CHAPTER VI

THE DIAMOND NECKLACE AFFAIR

I

Few subjects have been more written about, more discussed than the

Affair of the Diamond Necklace. The defences alone of those involved

in this _cause célèbre_ fill two big volumes. All the memoirs of the

period contain more or less detailed accounts of it; in every history

of France it occupies a chapter to itself; and as it suggests romance

even more than history, novelists and dramatists alike have often

exercised their imagination upon its entanglements.

To re-tell in detail this romance, to rehearse this drama in which

the happiness and reputations of all who figure in it were destroyed,

does not come within the scope of this book. For the chief interest it

excites is focussed on the star--the Comtesse de Lamotte-Valois--who

dominates the scene from first to last. It is only in the last act that

Cagliostro appears. Nevertheless, the part he played was so important

that a brief _résumé_ of the action preceding his appearance is

necessary to enable the reader to understand how he came to be involved

in the imbroglio.

[Illustration: COUNTESS DE LAMOTTE

(_After Robinet_)]

Nature had specially cast Madame de Lamotte for the part she played in

this drama. Descended from the Valois through a natural son of Henry

II, her family had sunk into a state of abject poverty. At her birth

her father was reduced to poaching for a livelihood on his former

ancestral estate. He eventually died in the Hôtel Dieu, the famous

hospital for the indigent founded by Madame de Pompadour. Madame de

Lamotte herself as a child was a barefoot beggar on the highway. It

was in this condition that she first attracted the attention of the

Marquise de Boulainvilliers, who out of pity gave her a home, educated

her as well as her brother and sister, and afterwards obtained a small

pension for them from Louis XVI.

Being naturally extremely precocious and intelligent, Jeanne de

Saint-Remy, as she was called, did not neglect her opportunities. It

was her misfortune, however, to derive but small profit from them.

Having flirted with the wrong people--her benefactress’s husband and

a bishop--she married the wrong man. Lamotte was good-looking, of a

respectable family, and crippled with debt. Unable to support himself

and his wife on his pay as a subaltern in the army, he resigned his

commission, adopted the title of Count--to which he had a shadowy

claim--added Valois to his name, and went to Paris to seek fortune,

where the Countess made the most of her wits and her looks.

The expedient to which she most frequently resorted was to pester

well-known people with petitions, in which she sought to have the claim

she had set up to the lands of her ancestors recognized. As by some

extraordinary coincidence the Crown had recently acquired these lands,

she had, she hoped, only to find the right person to take up her cause

to triumph in the end. Among those to whom she appealed was Cardinal

de Rohan. His Eminence, who was both sympathetic and susceptible,

manifested the greatest pity for the young and charming Countess whose

condition was in such a contrast to her illustrious birth. He was

amazed that the Court should so neglect a descendant of Henri II, and

promised readily to support her claim. A few days later in his capacity

as Grand Almoner of France, he sent his interesting _protégée_ 2,400

livres as an earnest of his intention. As gratitude and necessity

caused the suppliant to renew her visits frequently, the impression she

produced on the Cardinal deepened. His pride as well as his sensuality

urged him to protect a woman as fascinating and distinguished as she

was unfortunate. He entered into her views, gave her advice; and even

confided to her his own grievances and desires.

With all his splendour his Eminence was what is known as a disappointed

man. It was his ambition to play a conspicuous part in affairs of

state. To flatter him the sycophants who surrounded him were in the

habit of comparing his abilities to those of Richelieu, Mazarin, and

Fleury, the three great Cardinals who had governed France. It was

more than his right, it was his duty, they told him, to become First

Minister. In reality he was utterly unfitted for such a position,

though not more so than Calonne and Loménie de Brienne, the last

two ministers to govern the state under the _ancien régime_. Rohan,

however, intoxicated by flattery, believed what he was told; and his

desire for power developed into a passion, a fixed idea.

One obstacle alone stood between him and the pursuit of his

ambition--Marie Antoinette; a fascinating and dazzling obstacle to

this consecrated voluptuary, so dazzling that it became confused in

his mind with the summit from which it kept him. He did not bear the

Queen the slightest resentment for her animosity to him. He was aware

that it had been imparted to her by her mother Maria Theresa, at whose

instance he had been recalled from Vienna twelve years before. He felt

certain that if he could but meet her, get into communication with her,

he could win her esteem. Unfortunately Marie Antoinette’s contempt

extended to Louis XVI. Versailles was thus closed to the Cardinal. He

was never seen there but once a year, on Assumption Day, in his rôle of

Grand Almoner, when he celebrated mass in the Royal Chapel.

The confidences of her protector gave the Countess de Lamotte more

than an insight into his character. In the vanity and credulity they

revealed, her alert and cunning mind saw a Golconda of possibilities

which not only her necessity but her genius for intrigue urged her

to exploit.[28] By circulating rumours of her friendship with the

Queen, to which her frequent journeys to Versailles in search of some

influential person to present her petition to the King gave weight, she

had obtained credit from tradespeople. To cause this rumour to glide

to the ears of his Eminence was easy. And as people generally believe

what flatters them, when Madame de Lamotte spoke of the interest that

the Queen took in him, an interest that circumstances compelled her to

conceal, the dissipated, amorous Cardinal, too vain to dream any one

would deceive him, listened and believed all he was told.

Thus began the famous series of violet-tinted letters which during May,

June, and July, 1784, passed between Marie Antoinette and Rohan. This

correspondence of which the Queen, needless to say, had not the least

inkling, becoming as it proceeded less and less cold and reserved,

inflamed all the desires that fermented in the heart of the Cardinal.

In this way it was the simplest thing in the world for the Countess

de Lamotte to induce him to send the Queen through her “60,000 livres

out of the Almonry funds for a poor family in whom her Majesty was

interested.”

As Marie Antoinette continued to be “short of cash,” Rohan, who was

himself heavily in debt and had misappropriated into the bargain

the funds of various institutions of which he was the trustee, was

obliged to borrow the money the Queen was supposed to be in need of

from the Jews. His Eminence, however, at length became restive under

these incessant demands for money. He even began to suspect that the

Queen might be playing him false, and in spite of all the Countess’s

explanations demanded some visible proof of the interest she professed

to manifest in him.

