Those people who look for the death of the Catholic religion in our day,
do not realize by what an infinite number of sturdy roots it still
retains its hold upon the hearts of the people. They do not realize the
secret, delicate fascination it has for the woman of the people. They do
not realize what confession and the confessor are to the impoverished
souls of those poor women. In the priest who listens and whose voice
falls softly on her ear, the woman of toil and suffering sees not so
much the minister of God, the judge of her sins, the arbiter of her
welfare, as the confidant of her sorrows and the friend of her misery.
However coarse she may be, there is always a little of the true woman in
her, a feverish, trembling, sensitive, wounded something, a restlessness
and, as it were, the sighing of an invalid who craves caressing words,
even as a child's trifling ailments require the nurse's droning lullaby.
She, as well as the woman of the world, must have the consolation of
pouring out her heart, of confiding her troubles to a sympathetic ear.
For it is the nature of her sex to seek an outlet for the emotions and
an arm to lean upon. There are in her mind things that she must tell,
and concerning which she would like to be questioned, pitied and
comforted. She dreams of a compassionate interest, a tender sympathy for
hidden feelings of which she is ashamed. Her masters may be the kindest,
the most friendly, the most approachable of masters to the woman in
their employ: their kindness to her will still be of the same sort that
they bestow upon a domestic animal. They will be uneasy concerning her
appetite and her health; they will look carefully after the animal part
of her, and that will be all. It will not occur to them that she can
suffer elsewhere than in her body, and they will not dream that she can
have the heartache, the sadness and immaterial pain for which they seek
relief by confiding in those of their own station. In their eyes, the
woman who sweeps and does the cooking, has no ideas that can cause her
to be sad or thoughtful, and they never speak to her of her thoughts. To
whom, then, shall she carry them? To the priest who is waiting for them,
asks for them, welcomes them, to the churchman who is also a man of the
world, a superior creature, a well-educated gentleman, who knows
everything, speaks well, is always accessible, gentle, patient,
attentive, and seems to feel no scorn for the most humble soul, the most
shabbily dressed penitent. The priest alone listens to the woman in a
cap. He alone takes an interest in her secret sufferings, in the things
that disturb and agitate her and that bring to a maid, as well as to
her mistress, the sudden longing to weep, or excite a tempest within
her. There is none but he to encourage her outpourings, to draw from her
those things which the irony of her daily life holds back, to look to
the state of her moral health; none but he to raise her above her
material life, none but he to cheer her with moving words of charity and
hope,--such divine words as she has never heard from the mouths of the
men of her family and of her class.
After entering the service of Mademoiselle de Varandeuil, Germinie
became profoundly religious and cared for nothing but the church. She
abandoned herself little by little to the sweet delight of confession,
to the priest's smooth, tranquil bass voice that came to her from the
darkness, to the conversations which resembled the touch of soothing
words, and from which she went forth refreshed, light of heart, free
from care, and happy with a delightful sense of relief, as if a balm had
been applied to all the tender, suffering, fettered portions of her
being.
She did not, could not, open her heart elsewhere. Her mistress had a
certain masculine roughness of demeanor which repelled expansiveness.
She had an abrupt, exclamatory way of speaking that forced back all that
Germinie would have liked to confide to her. It was in her nature to be
brutal in her treatment of all lamentations that were not caused by pain
or disappointment. Her virile kindliness had no pity to spare for
diseases of the imagination, for the suffering that is created by the
thought, for the weariness of spirit that flows from a woman's nerves
and from the disordered condition of her mental organism. Germinie often
found her unfeeling; the old woman had simply been hardened by the times
in which she had lived and by the circumstances of her life. The shell
of her heart was as hard as her body. Never complaining herself, she did
not like to hear complaints about her. And by the right of all the tears
she had not shed, she detested childish tears in grown persons.
Soon the confessional became a sort of sacred, idolized rendezvous for
Germinie's thoughts. Every day it was her first idea, the theme of her
first prayer. Throughout the day, she was kneeling there as in a dream;
and while she was about her work it was constantly before her eyes, with
its oaken frame with fillets of gold, its pediment in the shape of a
winged angel's head, its green curtain with the motionless folds, and
the mysterious darkness on both sides. It seemed to her that now her
whole life centred there, and that every hour tended thither. She lived
through the week looking forward to that longed-for, prayed-for,
promised day. On Thursday, she began to be impatient; she felt, in the
redoubling of her blissful agony, the material drawing near, as it were,
of the blessed Saturday evening; and when Saturday came and
mademoiselle's dinner had been hastily served and her work done, she
would make her escape and run to Notre-Dame de Lorette, hurrying to the
penitential stool as to a lover's rendezvous. Her fingers dipped in holy
water and a genuflexion duly made, she would glide over the flags,
between the rows of chairs, as softly as a cat steals across a carpeted
floor. With bent head, almost crawling, she would go noiselessly forward
in the shadow of the side aisles, until she reached the mysterious,
veiled confessional, where she would pause and await her turn, absorbed
in the emotion of suspense.
