisit Weimar in 1798,
remaining there until 1800, when he went to Berlin. A few years
afterwards he received a pension, which enabled him to live in modest
and comfortable circumstances at Baireuth, where he died in 1825.
AUGUST FRIEDRICH FERDINAND VON KOTZEBUE (1761-1819) was born at Weimar,
where his father held a high position at court. He studied at Jena,
and subsequently held several political offices in Russia, as well as
Germany. His first writings did much to rob him of public respect.
In 1798 he went to Vienna to take charge of the court theatre. Soon
after, when on his way to St. Petersburg, he was sent to Siberia. He
continued to write during his exile, was recalled, and came to live at
Jena, which place he left, however, because of his perpetual animosity
for Goethe. He was intensely unpatriotic, and indulged himself
repeatedly in his writings in pouring out invectives upon German
Liberal politicians on the one hand, and upon the Romantic school and
the reform of the drama attempted by Schiller on the other. His motives
in literature, as in politics, were purely mercenary. So venomous was
he in his attacks upon the ideals of the German “Burschenschaften”
that he aroused the fanaticism of a young student, Ludwig Sand, who,
moreover, suspecting him of acting as a Russian spy, assassinated him
at Mannheim.
JOHANN HEINRICH DANIEL ZSCHOKKE (1771-1848), born in Magdeburg, and
educated at the gymnasium connected with the monastery at that place.
In 1788 he left his native town, and joining a company of actors, he
roamed about as a playwright. He then studied philosophy, theology,
history, and art at Frankfort-on-Oder, and became a tutor there. He
filled several responsible political positions in Switzerland, until
he retired in 1841 to his country-house near Aarau, where he died.
He wrote a number of dramas, _Aballino, the Great Bandit_, _The Iron
Mask_, etc., as well es countless romances, novels, and books of travel.
LOUIS CHARLES ADELBERT VON CHAMISSO (1781-1838) was a member of
the old and aristocratic French family Chamisso de Boncourt, who
were expelled from France by the Revolution, in which they lost
their estates. Adelbert lived with his parents in Berlin, where he
subsequently entered the Prussian army, accompanied the navigator
Otto von Kotzebue on a voyage round the world, and then held for
some years an appointment at the Botanic Garden in Berlin, where he
died. He was a very versatile writer. Besides his lyrics and the
fantastic story of _Peter Schlemihl_, which gained him a name in German
literature, he wrote _De animalibus quibusdam e classe vermium Linnæi_,
_Über die Hawaiisprache_, and _Bemerkungen und Ansichten auf einer
Entdeckungsreise unter Kotzebue_.
HEINRICH HEINE (1799-1856) was born at Düsseldorf, of Jewish parents.
He devoted himself to a mercantile calling at Hamburg for a while, then
studied law at Berlin, Bonn, and Göttingen, adopted Christianity in
1825, edited the _Political Annals_ in company with Murhard, lived at
Berlin, Munich, and Hamburg, and finally in Paris, where he received a
pension for his literary services up to his death.
MORITZ GOTTLIEB SAPHIR was born in 1795 at a small Hungarian town,
where his grandfather, under the decree of the Emperor Joseph II.
compelling the Jews to take family names, had adopted the name of
Saphir. Intending at first to become a merchant, this idea soon grew
distasteful to him. He went to Prague to study the Talmud; then began
to devote himself entirely to literature, and soon wrote some verses,
which showed his satirical talent. At Vienna his satirical muse made
him so many enemies that he went to Berlin, where he wrote and edited
a great many humorous books. He was obliged to leave Berlin also,
and going to live at Munich, he got into trouble on account of some
satirical passages which were supposed to refer to the King of Bavaria,
and which resulted in his imprisonment. He died at Baden, near Vienna,
in 1858.
WILHELM HAUFF was born at Stuttgart in 1802, studied theology
at Tübingen, became tutor in a private family at Stuttgart, and
subsequently edited a paper in that town. He aimed at improving the
public taste, which had been greatly influenced by H. Clauren. With
this object he wrote a novel, _The Man in the Moon_, purporting to
be written by Clauren. Having lost the ensuing law-suit, Hauff wrote
his celebrated _Controversy about the Man in the Moon_. He also wrote
_Die Memoiren des Satans_, _Lichtenstein_, _Die Bettlerin von Pont
des Arts_, _Die Phantasien im Bremer Rathskeller_, etc. He died at
Stuttgart, September 18th, 1827.
