Dickens might draw some laughable sketches, or caricatures, from the

live specimens of office-seekers now on hand here. The new President

has just advised them all to go home and leave their papers behind

them; and such a scattering you never saw! One fellow came here

from Illinois, and was introduced to a wag who, he was told, had

"great influence at court," and who, although destitute of any such

pretensions, kept up the delusion for the sake of the joke. The

"Sucker" addressed the man of influence something in this wise:

"Now, stranger, look at them papers. Them names is the first in our

whole town. There's Deacon Styles--there ain't no piouser man in all

the county; and then there's Rogers, our shoemaker--he made them boots

I got on, and a better pair never tramped over these diggins. You

wouldn't think them soles had walked over more than three hundred miles

of Hoosier mud, but they _hev_ though, and are sound yet. Every body in

our town knows John Rogers. Just you go to Illinois, and ax about _me_.

You'll find how I stand. Then you ask Jim Turner, our constable--_he_

knows me; ask _him_ what I did for the party. He'll tell you I was

a screamer at the polls--nothing else. Now, I've come all the way

from Illinois, and a-foot too, most of the way, to see if I can have

justice. They even told me to take a town-office to--hum! but I must

have something that pays aforehand--such as them '_char-gees_,' as they

call 'em. I hain't got only seven dollars left, and I can't wait. Jist

git me one o' them '_char-gees_,' will ye? Them'll do. Tell the old man

how it is; _he'll_ do it. Fact is, he _must_! I've airnt the office,

and no mistake!"

Doubtless he _had_ "airnt" it; few persons who go to Washington and

_wait_ for an office, but _earn_ their office, whether they obtain it

or not.

* * * * *

It is HORACE WALPOLE, in his egotistical but very amusing

correspondence, who narrates the following amusing anecdote:

"I must add a curious story, which I believe will surprise your

Italian surgeons as much as it has amazed the faculty here. A sailor

who had broken his leg was advised to communicate his case to the

Royal Society. The account he gave was, that having fallen from the

top of the mast and fractured his leg, he had dressed it with nothing

but tar and oakum, and yet in three days was able to walk as well as

before the accident. The story at first appeared quite incredible, as

no such efficacious qualities were known in tar, and still less in

oakum; nor was a poor sailor to be credited on his own bare assertion

of so wonderful a cure. The society very reasonably demanded a fuller

relation, and, I suppose, the corroboration of evidence. Many doubted

whether the leg had been really broken. That part of the story had

been amply verified. Still it was difficult to believe that the man

had made use of no other applications than tar and oakum; and how

_they_ should cure a broken leg in three days, even if they could cure

it at all, was a matter of the utmost wonder. Several letters passed

between the society and the patient, who persevered in the most solemn

asseverations of having used no other remedies, and it does appear

beyond a doubt that the man speaks truth. It is a little uncharitable,

but I fear there are surgeons who might not like this abbreviation of

attendance and expense; but, on the other hand, you will be charmed

with the plain, honest simplicity of the sailor. In a postscript to his

last letter, he added these words:

"I forgot to tell your honors that the leg was a wooden one!"

* * * * *

There was great delicacy in the manner in which a foreigner, having a

friend hung in this country, broke the intelligence to his relations on

the other side of the water. He wrote as follows:

"Your brother had been addressing a large meeting of citizens, who had

manifested the deepest interest in him, when the platform upon which he

stood, being, as was subsequently ascertained, very insecure, gave way,

owing to which, he fell and broke his neck!"

* * * * *

If you will take a bank-note, and while you are folding it up according

to direction, peruse the following lines, you will arrive at their

meaning, with no little admiration for the writer's cleverness:

"I will tell you a plan for gaining wealth,

Better than banking, trading or leases;

Take a bank-note and fold it up,

And then you will find your wealth in-creases.

"This wonderful plan, without danger or loss,

Keeps your cash in your hands, and with nothing to trouble it,

And every time that you fold it across,

'Tis plain as the light of the day that you double it."

* * * * *

If your "Editor's Drawer," writes a correspondent, is not already full,

you may think the inclosed, although an old story, worthy of being

squeezed in.

"Soon after the close of the American Revolution, a deputation of

Indian chiefs having some business to transact with the Governor, were

invited to dine with some of the officials in Philadelphia. During

the repast, the eyes of a young chief were attracted to a castor of

_mustard_, having in it a spoon ready for use. Tempted by its bright

color, he gently drew it toward him, and soon had a brimming spoonful

in his mouth. Instantly detecting his mistake, he nevertheless had the

fortitude to swallow it, although it forced the tears from his eyes.

"A chief opposite, at the table, who had observed the consequence, but

not the cause, asked him 'What he was crying for?' He replied that he

was 'thinking of his father, who was killed in battle.' Soon after, the

questioner himself, prompted by curiosity, made the same experiment,

with the same result, and in turn was asked by the younger Sachem 'What

_he_ was crying for?' '_Because you were not killed when your father

was_,' was the prompt reply."

* * * * *

Old Matthews, the most comic of all modern comic _raconteurs_, when in

this country used to relate the following illustration of the manner in

which the cool assumption of a "flunkey" was rebuked by an eccentric

English original, one Lord EARDLEY, whose especial antipathy was, to

have his servants of the class called "fine gentlemen:"

"During breakfast one day, Lord Eardley was informed that a person

had applied for a footman's place, then vacant. He was ordered into

the room, and a double refined specimen of the _genus_ so detested by

his lordship made his appearance. The manner of the man was extremely

affected and consequential, and it was evident that my lord understood

him at a glance; moreover, it was as evident he determined to lower him

a little.

"'Well, my good fellow,' said he, 'you want a lackey's place, do you?'

"'I came about an upper footman's situation, my lord,' said the

gentleman, bridling up his head.

"'Oh, do ye, do ye?' replied Lord Eardley; 'I keep no upper servants;

all alike, all alike here.'

"'Indeed, my lord!' exclaimed this upper footman, with an air of

shocked dignity. 'What _department_ then am I to consider myself

expected to fill?'

"'Department! department!' quoth my lord, in a tone like inquiry.

"'In what _capacity_, my lord?'

"My lord repeated the word capacity, as if not understanding its

application to the present subject.

"'I mean, my lord,' explained the man, 'what shall I be expected to do,

if I take the _situation_?'

"'Oh, you mean if you take the place. I understand you now,' rejoined

my lord; 'why, you're to do every thing but sweep the chimneys and

clean the pig-sties, and _those I do myself_.'

"The _gentleman_ stared, scarcely knowing what to make of this, and

seemed to wish himself out of the room; he, however, grinned a ghastly

smile, and, after a short pause, inquired what _salary_ his lordship

gave!

"'Salary, salary?' reiterated his incorrigible lord ship, 'don't know

the word, don't know the word, my good man.'

"Again the gentleman explained; 'I mean what wages?'

"'Oh, wages,' echoed my lord; 'what d'ye ask? what d'ye ask?'

"Trip regained his self-possession at this question, which looked

like business, and considering for a few moments, answered--first

stipulating to be found in hair-powder, and (on state occasions) silk

stockings, and gloves, bags and bouquets--that he should expect thirty

pounds a year.

"'How much, how much?' demanded my lord rapidly.

"'Thirty pounds, my lord.'

"'Thirty pounds!' exclaimed Lord Eardley, in affected amazement; 'make

it guineas, and _I'll live with_ YOU;' then ringing the bell, said to

the servant who answered it, 'Let out this _gentleman_, he's too good

for me;' and then turning to Matthews, who was much amused, said, as

the man made his exit, 'Conceited, impudent, scoundrel! Soon sent him

off, soon sent him off, Master Matthews.'"

* * * * *

As specimens of the _retort courteous_ and the _retort uncourteous_,

observe the two which ensue:

"Two of the guests at a public dinner having got into an altercation,

one of them, a blustering vulgarian, vociferated: 'Sir, you're no

gentleman!' 'Sir,' said his opponent, in a calm voice, 'you are no

judge!'"