It was at this juncture, when it seemed as if the game was up, that

Lamotte, walking in the garden of the Palais Royal, met by accident an

unfortunate female whose face bore a perfect resemblance to that of the

Queen.[29] To such an _intrigante_ as the Countess, this resemblance

was sufficient material out of which to forge a fresh chain for the

Cardinal. On August 11, 1784, between ten and eleven at night, “the

unfortunate female”--Mlle. Leguay, Baroness d’Oliva or whatever she

called herself--having been carefully trained and paid to represent

Marie Antoinette, gave the Cardinal, “disguised as a mousquetaire,”

a meeting in the park of Versailles, a meeting which the Countess de

Lamotte was careful to interrupt ere it began, giving his Eminence

barely time to kiss the hand of the supposed Queen, who as she was

hurried away flung the kneeling prelate a rose as a token of her

affection and esteem.

To Rohan that fleeting vision of the Queen of France served as the

proof he had demanded. Henceforth the dream of his diseased fancy

enveloped him as in a veil. Obsessed by a single idea, he became

the blind instrument of the consummate enchantress by whom he was

bewitched. After his romantic rendezvous in the park of Versailles, he

advanced confidently and triumphantly to the abyss into which he was

destined to plunge, without looking to the right or to the left, and

seeing nothing but his vision of the Queen as she had dropped the rose

at his feet.

So complete was his thraldom, that later in the depth of his abasement,

when he lay in the terrible solitude of the Bastille, charged with

swindling a jeweller of a necklace, it was with difficulty that Rohan

could bring himself to believe, not that he had been basely betrayed by

the Queen, but duped by Madame de Lamotte. “I was completely blinded by

the immense desire I had to regain the favour of the Queen,” he said

at his trial, in reply to the observations of the judges how a man

so cultivated, so intelligent, and even so able, as he unquestionably

was--his embassy in Vienna had been a brilliant success--should have

become the plaything of the Countess de Lamotte.

“His incredible credulity,” says the Duc de Lévis, “was really the knot

of the whole affair.” However, it is not so incredible as it seems. The

very fact of his intelligence partially explains it. As Suzanne says

to Figaro in the _Barber of Seville_, “intellectual men are fools,”

particularly when there is a woman in the case, and Madame de Lamotte

was clever and fascinating enough to have turned the head of the Devil

himself.

As a result of this strategy the Countess managed to mulct the Cardinal

of 150,000 livres. The figure that she cut on this money confirmed the

rumours of her intimacy with the Queen, a circumstance she did not

fail to turn to account. By paying those whom she owed she obtained

from them and others still greater credit, whereby the foundations of

the vast structure of deceit in which she lived were still further

strengthened and extended. She had no longer to ask for credit, it was

offered to her, and people even came to implore her to use her boasted

influence at Court in their behalf. Some silk merchants of Lyons, who

desired the patronage of the Queen, sent her a case of superb stuffs

valued at 10,000 livres.

It was in this way that she became acquainted with Böhmer, the maker of

the famous necklace.

Except the Cardinal, it would be impossible to imagine a more

ridiculous monomaniac than this Saxon Jew. For over ten years he had

locked up his whole fortune in a “matchless jewel” for which he was

unable to find a purchaser. Marie Antoinette, in particular, had been

pestered to buy it, till her patience being exhausted she ordered

Böhmer never to mention it to her again.[30] He obeyed her, but none

the less continued to hope she would change her mind. In the course of

ten years this hope became a fixed idea, which he sought to realize by

hook or crook. Thus hearing that Madame de Lamotte had great influence

with the Queen, Böhmer came, like the silk merchants of Lyons and

others, to purchase it if possible.

It did not take the wily Countess long to gauge the credulity of her

visitor, or to make up her mind that it was worth her while to exploit

it. Needless to say, a woman clever enough to persuade the Grand

Almoner of France that a _fille de joie_ of the Palais Royal from whom

he had received a rose in the park of Versailles was Marie Antoinette,

would have no difficulty in getting possession of Böhmer’s necklace.

The Cardinal, who had been marking time, so to speak, at Saverne ever

since his adventure, was hastily summoned to Paris to perform a service

for her Majesty concerning which she enjoined the strictest secrecy.

When Rohan, who had travelled post in a blizzard, discovered what the

service was he was staggered. No wonder. The Queen, he was informed,

wished him to be her security for the purchase of the necklace,

for which she had agreed to pay 1,600,000 livres (£64,000) in four

instalments of equal amounts at intervals of six months. Madame de

Lamotte, however, succeeded in persuading him to affix his signature to

the necessary documents--and in due course Böhmer’s “matchless jewel”

was in her possession.

It did not take her long “to break it up,” as Marie Antoinette had

advised Böhmer to do years before. Her manner of disposing of the

diamonds, which she “picked from the setting with a knife,” was

itself a romance. But it is impossible in so hurried a _résumé_ of

this imbroglio to enter into any particulars that have no connection

whatever with Cagliostro.

The _dénouement_ arrived six months later when the first instalment of

400,000 livres became due. Madame de Lamotte awaited it with perfect

indifference. She had involved the Cardinal too deeply to have any

fears for herself. The very peril to which _he_ was exposed was _her_

safety. At all costs Rohan would be obliged to pay for the necklace to

prevent a scandal.

She made a mistake, however, in not informing him in time that the

Queen was not in a position to pay the instalment, whereby as her

security the liability devolved on him. For never dreaming that such

a contingency was possible, he was utterly unprepared for it when it

came. Crippled with debt, he was unable to put his hand on 400,000

livres at a moment’s notice. The difficulty he found in raising the

sum made Böhmer so nervous that he consulted Madame Campan, one of the

Queen’s ladies-in-waiting. She informed the jeweller that he was mad

if he imagined the Queen had bought his necklace. Hereupon Böhmer in

great agitation rushed off to Madame de Lamotte, who coolly informed

him she suspected he was being victimized.

“But,” she added reassuringly, “the Cardinal is, as you know, very

rich; he will pay. Go to him.”

This was a master-stroke; for the Countess had as much reason to

believe that Böhmer would take her advice as that the Cardinal,

to avoid a scandal which meant his ruin, would assume the entire

responsibility of the purchase of the necklace. Unfortunately, the

distracted jeweller instead of going to the Cardinal tottered off to

the King!