EDUARD MÖRIKE (1804-1875), born at Ludwigsburg, studied at Tübingen,
was pastor at Keber-Sulzbach, near Heilbronn, then teacher at
Stuttgart. He belonged to the Suabian school of poets, wrote verses and
novels, among the latter, _Das Stuttgarter Hutzelmännlein_, _Iris_,
_Idylle am Bodensee_, etc.
FRIEDRICH THEODOR VON VISCHER (1807-1889), a celebrated writer on
Æsthetics of the Hegelian school. He was born at Ludwigsburg, studied
theology, and accepted a position as vicar at Harrheim. He went to
Tübingen in 1833, and became first an extraordinary and then ordinary
professor of æsthetics and German literature. On account of the too
great liberality of his inaugural address he was at once suspended
for two years. In 1848 he entered the Frankfort Parliament, where he
occupied a position as an extreme radical. In 1855 he was called to the
Polytechnical Institute at Zürich, and later filled a similar position
at Stuttgart. Besides his greatest work, entitled _Æsthetics, or the
Science of the Beautiful_, he wrote _The Sublime and the Comic_, and a
third part to Goethe’s _Faust_, a parody of Goethe’s second part, as
well as a great deal of prose and verse in a satirical and aphoristic
vein, and many critical works on æsthetics.
FRITZ REUTER (1810-1874), born at Stavenhagen, in Mecklenburg-Schwerin,
studied law at Rostock, went to Jena in 1832 and joined the
Burschenschaft, which was then in very ill favour with the strongly
Conservative government as promulgating Liberal tendencies. He was
imprisoned, and after being in custody a year was sentenced to death.
This sentence was modified by the king to lifelong imprisonment. He
was taken to Fort Dömitz, and remained there until 1840, when he was
released in consequence of the Prussian amnesty. He took charge of his
father’s estate at Stavenhagen, later going to Treptow as a tutor in
a private family; later he devoted himself exclusively to literature
at Neubrandenburg and then at Eisenach, where he died. His novels,
comedies, and poems were all written in the Low-German dialect. Some of
the best known are _Seed-Time and Harvest_, _Olle Kamellen_, _Ut mine
Festungstid_ (Aus meiner Festungszeit), _Die Reis’na Constantinopel_.
ERNST KOSSAK (1814-1880), born at Marienwerder, and died at Berlin.
Wrote _Aus dem Wanderbuch eines litterarischen Handwerksburschen_,
_Historietten_, _Berliner Silhouetten_, etc.
GOTTFRIED KELLER (1815-1887), born at Zürich, took up
landscape-painting, and went to Vienna to continue his art studies.
Returning to his native town in 1842, he gave up painting and devoted
himself entirely to literary pursuits. Receiving some pecuniary aid
from the Zurich Senate, he went to Heidelberg in 1848, and to Berlin in
1850, to study philosophy and dramaturgy. He then returned to Zürich.
Among his novels, _Der grüne Heinrich_ and _Die Leute von Seldwyla_ are
best known.
FRIEDRICH WILHELM VON HACKLÄNDER (1816-1877), novelist and
comedy-writer, born at Burtscheid, near Aachen. Entered the mercantile
profession, left it for the army, which he soon found distasteful.
Discovering a talent for story-telling, he wrote many novels and
sketches about military life, and some more ambitious works of fiction,
as _Europäisches Sklavenleben_.
RICHARD VOLKMANN (_nom-de-plume_ Richard Leander), 1830-1891, son
of the celebrated physiologist Alfred Wilhelm Volkmann, resided at
Halle, in the office of President of the Chirurgical Hospital and
Medical Professor at the University. Besides a number of scientific
works he wrote _Poems_, _Aus der Burschenzeit_, and _Träumereien an
französischen Kaminen_.