* * * * *

TALLEYRAND, being questioned on one occasion by a man who squinted

awfully, with several importunate questions, concerning his leg,

recently broken, replied:

"It is quite _crooked_--as you _see_!"

* * * * *

If you have ever been a pic-nicking, reader, you will appreciate the

annoyances set forth in these lively lines by a modern poet. We went

on one of these excursions in August, not many years ago, and while

addressing some words that we intended should be very agreeable, to

a charming young lady in black, seated by our side, on the bank of a

pleasant lake, in the upper region of the Ramapo mountains, a huge

garter-snake crept forth at our feet, hissing at our intrusion upon his

domain! How the young lady did scamper!--and how we did the same thing,

for that matter! But we must not forget the lines we were speaking of:

Half-starved with hunger, parched with thirst,

All haste to spread the dishes,

When lo! we find the soda burst,

Amid the loaves and fishes;

Over the pie, a sudden sop,

The grasshoppers are skipping,

Each roll's a sponge, each loaf a mop,

And all the meat is dripping.

Bristling with broken glass you find

Some cakes among the bottles,

Which those may eat, who do not mind

Excoriated throttles:

The biscuits now are wiped and dried,

When shrilly voices utter:

"Look! look! a toad has got astride

Our only plate of butter!"

Your solids in a liquid state,

Your cooling liquids heated,

And every promised joy by Fate

Most fatally defeated:

All, save the serving-men, are soured,

_They_ smirk, the cunning sinners!

Having, before they came, devoured

Most comfortable dinners.

Still you assume, in very spite,

A grim and gloomy gladness;

Pretend to laugh--affect delight--

And scorn all show of sadness

While thus you smile, but storm within,

A storm without comes faster,

And down descends in deafening din

A deluge of disaster!

So, friend, if you are sick of _Home_,

Wanting a new sensation,

And sigh for the unwonted ease

Of un-accommodation;

If you would taste, as amateur,

And vagabond beginner,

The painful pleasures of the poor,

_Get up a Pic-Nic Dinner_!

* * * * *

There is a good deal of talk, in these latter days, about the article

of guano: the right of discovery of the islands where it is obtained,

and the like. We remember to have heard something about the discovery

and occupation of the first of these islands, that of Ichaboe, which

made us "laugh consumedly;" and we have been thinking that a thorough

exploration of the Lobos islands might result in a similar discomfiture

to the "grasping Britishers."

It seems that a party of Englishmen, claiming to have discovered the

island of Ichaboe, landed from a British vessel upon that "rich" coast,

and appreciating the great agricultural value of its minerals, walked

up toward the top of the heap, to crow on their own dung-hill, and take

possession of it in the name of Her Majesty the Queen, with the usual

form of breaking a bottle of Madeira, and other the like observances.

While they were thus taking possession, however, one of the party,

more adventurous than the rest, made his way to the farther slope of a

higher eminence, and saw, to his utter discomfiture and consternation,

a Bangor schooner rocking in a little cove of the island, a parcel

of Yankees digging into its sides, and loading the vessel, and a

weazen-faced man administering the temperance-pledge to a group of the

natives on a side-hill near by!

He went back to his party, reported what he had seen, and the ceremony

of taking possession, in the name of Her Majesty, of an uninhabited

island, was very suddenly interrupted and altogether done away with.

* * * * *

The readers of "The Drawer," who may have noticed the numerous signs

of _Ladies' Schools_ which may be seen in the suburban streets

and thoroughfares of our Atlantic cities, will find the following

experience of a Frenchman in London not a little amusing:

"Sare, I shall tell you my impressions when I am come first from

Paris to London. De English ladies, I say to myself, must be de

most best educate women in de whole world. Dere is schools for dem

every wheres--in a hole and in a corner. Let me take some walks in

de Fauxbourgs, and what do I see all around myself? When I look dis

way I see on a white house's front a large bord, with some gilded

letters, which say, 'Seminary for Young Ladies.' When I look dat way

at a big red house, I see anoder bord which say, 'Establishment for

Young Ladies,' by Miss Someones. And when I look up at a little house,

at a little window, over a barber-shop, I read on a paper, 'Ladies'

School.' Den I see 'Prospect House,' and 'Grove House,' and de 'Manor

House,' so many I can not call dem names, and also all schools for

de young females. Day-schools besides. Yes; and in my walks always I

meet some schools of Young Ladies, eight, nine, ten times in one day,

making dere promenades, two and two and two. Den I come home to my

lodging's door, and below de knocker I see one letter. I open it, and

I find 'Prospectus of a Lady School.' By-and-by I say to my landlady,

'Where is your oldest of daughters, which used to bring to me my

breakfast?' and she tell me, 'She is gone out a governess!' Next she

notice me I must quit my apartement. 'What for?' I say: 'what have I

dones? Do I not pay you all right, like a weekly man of honor?' 'O

certainly, Mounseer,' she say, 'you are a gentleman, quite polite, and

no mistakes, but I wants my whole of my house to myselfs for to set

him up for a Lady School!' Noting but Ladies' Schools--and de widow of

de butcher have one more over de street. 'Bless my soul and my body!'

I say to myself, 'dere must be nobody borned in London except leetil

girls!'"

* * * * *

Here is a very beautiful thought of that strange compound of Scotch

shrewdness, strong common sense, and German mysticism, or _un_-common

sense--Thomas Carlyle:

"When I gaze into the stars, they look down upon me with pity from

their serene and silent spaces, like eyes glistening with tears over

the little lot of man. Thousands of generations, all as noisy as our

own, have been swallowed up of Time, and there remains no record of

them any more: yet Arcturus and Orion, Sirius and the Pleiades are

still shining in their courses, clear and young, as when the shepherd

first noted them in the plain of Shinar! 'What shadows we are, and what

shadows we pursue!'"

* * * * *

There is probably not another word in the English language that can

be worse "twisted" than that which composes the burden of the ensuing

lines:

WRITE we know is written right,

When we see it written write:

But when we see it written wright,

We know 'tis not then written right;

For write, to have it written right,

Must not be written right nor wright,

Nor yet should it be written rite,

But WRITE--for so 'tis written right.

* * * * *

We commend the following to the scores of dashing "spirited" belles

who have just returned disappointed from "the Springs," Newport, and

other fashionable resorts. The writer is describing a dashing female

character, whose "mission" she considered it to be, to take the world

and admiration "by storm:"

"With all her blaze of notoriety, did any body _esteem_ her

particularly? Was there any one man upon earth who on his pillow could

say, 'What a lovely angel is Fanny Wilding!' Had she ever refused an

offer of marriage? No; for nobody ever had made her one. She was like a

fine fire-work, entertaining to look at, but dangerous to come near to:

her bouncing and cracking in the open air gave a lustre to surrounding

objects, but there was not a human being who could be tempted to take

the dangerous exhibition into his own house! _That_ was a thing not to

be thought of for a moment."

* * * * *

"In your Magazine for July," writes a city correspondent, "I notice

in the '_Editor's Drawer_,' an allusion to and quotation from '_The

Execution of Montrose_,' the author of which you state is unknown

or not named. You seem not to be aware that this is one of Aytoun's

Ballads, which, with others, was published in London, under the title

of 'Lays of the Cavaliers.' But why did you not give the most beautiful

verse:

'He is coming! He is coming!

Like a bridegroom from his room,

Came the hero from his prison,

To the scaffold and the doom.

There was glory on his forehead,

There was lustre in his eye,

And he never went to battle

More proudly than to die!'

"I quote only from memory, but the original has 'walked to battle'--is

not 'went' a better word? The book is full of gems: let me give you

one more, which would make a fine subject for an artist. It is from

'Edinburgh after Flodden;' when Randolph Murray returns from the

battle, to announce to the old burghers their sad defeat:

'They knew so sad a messenger,

Some ghastly news must bring;

And all of them were fathers,

And their sons were with the King.'"

