I.

The ash Yggdrasil great evil suffers,

Far more than men do know;

The hart bites its top, its trunk is rotting,

And Nidhogg gnaws beneath.

_Elder Edda._

In ghostly, shivering streamers of green and blue, like northern

lights, the closing hues of the fourth Hoderson symchromy, called "the

Yggdrasil," shuddered down toward visual silence. Once more the ancient

myth, antedating even the Dawn Civilization, had been told--of the tree

of life with its roots in heaven and hell and the land of the frost

giants, and serpents gnawing at those roots and the gods fighting to

preserve it. Transmuted into significant color by Hoderson's genius,

interpreted by the world's greatest color instrumentalists, the

primeval legend of cosmic dread and rottenness and mystery, of wheels

within cosmic wheels, had once more enthralled its beholders.

In the grip of an unearthly excitement, Thorn crouched forward, one

hand jammed against the grassy earth beyond his outspread cloak. The

lean wrist shook. It burst upon him, as never before, how the Yggdrasil

legend paralleled the hypothesis which Clawly and he were going to

present later this night to the World Executive Committee.

More roots of reality than one, all right, and worse than serpents

gnawing, if that hypothesis were true.

And no gods to oppose them--only two fumbling, overmatched men.

Thorn stole a glance at the audience scattered across the hillside. The

upturned faces of utopia's sane, healthy citizenry seemed bloodless and

cruel and infinitely alien. Like masks. Thorn shuddered.

A dark, stooped figure slipped between him and Clawly. In the last

dying upflare of the symchromy--the last wan lightning stroke as

the storm called life departed from the universe--Thorn made out a

majestic, ancient face shadowed by a black hood. Its age put him in

mind of a fancy he had once heard someone advance, presumably in

jest--that a few men of the Dawn Civilization's twentieth century had

somehow secretly survived into the present. The stranger and Clawly

seemed to be conversing in earnest, low-pitched whispers.

Thorn's inward excitement reached a peak. It was as if his mind had

become a thin, taut membrane, against which, from the farthest reaches

of infinity, beat unknown pulses. He seemed to sense the presence of

stars beyond the stars, time-streams beyond time.

The symchromy closed. There began a long moment of complete blackness.

Then--

Thorn sensed what could only be described as something from a region

beyond the stars beyond the stars, from an existence beyond the

time-streams beyond time. A blind but purposeful fumbling that for a

moment closed on him and made him its agent.

No longer his to control, his hand stole sideways, touched some soft

fabric, brushed along it with infinite delicacy, slipped beneath a

layer of similar fabric, closed lightly on a round, hard, smooth

something about as big as a hen's egg. Then his hand came swiftly back

and thrust the something into his pocket.

Gentle groundlight flooded the hillside, though hardly touching the

black false-sky above. The audience burst into applause. Cloaks

were waved, making the hillside a crazy sea of color. Thorn blinked

stupidly. Like a flimsy but brightly-painted screen switched abruptly

into place, the scene around him cut off his vision of many-layered

infinities. And the groping power that a moment before had commanded

his movements, now vanished as suddenly as it had come, leaving him

with the realization that he had just committed an utterly unmotivated,

irrational theft.

He looked around. The old man in black was already striding toward the

amphitheater's rim, threading his way between applauding groups. Thorn

half-withdrew from his pocket the object he had stolen. It was about

two inches in diameter and of a bafflingly gray texture, neither a gem,

nor a metal, nor a stone, nor an egg, though faintly suggestive of all

four.

It would be easy to run after the man, to say, "You dropped this." But

he didn't.

The applause became patchy, erratic, surged up again as members of the

orchestra began to emerge from the pit. There was a lot of confused

activity in that direction. Shouts and laughter.

A familiar sardonic voice remarked, "Quite a gaudy show they put on.

Though perhaps a bit too close for comfort to our business of the

evening."

Thorn became aware that Clawly was studying him speculatively. He

asked, "Who was that you were talking to?"

Clawly hesitated a moment. "A psychologist I consulted some months

back when I had insomnia. You remember."

Thorn nodded vaguely, stood sunk in thought. Clawly prodded him out of

it with, "It's late. There are quite a few arrangements to check, and

we haven't much time."

Together they started up the hillside.

* * * * *

Especially as a pair, they presented a striking appearance--they

were such a study in similarities and contrasts. Certainly they both

seemed spiritually akin to some wilder and more troubled age than

safe, satisfied, wholesome utopia. Clawly was a small man, but dapper

and almost dancingly lithe, with gleamingly alert, subtle features.

He might have been some Borgia or Medici from that dark, glittering,

twisted core of the Dawn Civilization, when by modern standards

mankind was more than half insane. He looked like a small, red-haired,

devil-may-care satan, harnessed for good purposes.

Thorn, on the other hand, seemed like a somewhat disheveled and

reckless saint, lured by evil. His tall, gaunt frame increased the

illusion. He, too, would have fitted into that history-twisted black

dawn, perhaps as a Savonarola or da Vinci.

In that age they might have been the bitterest and most vindictive of

enemies, but it was obvious that in this they were the most unshakably

loyal of friends.

One also sensed that more than friendship linked them. Some secret,

shared purpose that demanded the utmost of their abilities and put

upon their shoulders crushing responsibilities.

They looked tired. Clawly's features were too nervously mobile, Thorn's

eyes too darkly circled, even allowing for the shadows cast by the

groundlight, which waned as the false-sky faded, became ragged, showed

the stars.

They reached the amphitheater's grassy rim, walked along a row of

neatly piled flying togs with distinctive luminescent monograms,

spotted their own. Already members of the audience were launching like

bats into the summary darkness, filling it with the faint gusty hum

of subtronic power, that basic force underlying electric, magnetic,

and gravitational phenomena, that titan, potentially earth-destroying

power, chained for human use.

As he climbed into his flying togs, Thorn kept looking around.

False-sky and groundlight had both dissolved, opening a view to the

far horizon, although a little weather, kept electronically at bay for

the symchromy, was beginning to drift in--thin streamers of cloud. He

felt as never before a poignancy in the beauty of utopia, because he

knew as never before how near it might be to disaster, how closely it

was pressed upon by alien infinities. There was something spectral

about the grandeur of the lonely, softly-glowing skylons, lofty and

distant as mountains, thrusting up from the dark rolling countryside.

Those vertical, one-building cities of his people, focuses of communal

activity, gleaming pegs sparsely studding the whole earth--the Mauve Z

peering over the next hill, seeming to top it but actually miles away;

beyond it the Gray Twins, linked by a fantastically delicate aerial

bridge; off to the left the pearly finger of the Opal Cross; last,

farther left, thirty miles away but jutting boldly above the curve of

the earth, the mountainous Blue Lorraine--all these majestic skylons

seemed to Thorn like the last pinnacles of some fairy city engulfed

by a rising black tide. And the streams of flying men and women, with

their softly winking identification lights, no more than fireflies

doomed to drown.

His fingers adjusted the last fastening of his togs, paused there.

Clawly only said, "Well?" but there was in that one word the sense of a

leave-taking from all this beauty and comfort and safety--an ultimate

embarkation.

They pulled down their visors. From their feelings, it might have been

Mars toward which they launched themselves--a sullen ember halfway up

the sky, even now being tentatively probed by the First Interplanetary

Expedition. But their actual destination was the Opal Cross.

Destiny times three · 第 3 / 29 题