By a dramatic coincidence it was Assumption Day, the one day in the

year on which the Cardinal was entitled to appear at Versailles, when

as Grand Almoner he celebrated mass to which the Royal Family always

went in state. He and the Court were waiting in the Oeil-de-Boeuf

for the King and Queen to appear in order to accompany them to the

Chapel of St. Louis, when a door opened and a chamberlain summoned

his Eminence to the sovereign. Everybody knows what followed. Böhmer,

having obtained an audience of Louis XVI, had related to that amazed

monarch all the details of the transaction by which the necklace had

been bought for the Queen. This story, repeated in the presence of

Marie Antoinette, whose honesty and virtue it alike impugned, stung

her to fury. Exasperated though she was by Böhmer’s assertion that

she had purchased his necklace, which for ten years she had refused

to do, she might nevertheless have excused him on the ground of his

insanity. But when he charged her with having employed Rohan, whom she

hated, to purchase the necklace through a confidante of whom she had

never heard, she was transported with indignation. Forgetting that

she was a Queen, which she did too often, she remembered only that

she was a woman, and without thinking of the consequences, insisted

that the Cardinal should be arrested and her reputation publicly

vindicated. Louis XVI, whose misfortune it was to be guided by her when

he shouldn’t, and never when he should--a misfortune that in the end

was to cost him crown and life--at once ordered the arrest of the Grand

Almoner, who, attired in his pontifical robes, was carried off then and

there to the Bastille like a common criminal before the eyes of the

entire Court.

The arrest of the Cardinal[31] was in due course followed by that

of the Countess de Lamotte, Cagliostro and his wife, the “Baroness

d’Oliva,” who had acted the part of the Queen in the park of

Versailles, Réteaux de Vilette, who had forged the Queens letters to

Rohan, and several others on whom suspicion had fallen. “The Bastille,”

as Carlyle says, “opened its iron bosom to them all.”[32]

Such in brief is the story of the rape of the Diamond Necklace.

* * * * *

[Illustration: Marie Antoinette (_From a French print_)]

The trial that followed has been justly described as the prologue of

the Revolution. To the calumnies it gave birth may be traced the hatred

which engendered the Reign of Terror.

“Calumny,” says M. Chaix d’Est-Ange in his brilliant monograph on the

Necklace Affair, “is common to all ages, but it has not always the

same force and success. In times when public opinion is indifferent or

feeble it is despised and powerless. At other periods more favourable

to it, borne on the wings of passion it soars aloft strong, confident,

and triumphant. If ever it was a power it was in the eighteenth

century.”

“It was everywhere,” says de Goncourt, “under the roofs of courtiers

and blackmailers alike, in the bureaux of the police themselves, and

even at the side of the Queen.”

Given such a state of society Marie Antoinette could have done nothing

so calculated to injure herself as to cause the arrest of the Cardinal.

If he deserved the Bastille it was not necessary to send him there.

Though she may be excused for regarding him as a “vulgar swindler who

stole diamonds to pay his debts,” she should have remembered that he

was also the head of one of the greatest houses in France. As soon as

the news of his arrest was known there was but a single opinion in the

_salons_ of the nobility: “What, arrest the Grand Almoner of France in

full pontificals before the whole Court for a bit of chiffon! Send a

Rohan and the chief of the clergy to the Bastille! _C’est trop!_”

The malcontents of the Court recognized in this shameful disgrace the

hand of the unpopular minister Breteuil, who was known to be the bitter

enemy of the Cardinal.

“M. de Breteuil,” wrote Rivarol with truth, “has taken the Cardinal

from the hands of Madame de Lamotte and crushed him on the forehead of

the Queen, which will retain the marks.”

It was by his advice, indeed, that Louis XVI had been persuaded to

gratify the rage of his reckless consort. The opportunity of ruining

his enemy had been too great for Breteuil to resist. The weakness of

the King, the unpopularity of the Queen and the faults of a blundering

minister were thus alike accentuated.

“When a king has absolute power,” says Chaix d’Est-Ange, “it is without

doubt at such a time as this that he should use it to stifle scandal.”

The arrest of the Cardinal could only have been justified by his

conviction. It was a question of his honour or the Queen’s. Thirty

years before it would have been an easy matter to find him guilty, but

the spirit of disrespect for a tyrannized and stupid authority which

was beginning to assert itself everywhere made Rohan’s conviction

extremely difficult, if not altogether impossible. For Louis XVI, from

a mistaken sense of equity which was interpreted as weakness, allowed

the Parliament to try him.

This was the height of folly. For sixty years there had been war

between the Court and the Parliament. In the truce which had taken

place on the accession of Louis XVI, the members had resumed their

deliberations more imbued than ever with the spirit of resistance;

embittered by a long exile they regarded their recall as a victory.

Thus to give the Parliament the power of determining the guilt or

innocence of the Cardinal, which was in reality that of the Queen

herself, was to take an acknowledged enemy for a judge.

When the news of the Cardinal’s arrest reached the Parliament, one of

the most popular members--he afterwards perished on the guillotine like

most of them--cried out, rubbing his hands, “Grand and joyful business!

A Cardinal in a swindle! The Queen implicated in a forgery! Filth on

the crook and on the sceptre! What a triumph for ideas of liberty! How

important for the Parliament!”

In such circumstances it is not surprising that the trial of the

Cardinal and his _co-accusés_ should become, as Mirabeau wrote, “the

most serious affair in the kingdom.”

The great family of Rohan left no stone unturned to save the honour of

their name. To assist them--but inspired by quite other motives--they

had all the enemies of the Queen and the Ministry, as well as the

people who considered the Cardinal the victim of despotism. Women in

particular were all for la Belle Eminence. It was the fashion to wear

ribbons half red and half yellow, the former representing the Cardinal,

the latter the straw on which he was supposed to lie in the Bastille.

_Cardinal sur la paille_ was the name of the ribbon, which was worn

even in the palace of Versailles itself.

To save the honour of the throne the Government was obliged to descend

into the arena and fight the forces arrayed against it. The attention

of the civilized world was thus riveted on the trial, which lasted

nine months. No detail was kept secret, accounts were published daily

in which the slightest incident was recorded. France and Europe were

inundated with libels and calumnies in which the reputations of all

concerned were torn to shreds.

Throw enough mud and some of it is sure to stick. It took more than

half a century to cleanse the honour of Marie Antoinette of all

suspicion of connivance in the theft of the necklace.

The mistrust that mystery and magic always inspire made Cagliostro with

his fantastic personality an easy target for calumny. After having

been riddled with abuse till he was unrecognizable, prejudice, the

foster-child of calumny, proceeded to lynch him, so to speak. For over

one hundred years his character has dangled on the gibbet of infamy,

upon which the _sbirri_ of tradition have inscribed a curse on any one

who shall attempt to cut him down.