* * * * *

"How do you spell Feladelfy?" asked a small city grocer of his partner

one day, as he was sprinkling sand upon a letter which he was about to

dispatch to the "City of Brotherly Love."

"Why, _Fel-a_, Fela, _del_, Feladel, _fy_--Feladelfy."

"Then I've got it right," said the partner (in ignorance as well as in

business), "I thought I might have made a mistake!"

* * * * *

DICKENS, in a passage of his Travels in Italy, describes an

embarrassing position, and a pursuit of knowledge under difficulties

that would have discouraged most learners: "There was a traveling party

on board our steamer, of whom one member was very ill in the cabin next

to mine, and being ill was cross, and therefore declined to give up

the dictionary, which he kept under his pillow; thereby obliging his

companions to come down to him constantly, to ask what was the Italian

for a lump of sugar, a glass of brandy-and-water, 'what's o'clock?' and

so forth; which he always insisted on looking out himself, with his own

sea-sick eyes, declining to trust the book to any man alive. Ignorance

was scarcely 'bliss' in this case, however much folly there might have

been in being 'wise.'"

CONTRIBUTIONS TO OUR DRAWER.

On the 25th December, 1840, when the excitement in diplomatic circles

upon the subject of the so-called Eastern question was at its height,

an English friend dined with Sir Hamilton Seymour and Lady Seymour, in

Brussels. Seymour's note of invitation ran "Will you and your wife come

and eat a turkey with us." The dinner was a very good one, but there

was no turkey; and on the following day our friend sent him the lines

below:

"On the notorious breach of political faith committed by Sir G.

Hamilton Seymour, G.C.H., &c., &c., &c. Her Britannic Majesty's

Minister Plenipotentiary at the Court of Belgium, on the 25th

December, 1840.

"Most perfidious, most base of all living ministers,

You deserve to fall back to the rank of plain Misters,

Your star taken off, and your chain only serving

To fetter your ankles _selon_ your deserving.

Don't think that my charge is some trumpery matter

Of court etiquette. It is greater, and fatter;

Fit cause throughout Europe to spread conflagration,

Set King against Kaiser, and nation 'gainst nation.

'Tis a fraud diplomatic--a protocol broken--

The breach of a treaty both written and spoken--

A matter too bad for e'en Thiers' digestion--

The loss of an empire, the great Eastern question!

In vain would you move my ambition or pity--

In vain do you offer the province or city--

Neither Bordeaux nor Xeres, nor eke all Champagne,

Can make me forgetful of promises vain.

Such pitiful make-weights I send to perdition;

'Twas _Turkey_ you promised--at least a partition.

'Twas _Turkey_ you promised--you've broken your word.

'Twas _Turkey_ you promised: and where is the bird?"

Seymour's answer the same day:

"Of eastern affairs most infernally sick,

No wonder I failed to my promise to stick.

With the subject of _Turkey_ officially cramm'd,

If Turkey I dined on, I swore I'd be d--d.

But at least, my good friend, and the thought should bring peace,

If I gave you no _Turkey_, I gave you no Greece (grease)."

* * * * *

It is related of ex-President Tyler, that from the time of his election

to the Vice-Presidency until the death of General Harrison, he kept no

carriage on account of the insufficiency of his salary. When, however,

he found himself accidentally elevated to the chief Magistracy, the

former difficulty being removed, he at once determined to set up

an equipage. He accordingly bought a pair of horses, and engaged a

coachman, and then began to look about for a vehicle. Hearing of one

for sale which belonged to a gentleman residing in Washington, and

which had only been driven a few times, the President went to look at

it. Upon examination he was perfectly satisfied with it himself, but

still he thought it more prudent, before purchasing it, to take the

opinion of his Hibernian coachman upon it. Pat reported that it was

"jist the thing for his honor."

"But," said Mr. Tyler, "do you think it would be altogether proper for

the President of the United States to drive a second-hand carriage?"

"And why not?" answered the Jehu; "_sure and ye're only a second-hand

president!_"

* * * * *

We have seen many lazy men (and women, too, for that matter) in our day

and generation, but we _do_ think that a little the laziest individual

we ever did meet, is a certain bald-headed, oldish gentleman, who

lives somewhere in Fourteenth-street near the Fifth Avenue. Standing

the other day with a friend, at the southeast corner of Broadway and

Union-square, waiting for a Fourth Avenue omnibus, upward bound, we

noticed the subject of this paragraph crossing the street, with his arm

in a sling. Turning to our companion, who was well acquainted with him,

we asked,

"Why, what in the world has happened to Mr. ----'s arm?"

"Oh, nothing at all," was the reply, "he only wears it in a sling,

because he is _too lazy to swing it_!"

* * * * *

The following commencement to a legal document, to which our attention

was once called in a business-matter is curious enough. The parties

mentioned were English people, the names not being uncommon on the

other side of the water:

"James Elder, the younger, in right of Elizabeth Husband, his wife,

&c., &c."

* * * * *

HENRY ERSKINE is reputed to have been quite as clever a man as his

more famous brother. His wit was ready, pungent, and at times somewhat

bitter. Another brother, Lord Buchan, as is well known, was pompous,

conceited, and ineffably stupid. Upon one occasion, having purchased a

new estate in a very picturesque section of the country, he took his

brother Henry down to see it. When they arrived at the park gate, Lord

Buchan, climbing upon the gate-post, commenced a vehement and florid

discourse upon the beauty of the surrounding scenery. After a while his

language became so hyperbolical and his gesticulations so violent that

Henry, being tired of so extravagant a performance, called out to him,

"I say, Buchan, if your gate was as high as your _style_ (_stile_), and

you were to happen to fall, you would most certainly break your neck!"

* * * * *

One evening Henry Erskine accompanied the notorious Duchess of Gordon,

and her daughter, a sweet girl, who afterward became the Marchioness of

Abercorn, to the Opera. At the close of the performance, the duchess's

carriage was sought for in vain--the coachman had failed to return for

them. No other carriage was to be found, and there was no alternative

for the ladies but to walk home in their laced and be-spangled evening

dresses. A few minutes after they had started, the duchess, turning to

Erskine, said,

"Harry, my dear, what must any one take us for, who should meet us

walking the streets at this hour of the night in Opera costume?"

"Your grace would undoubtedly be taken _for what you are_, and your

daughter for _what she is not_," was the caustic reply.

* * * * *

A lady, who had a propensity for Newport last summer, but who found it

very difficult to induce her husband to take her there, called upon the

eminent Doctor Francis, of Bond-street, for the purpose of procuring

his certificate of the importance of sea-bathing for the preservation

of her health.

"Are you ill, madam?" asked the doctor.

"Not at all, doctor," the lady answered, "but I am afraid that I shall

become so, in this extremely hot weather, unless I have the opportunity

to bathe in the sea, and thus preserve my health."

"Very well, madam," replied the doctor, "if you are sure that you

_can not keep without pickling_, the sooner you start for Newport the

better, and I shall have much pleasure in giving you my certificate to

that effect."

* * * * *

The following inscription upon a tombstone is to be found in Mechlem

church-yard, in England. The poet evidently was of the opinion that so

long as he made use of the proper verb, what part of it he employed was

of very little consequence:

Long time she strove with sorrow and with care,

Died like a man, and like a Christian bear!

* * * * *

There once lived in Scotland a man named John Ford, who abused

and maltreated his wife in every possible way. Poor Mrs. Ford, in

consequence of injuries to which she was subjected, finally died. Soon

after his wife's decease, John came to the sexton of the kirk and

expressed a desire to have an epitaph written for the "puir body."

