CHAPTER XII.

THE VALLEY OF THE AVON CONTINUED.—TYRREL’S FORD, SOPLEY, AND WINKTON.

[Illustration: Tyrrel’s Ford.]

After we leave Ringwood the road for a mile or two is less attractive in

its scenery. Still, here, as in every part of England, there is

something to be seen and learnt. The Avon flows close by, famous for a

peculiar eel, locally called the “sniggle” (_Anguilla mediorostris_),

which differs from its common congener (_acutirostris_) in its slender

form and elongated under-jaw, and its habits of roving and feeding by

day.[153] The river has, also, like some of the Norwegian streams, the

peculiarity of forming ground ice.[154] For the botanist, along the

hedge banks, the blue and slate-coloured soapwort is growing throughout

the summer and autumn, with purple cat-mint and wild clary. In the waste

places the thorn-apple shows its white blossoms; whilst red stacks of

fern and black turf ricks stand by every cottage door to remind us how

close we are to the Forest.

After we pass Bisterne,[155] the road becomes more interesting. To our

right rises the range of St. Catherine’s Hills, that is, the fortified

height, where remain the four mounds of the watch-towers and the traces

of the camp. Presently we come to Avon-Tyrrel and the blacksmith’s

forge, built on the spot where Tiril’s horse is said to have been shod,

and which pays a yearly fine of three pounds and ten shillings to

Government.

The actual Ford itself is some little way from the road. Round it

stretch meadows, with strong coarse grass and sedgy weeds, branches of

the Avon winding here and there, fringed by willows, the main stream

flowing out broad and strong, with islands of osiers and rushes, where

still breed wild duck and teal, the whole backed by the gloom of St.

Catherine’s Hills crested by their darker pines. The old road, used now

only by the turf-cutters, crossing the former mill-brook, follows the

bed of one of the many streams, till, reaching the river at its widest

part, it bends across, gaining a lane on the opposite side, which leads

away past Ramsdown into Dorsetshire, and along which tradition says the

knight rode to Poole.

The next village we reach is Sopley, that is the _soc leag_, land with

the liberty of holding a court of _socmen_; just as the neighbouring

village is called Boghamton (_bócland_), the village of the

charter-land, or, as we should now say, freehold. Its interesting little

cruciform church, Early-English and Perpendicular, is dedicated to St.

Michael. The Avon flows below, and the old manor-house, now a mere

cottage, stands in an adjoining meadow. On the deep north porch rests

the archangel, on a corbel head. The fine old oak roof of the nave was

covered up some sixty or seventy years ago by a plastered ceiling; but

the corbel figures, playing the double pipe and viol, are still

standing. In the north aisle are the heads of Edward III. and his queen.

Two brackets for images project from the window in the north transept,

whose jambs, now whitewashed over, were once painted with frescoes of

the mystical vine, in green and red. Here, in the north wall, too, is an

aumbrie, whilst the broken stone stairs to the rood-loft still remain.

In the south transept a hagioscope, now walled up, looked into the

chancel, where, on the floor, lie two Early Decorated figures, formerly

placed in tombs under the rood-loft, and traditionally said to have been

brought from a church at Ripley. In the east window burns the fiery

beacon of the Comptons.

Here, too, the whole of the church has been most impartially, and, I may

add, successfully defaced. Everywhere has a snowstorm of whitewash

fallen. I know not why we in these days should think that God delights

in ugliness. Our forefathers at least thought not so. It would be well

if for a moment we would consider how He adorns his own house, leads the

green arabesque of ivy over its walls, and brightens the roof with the

silver rays of mosses, and crowns each buttress with the aureole of the

lichen.

Leaving Sopley, we come to Winkton, the Weringetone of _Domesday_, where

stood two mills, which were rented, as we have seen was often the case,

by a payment of eels.

The views here are full of quiet beauty; the river winding along between

its green walls of rushes, set with white and purple comfrey and yellow

loosestrife, flowing into the darkness of the trees, and then again

coming out by meadows, across which rises the Priory Church of

Christchurch, standing out clear and sharp against the dark mass of

Hengistbury Head.

[Illustration: The Avon at Winkton.]

The New Forest: Its History and Its Scenery · 第 12 / 24 章