XVI

There was a ball at the _Boule-Noire_ one Thursday. The dancing was in

full blast.

The ball-room had the ordinary appearance of modern places of amusement

for the people. It was brilliant with false richness and tawdry

splendor. There were paintings there, and tables at which wine was sold,

gilded chandeliers and glasses that held a quartern of brandy, velvet

hangings and wooden benches, the shabbiness and rusticity of an

ale-house with the decorations of a cardboard palace.

Garnet velvet lambrequins with a fringe of gold lace hung at the windows

and were economically copied in paint beneath the mirrors, which were

lighted by three-branched candelabra. On the walls, in large white

panels, pastoral scenes by Boucher, surrounded with painted frames,

alternated with Prud'hon's _Seasons_, which were much astonished to find

themselves in such a place; and above the windows and doors dropsical

Loves gamboled among five roses protruding from a pomade jar of the sort

used by suburban hair-dressers. Square pillars, embellished with meagre

arabesques, supported the ceiling in the centre of the hall, where

there was a small octagonal stand containing the orchestra. An oaken

rail, waist high, which served as a back to a cheap red bench, enclosed

the dancers. And against this rail, on the outside, were tables painted

green and two rows of benches, surrounding the dance with a cafe.

In the dancers' enclosure, beneath the fierce glare and the intense heat

of the gas, were women of all sorts, dressed in dark, worn, rumpled

woolens, women in black tulle caps, women in black _paletots_, women in

_caracos_ worn shiny at the seams, women in fur tippets bought of

open-air dealers and in shops in dark alleys. And in the whole

assemblage not one of the youthful faces was set off by a collar, not a

glimpse of a white skirt could be seen among the whirling dancers, not a

glimmer of white about these women, who were all dressed in gloomy

colors, the colors of want, to the ends of their unpolished shoes. This

absence of linen gave to the ball an aspect as of poverty in mourning;

it imparted to all the faces a touch of gloom and uncleanness, of

lifelessness and earthiness--a vaguely forbidding aspect, in which there

was a suggestion of the Hotel-Dieu and the Mont-de-Piete!

An old woman in a wig with the hair parted at the side passed in front

of the tables, with a basket filled with pieces of Savoy cake and red

apples.

From time to time the dance, in its twisting and turning, disclosed a

soiled stocking, the typical Jewish features of a street pedlar of

sponges, red fingers protruding from black mitts, a swarthy moustached

face, an under-petticoat soiled with the mud of night before last, a

second-hand-skirt, stiff and crumpled, of flowered calico, the cast-off

finery of some kept mistress.

The men wore _paletots_, small, soft caps pulled down over their ears,

and woolen comforters untied and hanging down their backs. They invited

the women to dance by pulling them by the cap ribbons that fluttered

behind them. Some few, in hats and frockcoats and colored shirts, had an

insolent air of domesticity and a swagger befitting grooms in some great

family.

Everybody was jumping and bustling about. The women frisked and capered

and gamboled, excited and stimulated by the spur of bestial pleasure.

And in the evolutions of the contra-dance, one could hear brothel

addresses given: _Impasse du Depotoir_.

Germinie entered the hall just at the conclusion of a quadrille to the

air of _La Casquette du pere Bugeaud_, in which the cymbals, the

sleigh-bells and the drum had infected the dancers with the giddiness

and madness of their uproar. At a glance she embraced the whole room,

all the men leading their partners back to the places marked by their

caps: she had been misled; _he_ was not there, she could not see him.

However, she waited. She entered the dancers' enclosure and sat down on

the end of a bench, trying not to seem too much embarrassed. From their

linen caps she judged that the women seated in line beside her were

servants like herself: comrades of her own class alarmed her less than

the little brazen-faced hussies, with their hair in nets and their hands

in the pockets of their _paletots_, who strolled humming about the room.

But soon she aroused hostile attention, even on her bench. Her hat--only

about a dozen women at the ball wore hats--her flounced skirt, the white

hem of which could be seen under her dress, the gold brooch that secured

her shawl awakened malevolent curiosity all about her. Glances and

smiles were bestowed upon her that boded her no good. All the women

seemed to be asking one another where this new arrival had come from,

and to be saying to one another that she would take their lovers from

them. Young women who were walking about the hall in pairs, with their

arms about one another's waists as if for a waltz, made her lower her

eyes as they passed in front of her, and then went on with a

contemptuous shrug, turning their heads to look back at her.

She changed her place: she was met with the same smiles, the same

whispering, the same hostility. She went to the further end of the hall;

all the women looked after her; she felt as if she were enveloped in

malicious, envious glances, from the hem of her dress to the flowers on

her hat. Her face flushed. At times she feared that she should weep. She

longed to leave the place, but she lacked courage to walk the length of

the hall all alone.

She began mechanically to watch an old woman who was slowly making the

circuit of the hall with a noiseless step, like a bird of night flying

in a circle. A black hat, of the hue of charred paper, confined her

_bandeaux_ of grizzled hair. From her square, high masculine shoulders,

hung a sombre-hued Scotch tartan. When she reached the door, she cast a

last glance about the hall, that embraced everyone therein, with the eye

of a vulture seeking in vain for food.

Suddenly there was an outcry: a police officer was ejecting a diminutive

youth who tried to bite his hands and clung to the tables, against

which, as he was dragged along, he struck with a noise like breaking

furniture.

As Germinie turned her head she spied Jupillon: he was sitting between

two women at a green table in a window-recess, smoking. One of the two

was a tall blonde with a small quantity of frizzled flaxen hair, a flat,

stupid face and round eyes. A red flannel chemise lay in folds on her

back, and she had both hands in the pockets of a black apron which she

was flapping up and down on her dark red skirt. The other, a short, dark

creature, whose face was still red from having been scrubbed with soap,

was enveloped as to her head, with the coquetry of a fishwoman, in a

white knitted hood with a blue border.

Jupillon had recognized Germinie. When he saw her rise and approach him,

with her eyes fixed upon his face, he whispered something to the woman

in the hood, rested his elbows defiantly on the table and waited.

"Hallo! you here," he exclaimed when Germinie stood before him, erect,

motionless and mute. "This is a surprise!--Waiter! another bowl!"

And, emptying the bowl of sweetened wine into the two women's glasses,

he continued: "Come, don't make up faces--sit down there."

And, as Germinie did not budge: "Go on! These ladies are friends of

mine--ask them!"

"Melie," said the woman in the hood to the other woman, in a voice like

a diseased crow's, "don't you see? She's monsieur's mother. Make room

for the lady if she'd like to drink with us."

Germinie cast a murderous glance at the woman.

"Well! what's the matter?" the woman continued; "that don't suit you,

madame, eh? Excuse me! you ought to have told me beforehand. How old do

you suppose she is, Melie, eh? _Sapristi!_ You select young ones, my

boy, you don't put yourself out!"

Jupillon smiled internally, and simpered and sneered externally. His

whole manner displayed the cowardly delight that evil-minded persons

take in watching the suffering of those who suffer because of loving

them.

"I have something to say to you--to you!--not here--outside," said

Germinie.

"Much joy to you! Coming, Melie?" said the woman in the hood, lighting

the stub of a cigar that Jupillon had left on the table beside a piece

of lemon.

"What do you want?" said Jupillon, impressed, in spite of himself, by

Germinie's tone.

"Come!"

And she walked on ahead of him. As she passed, the people crowded about

her, laughing. She heard voices, broken sentences, subdued hooting.

Germinie Lacerteux(#27711) · 第 20 / 84 题