"Ye're the mon to do it, Maister Sexton, and an ye'll write one, I'll

gie ye a guinea," said the bereaved widower. The sexton was somewhat

surprised at the request, and so stated to the petitioner. He said that

it was well known that Mrs. Ford's matrimonial life had been any thing

but a happy one, and if he wrote any thing, his conscience would only

permit him to write the truth. John told him to write exactly what he

pleased--that decency required some inscription over the "gudewife's"

grave, and that he'd "gie the guinea" for whatever the sexton saw

fit to compose. Upon these conditions, the man of the spade finally

consented to invoke his muse, and it was agreed that Johnny should call

the next evening to receive the epitaph. Accordingly at the appointed

time, the following composition was placed in his hands and met with

his unbounded approval:

Here lies the body of Mary Ford,

We hope her soul is with the Lord,

But if for Tophet she's changed this life,

Better be there than John Ford's wife.

* * * * *

The only known house-settlement of Gipsies in the world is in Scotland,

not very far from Edinburgh. When Sir Walter Scott was a young man

he was sent down from the capital to the "Egyptian village" for the

purpose of collecting the rents. He was directed upon his arrival

to report himself to a certain person whose address was given him

and then to follow in all respects this person's instructions. He

accordingly upon reaching his destination, at once sent his letter of

introduction to the place indicated, and was soon afterward waited

upon by the individual to whom he was recommended. The advice which he

then received was, to let his presence in the village be known, but to

remain at home and by no means attempt to collect any of the rents by

calling at the houses. This advice he followed for three days, during

which time only two of the gipsies called and paid. After this he was

advised to return to Edinburgh, leaving word at the settlement that

he had gone back to town where he would be happy to see any of the

tenants. In less than a week nearly all made their appearance and paid

what they owed. They were unwilling to do under the slightest semblance

of coercion what they cheerfully did voluntarily.

The first public recognition of the gipsies as a people in England, is

in a proclamation of Queen Elizabeth, in which she directs all sheriffs

and magistrates to "aid, counsel, and assist our loving cousin John,

Prince of Thebes and of Upper Egypt, in apprehending and punishing

certain of his subjects guilty of divers crimes and misdemeanors."

* * * * *

HOGG, the Ettrick shepherd, was an eccentric genius. He was once dining

at a table where he was seated next to a daughter of Sir William

Drysdale. His companion was a charming young lady--unaffected, affable,

and yet withal gifted with considerable shrewdness and cleverness.

To some remark which he made, she replied, "You're a funny man, Mr.

Hogg," to which he instantly rejoined, "And ye, a nice lassie, Miss

Drysdale. Nearly all girls are like a bundle of pens, cut by the same

machine--ye're not of the bundle."

We have a friend who knew Hogg well. Our friend once arranged a party

for an excursion to Lake St. Mary's, and it was proposed to stop at

Hogg's house on the way, and take him up. Before they reached it,

however, they saw a man fishing in the "Yarrow," not very far from

the high-road. The fisherman the moment that he noticed a carriage

full of people whose attention was apparently attracted to himself,

gathered up his rod and line and began to run in an opposite direction

as fast as his legs could carry him. Our friend descended from the

carriage, and shouted after him at the top of his voice. But it was

of no use--the fugitive never stopped until he reached an elevated

spot of ground, when he turned round to watch the movements of the

intruders. Recognizing our friend, he laughingly returned his greeting,

and, approaching him, said--we translate his Scotch dialect into the

vernacular--"Why, S----, my boy, how are you? Do you know, I took you

for some of those rascally tourists, who come down upon me in swarms,

like the locusts of Egypt, and eat me out of house and home." His fears

removed, he accompanied the party to the lake, and they had a merry day

of it.

Hogg's egotism and conceit were very amusing. Witness the following

extract from his "Familiar anecdotes of Sir Walter Scott."

"One of Sir Walter's representatives has taken it upon him to assert,

that Sir Walter held me in the lowest contempt! He never was further

wrong in his life, but Sir Walter would have been still further wrong,

if he had done so. Of that, posterity will judge."

* * * * *

There are many engraved portraits of Lord Byron afloat, but it is

said that none of them resemble him. A friend of ours, who knew him

intimately, assures us that the face of the Macedonian monarch in Paul

Veronese's celebrated picture of "Alexander in the tent of Darius" at

Venice, is the exact image of his lordship. Standing before it one day

with a lady, he mentioned the extraordinary likeness to her in English,

when the _cicerone_ who accompanied them, said, "Ah, sir, I see that

you knew my old master well. Many a time since his death have I stood

and gazed upon that face which recalled his own so strongly to my

recollection."

By-the-by, the history of this picture is rather curious.

The artist, whose real name was Paul Caliari, was invited by a

hospitable family to spend some time with them at their villa, on the

banks of the Brenta. While in the house his habits were exceedingly

peculiar. He remained in his room the greater part of the time, and

refused to allow any one to enter it on any pretext. The maid was

not even permitted to make his bed--and every morning she found the

sweepings of the room at the door, whence she was at liberty to remove

them. One day the painter suddenly disappeared. The door of the room

was found open. The sheets were gone from the bed. The frightened

servant reported to the master that they had been stolen. A search

was instituted. In one corner of the room was found a large roll of

canvas. Upon opening it, it proved to be a magnificent picture--the

famous "Alexander in the tent of Darius." Upon close inspection, it was

discovered that it was painted upon the sheets of the bed! The artist

had left it as a present to the family, and had taken this curious

method of evincing his gratitude.

* * * * *

Most travelers in Italy make a pilgrimage to the tomb of Juliet, at

Verona. Verona and Shakspeare are, of course, inseparable; but when you

are on the spot, little can be found to identify the creations of the

poet. We have no more traces of Valentine and Proteus at Verona, than

we possess of Launce and his dog at Milan. The _Montecchi_ belonged

to the Ghibellines; and as they _joined_ with the _Capelletti_ in

expelling Azo di Ferrara (shortly previous to 1207), it is probable

that both were of the same party. The laconic mention of their

families, which Dante places in the mouth of Sordello, proves their

celebrity

"O Alberto tedesco, ch' abbandoni

Costei ch' è fatta indomita e selveggia,

E dovresti inforcar li suoi arcioni;

Giusto guidicio dalle stelle coggia

Sovra 'l tuo sangue, e sia nuovo e asserto,

Tal che 'l tuo successor temenza n' aggia:

Ch' avete, tu e 'l tuo padre, sofferto

Per cupidigia di costá distretti,

Che 'l giardin dell' 'mperio sia diserto.

Vieni a veder Montecchi e Capuletti,

Monaldi e Filippeschi, nom senza cura,

Color giá tristi, e costor con sospetti."

Purgatorio VI. 97, 109

"O Austrian Albert! who desertest her,

(Ungovernable now and savage grown),

When most she needed pressing with the spur--

May on thy race Heaven's righteous judgment fall;

And be it signally and plainly shown,

With terror thy successor to appal!

Since by thy lust yon distant lands to gain,

Thou and thy sire have suffered wild to run

What was the garden of thy fair domain.

Come see the Capulets and Montagues--

Monaldi--Filippeschi, reckless one!

These now in fear--already wretched those."

Wright's _Dante_.

But the tragic history of Romeo and Juliet can not be traced higher

in writing than the age of Lungi di Porto; and as this novelist of

the 16th century has borrowed the principal incident of the plot from

a Greek romance, it is probable that the whole is an amplification

of some legendary story. The _Casa de Capelletti_, now an inn for

vetturini, may possibly have been the dwelling of the family; but since

that circumstance, if established, would only prove that the _house_

had a _house_, it does not carry us much further in the argument.

With respect to the tomb of Juliet, it certainly was shown in the

last century, before "the barbarian _Sacchespir_" became known to the

Italians. The popularity of the novel would sufficiently account for

the localization of the tradition, as has already been the case with

many objects described by Sir Walter Scott. That tomb, however, has

long since been destroyed; but the present one, recently erected in the

garden of the _Orfanotrofio_, does just as well. It is of a reddish

marble, and, before it was promoted to its present honor, was used as

a watering trough. Maria Louisa got a bit of it, which she caused to

be divided into the _gems_ of a very elegant necklace and bracelets,

and many other sentimental young and elderly ladies have followed her

example.

