I was polite enough not to contradict her.

Both of us know better....

This young girl has no illusions (few Tuscans have) and yet a great

charm. Her lover is at the front. There is little for her to do, the

hotel being practically empty. There is nothing whatever for me to do,

in these Arctic latitudes. Bored to death, both of us, we confabulate

together huddled in shawls and greatcoats, each holding a charcoal pan

to keep the fingers from being frostbitten. I say to myself: "You will

never find a maidservant of this type in Rome, so sprightly of tongue,

distinguished in manner and spotless in person--never!"

The same with her words. The phrases trip out of her mouth, immaculate,

each in full dress. Seldom does she make an original remark, but she

says ordinary things in a tone of intense conviction and invests them

with an appetizing savour. Wherein lies that peculiar salt of Tuscan

speech? In its emphasis, its air of finality. They are emphatic, rather

than profound. Their deepest utterances, if you look below the surface,

are generally found to be variants of one of those ancestral saws or

proverbs wherewith the country is saturated. Theirs is a crusted charm.

A hard and glittering sanity, a kind of ageless enamel, is what

confronts us in their temperament. There are not many deviations from

this Tuscan standard. Close by, in Umbria, you will find a softer type.

One can be passably warm in bed. Here I lie for long, long hours,

endeavouring to generate the spark of energy which will propel me from

this inhospitable mountain. Here I lie and study an old travel-book. I

mean to press it to the last drop.

One seldom presses books out, nowadays. The mania for scraps of one kind

or another, the general cheapening of printed matter, seem to have

dulled that faculty and given us a scattered state of mind. We browse

dispersedly, in goatish fashion, instead of nibbling down to the root

like that more conscientious quadruped whose name, if I mentioned it,

would degrade the metaphor. Devouring so much, so hastily, so

irreverentially, how shall a man establish close contact with the mind

of him who writes, and impregnate himself with his peculiar outlook to

such an extent as to be able to take on, if only momentarily, a

colouring different from his own? It is a task requiring submissiveness

and leisure.

And yet, what could be more interesting than really to observe things

and men from the angle of another individual, to install oneself within

his mentality and make it one's habitation? To sit in his bones--what

glimpses of unexplored regions! Were a man to know what his fellow truly

thinks; could he feel in his own body those impulses which drive the

other to his idiomatic acts and words--what an insight he would gain!

Morally, it might well amount to "tout comprendre, c'est ne rien

pardonner"; but who troubles about pardoning or condemning?

Intellectually, it would be a feast. Thus immersed into an alien

personality, a man would feel as though he lived two lives, and

possessed two characters at the same time. One's own life, prolonged to

an age, could never afford such unexpected revelations.

The thing can be done, up to a point, with patient humility; for

everybody writes himself down more or less, though not everybody is

worth the trouble of deciphering.

I purpose to apply this method; to squeeze the juice, the life-blood,

out of what some would call a rather dry Scotch traveller. I read his

book in England for the first time two years ago, and have brought it

here with a view to further dissection. Would I had known of its

existence five years earlier! Strange to say, despite my deplorable

bookishness (vide Press) this was not the case; I could never ascertain

either the author's name or the title of his volume, though I had heard

about him, rather vaguely, long before that time. It was Dr. Dohrn of

the Naples Aquarium who said to me in those days:

"Going to the South? Whatever you do, don't forget to read that book by

an old Scotch clergyman. He ran all over the country with a top-hat and

an umbrella, copying inscriptions. He was just your style: perfectly

crazy."

Flattered at the notion of being likened to a Scottish divine, I made

all kinds of inquiries--in vain. I abandoned hope of unearthing the

top-hatted antiquarian and had indeed concluded him to be a myth, when a

friend supplied me with what may be absurdly familiar to less bookish

people: "The Nooks and By-ways of Italy." By Craufurd Tait Ramage, LL.D.

Liverpool, 1868.

A glance sufficed to prove that this Ramage belonged to the brotherhood

of David Urquhart, Mure of Caldwell, and the rest of them. Where are

they gone, those candid inquirers, so full of gentlemanly curiosity, so

informative and yet shrewdly human; so practical--think of Urquhart's

Turkish Baths--though stuffed with whimsicality and abstractions? Where

is the spirit that gave them birth?

One grows attached to these "Nooks and By-ways." An honest book, richly

thoughtful, and abounding in kindly twinkles.

Now, regarding the top-hat. I find no mention of it in these letters.

For letters they are; letters extracted from a diary which was written

on his return from Italy in 1828 from "very full notes made from day to

day during my journey." 1828: that date is important. It was in 1828,

therefore, when the events occurred which he relates, and he allowed an

interval of forty years to elapse ere making them public.

The umbrella on the other hand is always cropping up. It pervades the

volume like a Leitmotif. It is "a most invaluable article" for

protecting the head against the sun's rays; so constantly is it used

that after a single month's wear we find it already in "a sad state of

dilapidation." Still, he clings to it. As a defence against brigands it

might prove useful, and on one occasion, indeed, he seizes it in his

hand "prepared to show fight." This happened, be it remembered, in 1828.

Vainly one conjectures what the mountain folk of South Italy thought of

such a phenomenon. Even now, if they saw you carrying an umbrella about

in the sunshine, they would cross themselves and perhaps pray for your

recovery--perhaps not. Yet Ramage was not mad at all. He was only more

individualistic and centrifugal than many people. Having formed by

bitter experience a sensible theory--to wit, that sunstroke is

unpleasant and can be avoided by the use of an umbrella--he is not above

putting it into practice. Let others think and do as they please!

For the rest, his general appearance was quite in keeping. How

delightful he must have looked! Why have we no such types nowadays?