The young priest who confessed her, encouraged her frequent confessions.
He was not sparing of time or attention or charity. He allowed her to
talk at great length and tell him, with many words, of all her petty
troubles. He was indulgent to the diffuseness of a suffering soul, and
permitted her to pour out freely her most trivial afflictions. He
listened while she set forth her anxieties, her longings, her troubles;
he did not repel or treat with scorn any portion of the confidences of a
servant who spoke to him of all the most delicate, secret concerns of
her existence, as one would speak to a mother and a physician.
This priest was young. He was kind-hearted. He had lived in the world. A
great sorrow had impelled him, crushed and broken, to assume the gown
wherein he wore mourning for his heart. There remained something of the
man in the depths of his being, and he listened, with melancholy
compassion, to the outpouring of this maidservant's suffering heart. He
understood that Germinie needed him, that he sustained and strengthened
her, that he saved her from herself and removed her from the temptations
to which her nature exposed her. He was conscious of a sad sympathy for
that heart overflowing with affection, for the ardent, yet tractable
girl, for the unhappy creature who knew nothing of her own nature, who
was promised to passion by every impulse of her heart, by her whole
body, and who betrayed in every detail of her person the vocation of her
temperament. Enlightened by his past experience, he was amazed and
terrified sometimes by the gleams that emanated from her, by the flame
that shot from her eyes at the outburst of love in a prayer, by the
evident tendency of her confessions, by her constantly recurring to that
scene of violence, that scene in which her perfectly sincere purpose to
resist seemed to the priest to have been betrayed by a convulsion of the
senses that was stronger than she.
This fever of religion lasted several years, during which Germinie lived
a concentrated, silent, happy life, entirely devoted to God's
service--at least she thought so. Her confessor, however, had come
gradually to the conclusion that all her adoration tended toward
himself. By her glances, by her blushes, by the words she no longer said
to him, and by others which she made bold to say to him for the first
time, he realized that his penitent's devotion was going astray and
becoming unduly fervent, deceiving itself as to its object. She watched
for him when the services were at an end, followed him into the
sacristy, hung on his skirts, ran into the church after his cassock. The
confessor tried to warn her, to divert her amorous fervor from himself.
He became more reserved and assumed a cold demeanor. In despair at this
change, at his apparent indifference, Germinie, feeling bitter and hurt,
confessed to him one day, in the confessional, the hatred that had taken
possession of her for two young girls, who were his favorite penitents.
Thereupon the priest dismissed her, without discussion, and sent her to
another confessor. Germinie went once or twice to confess to this other
confessor; then she ceased to go; soon she ceased even to think of
going, and of all her religion naught remained in her mind but a certain
far-off sweetness, like the faint odor of burned-out incense.
Affairs had reached that point when mademoiselle fell ill. Throughout
her illness, as Germinie did not want to leave her, she did not attend
mass. And on the first Sunday--when mademoiselle, being fully recovered,
did not require her care, she was greatly surprised to find that "her
devotee" remained at home and did not run away to church.
"Oho!" said she, "so you don't go and see your cures nowadays? What have
they done to you, eh?"
"Nothing," said Germinie.
V
"There, mademoiselle!--Look at me," said Germinie.
It was a few months later. She had asked her mistress's permission to go
that evening to the wedding ball of her grocer's sister, who had chosen
her for her maid-of-honor, and she had come to exhibit herself _en
grande toilette_, in her low-necked muslin dress.
Mademoiselle raised her eyes from the old volume, printed in large type,
which she was reading, removed her spectacles, placed them in the book
to mark her place, and exclaimed:
"What, my little bigot, you at a ball! Do you know, my girl, this seems
to me downright nonsense! You and the hornpipe! Faith, all you need now
is to want to get married! A deuce of a want, that! But if you marry, I
warn you that I won't keep you--mind that! I've no desire to wait on
your brats! Come a little nearer----Oho! why----bless my soul!
Mademoiselle Show-all! We're getting to be a bit of a flirt lately, I
find----"
"Why no, mademoiselle," Germinie tried to say.