* * * * *

At the extremity of the Piazzetta in Venice are the _two granite

columns_, the one surmounted by the lion of St. Mark, the other by

St. Theodore. The lion is somewhat remarkable, as having been the

first victim, as far as objects of art are concerned, of the French

revolution. From the book which he holds, the words of the Gospel

were effaced, and "_Droits de l'homme et du citoyen_" ("rights of man

and of the citizen") substituted in their stead. Upon this change a

gondolier remarked that St. Mark, like all the rest of the world, had

been compelled to turn over a new leaf. The lion was afterward removed

to the _Invalides_ at Paris, but was restored after the fall of the

capital.

The capitals of the columns speak their Byzantine origin. Three were

brought from Constantinople. One sunk into the ooze as they were

landing it; the other two were safely landed on the shore; but, as

the story goes, there they lay; no one could raise them. Sebastiano

Ziani, 1172-1180, having offered as a reward that he who should succeed

should not lack any "_grazia onesta_," a certain Lombard, yclept

Nicolo Barattiero, or Nick the Blackleg, offered his services; and,

by the device or contrivance of wetting the ropes, which contracted

as they dried, he placed the columns on their pedestals. Nicolo was

now entitled to claim his guerdon: and what did he ask? That games of

chance, prohibited elsewhere by the wisdom of the law, might be played

with full impunity between the columns. The concession once made could

not be revoked; but what did the wise legislature? They enacted that

the public executions, which had hitherto taken place at the _San

Giovanni Bragola_, should be inflicted in the privileged gambling spot,

by which means the space "between the columns" became so ill-omened,

that even crossing it was thought to be a sure prognostication,

foretelling how the unlucky wight who had ventured upon the fated

pavement, would, in due time be suspended at a competent height above

the forbidden ground.

Literary Notices.

_Parisian Sights and French Principles, seen through American

Spectacles_, Illustrated (published by Harper and Brothers), is the

title of one of the most graphic descriptions of life in the French

metropolis which have yet been given by any English or American

traveler. The author blends reflection and narrative in a very

effective manner, depicting the prominent features of French society

with a vivid pencil, and deducing the inferences suggested by his

varied experience. Short of a personal visit to the great focus of

European fashion, there is no way in which one can obtain such a mass

of information on the subject, and in so agreeable a manner, as by

dipping into this lively volume.

_The Blithedale Romance_, by NATHANIEL HAWTHORNE (published by Ticknor,

Reed and Fields), in point of artistic construction is not equal to

the "Scarlet Letter," nor the "House of Seven Gables." As a whole,

it leaves an unsatisfied and painful impression, as if the author

had failed to embody his own ideal in the development of the story.

It contains many isolated passages of great vigor, and occasionally

some of remarkable sweetness. In his pictures of natural scenery,

Mr. Hawthorne often draws from the life, and always reproduces the

landscape with startling fidelity. The characters in the story are

intended to be repulsive; they illustrate the dark side of human

nature; and no reader can recall their memory without a feeling of

sepulchral gloom.

_The Discarded Daughter_, by Mrs. EMMA D. E. N. SOUTHWORTH. (Published

by A. Hart.) The author of this novel possesses a singularly vivid

imagination, and a rare command of picturesque expression. She evinces

originality, depth and fervor of feeling, vigor of thought, and

dramatic skill; but so blended with glaring faults, that the severest

critic would be her best friend. In the construction of her plots,

she has no regard for probability: nature is violated at every step;

impossible people are brought into impossible situations; every thing

is colored so highly that the eye is dazzled; there is no repose, no

perspective, none of the healthy freshness of life; we are removed

from the pure sunshine and the forest shade into an intolerable glare

of gas-light; truth is sacrificed to melo-dramatic effect; and the

denouement is produced by ghastly contrivances that vie in extravagance

with Mrs. Radcliffe's most superfine horrors. With the constant effort

to surprise, the language becomes inflated, and at the same time

is often careless to a degree, which occasions the most ludicrous

sense of incongruity. It is a pity to see so much power as this lady

evidently is endowed with, so egregiously wasted. Let her curb her

fiery Pegasus with unrelenting hand--let her consult the truthfulness

of nature, rather than yield to a rage for effect--let her tame the

genial impetuosity of her pen by a due reverence for classical taste

and common sense--and she will yet attain a rank worthy of her fine

faculties, from which she has hitherto been precluded by her outrages

on the proprieties of fictitious composition.

_The Mormons, or Latter-day Saints_, by Lieut. J. W. GUNNISON.

(Published by Lippincott, Grambo, and Co.) The author of this little

work has succeeded in the difficult task of doing justice to a new

religious sect. Residing for several months in the Great Salt Lake

Valley, as a member of the United States Exploring Expedition, and

looking upon the singular condition of society that came under

his notice with an eye of philosophical curiosity, he had a rare

opportunity for studying the history, opinions, and customs of the

remarkable people, whose rapid progress is among the note-worthy

events of the age. His book contains a lucid description of the

country inhabited by the Mormons, a statement of their religious faith

and social principles, and a succinct narrative of the origin and

development of the sect. Without aiming to excite prejudice against the

Mormons, he keeps nothing back, which is essential to a correct view of

their position, as respects either belief or practice. His disclosures

in regard to the prevalence of polygamy among the "Latter-Day Saints,"

so called, are of the most explicit character, showing that a plurality

of wives is adopted, as a part of their social economy, from a sense

of religious duty. The view presented of their theology furnishes

the materials for an interesting chapter on the history of mental

delusions. We have no doubt that this book will be widely read, and,

in the hands of the intelligent and reflecting thinker, will prove

fruitful in valuable suggestions.

Harper and Brothers have published a new edition of _Cicero's Tusculan

Disputations_, with English Notes by CHARLES ANTHON, LL.D. In preparing

this edition, use has been made of the text and notes of Tischer, with

occasional reference to the commentaries of Wolf, Moser, and Kühner.

Both in the text and notes, however, the erudite Editor has relied on

his own judgment, not slavishly adhering to any authority, but freely

consulting the suggestions of the most eminent philologists from the

time of Bentley to our own days. The work is a model for a college

text-book. In the careful supervision which it has received at the

hands of Dr. Anthon, he has added to the many valuable services that

identify his name with the progress of classical learning in this

country.

Derby and Miller have issued a new edition of SARGENT'S _Life of

Henry Clay_, revised and brought down to the death of the illustrious

statesman, by HORACE GREELY. The leading incidents in Mr. Clay's life

are here described in a lively and flowing narrative; his public career

is fully exhibited; copious extracts are given from his speeches and

letters; and the whole biography is executed with manifest ability,

and as great a degree of impartiality as could be demanded, with

the decided personal predilections of both author and editor. The

proceedings in Congress on the announcement of Mr. Clay's decease,

which are given at length, form a very interesting portion of the

volume.

_Stray Meditations, or Voices of the Heart_, by JOSEPH P. THOMPSON.

(Published by A. S. Barnes and Co.) A collection of fugitive pieces,

some of which have already appeared in the columns of various religious

journals. They are of a grave, meditative character, deeply tinged with

personal feeling--of an elevated devotional spirit--giving a highly

favorable impression of the author as a man of great earnestness of

purpose, and usually expressed in choice and vigorous language. Mr.

Thompson has happily avoided the dangers incident to this style of

composition. His volume breathes an air of soft and pious sentiment,

but betrays no weak effeminacy; it unvails the most private emotions of

the heart, but can not be charged with egotism; and appeals to the most

awful sanctions of religion, without indulging in dogmatic severity. As

a companion in hours of retirement and thoughtfulness, it can not fail

to be welcome to the religious reader.

_Anna Hammer_, translated from the German of TEMME, by ALFRED H.

GUERNSEY, is a good specimen of the contemporary popular fiction of

German literature. Its author, Temme, is a man of ability; he writes,

however, more from the heart than the head; drawing the materials of

romance from the sufferings of his country. He took an active part in

the late German revolutionary movements, and his political feelings

tincture his writings. The present work gives a vivid picture of the

interior of German life, and is filled with passages of exciting

interest. The translation, by an accomplished scholar of this city,

every where shows conscientious fidelity, and is in pure and idiomatic

English.