HEINRICH SCHAUMBERGER (1843-1874), born at Neustadt-a-d-Heide, was a
Common school-teacher; he was consumptive, and died at Davost. Wrote
_Volkserzählungen_, _Vater und Sohn_, _Im Hirtenhaus_, etc.
PETRI KETTENFEIER ROSEGGER, born at Alpl in Obersteiermark, in 1843. He
was the son of peasants, and received only a most elementary education.
Being too delicate for a yeoman, he was apprenticed to a tailor in
his seventeenth year. During the time of his apprenticeship he became
interested in books, and tried his hand at literature. The editor of a
paper to whom he had sent some of his work became interested in him,
and through his intercession he was admitted to the Mercantile Academy
at Graz. He subsequently received a stipend enabling him to complete
his education. He then went to Graz, where he edited a monthly magazine
and devoted himself to literary work. His novels, under the title of
_Ausgewählte Schriften_, comprising twenty-three volumes, are published
at Vienna.
WILHELM HEINRICH RIEHL, born 1823, at the little town of Biebrich on
the Rhine. Studied at Marburg, Tübingen, Bonn, and Giessen. Edited
several papers, and after having been made a member of the _Deutsche
Nationalversammlung_ founded the _Nassauische Allgemeine Zeitung_,
at the same time undertaking the musical management of the Wiesbaden
Theatre. In 1854 he was made Professor of Jurisprudence and Science
of Government at Munich. Later he became a member of the Academy of
Science, and Director of the Bavarian National Museum. His books,
published at Stuttgart, are mostly on historical subjects--_Civilised
Society_, _Natural History of the German People_, etc.
FRANZ VON SCHÖNTHAN, born at Vienna in 1849, entered the navy, which he
left after four years to go on the stage. After having written a number
of novels and comedies he was engaged as comedy-writer for the Wallner
Theatre at Berlin. He subsequently filled a position at the Vienna
Theatre.
JULIUS STINDE, born 1841, at Kirch-Michel, in Holstein. Studied natural
science. Occupied a position as chemist in a factory at Hamburg.
Subsequently took charge of the Hamburg _Gewerbeblatt_, and devoted
himself solely to literature, more especially to the popularisation
of science. Later he wrote comedies in Low-German, which were very
well received. Among his humorous writings, the _Familie Buchholz_ has
contributed most to his international popularity.
BOGUMIL GOLTZ (1801-1870), humorous and didactic writer, born at
Warsaw; studied at Breslau. Bought several estates, in the management
of which he was unsuccessful. Lost the greater part of his fortune and
settled down at Thorn, to live the life of a literary recluse, though
he often travelled. Wrote _Typen der Gesellschaft_, _Der Mensch und die
Leute_, _Zur Physiognomie und Charakteristik des Volkes_, etc.
EDUARD PÖTZL, born 1851, at Vienna. Editor of _Neues Wiener Tageblatt_.
Wrote humorous novels and sketches, dealing with Vienna life and the
Austrian courts of justice.
PAUL LINDAU, born in 1839, at Magdeburg. Editor of the well-known
review, _Nord und Süd_; dramatic writer. Lived at Paris for several
years as a literary correspondent to a number of German papers.
Founded the _Gegenwart_. Has written many dramas and novels in a vein
of caustic satire and wit. Also well known as a translator of French
comedies.
ERNST ECKSTEIN, born 1845 at Giessen. Wrote many satirical epics and
literary essays. Founded the humorous paper _Der Schalk_. Well known
through his comedies and dramas, and as a prolific novelist.
JULIUS STETTENHEIM, born at Hamburg, 1831, now living at Berlin. Editor
of the _Wespen_ and of _Humoristisches Deutschland_. Wrote numberless
_humoresques_, of which _Wippchen’s sämtliche Kriegsberichte_ is best
known.
JOHANNES SCHERR, born 1817, at Hohenrechberg. After studying at Zürich
and Tübingen, he taught for a while at Stuttgart, and took a prominent
part in Liberal politics. In 1849 he fled to Switzerland on account
of political difficulties, and in 1860, after an interval of literary
activity, was made Professor of History and Literature at Zürich. His
most prominent works are a number of histories dealing with certain
tendencies and developments of civilisation. He also wrote humorous and
other stories.