His fate has been his fame. He is remembered in history, not so much

for anything he did, as for what was done to him. The Diamond Necklace

Affair, in which the old _régime_ and the new met in their duel to

the death, was Cagliostro’s damnation. In judging him to-day, it is

absolutely essential to bear in mind the unparalleled lack of scruple

with which the Government and its enemies contested this trial.

II

Implicated in her swindle by the Countess de Lamotte, to whose

accusations his close intimacy with the Cardinal gave weight,

Cagliostro was arrested at seven in the morning by Inspector Brugnière,

accompanied by Commissary Chesnon and eight policemen.

“He desired me,” says Cagliostro, who has described his arrest in

detail, “to deliver up my keys, and compelled me to open my bureau,

which I did. There were in it several of my remedies, amongst the rest

six bottles of a precious cordial. Brugnière seized on whatever he

took a fancy to, and the catchpoles he had brought with him followed

his example. The only favour I asked was that I might be permitted

to go in my own carriage to the place of my destination. This was

refused. I then requested to be allowed the use of a cab; this also was

denied. Proud of making a show of his prey to the thronging multitude,

Brugnière insisted on my walking part of the way; and although I was

perfectly submissive and did not make the least shadow of resistance

he laid hold of me by the collar. In this way, closely surrounded by

four _sbirri_, I was dragged along the Boulevards as far as the Rue

Notre-Dame-de-Nazareth, where a cab appearing, I was mercifully thrust

into it and driven the rest of the way to the Bastille.”

The admiration amounting almost to veneration that Cagliostro inspired

was shared only by his followers--of whom, however, he could count

several thousands, it is said, in Paris. On the other hand, the

curiosity which he had excited was general and anything but reverent.

The exaggerated enthusiasm of his followers, the incredible stories

related of him, and the extreme seriousness with which he took himself

made him ridiculous. If he was the chief subject of conversation in

all classes in Paris, it was as a subject of mirth. In the drama of

the Necklace Affair it was to him that the public looked to supply

the comic relief. He was by common consent the clown, the funny man

of the play, so to speak. He had but to appear on the scene to raise

a laugh, his slightest gesture produced a roar, when he spoke he

convulsed the house. But to Cagliostro his rôle was very far from

comic. The consciousness of innocence is not necessarily a consolation

in adversity. It poisons as often as it stimulates--according to the

temperament. Cagliostro was utterly crushed by the blow that had fallen

on him. The gloom of the Bastille, which the popular imagination

haunted by old legends made deeper than it was, seemed to chill his

very soul. He who had faced with “a front of brass” all the previous

dangers and humiliations of his agitated existence was for the

first time cowed. Illuminist, Egyptian Mason, Mystic Regenerator of

Mankind--Revolutionist, in a word--he had no confidence in the justice

of the power into whose hands he had fallen. He believed that he would

be forgotten in his dungeon like so many others.

The severity with which he was treated was calculated to justify his

fears.

“Were I left to choose,” he says, “between an ignominious death, and

six months in the Bastille, I would say without hesitation, ‘Lead me on

to the scaffold.’”

For five months he was not only in ignorance, but purposely

misinformed, as to what was transpiring without his prison. During this

time the beautiful Countess, less rigorously guarded, was confined

near him without his knowledge. As soon as Brugnière had carried off

her husband, Chesnon and the police, who had remained behind after

searching for incriminating documents which they did not find, attached

seals to the house and carried her off too, “half dead with fear,” to

the Bastille. In response to Cagliostro’s repeated inquiries as to

whether she shared his captivity, as he feared, his jailers “swore by

their honour and God that she was not in the Bastille.”

This deception was even carried to the length of permitting him to

write letters to her which never reached her, and to receive replies

which she never wrote, “in which she assured him that she was taking

steps to restore him to freedom.” As the Countess Cagliostro could

not write, a friend was supposed to write the letters for her. In the

same way if he wanted clothes or linen he would dispatch a line to his

wife, and an official would go to his house and fetch what he required,

bringing back a letter from the Countess calculated to make him believe

that they had been sent by her.

At the same time the Cardinal was living in almost as much comfort as

if he had been in his own palace. He occupied a spacious apartment,

had three of his servants to wait on him, and saw as many people as he

wished. The number of his visitors was so great that the drawbridge of

the Bastille was kept lowered throughout the day. On one occasion he

even “gave a dinner of twenty covers.”

As money--and Cagliostro had plenty of it--like rank, was able to

purchase equal consideration in the Bastille, the contrast in the

treatment of the two prisoners almost warrants the supposition that the

jailers derived no little amusement from making sport of the sufferings

of one who was alleged to be immune from those ills to which mere clay

is prone. There are many people to whom a weeping Pierrot is as funny

as a laughing one.

It was not till his despondency, on discovering as he eventually did

that his wife was a prisoner like himself, threatened to affect his

reason that the severity of his confinement was relaxed. To prevent

him from committing suicide, Thiroux de Crosne, the minister who had

issued the warrant for his arrest, advised de Launay, the Governor of

the Bastille, “to choose a warder, likely to be sympathetic, to sleep

in his cell.” He was also permitted, like the other prisoners, to have

exercise and to select a lawyer to defend him.

The first use he made of this privilege was to petition the

Parliament--“to release his wife from a dungeon, where a man himself

had occasion for all his strength, all his fortitude, and all his

resignation to struggle against despair.”

The Bastille was too massive a cage for so delicate a bird. Implicated

without the shadow of a reason in the Necklace Affair the Countess

Cagliostro began to imagine herself ill. She pined for her fine

house, her admirers, her diamonds, her black mare Djérid, and the

companionship of the man to whom she owed all that spelt happiness

in her inoffensive, doll-like existence. Moved to pity less by the

petition of Cagliostro than by the pleading of her lawyer, Polverit,

and the eloquence of d’Epremenil, the most brilliant member of the

Parliament, that body was finally persuaded to set her free without a

trial after having been imprisoned seven months in the Bastille.

The release of the Countess Cagliostro, to which the Court was bitterly

opposed, was the first reverse of the Government in the duel to which

it had so foolishly challenged public opinion.

No sooner was the news known than friends and strangers alike came to

congratulate her. For more than a week nearly three hundred people

came daily to inscribe their names in the visitors’ book kept by the

concierge.

“It is the perfection of good style,” says one of the newswriters of

the period, “to have made a call on the Countess Seraphina.”

“Even the ‘nymphs’ of the Palais Royal,” says d’Alméras, “discreetly

manifested their sympathy with the victim of arbitrary power on

recognizing her as she walked one day in the gardens.”

