Emma Crockett

*Interview with Emma Crockett*

--_Ruby Pickens Tartt, Livingston, Alabama_

On the old east road from Livingston to Epes, about six miles north-east

of Livingston, is the "double house" built of widely assorted materials,

where Emma Crockett lives. The older part of the house is the "settin'

room" where the stick-and-clay chimney of its earlier days has been

replaced by a new brick chimney. A roof of corrugated sheet metal tops

the warped, roughly hewn logs which form the walls. The "new room" is

built in the later shanty style--pine boards, unplaned, and nailed

upright to a frame of 2X4's, the cracks of the flat joints "stripped"

with narrow siding. A roof of "bought" shingles covers this room.

Connecting the two rooms is an open hall roofed with heavy boards

"rived" from pine blocks. Despite its conglomerate architecture this is

a better "colored folks'" house than many in the Black Belt. These

"double houses" often have no roof for the hall and some also lack a

floor, the hall being made entirely of earth, sky and imagination.

Emma settled herself on the top step at the front of the hall to talk to

me, after first ironing a tiny wrinkle out of her "string apron" with

her hand.

[Illustration: _Emma Crockett, Livingston, Alabama_]

"Miss, I'm 'bout sebenty-nine or eighty year old," she told me, "and I

belonged to Marse Bill Hawkins and Miss Betty. I lived on deir

plantation right over yander. My mammy was called Cassie Hawkins and my

pappy was Alfred Jolly. I was Emma Jolly 'fore I married Old Henry

Crockett. Us had five chillun and dey's two of 'em livin' in Bummin'ham,

Fannie and Mary.

"Sometimes I kain't git my min' together so as I kin tell nothin'. I

fell out t'other day and had a misery in my head ever since. I wish I

could read, but I wa'n't never l'arnt nothin' 'ceptin' atter Surrender

Miss Sallie Cotes she showed us how to read printin'; but I kain't read

no writin. I kain't tell you so much 'bout de wah' ca'se my recollection

ain't no 'count dese days. All I knowed, 'twas bad times and folks got

whupped, but I kain't say who was to blame; some was good and some was

bad. I seed the patterollers, and atter Surrender de Ku Kluxes dey come

den, but didn't never bother me. See, I wan't so old and I minded

ev'ybody, and didn't vex 'em none. Us didn't go to church none, but I

goes now to de New Prophet Church and my favorite song is:

Set down, set down, set down,

Set down, set down,

Set down, chile, set down.

Soul so happy till I kain't set down.

Move de member, move Dan-u-el,

Move de member, move Dan-u-el.

Dan-u-el, member, don' move so slow.

Dan-u-el, member, don' move so slow.

Got on my rockin' shoes, Dan-u-el.

Got on my rockin' shoes, Dan-u-el.

Shoes gwine to rock me home,

Shoes gwine to rock me home, Dan-u-el,

Shoes gwine to rock me home, Dan-u-el,

Shoes gwine to rock me home, Dan-u-el,

Dan-u-el.

Shoes gwine to rock by faith,

Shoes gwine to rock by faith, Dan-u-el,

Shoes gwine to rock by faith, Dan-u-el.

Love de member, move Dan-u-el.

Love de member, move Dan-u-el.

Got on my starry crown, Dan-u-el.

Got on my starry crown, Dan-u-el.

"Dat's all I kin tell you today, honey. Come back when dis misery leave

my head and I gwine to think up some tales and old songs.

[Illustration: _Emma Crockett's House, Livingston, Alabama_]

"But I didn't never fool wid no hoodoo and no animal stories neither. I

didn't have no time for no sich foolishness. And I ain't scared of

nothin' neither.

"I lives here wid my grandchile now on Mr. Bob Davis' place. Us gits

enough to eat, I reckon, but it's tight, I tell you dat!"

Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves, Volume I, Alabama Narratives · 第 43 / 147 题