CHAPTER XXXI.

"And behold, though the way was light and the sun did shine, yet my

heart was ill at ease, for a sinister blot did now and again fleck the

sun, and a muttered sound perturbed the air. And he repeated oft 'One

hath told me--thus--or thus.'"

Karl Linders, our old acquaintance, was now our fast friend. Many

changes had taken place in the _personnel_ of our fellow-workmen in the

kapelle, but Eugen, Karl, and I remained stationary in the same places

and holding the same rank as on the day we had first met. He, Karl, had

been from the first more congenial to me than any other of my fellows

(Eugen excepted, of course). Why, I could never exactly tell. There was

about him a contagious cheerfulness, good-humor, and honesty. He was a

sinner, but no rascal; a wild fellow--_Taugenichts_--_wilder Gesell_,

as our phraseology had it, but the furthest thing possible from a

knave.

Since his visits to us and his earnest efforts to curry favor with

Sigmund by means of nondescript wool beasts, domestic or of prey, he had

grown much nearer to us. He was the only intimate we had--the only

person who came in and out of our quarters at any time; the only man who

sat and smoked with us in an evening. At the time when Karl put in his

first appearance in these pages he was a young man not only not

particular, but utterly reckless as to the society he frequented. Any

one, he was wont to say, was good enough to talk with, or to listen

while talked to. Karl's conversation could not be called either affected

or pedantic; his taste was catholic, and comprised within wide bounds;

he considered all subjects that were amusing appropriate matter of

discussion, and to him most subjects were--or were susceptible of being

made--amusing.

Latterly, however, it would seem that a process of growth had been going

on in him. Three years had worked a difference. In some respects he was,

thank Heaven! still the old Karl--the old careless, reckless, aimless

fellow; but in others he was metamorphosed.

Karl Linders, a handsome fellow himself and a slave to beauty, as he was

careful to inform us--susceptible in the highest degree to real

loveliness--so he often told us--and in love on an average, desperately

and forever, once a week, had at last fallen really and actually in

love.

For a long time we did not guess it--or rather, accepting his being in

love as a chronic state of his being--one of the "inseparable

accidents," which may almost be called qualities, we wondered what lay

at the bottom of his sudden intense sobriety of demeanor and propriety

of conduct, and looked for some cause deeper than love, which did not

usually have that effect upon him; we thought it might be debt. We

studied the behavior itself; we remarked that for upward of ten days he

had never lauded the charms of any young woman connected with the choral

or terpsichorean staff of the opera, and wondered.

We saw that he had had his hair very much cut, and we told him frankly

that we did not think it improved him. To our great surprise he told us

that we knew nothing about it, and requested us to mind our own

business, adding testily, after a pause, that he did not see why on

earth a set of men like us should make ourselves conspicuous by the

fashion of our hair, as if we were Absaloms or Samsons.

"Samson had a Delilah, _mein lieber_," said I, eying him. "She shore his

locks for him. Tell us frankly who has acted the part by you."

"Bah! Can a fellow have no sense in his own head to find such things

out? Go and do likewise, and I can tell you you'll be improved."

But we agreed when he was gone that the loose locks, drooping over the

laughing glance, suited him better than that neatly cropped propriety.

Days passed, and Karl was still not his old self. It became matter of

public remark that his easy, short jacket, a mongrel kind of garment to

which he was deeply attached, was discarded, not merely for grand

occasions, but even upon the ordinary Saturday night concert, yea, even

for walking out at midday, and a superior frock-coat substituted for

it--a frock-coat in which, we told him, he looked quite _edel_. At which

he pished and pshawed, but surreptitiously adjusted his collar before

the looking-glass which the propriety and satisfactoriness of our

behavior had induced Frau Schmidt to add to our responsibilities, pulled

his cuffs down, and remarked _en passant_ that "the 'cello was a

horribly ungraceful instrument."

"Not as you use it," said we both, politely, and allowed him to lead the

way to the concert-room.

A few evenings later he strolled into our room, lighted a cigar, and

sighed deeply.

"What ails thee, then, Karl?" I asked.

"I've something on my mind," he replied, uneasily.

"That we know," put in Eugen; "and a pretty big lump it must be, too.

Out with it, man! Has she accepted the bottle-nosed oboist after all?"