_An Olio of Domestic Verses_, by EMILY JUDSON. This volume composes a

collection of the earlier poetry of Mrs. Judson, with several pieces of

a more recent date. It shows a rich poetical temperament, a graceful

fancy, and a natural ease of versification, which, with more familiar

practice and a higher degree of artistic culture, would have given

the authoress an eminent rank among the native poets of this country.

The admirers of her sweet and brilliant productions, in another line,

will find much to justify the enthusiasm with which they greeted the

writings of Fanny Forester. Many of these little poems have already

been the rounds of the newspapers, where they have won lively applause.

(Published by Lewis Colby.)

The Third Volume of CHAMBERS' edition of _The Life and Works of Robert

Burns_ (republished by Harper and Brothers), is replete with various

interest. No admirer of the immortal peasant-bard should be without

this excellent tribute to his genius.

_The Master-Builder_, by DAY KELLOGG LEE. (Published by Redfield.) A

story of purely American origin, drawn from the experience of actual

life, and containing several happy delineations of character. It

describes the fortunes of one who by industry and enterprise, guided

by strong native intelligence, rose to honor and prosperity, in the

exercise of a useful mechanical vocation. The author frequently shows

uncommon powers of description; he is a watchful observer of life and

manners; is not without insight into the mysteries of human passion;

and, if he could check his tendency to indulge in affectations of

language, expressing himself with straight-forward simplicity, he might

gain an enviable distinction as a writer.

A. S. Barnes and Co., have issued a new volume of Professor BARTLETT'S

_Elements of Natural Philosophy_, containing treatises on Acoustics and

Optics. The principles of these sciences are explained with clearness

and elegance, the views of the best recent writers being embodied in

the work, and accompanied with a variety of apposite illustrations.

The portion relating to sound, based on the admirable monograph of Sir

John Herschel, will be found to possess much popular interest, in spite

of its scientific rigidity of expression, explaining, as it does, the

mutual relations of mathematics and music.

UPJOHN'S _Rural Architecture_ (published by G. P. Putnam), forms a

useful book of reference for parish-committees, or whoever is intrusted

with the charge of erecting new churches, parsonages, or school-houses,

more particularly in the country. It gives a number of estimates and

specifications, with ample directions for practical use.

_The Dodd Family Abroad_, by CHARLES LEVER. One of the most piquant

productions of this side-splitting author is now publishing in numbers

by Harper and Brothers. Whoever wishes to be forced into a laugh, in

defiance of all sorts of lugubrious fancies, should not fail to read

this rich outpouring of genuine Irish humor.

_The Old Engagement_, by JULIA DAY, is a brilliant story of English

society, reprinted from the London edition by James Munroe and Co.

_Single Blessedness_, is the title of an appeal in favor of unmarried

ladies and gentlemen. An incoherent rhapsody, aiming at every thing and

hitting nothing. (C. S. Francis and Co.)

_Lydia; a Woman's Book_, by Mrs. NEWTON CROPLAND, is the title of a

popular English work, remarkable for its natural character-drawing,

reprinted by Ticknor, Reed, and Fields.

* * * * *

J. D. B. De Bow, Professor of Political Economy in the University of

Louisiana, New Orleans, has in press, and will issue in a few days, a

work of which we have been permitted to see the sheets, in three large

octavo volumes, small and neat print, entitled, _Industrial Resources,

Statistics, etc., of the Southern and Western States, with Statistics

of the Home and Foreign Trade of the Union, and the Results of the

Census of 1850_. The work will be a valuable addition to the library

of the merchant, manufacturer, planter, and statesman, and the public

have every guarantee of its ability in the active and intelligent

services rendered by Professor De Bow to the Industrial Interests of

the country, for many years past, in the pages of his invaluable and

widely circulated Review.

* * * * *

The following pensions have recently been granted by the British

Government in consideration of services in literature or science.

To Mrs. Jameson, £100 for her literary merits; to Mr. James Silk

Buckingham, £200 for literary merits and useful travels in various

countries; Mr. Robert Torrens, F.R.S., £200 for his valuable

contributions to the science of political philosophy; to Professor

John Wilson, of the University of Edinburgh (Christopher North of

"Blackwood"), £300 for his eminent literary merits; to Mrs. Reid,

the widow of Dr. James Reid, Professor of Ecclesiastical and Civil

History in the University of Glasgow, £50, and £50 to his family, in

consideration of Dr. Reid's valuable contributions to literature; to

Mrs. Macarthur, widow of Dr. Alexander Macarthur, Superintendent of

Model Schools, and Inspector of Irish National Schools, £50; to Mr.

John Britton, £75; to Mr. Hinds, the astronomer, £200; to Dr. Mantell,

the geologist, £100; and to Mr. Ronalds, of the Kew Observatory, £75.

* * * * *

A bibliographical work on theology and kindred subjects, _Cyclopædia

Bibliographica_, is being published in London, which will be a useful

index to general theological literature. In the first volume the

arrangement of authors and works is alphabetical; in the second, a

_catalogue raisonnée_ of all departments of theology under commonplaces

in scientific order will be presented. Of special value to theological

students, this "Cyclopædia" will also prove an important contribution

to general literature.

* * * * *

Mr. STILES'S _Austria in 1848_ has been republished in London. The

_Athenæum_ says, "it may be recommended as a plain, continuous, and

conscientious narrative to all those who would like to have the events

to which it refers brought before them in the compass of one book, so

as to be saved the trouble of turning over many."

* * * * *

During the recent discussion among the London booksellers regarding the

discount on new books, Mr. William Longman stated that the publishing

firm of which he is a partner had long been anxious to publish a new

edition of Johnson's _English Dictionary_, that they were willing

to pay almost any sum for the literary labor, but that they had not

succeeded in procuring a man fully qualified as editor. "The want,

however, has been supplied, and the boon has been conferred," says a

London journal, "not by an English, but by an American lexicographer,

who has produced a Dictionary suitable to the present state of our

common language. This is Dr. Goodrich's octavo edition of WEBSTER'S

DICTIONARY, which is published at a price which places it within the

reach of all the classes to whom it is indispensable; and whether in

the school or the counting-house, the library or the parlor, we are

confident that this work will be found of the highest value."

* * * * *

M. GUIZOT is about to bring out a _History of the Republic in England,

and of the Times of Cromwell_; and he has allowed some of the Paris

journals to give a foretaste of it by the publication of a long extract

under the title, "Cromwell sera-t-il roi?"

* * * * *

The _Glasgow Citizen_ mentions that an interesting relic of ROBERT

BURNS, the poet, is at present for sale at a booksellers in that city.

It is a manuscript of the poet, a fasciculus of ten leaves, written on

both sides, containing _The Vision_, as originally composed, _The Lass

of Ballochmyle_, _My Nannie O_, and others of his most popular songs.

The manuscript was sent by Burns to Mrs. General Stewart, of Stair,

when he expected to have to go to the West Indies.

* * * * *

General GÖRGEY'S _Memoir of the Hungarian Campaign_ is translated, and

will be shortly published. So stringent is the prohibition against

this book in Austria, that Prince Windischgrätz, who asked for special

permission to purchase a copy, has received a positive refusal.

* * * * *

Dr. HANNA, the editor of the _Biography of Dr. Chalmers_, is engaged

in the preparation of a Selection from the Correspondence for early

publication.

* * * * *

"It will be pleasant news to our readers," says the _London Leader_,

"to hear that MACAULAY has finished two more volumes of his _History_,

which may be expected early next season. A more restricted circle

will also be glad to hear that GERVINUS is busy with a new work, the

_History of the South American Republics_."

* * * * *

LAMARTINE'S sixth volume, of the _Histoire de la Restauration_, seems

by far the most excellent in composition. It embraces the period from

the execution of Labédoyère to the death of Napoleon at St. Helena.

