PICTURE AND SONG

What seek we in Florida? The same that we seek everywhere--sensations.

Life is made of them. In proportion as they are lively and pleasurable

we find it good. The higher their quality, the nobler the part that

feels them, the less physical they are, the less they have to do with

eating and drinking and being clothed, the more truly we are alive and

not dead.

Most of the people that we meet in Florida are vacationers like

ourselves. At home they may be in the wool business, in shoes, or in

dyestuffs; here they have no occupation but to amuse themselves. In

the daytime they fish, play golf, drive, or lounge upon the hotel

piazza. In the evening they sit in the lobby, listen (possibly) to

the music, admire (or not) the gowns and jewels of the ladies (the

self-sacrificing creatures are all on parade, like so many Queens of

Sheba), take a hand at cards, or gossip about something or nothing

with a traveling companion or a chance acquaintance. At the worst they

dawdle over a newspaper or a novel, and consume the hour in smoke. To

judge by appearances their sensations are not poignant, though the

anglers and the golfers, and even the shuffle-board players, no doubt

have their exciting moments; but on the whole the winter passes rather

quickly. When there is nothing else to do, and the time drags, one can

always cheer one’s self by thinking how intemperate the season is at

home. The most refreshing parts of the Northern newspapers are their

reports of snowstorms and blizzards.

For my own part, I admire the ladies’ gowns (in one sense or other of

the word, who could help it?), but what my untutored mind is most taken

with is the beauty of the natural world, the world as God made it,

rather than as man, even the man-milliner, has improved it. I love to

look up or down the moss-hung vista of the river road (I am still at

Ormond), or, turning my head, to gaze across the smooth water at the

freshly green, happy-looking oak woods and the overtopping pines. These

are pictures that I hope never to forget.

The other day an old friend, a settler in these parts, rowed me down

the river a few miles. There we took an untraveled road through the

forest, and by and by came suddenly to a clearing, in the middle of

which stood an abandoned house. The place had once been an orange

orchard, I suppose; and even now, although there was hardly so much

as a stump left to tell the tale, it remained in its own way a

paradise of beauty. From end to end the five or six sandy acres were

thickly overgrown with Drummond’s phlox, all in fullest bloom, a rosy

wilderness.

It was a pretty show. We exclaimed over it, and gathered handfuls of

the lovely flowers, but as we rowed homeward we were favored with a

spectacle to which it would be a profanation to apply such epithets.

The afternoon, which began doubtfully, had turned out a marvel of

perfection. The wind had gone down, the river was like glass, and

the level rays of the sun touched all the shore woods to an almost

unearthly beauty. And withal, the sky was full of the softest, most

exquisitely shaded, finely broken clouds. It was an hour such as comes

once and is never repeated. In my mind the memory of it has already

taken its place beside the memory of a sunset seen many years ago from

a Massachusetts mountain-top. These are some of the “sensations” of

which I spoke. They are the sufficient rewards of travel, though now

and then, the Fates favoring, we may have them at home also, without

money and without price.

The next day, or the next but one, I strolled about two miles up the

river northward, to the house where, on my first day at Ormond, I had

seen a Cherokee rosebush just breaking into flower. This time it was at

the top of its glory, such a glory as I have no hope of describing. At

a moderate calculation the mound of leafy stems must have borne four or

five thousand roses, every one the very image of purity and sweetness.

Those who are familiar with the Cherokee rose will perhaps be able to

imagine the picture of loveliness here presented; and such readers

will be glad to know that a lover of beauty (not an idle, time-killing

tourist, but a man at home and at work), having heard my report of the

bush, walked four or five miles on purpose to see it, and declared

himself amply repaid for his labor. “The poetry of earth is never

dead;” and there is never wanting some poet’s soul to enjoy it, and so

to make it twice alive.

Though it is near the end of March there is comparatively little sign

of bird migration. Chuck-will’s-widows--Southern whippoorwills, if one

chooses to call them so--have arrived and are abundantly in voice.

The nights are scarcely long enough for all they have to say. I hear

of a cottager who is awakened by one so persistently and so early in

the morning that he is devising means to kill it. I hope he will not

succeed, although if the bird is close to his open window and begins to

unburden himself at half-past two, as one does within hearing from my

bed, I cannot very seriously blame him for the attempt. He goes out in

his night-clothes, I am told, and tries to “shoo” it away; but the bird

has a message, as truly as Poe’s raven, and is bound to deliver it,

whether men will hear or forbear.

On the morning of March 26, in an ante-breakfast stroll, I found

among the pines immediately in the rear of the hotel the first summer

tanager of the season. The splendid creature, bright red throughout,

was flitting from tree to tree, singing a measure or two from each. He

acted as if he were happy to be back in Ormond, and I did not wonder.

A red-eyed vireo was singing on the 15th, and since then birds of the

same kind have become moderately common. Considering that the red-eye

is not supposed to winter anywhere in the United States (I saw nothing

of it at Miami), and arrives so late in New England, it seems to have

reached Ormond surprisingly early.

For some time the woods have been alive in spots with busy crowds of

warblers. Parulas especially have been present in enormous force,

and have sung literally in chorus. I have seen many yellow-throated

warblers also, and many myrtles, with a fair sprinkling of prairies

and black-and-white creepers. But the birds that have sung best--after

the mocker and the thrasher, perhaps--are not spring comers, but our

faithful winter friends, the cardinal grosbeak and the Carolina wren.

Indeed, of all Southern songsters I believe that the cardinal stands

first in my affections. Sweetness, tenderness, affectionateness, and

variety, these are his gifts, and they are good ones, even if they are

not the highest.

Out in the flatwoods, a few days ago, we suddenly heard, coming from

a thicket of dwarf palmetto on the edge of water, a quite unexpected

strain, a loud, short trill. “What was that?” asked my companions, as

we looked at one another; for there were three pairs of field-glasses

in the carriage. “It sounded like a swamp sparrow,” said I, with doubt

in my voice. At that moment the measure was given out again, prefaced

this time by a peculiar indrawn whistle. Then the truth flashed upon

me. It was the song of a pine-wood sparrow. I had not heard it for many

years. In the same place meadow larks were in tune, bluebirds warbled,

and pine warblers and brown-headed nuthatches were in voice among

the pine trees. Here, too, I was glad to hear, for the first time in

Florida, the caw of a real crow, a bird with a roof to his mouth and a

voice that sounded like home.

Such are some of a bird-loving man’s early spring pleasures in this

Southern country. I do not mean to praise the season unduly. New

England can beat it when the time comes; at least, I know one New

Englander who thinks so; but not in March.

Nature's invitation: Notes of a bird-gazer, North and South · 第 28 / 46 题