Wearing a "white merino frock-coat, nankeen trowsers, a large-brimmed

straw hat, and white shoes," he must have been a fairly conspicuous

object in the landscape. That hat alone will have alarmed the peasantry

who to this day and hour wear nothing but felt on their heads. And note

the predominance of the colour white in his attire; it was popular, at

that period, with English travellers. Such men, however, were unknown in

most of the regions which Ramage explored. The colour must have inspired

feelings akin to awe in the minds of the natives, for white is their

bête noire. They have a rooted aversion to it and never employ it in

their clothing, because it suggests to their fancy the idea of

bloodlessness--of anaemia and death. If you want to make one of them ill

over his dinner, wear a white waistcoat.

Accordingly, it is not surprising that he sometimes finds himself "an

object of curiosity." An English Vice-Consul, at one place, was "quite

alarmed at my appearance." Elsewhere he meets a band of peasant-women

who "took fright at my appearance and scampered off in the utmost

confusion." And what happened at Taranto? By the time of his arrival in

that town his clothes were already in such a state that "they would

scarcely fit an Irish beggar." Umbrella in hand--he is careful to

apprise us of this detail--and soaked moreover from head to foot after

an immersion in the river Tara, he entered the public square, which was

full of inhabitants, and soon found himself the centre of a large crowd.

Looking, he says, like a drowned rat, his appearance caused "great

amazement."

"What is the matter? Who is he?" they asked.

The muleteer explained that he was an Englishman, and "that immediately

seemed to satisfy them."

Of course it did. People in those times were prepared for anything on

the part of an Englishman, who was a far more self-assertive and

self-confident creature than nowadays.

Thus arrayed in snowy hue, like the lilies of the field, he perambulates

during the hot season the wildest parts of South Italy, strangely

unprejudiced, heedless of bugs and brigands--a real danger in 1828: did

he not find the large place Rossano actually blocked by them?--sleeping

in stables and execrable inns, viewing sites of antiquity and natural

beauty, interrogating everybody about everything and, in general,

"satisfying his curiosity." That curiosity took a great deal to satisfy.

It is a positive relief to come upon a sentence in this book, a sentence

unique, which betrays a relaxing or waning of this terrible curiosity.

"It requires a strong mania for antiquities to persevere examining such

remains as Alife furnishes, and I was soon satisfied with what I had

seen." Nor did he climb to the summit of Mount Vulture, as he would have

done if the view had not been obscured by a haze.

His chief concern could not be better summed up than in the sub-title he

has chosen for this volume: Wanderings in search of ancient remains and

modern superstitions. To any one who knows the country it appears

astonishing how much he contrived to see, and in how brief a space of

time. He accomplished wonders. For it was no mean task he had proposed

to himself, namely, "to visit every spot in Italy which classic writers

had rendered famous."

To visit every spot--what a Gargantuan undertaking! None but a quite

young man could have conceived such a project, and even Ramage, with all

his good health and zest, might have spent half a lifetime over the

business but for his habit of breathless hustle, which leaves the reader

panting behind. He is always on the move. He reminds one of Mr. Phineas

Fogg in that old tale. The moment he has "satisfied his curiosity" there

is no holding him; off he goes; the smiles of the girls whom he adores,

the entreaties of some gentle scholar who fain would keep him as guest

for the night--they are vain; he is tired to death, but "time is

precious" and he "tears himself away from his intelligent host" and

scampers into the wilderness once more, as if the Furies were at his

heels. He thinks nothing of rushing from Catanzaro to Cotrone, from

Manduria to Brindisi, in a single day--at a time when there was hardly a

respectable road in the country. Up to the final paragraph of the book

he is "hurrying" because time is "fast running out."

This sense of fateful hustle--this, and the umbrella--they impart quite

a peculiar flavour to his pages.

One would like to learn more about so lovable a type--for such he was,

unquestionably; one would like to know, above all things, why his

descriptions of other parts of Italy have never been printed. Was the

enterprise interrupted by his death? He tells us that the diaries of his

tours through the central and northern regions were written; that he

visited "every celebrated spot in Umbria and Etruria" and wandered "as

far as the valley of the Po." Where are these notes? Those on Etruria,

especially, would make good reading at this distance of time, when even

Dennis has acquired an old-world aroma. The Dictionary of National

Biography might tell us something about him, but that handy little

volume is not here; moreover, it has a knack of telling you everything

about people save what you ought to know.

So, for example, I had occasion not long ago to look up the account of

Charles Waterton the naturalist. [3] He did good work in his line, but

nothing is more peculiar to the man than his waywardness. It was

impossible for him to do anything after the manner of other folks. In

all his words and actions he was a freak, a curiosity, the prince of

eccentrics. Yet this, the essence of the man, the fundamental trait of

his character which shines out of every page of his writing and every

detail of his daily life--this, the feature by which he was known to his

fellows and ought to be known to posterity--it is intelligible from that

account only if you read between the lines. Is that the way to write

"biography"?

Fortunately he has written himself down; so has Ramage; and it is

instructive to compare the wayside reflections of these two

contemporaries as they rove about the ruins of Italy; the first, ardent

Catholic, his horizon close-bounded by what the good fathers of

Stonyhurst had seen fit to teach him; the other, less complacent, all

alive indeed with Calvinistic disputatiousness and ready to embark upon

bold speculations anent the origin of heathen gods and their modern

representatives in the Church of Rome; amiable scholars and gentlemen,

both of them; yet neither venturing to draw those plain conclusions

which the "classic remains of paganism" would have forced upon anybody

else--upon anybody, that is, who lacked their initial warp, whose mind

had not been twisted in youth or divided, rather, into watertight

compartments.

A long sentence....

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