The narrative is full, yet rapid; and the volume contains, among other

things, a most curious and interesting paper hitherto unpublished,

written by Louis XVIII., giving a private history of the agitations of

a change of Ministry.

* * * * *

A list has been published in the French papers of the Professors of

the University of Paris who have either been deposed, or have resigned

since the 2d of December. Some of the names best known in literature

and science to foreign countries are in the list. At the Collége

de France, MM. Michelet, Professor of History and Ethics; Quinet,

Professor of Germanic Literature; Mikiewicz, of Sclavonic Literature;

M. Barthélemy Saint-Hilaire, Professor of Greek and Roman Philosophy.

At the Sorbonne, M. Jules Simon, Interior Professor of the History

of Ancient Philosophy, has been superseded; and M. Cousin, Titular

Professor of that chair, has retired. M. Villemain, Professor of French

Eloquence; M. Pouillet, Professor of Physics; Cauchy, of Mathematical

Astronomy, have refused the oath of allegiance to the President. At

the School of Medicine, M. Chomel, Professor of Clinical Medicine,

has resigned. At the Ecole Normale, MM. Jules Simon, and Vacherot,

Professors of Philosophy, and M. Magy, Superintendent, have refused

the oath. Lists are also given of the _démissionnaires_ in the various

colleges of Paris. These announcements may have historical as well as

biographical interest in after days of French revolutions.

* * * * *

French literature and literary men are beginning to adjust themselves

to the new condition of things, and if the Legislative tongue and the

Journalistic pen are obliged to submit to restraints, the historian,

the novelist, the political economist, and the political philosopher

are allowed pretty full swing. A great noise has been made about

VICTOR HUGO'S exile, but it seems that he has permission to return,

of which he refuses to avail himself, and is settling down in cheap

and healthful Jersey. His expulsion, or exile, or voluntary removal,

may be a loss to Parisian society, but will probably be a gain to

French literature. PROUDHON, just released from prison, is taking pen

in hand, a sadder and a wiser man; for his approaching book is to

demonstrate, in his own peculiar fashion, the theorem which events

have been reciting to France, namely, that its government is not to

be conclusively a republic of any set kind, but to belong to him or

them whom Providence may have endowed with force and cunning enough

to grasp and retain it. HEINRICH HEINE himself, not paralyzed by his

frightful illness, works an hour or two daily at a book which will be

one of his most interesting--pictures of Parisian men and things, to

which he is to prefix a sketch of Parisian society since the Revolution

of 1848. MICHELET, in rural solitude, is employed upon his History

of the Revolution, while LOUIS BLANC, in London, has just published a

new volume of his. BARANTE has brought forth another portion of his

pictorially unpicturesque History of the National Convention; LAMARTINE

another of his History of the Restoration. The astute GUIZOT fights shy

of the history of his own country, and is contributing to some of the

chief Paris periodicals fragments on the men and times of the "Great

Rebellion" in England. One that is forthcoming is to be entitled,

"Cromwell--shall he be King?" which, being translated, means: Louis

Napoleon--shall he be Emperor? His old rival, THIERS, is adding another

literary association to the many that connect themselves with the Lake

of Geneva, and is delighting the good people of that region by his

lavish expenditure of Napoleons and general affability.

* * * * *

A translation into French of the works of SAINT THERESA is about to

be published; it has been made by a Jesuit. The saint's writings are

much admired by her own church; but from the little we know of them, we

should think them too rhapsodical and mystical for the public.

* * * * *

Madame GEORGE SAND has addressed a furious letter to a Belgian

newspaper, indignantly denying that, as asserted by it, she is in

receipt of a pension, or has accepted any money whatever from the

present government. Even, she says, if her political opinions permitted

her to receive the bounty of Louis Bonaparte, she should think it

dishonorable to take it when there are so many of her literary brethren

who have greater need of it.

* * * * *

BUFFON'S mansion and grounds at Montbard, in Burgundy, are advertised

for sale. In the grounds is an ancient tower of great height,

commanding a view for miles around of a beautiful and mountainous

country. It was in a room, in the highest part of this tower, that the

great naturalist wrote the history which has immortalized his name.

It is known that he was accustomed to write in full dress, but, by a

striking contradiction, nothing could be more simple than his lofty

study; it was a vast apartment with an arched roof, painted entirely

green, and the only furniture it contained consisted of a plain wood

table and an old arm-chair. The labor which that room witnessed was

immense--as Buffon wrote his works over and over again, until he got

them to his taste. The "Epoques de la Nature," for example, were

written not fewer than eighteen times. He always began his day's work

in the tower between five and six o'clock in the morning, and when he

required to reflect on any matter he used to walk about his garden.

* * * * *

The French journals report the death of the distinguished artist, TONY

JOHANNOT, and also of Count D'ORSAY, who in the later period of his

life displayed considerable artistic talent and taste both as a painter

and sculptor. But he is more generally known, and will be longer

remembered, as a man of fashion, and of public notoriety from his

alliance with the Blessington family, the circumstances of which are so

well known, and have been recalled at present by the public journals

at such length, as to render it needless for us to enlarge upon the

subject. Having shown kindness and hospitality to Louis Napoleon when

an exile in London, the Prince President was not ungrateful to his

former friend, and he has latterly enjoyed the office of Directeur des

Beaux Arts, with a handsome salary, and maintained a prominent position

in the Court of the Elysée.

General GOURGAUD, the aid-de-camp of Napoleon, and one of his

companions at St. Helena, who has recently died at an advanced age,

was an author as well as a soldier, having written what he called a

refutation of Count Ségur's "History of the Russian Campaign," and

having got into a pamphlet dispute with Sir Walter Scott, respecting

some of the latter's statements in his "History of Napoleon." With

Ségur he fought a duel to support his allegations, and with Sir Walter

was very near fighting another. Scott, it may be remembered, showed

him up most unmercifully, and made known that, notwithstanding all

his professed zeal for Napoleon, there were documents in the English

War-Office, written by him at St. Helena, which proved him to have been

not one of the most faithful of servants.

* * * * *

The third centenary commemoration of the treaty of Passau was

celebrated on the 2d of August in Darmstadt, and in connection with

it Dr. Zimmerman, a divine of some celebrity, intends to revise and

complete an entire edition of the works of Martin Luther, to be ready

for publication on the 26th of September, 1855, the three hundredth

anniversary of the "religious peace" established by Charles V.

* * * * *

In German literature of late, there have been very few publications

worth announcing. Two works recently published, however, deserve a

passing mention. The first is a volume attributed by vague rumor

to SCHELLING, upon what authority we can not say, and bearing this

comprehensive title, _Ueber den Geist und sein Verhältniss in der

Natur_--running rapidly through the whole circle of the sciences

physical and social; the second is a history of German Philosophy since

KANT, by FORTLAGE of Jena--_Genetische Geschichie der Philosophie

seit Kant_. He is a popular expositor, and as his work embraces KANT,

JACOBI, FICHTE, SCHELLING, OKEN, STEFFENS, CARUS, SCHLEIERMACHER,

HEGEL, WEISSE, FRIES, HERBART, BENEKE, REINHOLD, TRENDELENBURG, &C.,

it will be interesting to students of that vast logomachy named German

Philosophy.

In science we have to note one or two decidedly interesting

publications. A massive, cheap, and popular exposition of the Animal

Kingdom, by VOGT, under the title of _Zoologische Briefe_--the numerous

woodcuts to which, though very rude, are well drawn and useful as

diagrams: VORTISCH _Die Jüngste Katastrophe des Erdballs_, and LOTZE

_Medicinische Psychologie oder Physiologie der Seele_ will attract two

very different classes of students. While the lovers of German Belles

Lettres will learn with tepid satisfaction that a new work is about

to appear from the converted Countess HAHN-HAHN, under the mystical

title of _Die Liebhaber des Kreuzes_, and a novel also by L. MUHLBACH

(wife of THEODORE MUNDT) upon Frederick the Great, called _Berlin und

Sans Souci_, which CARLYLE is _not_ very likely to consult for his

delineation of the Military Poetaster.