"No."

"Have you got into debt? How much? I dare say we can manage it between

us."

"No--oh, no! I am five thalers to the good."

Our countenances grow more serious. Not debt? Then what was it, what

could it be?

"I hope nothing has happened to Gretchen," suggested Eugen, for

Gretchen, his sister, was the one permanently strong love of Karl's

heart.

"Oh, no! _Das Mädel_ is very well, and getting on in her classes."

"Then what is it?"

"I'm--engaged--to be married."

I grieve to say that Eugen and I, after staring at him for some few

minutes, until we had taken in the announcement, both burst into the

most immoderate laughter--till the tears ran down our cheeks, and our

sides ached.

Karl sat quite still, unresponsive, puffing away at his cigar; and when

we had finished, or rather were becoming a little more moderate in the

expression of our amusement, he knocked the ash away from his weed, and

remarked:

"That's blind jealousy. You both know that there isn't a _Mädchen_ in

the place who would look at you, so you try to laugh at people who are

better off than yourselves."

This was so stinging (from the tone more than the words) as coming from

the most sweet-tempered fellow I ever knew, that we stopped. Eugen

apologized, and we asked who the lady was.

"I shouldn't suppose you cared to know," said he, rather sulkily. "And

it's all very fine to laugh, but let me see the man who even smiles at

her--he shall learn who I am."

We assured him, with the strongest expressions that we could call to our

aid, that it was the very idea of his being engaged that made us

laugh--not any disrespect, and begged his pardon again. By degrees he

relented. We still urgently demanded the name of the lady.

"_Als verlobte empfehlen sich_ Karl Linders and--who else?" asked Eugen.

"_Als verlobte empfehlen sich_[D] Karl Linders and Clara Steinmann,"

said Karl, with much dignity.

[Footnote D: The German custom on an engagement taking place is to

announce it with the above words, signifying "M. and N. announce

(recommend) themselves as betrothed." This appears in the newspaper--as

a marriage with us.]

"Clara Steinmann," we repeated, in tones of respectful gravity, "I never

heard of her."

"No, she keeps herself rather reserved and select," said Karl,

impressively. "She lives with her aunt in the Alléestrasse, at number

39."

"Number 39!" we both ejaculated.

"Exactly so! What have you to say against it?" demanded Herr Linders,

glaring round upon us with an awful majesty.

"Nothing--oh, less than nothing. But I know now where you mean. It is a

boarding-house, _nicht wahr?_"

He nodded sedately.

"I have seen the young lady," said I, carefully observing all due

respect. "Eugen, you must have seen her too. Miss Wedderburn used to

come with her to the Instrumental Concerts before she began to sing."

"Right!" said Karl, graciously. "She did. Clara liked Miss Wedderburn

very much."

"Indeed!" said we, respectfully, and fully recognizing that this was

quite a different affair from any of the previous flirtations with

chorus-singers and ballet-girls which had taken up so much of his

attention.

"I don't know her," said I, "I have not that pleasure, but I am sure you

are to be congratulated, old fellow--so I do congratulate you very

heartily."

"Thank you," said he.

"I can't congratulate you, Karl, as I don't know the lady," said Eugen,

"but I do congratulate her," laying his hand upon Karl's shoulder; "I

hope she knows the kind of man she has won, and is worthy of him."

A smile of the Miss Squeers description--"Tilda, I pities your ignorance

and despises you"--crossed Karl's lips as he said:

"Thank you. No one else knows. It only took place--decidedly, you know,

to-night. I said I should tell two friends of mine--she said she had no

objection. I should not have liked to keep it from you two. I wish,"

said Karl, whose eyes had been roving in a seeking manner round the

room, and who now brought his words out with a run; "I wish Sigmund had

been here too. I wish she could have seen him. She loves children; she

has been very good to Gretchen."

Eugen's hand dropped from our friend's shoulder. He walked to the window

without speaking, and looked out into the darkness--as he was then in

more senses than one often wont to do--nor did he break the silence nor

look at us again until some time after Karl and I had resumed the

conversation.