BABETTE VON BÜLOW (contemporary) writes under the _nom-de-plume_ of
Hans Arnold. Born at Warmbrunn, in 1850. Has written a number of
stories, the subjects being mostly of child-life.
THE WALTER SCOTT PRESS, NEWCASTLE-ON-TYNE.
[Illustration]
_Cloth Elegant, Large Crown 8vo, Price ³⁄₆ per vol._
INTERNATIONAL HUMOUR.
EDITED BY W. H. DIRCKS.
_Each Volume will contain from 50 to 70 Illustrations and from 350 to
500 pages._
IN each of these volumes the object will be to give an anthology
of the humorous literature of the particular nation dealt with.
France, Germany, Italy, Russia, Spain, and Holland will each have
their respective volumes; England, Ireland, and Scotland will each
be represented, as will also America and Japan. ‘From China to Peru’
the globe will be traversed in search of its jokes, in so far as
they have recorded themselves in literature. The word Humour admits
of many interpretations; for the purposes of this Series it has been
interpreted in its broadest generic sense, to cover humour in all its
phases as it has manifested itself among the various nationalities.
Necessarily founded on a certain degree of scholarly knowledge, these
volumes, while appealing to the literary reader, will nevertheless, it
is hoped, in the inherent attractiveness and variety of their contents,
appeal successfully and at once to the interest of readers of all
classes. Starting from the early periods of each literature--in Italy,
for instance, from the fourteenth century, with Boccaccio, Sacchetti,
and Parabosco; in France with the amusing Fabliaux of the thirteenth
century; in Germany from Hans Sachs; characteristic sketches, stories,
and extracts from contemporary European and other writers whose genius
is especially that of humour or _esprit_ will be given. Indicating and
suggesting a view and treatment of national life from a particular
standpoint, each volume will contain matter suggestive of the
development of a special and important phase of national spirit and
character,--namely, the humorous. Proverbs and maxims, folk-wit, and
folk-tales notable for their pith and humour, will have their place;
the eccentricities of modern newspaper humour will not be overlooked.
Each volume will be well and copiously illustrated; in many cases
artists of the nationalities of the literatures represented will
illustrate the volumes. To each volume will be prefixed an Introduction
critically disengaging and marking the qualities and phases of the
national humour dealt with; and to each will be appended Notes,
biographical and explanatory.
[Illustration]
[Illustration]
INTERNATIONAL HUMOUR.
_Cloth Elegant, Large Crown 8vo, Price ³⁄₆ per vol._
Among the early Volumes will be the following:--
THE HUMOUR OF FRANCE. Translated, with an Introduction and Notes, by
Elizabeth Lee. With numerous Illustration by Paul Frénzeny.
THE HUMOUR OF GERMANY. Translated, with an Introduction and Notes, by
Hans Müller-Casenov. With numerous Illustrations by C. E. Brock.
THE HUMOUR OF ITALY. Translated, with an Introduction and Notes, by A.
Werner. With 50 Illustrations and a Frontispiece by Arturo Faldi.
THE HUMOUR OF RUSSIA. Translated, with Notes, by E. L. Boole, and an
Introduction by Stepniak. With 50 Illustrations by Paul Frénzeny.
THE HUMOUR OF HOLLAND. Translated, with an Introduction and Notes, by
A. Werner. With Numerous Illustrations.
THE HUMOUR OF SPAIN. Translated, with an Introduction and Notes, by S.
Taylor. With numerous Illustrations.
THE HUMOUR OF AMERICA. Edited, with an Introduction and Notes, by J.
Barr (of the _Detroit Free Press_). With numerous Illustrations by C.
E. Brock.
To be followed by volumes representative of ENGLAND, SCOTLAND, IRELAND,
JAPAN, etc. The Series will be complete in about twelve volumes.
LONDON: WALTER SCOTT, LTD., 24 WARWICK LANE.
SPECIMEN ILLUSTRATION.
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LONDON: WALTER SCOTT, LTD., 24 WARWICK LANE.
_AUTHORIZED VERSION._