* * * * *

Norway has been deprived of one of her most learned historians, Dr.

NIELS WULFSBERG, formerly Chief Keeper of the Archives of the Kingdom.

The doctor was in the sixty-seventh year of his age. Dr. Wulfsberg

was the founder of the two earliest daily papers ever published: the

_Mergenbladet_ ("Morning Journal") and the _Fider_ ("Times"); both of

which still exist--one under its original title, and the other under

that of the _Rigstidenden_ ("Journal of the Kingdom").

Comicalities, Original and Selected.

[Illustration: NEW ILLUSTRATIONS TO THE POETS.--BYRON

Shrine of the mighty! can it be

That _this_ is all remains of thee?

_Giaour_, 106.]

[Illustration:

But in thy lineaments I trace

What time shall strengthen, nor efface.

_Giaour_, 192.]

THE DOG AND HIS ENEMIES, BIPED AND WINGED.

[Illustration: SMALL JUVENILE (_with an eye to the Reward for killing

Dogs_).--"Doggy, doggy, Here's a Rat! Catch him--Stu-boy!"]

[Illustration: FOUR SCENES FROM THE LIFE OF A DOG IN THE DOG-DAYS.]

Autumn Fashions.

[Illustration: FIGURES 1 AND 2.--WALKING AND HOME TOILET.]

Our report for October varies but little from that of September,

style and texture being similar. In the above engraving we give

representations of very elegant modes of toilet for the promenade

and the parlor. The figure with the bonnet shows a promenade toilet.

Bonnet of lisse crape and tulle puffed. It is covered with white lace,

reaching beyond the edge of the brim, falling in front, after what is

called the Mary Stuart style. The brim inside is trimmed on the one

hand with a tuft of roses mixed up with narrow white blondes; and on

the other it has a feather of graduated shades, which is placed outside

and then turns over the edge and comes inside near the cheek; strings

of white gauze ribbon.

Barege dress, trimmed with taffeta ribbons and fringes bordering the

trimmings. Body lapping over, the right on the left, having a flat

lapel parallel to the edge. The body is gathered at the waist, on the

shoulders, and at the bottom of the back. A No. 22 ribbon forms a

waistband, and ties on the left side at the bottom of the lapels. This

ribbon matches that used for the trimming of the dress. The sleeve is

composed of four frills one over the other. The skirt, which is very

full, has seven graduated flounces. All are bordered with a narrow

fringe. The lapel of the body, the frills of the sleeves, and flounces

of the skirts are ornamented with ribbons; those on the body are No. 9,

those on the skirt No. 12. On the lapels and sleeves the No. 9 ribbons

are placed at intervals of three inches. On the flounces the No. 12

ribbons, 2-3/4 inches wide, are placed further apart. The white lace

which replaces the habit-shirt follows the outline of the body. The

under-sleeve is composed of a large _bouillonné_ of thin muslin, tight

at the wrist, but falling full over it in the shape of a bell. Two rows

of lace fall on the hand.

The other figure represents a HOME TOILET. Taffeta redingote with

_moire_ bands; the _moire_ trimmings are edged on each side with a

taffeta biais, rather under half an inch wide, and which stands in

relief. The joining of the _biais_ and the _moire_ is concealed by a

braid about the width of a lace. A _moire_ band with its edges trimmed

with _biais_ follows the outline of the body. Three inches wide at

top, it narrows to half the width at the waist, and is then continued

about 2-1/2 inches wide on the lappet. The skirt is trimmed with five

_moire_ bands with _biais_ at their edges. These bands are of graduated

width; the top one is 8 inches from the waist, and two inches wide.

The interval between each one and the next is 4 inches; the lowest

band, which is 4 inches wide, is placed 2 inches from the bottom of the

skirt. On the body there are two rows of _moire_ and three on each

band of the skirt. These gradually diverge toward the bottom. These

last form a width of apron of 32 inches. (The posture of this figure

masks the right side of the skirt, and consequently only the middle

row and that on the left side are to be seen.) The sleeves, half wide,

are terminated by a cuff turned up with _moire_ and a _biais_ on the

edge. A row of white lace follows the outline of the body. We see the

chemisette composed of a row of lace, an insertion, and round plaits

from top to bottom of thin muslin. A muslin _bouillon_ plaits. All the

fullness is thrown behind, beginning at the side trimming. The sleeve

is open behind, ornamented with buttons, and then edged with _guipure_.

A cardinal collar of Venice _guipure_ falls on the neck. The under

sleeves are composed of two rows of white _guipure_ following the

outline of the sleeve.

[Illustration: FIGURE 3.--GIRL'S TOILET.]

FIG. 3 represents a pretty toilet for a girl from nine to eleven years

of age. Hair parted down the middle and rolled in plaits at the sides.

Frock of white muslin. Short sleeves, body low. Six small-pointed

flounces on the skirt. A wide pink silk ribbon passed under the sleeve,

is tied at the top in a large bow, so that the sleeve is drawn together

in it, and leaves the shoulder visible. A plain band runs along the top

of the body, which is plaited lengthwise, in very small plaits.

FIG. 4 represents a graceful cap for the parlor. It is made of

_guipure_, ornamented with apple blossoms, and having wide pale-green

silk ribbon bows and streamers.

This is a pleasant season for traveling, after the equinoctial storms

have passed by. Appropriate dresses are very desirable. None is more so

than the foulard dress of a dark color, with branches of foliage and

large bouquets of flowers. The same may be said of valencia and poplin

de laine, either with Albanese stripes on a plain ground, or a large

plaid pattern. A traveling dress should be made like a morning gown,

but not exactly; for strings are put in underneath, both before and

behind, for the purpose of drawing it, so as to form a pretty plaited

body when they are pulled tight. Over the gathers either a ribbon or a

band with a buckle must be added. The body may be either low or high,

with a small collar having two rows of cambric plaited very fine, or

with a jaconet collar having open plaits, or again with a Charles V.

collar, made of frieze well starched and lustred. The under sleeves

should be always in harmony with the collar.

[Illustration: FIGURE 4.--CAP.]

The bonnet is made half of straw, half of taffeta. The brim is straw

veined with black or mixed with aloes, and the crown has a soft top

of ruffled taffeta, with a bow of ribbon. On this capote, it is

indispensable to put a Cambrai lace vail, that lace being at once

substantial, light, and rich in pattern.

As to the feet they are provided with boots of bronze leather, and

having low heels and button-holes in vandykes.

The gloves are Swedish leather, dark color, as for instance Russia

leather, iron-gray, maroon, or olive.

The traveling corset, called the _nonchalante_, is an article every way

worthy of the name. From its extreme elasticity and clever combination

it yields to every motion of the body, and supports it without the

least compression or inconvenience. This corset is therefore extremely

agreeable for travels.

As a general rule, round waists are daily gaining ground; but you

must not confound round waists with short waists: for the former, the

dressmaker ought, on the contrary, to endeavor to make the sides as

long as possible, and merely suppress the point in front.

Vests are still worn, but only to accompany linen and lace waistcoats.

The under-sleeves are always wide and floating; the wrists are

ornamented with ribbon bracelets matching the colors of the dress.

Boots and shoes are both in very good wear. The shoe is more suitable

for the carriage than for walking. Boots of bronze leather, and of a

soft light color, are much sought after by the more elegant ladies.

These boots have low heels, and are fastened with enamel buttons of the

same color as the material of the boots.

Transcriber's Notes:

Punctuation and spelling were made consistent when a predominant

preference was found in this book; otherwise they were not changed.

Simple typographical and spelling errors were corrected.

Italics markup is denoted by _underscores_.

Harper's New Monthly Magazine, Vol. V, No. XXIX., October, 1852 · 第 9 / 9 章