So did the quaint fellow announce his engagement to us. It was quite a

romantic little history, for it turned out that he had loved the girl

for full two years, but for a long time had not been able even to make

her acquaintance, and when that was accomplished, had hardly dared to

speak of his love for her; for though she was sprung from much the same

class as himself, she was in much better circumstances, and accustomed

to a life of ease and plenty, even if she were little better in reality

than a kind of working housekeeper. A second suitor for her hand had,

however, roused Karl into boldness and activity; he declared himself,

and was accepted. Despite the opposition of Frau Steinmann, who thought

the match in every way beneath her niece (why, I never could tell), the

lovers managed to carry their purpose so far as the betrothal or

_verlobung_ went; marriage was a question strictly of the future. It was

during the last weeks of suspense and uncertainty that Karl had been

unable to carry things off in quite his usual light-hearted manner; it

was after finally conquering that he came to make us partners in his

satisfaction.

In time we had the honor of an introduction to Fräulein Steinmann, and

our amazement and amusement were equally great. Karl was a tall,

handsome, well-knit fellow, with an exceptionally graceful figure and

what I call a typical German face (typical, I mean, in one line of

development)--open, frank, handsome, with the broad traits, smiling

lips, clear and direct guileless eyes, waving hair and aptitude for

geniality which are the chief characteristics of that type--not the

highest, perhaps, but a good one, nevertheless--honest, loyal, brave--a

kind which makes good fathers and good soldiers--how many a hundred are

mourned since 1870-71!

He had fallen in love with a little stout dumpy _Mädchen_, honest and

open as himself, but stupid in all outside domestic matters. She was

evidently desperately in love with him, and could understand a good

waltz or a sentimental song, so that his musical talents were not

altogether thrown away. I liked her better after a time. There was

something touching in the way in which she said to me once:

"He might have done so much better. I am such an ugly, stupid thing, but

when he said did I love him or could I love him, or something like that,

_um Gotteswillen_, Herr Helfen, what could I say?"

"I am sure you did the best possible thing both for him and for you," I

was able to say, with emphasis and conviction.

Karl had now become a completely reformed and domesticated member of

society; now he wore the frock-coat several times a week, and confided

to me that he thought he must have a new one soon. Now too did other

strange results appear of his engagement to Fräulein Clara (he got

sentimental and called her Clärchen sometimes). He had now the _entrée_

of Frau Steinmann's house and there met feminine society several degrees

above that to which he had been accustomed. He was obliged to wear a

permanently polite and polished manner (which, let me hasten to say, was

not the least trouble to him). No chaffing of these young ladies--no

offering to take them to places of amusement of any but the very

sternest and severest respectability.

He took Fräulein Clara out for walks. They jogged along arm in arm, Karl

radiant, Clara no less so, and sometimes they were accompanied by

another inmate of Frau Steinmann's house--a contrast to them both. She

lived _en famille_ with her hostess, not having an income large enough

to admit of indulging in quite separate quarters, and her name was Anna

Sartorius.

It was very shortly after his engagement that Karl began to talk to me

about Anna Sartorius. She was a clever young woman, it seemed--or as he

called her, a _gescheidtes Mädchen_. She could talk most wonderfully.

She had traveled--she had been in England and France, and seen the

world, said Karl. They all passed very delightful evenings together

sometimes, diversified with music and song and the racy jest--at which

times Frau Steinmann became quite another person, and he, Karl, felt

himself in heaven.

The substance of all this was told me by him one day at a probe, where

Eugen had been conspicuous by his absence. Perhaps the circumstance

reminded Karl of some previous conversation, for he said:

"She must have seen Courvoisier before somewhere. She asks a good many

questions about him, and when I said I knew him she laughed."

"Look here, Karl, don't go talking to outsiders about Eugen--or any of

us. His affairs are no business of Fräulein Sartorius, or any other

busybody."

"I talk about him! What do you mean? Upon my word I don't know how the

conversation took that turn; but I am sure she knows something about

him. She said 'Eugen Courvoisier indeed!' and laughed in a very peculiar

way."

"She is a fool. So are you if you let her talk to you about him."

"She is no fool, and I want to talk to no one but my own _Mädchen_,"

said he, easily; "but when a woman is talking one can't stop one's

ears."