III

Madame de Lamotte in the meantime, utterly undaunted by her

imprisonment, was energetically preparing for the trial, which, in

spite of all her efforts, was to end in her conviction. Her defence

was a tissue of lies from beginning to end. She contradicted herself

with brazen effrontery, accused Cagliostro, the Cardinal, and at last

the Queen, of swindling Böhmer of the necklace. She did not hesitate

to defame herself by declaring that she had been the mistress of the

Cardinal--which was as false as the rest of her evidence--and, as each

lie became untenable, took refuge in another, even admitting that she

was lying “to shelter an exalted personage.” In only one thing was she

consistent; to the end she asserted her complete innocence. Her object

was to confuse the issue and so wriggle herself free.

In the first of her _mémoires justificatifs_, which were printed

and sold in accordance with the legal custom of the day, she boldly

charged Cagliostro with the robbery of the necklace. He was represented

as an impostor to make him the more easily appear a swindler. To

penetrate the mystery in which he had wrapped his origin she invented

for him a low and shameful past, which the editor of the _Courier

de l’Europe_ and the Inquisition-biographer afterwards merged into

Giuseppe Balsamo’s. She ridiculed his cures, and cited the Medical

Faculty as witnesses of the deaths he had caused. She declared his

disinterestedness and his generosity to be a fraud, and accused him of

practising in private the vices he denounced in public. Having stripped

him of the last stitch of respectability she proceeded to expose the

woman who passed as his wife, and whose _liaisons_ with the Cardinal

and others she declared he encouraged. As for the wonders he was said

to perform they were not even worthy of the name of tricks; only fools

were taken in by them. In fine, to Madame de Lamotte, the Grand Cophta

was nothing but “an arch empiric, a mean alchemist, a dreamer on the

philosophers stone, a false prophet, and a Jew who had taken to pieces

the necklace which he had beguiled the Cardinal, over whom he had

gained an incredible influence, to entrust to him, in order to swell a

fortune unheard of before.”

This _mémoire_--the first of many which the various persons implicated

in the Affair rained upon the public--was to an impatient world the

signal that the battle had begun. Excitement, already at fever heat,

was intensified by the boldness, directness and violence of Madame de

Lamotte’s denunciation. It was felt that to justify himself Cagliostro

would be obliged to clear up the mystery of his past. Never before

had the “Grand Coffer,” as he was called by a police official who

unwittingly confounded the title and the fortune of the restorer of

Egyptian Masonry, roused curiosity to so high a pitch. The recollection

of his reputed prodigies gave to his expected self-revelation the

character of an evocation, so to speak; and the public, as ready to

mock as it had formerly been to respect him, awaited his defence as a

sort of magic séance at which all the tricks of necromancy were to be

explained.

Cagliostro employed to defend him Thilorier, one of the youngest

and most promising advocates of the Parisian bar. Perhaps no _cause

célèbre_ in history has ever called forth a more brilliant display of

legal talent than the Diamond Necklace Affair. Of all the _mémoires_

or statements that were published by the advocates engaged in the case

that of Thilorier created the greatest sensation.

Warned by the tumult occasioned by the rush of purchasers who had

besieged the house of Madame de Lamotte’s advocate on the publication

of her _mémoire_, Thilorier took the precaution to secure eight

soldiers of the watch to guard his door. Within a few hours tens of

thousands of copies were scattered over Paris, and large editions were

dispatched to the principal cities of Europe. It was regarded as a

romance after the style of the _Arabian Nights_ rather than the serious

defence of a man whose liberty and very life were at stake. Everywhere

people read it with a sort of amused bewilderment, and “Thilorier

himself,” says Beugnot, “who was a man of infinite wit, was the first

to laugh at it.”

As a masterpiece of irony, clearness, dignity, and wit it was equalled

only by Blondel’s defence of the “Baroness d’Oliva.” But its chief

merit lay not so much in the piquancy of its literary style as in its

portrayal of Cagliostro. Those who read this fantastic document felt

that they not only saw the man but could hear him speak. Thilorier had

drawn his hero to the life.

Beginning with a high-flown and egotistical recapitulation of

his sufferings and virtues Cagliostro proceeded to refute “those

imputations (as to his origin) which in any other circumstance he would

have treated with contempt” by relating “with candour” the history of

his life. As a specimen of his grandiloquence it is worth quoting at

some length.

“I cannot,” he says, “speak positively as to the place of my nativity,

nor to the parents who gave me birth. All my inquiries have ended only

in giving me some great notions, it is true, but altogether vague and

uncertain, concerning my family.

“I spent the years of my childhood in the city of Medina in Arabia.

There I was brought up under the name of Acharat, which I preserved

during my progress through Africa and Asia. I had my apartments in the

palace of the Muphti Salahaym. It is needless to add that the Muphti is

the chief of the Mahometan religion, and that his constant residence is

at Medina.

“I recollect perfectly that I had then four persons attached to my

service: a governor, between fifty-five and sixty years of age, whose

name was Althotas,[33] and three servants, a white one who attended me

as _valet de chambre_ and two blacks, one of whom was constantly about

me night and day.

“My governor always told me that I had been left an orphan when only

about three months old, that my parents were Christians and nobly born;

but he left me absolutely in the dark about their names and the place

of my nativity. Some words, however, which he let fall by chance have

induced me to suspect that I was born at Malta. Althotas, whose name I

cannot speak without the tenderest emotion, treated me with great care

and all the attention of a father. He thought to develop the talent I

displayed for the sciences. I may truly say that he knew them all, from

the most abstruse down to those of mere amusement. My greatest aptitude

was for the study of botany and chemistry.

“By him I was taught to worship God, to love and assist my neighbours,

and to respect everywhere religion and the laws. We both dressed like

Mahometans and conformed outwardly to the worship of Islam; but the

true religion was imprinted in our hearts.

“The Muphti, who often visited me, always treated me with great

goodness and seemed to entertain the highest regard for my governor.

The latter instructed me in most of the Eastern languages. He would

often converse with me on the pyramids of Egypt, on those vast

subterraneous caves dug out by the ancient Egyptians, to be the

repository of human knowledge and to shelter the precious trust from

the injuries of time.

“The desire of travelling and of beholding the wonders of which he

spoke grew so strong upon me, that Medina and my youthful sports there

lost all the allurements I had found in them before. At last, when I

was in my twelfth year, Althotas informed me one day that we were going

to commence our travels. A caravan was prepared and we set out, after

having taken our leave of the Muphti, who was pleased to express his

concern at our departure in the most obliging manner.

