WAITING FOR THE MUSIC

I am impatient for the concert to begin. It is the 7th of February. For

three weeks I have been in Miami; birds are plentiful; the country,

one may almost say, is full of them; the weather, mostly a few shades

too warm for a pedestrian’s comfort, seems to be all that birds could

wish; but thus far there has been scarcely a sign of the grand vernal

awakening. Warm or cold, for the birds it is still winter. Phœbes, to

be sure, have sung ever since my arrival, I cannot help wondering why;

and the same is true of white-eyed vireos. It is impossible to walk

through the hammock woods without getting somewhat more than one’s

fill of their saucily emphatic deliverances. For aught I can see, they

are quite as loquacious now as they will be two or three months hence.

Once in a while, hardly oftener than once a week, I should say, I have

heard a mockingbird letting himself loose, and rather more frequently,

especially during the last few days, cardinal grosbeaks have sweetened

the air with their whistle; but for much the greater part the birds are

dumb. On the morning of February 1, as I stepped out upon the piazza,

a house wren sang from a live-oak by the kitchen door. I remembered the

date. “Good!” said I to myself, “the time of the singing of birds is

come.” But I was too much in haste. Since then I have heard plenty of

wren chattering, but not another note of wren music.

Still the opening of the annual concert cannot be much longer delayed.

When I was in Florida nine years ago, mockingbirds were in free song at

St. Augustine, before the middle of February; and at this point, three

hundred miles and more farther south, the season must be earlier rather

than later.

Some of the more distinctively Southern of the birds about me I am

especially desirous of hearing--the Florida yellow-throats, for

example, a local race of the Maryland yellow-throat, so called. They

are everywhere in sight (the dark brown of the flanks distinguishing

them readily), and as their music is said to be very unlike that of

their familiar Northern relative, I am naturally desirous of adding it

to my (memorized) collection. It will be nothing great, presumably, but

it will be something new.

Still more interesting will be the song of the painted bunting, or

nonpareil, a beauty of beauties that I had never seen (a wild one, I

mean) until this winter. About Miami it is decidedly common, though

the green females show themselves ten times as often as the red,

blue, and yellow-green males. What a superbly dressed creature the

masculine nonpareil is! And he carries himself as if he knew it. “Dear

me,” he seems always to be saying; “this Joseph’s coat of mine makes

me so conspicuous! Some day it will be my undoing.” My readers will

most likely have seen the gorgeous little creature in cages (I found

one many years ago in the Boston Public Garden, I remember), though

the chances are that they have never seen him in anything like his

brightest and liveliest feather. A bird, like a butterfly, was born

to be looked at out of doors with the sunlight on him. So far I have

heard no note from the nonpareil except his rather soft chip. The birds

frequent weedy tangles in open grounds, showing special fondness for

patches of the white bur-marigold, and seem to be well scattered over

the country.

Day after day I walk down through the hammock (I have spoken of it

before, and most likely shall do so again) between Miami and Cocoanut

Grove. Indeed, so constant are my peregrinations thither that I begin

to find my innocent self treated as a kind of mysterious personage--one

of the “features” of the place, so to speak, an “object of interest,”

like the gumbo-limbos, the air-plants, and the blossoming lime trees.

Three times, at least, I have overheard a driver describing me to

his fares as “the man who comes down through this hammock _every

day_”--with strong emphasis on the last two words. One passenger was

good enough to surmise, quite audibly, that I might be a botanist,

while another loudly proclaimed his belief that I must be “a sort of a

bird fiend.” So much for being useful in one’s day and generation. The

tourist mind--like the tourist stomach--abhors a vacuum. It must have

something to browse upon. And the drivers know it. It is a bad day for

the cow when she loses her cud.

In sober truth the hammock is well worth a daily visit; and almost as

often as I am here it comes over me what a glorious concert hall it

will be when all these thousands of birds find their voices, if they

ever do; for it may be, I know, that the great majority will start

on their journey northward before that happy day arrives. Here--to

name only some of the more common species--here are mockingbirds,

catbirds, cardinals, house wrens, Carolina wrens, ruby-crowned

kinglets, palm warblers, myrtle warblers, parula warblers, prairie

warblers, black-and-white warblers, Florida yellow-throats, oven-birds,

blue-gray gnatcatchers (a host), white-eyed vireos (another host),

solitary vireos, chewinks, painted buntings, phœbes, crested

flycatchers, and blue jays. What a chorus there would be if the spring

should get into all their throats at once! Might I be here to listen!

Then, indeed, I could make a list, with the hearing to help the

eyesight. Now I follow the road, and find only such birds as happen to

be near it at the moment when I pass. Then it would be another story. I

should need a stenographer. The names would crowd upon the pencil.

It is really an astonishing, unnatural-seeming thing--this multitude

of birds, in this cloudless summer weather, with mating-time so close

at hand, and no impulse to sing. Yet that expression is a trifle too

strong, or at least too sweeping. This forenoon I heard a gnatcatcher

warbling softly, as if to himself, tuning his instrument, it may be,

or, more likely, dreaming. The cardinals, too, are certainly growing

amorous. I see the bright males quarreling among themselves here and

there (they are constantly in the road), and not infrequently, as I

have said, they whistle with all sweetness. At that work there is

no bird to excel them. How any female heart can resist such appeals

is more than any bachelor’s heart can imagine. I rejoice in their

numbers. I should love to walk through the hammock and hear them all

whistling together, a chorus a good mile in length and no rod without a

bird.

Loggerhead shrikes are paired or pairing. The other day I saw one fly

up from the ground and feed another perched on a telegraph wire. He was

doing no more than was meet, her cool-appearing, unresponsive manner

seemed to say. Mockingbirds, also, though singing little, are beginning

to manifest symptoms of jealousy. If all the mockers and all the

cardinals should break into voice at once, the air itself would hardly

contain the music.

Two pileated woodpeckers that I see every few days at a particular spot

in the hammock have already come to an understanding, or so I fancy

from certain bits of conduct that I have been privileged to witness.

This morning I stood watching the female as she hammered to pieces a

decayed branch close by me, when all at once her mate called in the

distance. Instantly she held up her head, as much as to say, “Hark!

Was that he?” and the next moment she was gone. Then I heard low

conversational notes, followed presently by loud drumming on a resonant

stub or branch. I thought of what I have heard preachers say, that

Heaven is a state, not a place.

Pileated woodpeckers are birds good to look at, and, wild as they

look, it is pleasant to find them so approachable. But in fact, this

is most productive woodpecker country. Here are flickers in abundance,

red-bellies almost as many, and along with them the red-headed, the

red-cockaded (in the pine lands), the yellow-bellied (least common of

all), the downy, and the hairy; all, in short, that could be expected,

with the exception of the ivory-billed; and (such is human nature) I

would give more to see him than all the rest together.

Well, I will not wish time away, as the saying is. I begin to perceive

that I have none to spare. But I shall rejoice when some morning I go

out and find the conductor’s arm lifted, and the chorus minding the

beat.

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