"And then," continued Mademoiselle de Varandeuil, following out her
thought, "among you people, the men are such sweet creatures! They'll
spend all you have--to say nothing of the blows. But marriage--I am sure
that that nonsensical idea of getting married buzzes around in your head
when you see the others. That's what gives you that simper, I'll wager.
_Bon Dieu de Dieu!_ Now turn a bit, so that I can see you," said
Mademoiselle de Varandeuil, with an abrupt change of tone to one that
was almost caressing; and placing her thin hands on the arms of her
easy-chair, crossing her legs and moving her foot back and forth, she
set about inspecting Germinie and her toilet.
"What the devil!" said she, after a few moments of silent scrutiny,
"what! is it really you?----Then I have never used my eyes to look at
you.----Good God, yes!----But----but----" She mumbled more vague
exclamations between her teeth.----"Where the deuce did you get that mug
like an amorous cat's?" she said at last, and continued to gaze at her.
Germinie was ugly. Her hair, of so dark a chestnut that it seemed black,
curled and twisted in unruly waves, in little stiff, rebellious locks,
which escaped and stood up all over her head, despite the pomade upon
her shiny _bandeaux_. Her smooth, narrow, swelling brow protruded above
the shadow of the deep sockets in which her eyes were buried and sunken
to such a depth as almost to denote disease; small, bright, sparkling
eyes they were, made to seem smaller and brighter by a constant girlish
twinkle that softened and lighted up their laughter. They were neither
brown eyes nor blue eyes, but were of an undefinable, changing gray, a
gray that was not a color, but a light! Emotion found expression therein
in the flame of fever, pleasure in the flashing rays of a sort of
intoxication, passion in phosphorescence. Her short, turned-up nose,
with large, dilated, palpitating nostrils, was one of those noses of
which the common people say that it rains inside: upon one side, at the
corner of the eye was a thick, swollen blue vein. The square head of the
Lorraine race was emphasized in her broad, high, prominent cheek-bones,
which were well-covered with the traces of small-pox. The most
noticeable defect in her face was the too great distance between the
nose and mouth. This lack of proportion gave an almost apish character
to the lower part of the head, where the expansive mouth, with white
teeth and full lips that looked as if they had been crushed, they were
so flat, smiled at you with a strange, vaguely irritating smile.
Her _decollete_ dress disclosed her neck, the upper part of her breast,
her shoulders and her white back, presenting a striking contrast to her
swarthy face. It was a lymphatic sort of whiteness, the whiteness, at
once unhealthy and angelic, of flesh in which there is no life. She had
let her arms fall by her sides--round, smooth arms with a pretty dimple
at the elbow. Her wrists were delicate; her hands, which did not betray
the servant, were embellished with a lady's fingernails. And lazily,
with graceful sloth, she allowed her indolent figure to curve and
sway;--a figure that a garter might span, and that was made even more
slender to the eye by the projection of the hips and the curve of the
hoops that gave the balloon-like roundness to her skirt;--an impossible
waist, absurdly small but adorable, like everything in woman that
offends one's sense of proportion by its diminutiveness.
From this ugly woman emanated a piquant, mysterious charm. Light and
shadow, jostling and intercepting each other on her face on which
hollows and protuberances abounded, imparted to it that suggestion of
libertinism which the painter of love scenes gives to the rough sketch
of his mistress. Everything about her,--her mouth, her eyes, her very
plainness--was instinct with allurement and solicitation. Her person
exhaled an aphrodisiac charm, which challenged and laid fast hold of the
other sex. It unloosed desire, and caused an electric shock. Sensual
thoughts were naturally and involuntarily aroused by her, by her
gestures, her gait, her slightest movement--even by the air in which her
body had left one of its undulations. Beside her, one felt as if he were
near one of those disturbing, disquieting creatures, burning with the
love disease and communicating it to others, whose face appears to man
in his restless hours, torments his listless noonday thoughts, haunts
his nights and trespasses upon his dreams.
In the midst of Mademoiselle de Varandeuil's scrutiny, Germinie stooped
over her, and covered her hand with hurried kisses.
"There--there--enough of that," said Mademoiselle. "You would soon wear
out the skin--with your way of kissing. Come, run along, enjoy yourself,
and try not to stay out too late. Don't get all tired out."
Mademoiselle de Varandeuil was left alone. She placed her elbows on her
knees, stared at the fire and stirred the burning wood with the tongs.
Then, as she was accustomed to do when deeply preoccupied, she struck
herself two or three sharp little blows on the neck with the flat of her
hand, and thereby set her black cap all awry.