“On our arrival at Mecca we alighted at the palace of the Cherif. Here

Althotas provided me with sumptuous apparel and presented me to the

Cherif, who honoured me with the most endearing caresses. At sight of

this prince my senses experienced a sudden emotion, which it is not in

the power of words to express, and my eyes dropped the most delicious

tears I have ever shed in my life. His, I perceived, he could hardly

contain.

“I remained at Mecca for the space of three years; not a day passed

without my being admitted to the sovereign’s presence, and every

hour increased his attachment and added to my gratitude. I sometimes

surprised his gaze riveted upon me, and turned to heaven with every

expression of pity and commiseration. Thoughtful, I would go from him a

prey to an ever-fruitless curiosity. I dared not question Althotas, who

always rebuked me with great severity, as if it had been a crime in me

to wish for some information concerning my parents and the place where

I was born. I attempted in vain to get the secret from the negro who

slept in my apartment. If I chanced to talk of my parents he would turn

a deaf ear to my questions. But one night when I was more pressing than

usual, he told me that if ever I should leave Mecca I was threatened

with the greatest misfortunes, and bid me, above all, _beware of the

city of Trebizond_.

“My inclination, however, got the better of his forebodings--I was

tired of the uniformity of life I led at the Cherifs court. One day

when I was alone the prince entered my apartment; he strained me to

his bosom with more than usual tenderness, bid me never cease to adore

the Almighty, and added, bedewing my cheeks with his tears: ‘_Nature’s

unfortunate child, adieu!_’

“This was our last interview. The caravan waited only for me and I set

off, leaving Mecca, never to re-enter it more.

“I directed my course first to Egypt, where I inspected those

celebrated pyramids which to the eye of the superficial observer only

appear an enormous mass of marble and granite. I also got acquainted

with the priests of the various temples, who had the complacence to

introduce me into such places as no ordinary traveller ever entered

before. The next three years of my progress were spent in the principal

kingdoms of Africa and Asia. Accompanied by Althotas, and the three

attendants who continued in my service, I arrived in 1766 at the island

of Rhodes, and there embarked on a French ship bound to Malta.

“Notwithstanding the general rule by which all vessels coming from the

Levant are obliged to enter quarantine, I obtained on the second day

leave to go ashore. Pinto, the Grand Master of the Knights of Malta,

gave us apartments in his palace, and I perfectly recollect that mine

were near the laboratory.

“The first thing the Grand Master was pleased to do, was to request

the Chevalier d’Aquino, of the princely house of Caramanica, to bear me

company and do me the honours of the island. It was here that I first

assumed European dress and with it the name of Count Cagliostro; nor

was it a small matter of surprise to me to see Althotas appear in a

clerical dress with the insignia of the Order of Malta.

“I have every reason to believe that the Grand Master Pinto was

acquainted with my real origin. He often spoke to me of the Cherif

and mentioned the city of Trebizond, but never would consent to enter

into further particulars on the subject. Meanwhile he treated me with

the utmost distinction, and assured me of very rapid preferment if I

would consent to take the cross. But my taste for travelling and the

predominant desire of practising medicine, induced me to decline an

offer that was as generous as it was honourable.

“It was in the island of Malta that I had the misfortune of losing my

best friend and master, the wisest as well as the most learned of men,

the venerable Althotas. Some minutes before he expired, pressing my

hand, he said in a feeble voice, ‘My son, keep for ever before your

eyes the fear of God and the love of your fellow-creatures; you will

soon be convinced by experience of what you have been taught by me.’

“The spot where I had parted for ever from the friend who had been

as a father to me, soon became odious. I begged leave of the Grand

Master to quit the island in order to travel over Europe; he consented

reluctantly, and the Chevalier d’Aquino was so obliging as to accompany

me. Our first trip was to Sicily, from thence we went to the different

islands of the Greek Archipelago, and returning, arrived at Naples,

the birthplace of my companion.

“The Chevalier, owing to his own private affairs, being obliged to

undertake a private journey, I proceeded alone to Rome, provided

with a letter of credit on the banking house of Signor Bellone.

In the capital of the Christian world I resolved upon keeping the

strictest _incognito_. One morning, as I was shut up in my apartment,

endeavouring to improve myself in the Italian language, my _valet de

chambre_ introduced to my presence the secretary of Cardinal Orsini,

who requested me to wait on his Eminence. I repaired at once to his

palace and was received with the most flattering civility. The Cardinal

often invited me to his table and procured me the acquaintance of

several cardinals and Roman princes, amongst others, Cardinals York and

Ganganelli, who was afterwards Pope Clement XIV. Pope Rezzonico, who

then filled the papal chair, having expressed a desire of seeing me, I

had the honour of frequent private interviews with his Holiness.

“I was then (1770) in my twenty-second year, when by chance I met

a young lady of quality, Seraphina Feliciani, whose budding charms

kindled in my bosom a flame which sixteen years of marriage have only

served to strengthen. It is that unfortunate woman, whom neither her

virtues, her innocence, nor her quality of stranger could save from the

hardships of a captivity as cruel as it is unmerited.”

From this stage of his Odyssey, beyond citing as references certain

persons by whom he was known in the various countries through which

he passed, Cagliostro was very reticent as to his doings. From

Rome he arrived at Strasburg at a bound, whence he proceeded to his

imprisonment in the Bastille with almost equal speed. His confession,

rendering as it did his country and parentage more mysterious than

ever, was received with derision. The credulous public, which had

swallowed so easily all the extravagant stories concerning his

supernatural powers refused to believe in this fantastic account of

a mysterious childhood passed in Mecca and Medina, of caravans and

pyramids, of tolerant Muphtis and benignant Grand Masters of Malta. It

was not that the credulity of the eighteenth century had its limit but

that calumny had mesmerized it, so to speak. Cagliostro’s prestige had

been submerged in the Necklace Affair; the blight of the Bastille had

fallen on the fame of the Grand Cophta and all his works.

As the manner in which he stated his ignorance of his birth seemed to

leave it to be inferred that he knew more than he wished to say, it

was determined to give him a father. While his enemies agreed with the

Countess de Lamotte that he was the son of a Neapolitan coachman, his

friends declared him to be the offspring of the illicit loves of the

Grand Master Pinto and a princess of Trebizond. To account for the

meeting of this singular pair it was gravely asserted that a Maltese

galley had captured a Turkish pleasure-boat with several young ladies

of distinction on board, one of whom had _exchanged hearts_ with Pinto,

who, prevented by his vow of celibacy from making her his wife, had

sent her back to her disconsolate parents, and that to frustrate their

rage at the condition in which she had returned she had caused her

child as soon as it was born to be spirited away to Arabia, which

accounted for the mysterious warning Acharat had received from the

black slave “to beware of Trebizond.”

Ridicule, however, soon disposed of this agreeable fable, and

substituted instead the popular Balsamo legend in which _just as much

as it has pleased subsequent biographers to accept of Cagliostro’s

confession_ has been included. As to whether he spoke the truth wholly

or partly or not at all, the present writer, confronted with his

mysterious and fantastic character on the one hand and the assertions

based on the prejudice of a century on the other, is unable to express

any opinion. It seems, however, hard to believe that any man placed

in so serious a situation as Cagliostro, and one which, moreover, had

thoroughly shaken his courage, would have ventured to invent a story

calculated to increase the suspicion it was his object to allay. To

the present generation, accustomed by the press to infinitely greater

improbabilities, Cagliostro’s adventures in Mecca and Medina have at

least lost the air of incredibility.

IV

As may be surmised from the cursory account of the Diamond Necklace

Affair already given, Cagliostro had no difficulty in proving his

innocence. The mere comparison of the dates of the various incidents of

the imbroglio with his own whereabouts at the time was sufficient to

vindicate him.

Throughout the whole of 1784, while the Cardinal was corresponding, as

he supposed, with the Queen, meeting her in the park of Versailles,

and purchasing the necklace, Cagliostro was in Bordeaux and Lyons. He

did not arrive in Paris till January 30, 1785; it was on February 1

that the Cardinal gave the necklace to Madame de Lamotte to hand to

the Queen. Accordingly, if Cagliostro had ever even seen the necklace,

it could only have been between January 30 and February 1 when Böhmer

had already obtained the Cardinal’s guarantee in exchange for his

precious jewel. This, however, he denied. “It was not,” he said, “till

a fortnight before the Cardinal was arrested that he informed me for

the first time of the transaction about the necklace.”

But Cagliostro was not content with merely establishing his innocence.

Madame de Lamotte’s attack on his character had deeply wounded him in

his most sensitive spot--his vanity--and pride would not suffer him to

ignore her gibes.

She had described him as “an arch empiric, a mean alchemist, a dreamer

on the philosopher’s stone, a false prophet, and a profaner of the true

religion.”

“Empiric,” he said, refuting each epithet in turn, not without a

certain dignity; “this word I have often heard without knowing exactly

what it meant. If it means one who without being a doctor has some

knowledge of medicine and takes no fee, who attends to rich and poor

alike and receives no money from either, then I confess I am an empiric.

“Mean alchemist. Alchemist or not, the epithet _mean_ is applicable

only to those who beg or cringe, and it is well known whether Count

Cagliostro ever asked a favour of any one.

“Dreamer on the philosopher’s stone. Whatever my opinion may be

concerning the philosopher’s stone, I have kept it to myself and never

troubled the public with my dreams.

“False prophet. Not always so. Had the Cardinal taken my advice he

would not be in the position in which he now finds himself. I told him

more than once that the Countess de Lamotte was a deceitful, intriguing

woman, and to beware of her.

“Profaner of the true religion. This is more serious. I have respected

religion at all times. My life and my outward conduct I freely submit

to the inquiries of the law. As to what passes inwardly God alone has a

right to call me to account.”

Cagliostro also took advantage of the occasion to deny the oft-repeated

assertion that he was a Jew.

“My education,” he said, “as I have already declared, was that of a

child born of Christian parents. I never was a Jew or a Mahometan.

These two religions leave on their sectaries an _outward_ and

_indelible_ mark. The truth, therefore, of what I here advance may be

ascertained; and rather than let any doubt remain on this affair, I am

ready, if required, to yield to a verification more shameful for him

who exacts it than for the person who submits to it.”[34]

When he was confronted with Madame de Lamotte the scene in court was in

the highest degree comic. The Countess, who had an unbounded contempt

for the occult in general, covered the séances of Cagliostro with

ridicule. She described one at which she had been present as a swindle,

and reproached him with having exploited the credulity of the Cardinal

by the most vulgar methods and for the most sordid motives. His

Eminence, she asserted, was so bewitched that he consulted Cagliostro

on “the pricking of a thumb,” which made her “regret she did not live

in those blessed times when a charge of sorcery would have led him to

the stake.”

But while she attempted to overwhelm the unfortunate creature she had

chosen to saddle with her own guilt, he dexterously turned the tables

upon her. Assuming that her calumnies were inspired by the desire

to clear herself rather than hatred, “he forgave her the tears of

bitterness she had caused him to shed.”

“Do not imagine,” he said, with the air of sublime bombast that

was characteristic of him, “that my moderation is a piece of mere

affectation. From the bottom of the abyss into which you have plunged

me I shall raise my voice to implore in your behalf the clemency of the

laws; and if, after my innocence and that of my wife is acknowledged,

the best of kings should think an unfortunate stranger who had settled

in France on the faith of his royal word, of the laws of hospitality,

and of the common rights of nations is entitled to some indemnity,

the only satisfaction I shall require will be that his Majesty may be

pleased, at my request, to pardon and set at liberty the unfortunate

Countess de Lamotte. However guilty she may be supposed, she is already

sufficiently punished. Alas! as I have been taught by sad experience,

there is no crime ever so great but may be atoned for by six months in

the Bastille!”

_Blague_ or conviction, at such a moment, it would be churlish to

inquire. When one is fighting for life and liberty one readily avails

oneself of any weapon that comes to hand. At least so thought Madame

de Lamotte. Failing further abuse of which she had been deprived by a

_riposte_ as unexpected as it was subtle, she picked up a candlestick.

Hurled at the head of her adversary, it “hit him in the stomach,” to

the amusement of the court, the judges and Madame de Lamotte herself,

who remarked to her counsel that “if he wished to render the scene

still more amusing he had but to give her a broomstick.”

But neither abusive epithets nor candlesticks are arguments. Finding

herself on the wrong road, the Countess made haste to leave it for

another. It was no longer Cagliostro who had stolen the necklace, but

the Cardinal.

At last, after more than nine months, the famous affair came to an end.

On May 30, 1786, all the accused were summoned before the Parliament.

When Cagliostro arrived, tricked out as usual like a mountebank in

a coat of green silk embroidered with gold, and his hair falling in

little tails on his shoulders, the whole assemblage burst into a laugh.

But to him it was anything but an occasion for merriment; he was

serious to the point of solemnity.

“Who are you?” asked the president.

“An illustrious traveller,” was the reply. Then with imperturbable

gravity he began in his loud, metallic voice, which Madame d’Oberkirch

compared to a “trumpet veiled in crape,” to repeat the story of his

life.

At the mention of Trebizond the laughter redoubled. This made him

nervous, and either unconsciously from old habit, or in the hope of

exciting an interest favourable to his cause, he related his adventures

in a jargon composed, says Beugnot, “of all known languages as well as

those which never existed.” The gibberish he employed rendered him and

his story still more fantastic. The laughter in the court was so loud

that at times the voice of the speaker was drowned. Even the judges

were convulsed. At the finish the president seemed to be on the point

of complimenting “Nature’s unfortunate child.” It was evident that

Cagliostro had won the sympathy of those on whom his fate depended.

Of the verdict of the mob there was no doubt. He took the cheers

with which he was greeted on being driven back to the Bastille as a

premonition of his acquittal. One writer says he displayed the joy he

felt “by throwing his hat into the air.”

* * * * *

On the following day (May 31) the Parliament pronounced the verdict.

The Cardinal and Cagliostro were unanimously acquitted--the innocence

of the latter had been acknowledged by all implicated in the trial,

even in the end by the Countess de Lamotte herself.[35]

The verdict was immensely popular. “I don’t know what would have

befallen the Parliament,” said Mirabeau, “had they pronounced

otherwise.” The fish-wives--the same who later were the Furies of the

Revolution--forcibly embraced the judges and crowned them with flowers.

In the street the name of the Cardinal was cheered to the echo. The

ovation he received, however, was inspired less from any desire of the

populace to acclaim him personally than to affront the Queen.

It was also to the violent hatred of the Court that Cagliostro owed

the reception accorded him. His account of the scenes that took place

on his deliverance from captivity would do credit to the lachrymose

romances of the “age of sensibility.”

“I quitted the Bastille,” he says, “about half-past eleven in the

evening. The night was dark, the quarter in which I resided but little

frequented. What was my surprise, then, to hear myself acclaimed by

eight or ten thousand persons. My door was forced open; the courtyard,

the staircase, the rooms were crowded with people. I was carried

straight to the arms of my wife. At such a moment my heart could not

contain all the feelings which strove for mastery in it. My knees gave

way beneath me. I fell on the floor unconscious. With a shriek my wife

sank into a swoon. Our friends pressed around us, uncertain whether the

most beautiful moment of our life would not be the last. The anxiety

spread from one to the other, the noise of the drums was no longer

heard. A sad silence followed the delirious joy. I recovered. A torrent

of tears streamed from my eyes, and I was able at last, without dying,

to press to my heart ... I will say no more. Oh, you privileged beings

to whom heaven has made the rare and fatal gift of an ardent soul and

a sensitive heart, you who have experienced the delights of a first

love, you alone will understand me, you alone will appreciate what

after ten months of torture the first moment of bliss is like!”

Both Cagliostro and the Cardinal were obliged to show themselves at

the windows of their respective houses before the crowds, which were

cheering them and hissing the name of the Queen, could be induced to

disperse.

To Marie Antoinette, whose popularity was for ever blasted by the

trial, the verdict of the Parliament was an insult--as it was meant to

be--which intolerable though it was, she would have been wise to have

borne in silence. But it was her fate to the last to hold the honour of

the woman higher than the majesty of the Queen. Having made the blunder

of arresting the Cardinal and suffering the Parliament to try him, the

King, advised by her, now committed the folly of showing his resentment

of the verdict, which had after all, in the eye of the law, cleared

his consort of complicity in the swindle. On June 2, the day after

his release from the Bastille, Rohan was stripped of all his Court

dignities and functions, and exiled to one of his abbeys in Auvergne.

At the same time, Cagliostro was also ordered to leave Paris with his

wife within a week, and France within three.

The news no sooner became known than an immense concourse of people

flocked to manifest their disapproval in front of the house of the

Grand Cophta. But if he mistook their demonstration of hatred of

the Queen as a sign of sympathy for himself, popularity under such

conditions was too fraught with danger for him to take any pleasure

in it. Terrified lest the Government should seize the opportunity of

thrusting him back into the Bastille, he came out on the balcony of his

house and entreated the mob to withdraw quietly, and then hurriedly

left Paris.

He went first to Passy, whither he was followed by a small band of his

most faithful adherents, who during the few days he remained there

mounted guard in the house in which he had taken shelter. A fortnight

later he embarked from Boulogne with his wife for England. Upwards of

five thousand people are said to have witnessed his departure, many

of whom demanded and received his farewell blessing on their knees.

France, on a page of whose history he had indelibly printed his name,

never saw him more.

* * * * *

There is an old and uncorroborated report that he who had always been

so punctilious in the discharge of his liabilities left Paris without

paying his rent. It appears to have arisen from the action that he

afterwards brought against the magistrate Chesnon and de Launay,

the governor of the Bastille, to recover property valued at 100,000

livres which he declared had been stolen from his house during his

imprisonment and for which he sought to hold them responsible. His

failure to substantiate the charge gave it the appearance of having

been trumped up. Whether it had any basis in fact it is impossible to

say, but there can be no doubt from the manner in which the police

turned his house upside down at the time he and his wife were arrested,

as well as from the carelessness with which the official seals were

affixed, that many valuable articles might easily have been spirited

away in the confusion by unscrupulous servants and even by the police

themselves.

If Cagliostro, however, failed to pay his rent the proprietor of

the house certainly took the matter very lightly. “His house,” says

Lenôtre, “remained closed till the Revolution. In 1805 the doors were

opened for the first time in eighteen years when the owner sold the

Grand Cophta’s furniture by auction.” Surely a very long time to wait

to indemnify oneself for unpaid rent?

A curious interest attaches to this house, which is still standing,

though long since shorn of its splendour in the days when the Cardinal

and the aristocracy of the old _régime_ came to assist at Cagliostro’s

magic séances. Yet in the meantime it has not been without a history.

In 1855 the doors of the gateway were removed during some process of

repair and replaced by doors which had formerly done service at the

Temple where the Royal Family were incarcerated after the fall of the

monarchy. They may be still seen with their heavy bolts and huge locks.

What a fatality--the doors of Marie Antoinette’s prison closing

Cagliostro’s house! History has her irony as well as her romance.

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