Time passed. The concert with the Choral Symphony followed. Karl had had

the happiness of presenting tickets to Fräulein Clara and her aunt, and

of seeing them, in company with Miss Sartorius, enjoying looking at the

dresses, and saying how loud the music was. His visits to Frau Steinmann

continued.

"Friedel," he remarked abruptly one day to me, as we paced down the

Casernenstrasse, "I wonder who Courvoisier is!"

"You have managed to exist very comfortably for three or four years

without knowing."

"There is something behind all his secrecy about himself."

"Fräulein Sartorius says so, I suppose," I remarked, dryly.

"N--no; she never said so; but I think she knows it is so."

"And what if it be so?"

"Oh, nothing! But I wonder what can have driven him here."

"Driven him here? His own choice, of course."

Karl laughed.

"_Nee_, _nee_, Friedel, not quite."

"I should advise you to let him and his affairs alone, unless you want a

row with him. I would no more think of asking him than of cutting off my

right hand."

"Asking him--_lieber Himmel!_ no; but one may wonder--It was a very

queer thing his sending poor Sigmund off in that style. I wonder where

he is."

"I don't know."

"Did he never tell you?"

"No."

"Queer!" said Karl, reflectively. "I think there is something odd behind

it all."

"Now listen, Karl. Do you want to have a row with Eugen? Are you anxious

for him never to speak to you again?"

"_Herrgott_, no!"

"Then take my advice, and just keep your mouth shut. Don't listen to

tales, and don't repeat them."

"But, my dear fellow, when there is a mystery about a man--"

"Mystery! Nonsense! What mystery is there in a man's choosing to have

private affairs? We didn't behave in this idiotic manner when you were

going on like a lunatic about Fräulein Clara. We simply assumed that as

you didn't speak you had affairs which you chose to keep to yourself.

Just apply the rule, or it may be worse for you."

"For all that, there is something queer," he said, as we turned into the

restauration for dinner.

Yet again, some days later, just before the last concert came off, Karl,

talking to me, said, in a tone and with a look as if the idea troubled

and haunted him:

"I say, Friedel, do you think Courvoisier's being here is all square?"

"All square?" I repeated, scornfully.

He nodded.

"Yes. Of course all has been right since he came here; but don't you

think there may be something shady in the background?"

"What do you mean by 'shady'?" I asked, more annoyed than I cared to

confess at his repeated returning to the subject.

"Well, you know, there must be a reason for his being here--"

I burst into a fit of laughter, which was not so mirthful as it might

seem.

"I should rather think there must. Isn't there a reason for every one

being somewhere? Why am I here? Why are you here?"

"Yes; but this is quite a different thing. We are all agreed that

whatever he may be now, he has not always been one of us, and I like

things to be clear about people."

"It is a most extraordinary thing that you should only have felt the

anxiety lately," said I, witheringly, and then, after a moment's

reflection, I said:

"Look here, Karl; no one could be more unwilling than I to pick a

quarrel with you, but quarrel we must if this talking of Eugen behind

his back goes on. It is nothing to either of us what his past has been.

I want no references. If you want to gossip about him or any one else,

go to the old women who are the natural exchangers of that commodity.

Only if you mention it again to me it comes to a quarrel--_verstehst

du?_"

"I meant no harm, and I can see no harm in it," said he.

"Very well; but I do. I hate it. So shake hands, and let there be an end

of it. I wish now that I had spoken out at first. There's a dirtiness,

to my mind, in the idea of speculating about a person with whom you are

intimate, in a way that you wouldn't like him to hear."

"Well, if you will have it so," said he; but there was not the usual

look of open satisfaction upon his face. He did not mention the subject

to me again, but I caught him looking now and then earnestly at Eugen,

as if he wished to ask him something. Then I knew that in my anxiety to

avoid gossiping about the friend whose secrets were sacred to me, I had

made a mistake. I ought to have made Karl tell me whether he had heard

anything specific about him or against him, and so judge the extent of

the mischief done.

It needed but little thought on my part to refer Karl's suspicions and

vague rumors to the agency of Anna Sartorius. Lately I had begun to

observe this young lady more closely. She was a tall, dark, plain girl,

with large, defiant-looking eyes, and a bitter mouth; when she smiled

there was nothing genial in the smile. When she spoke, her voice had a

certain harsh flavor; her laugh was hard and mocking--as if she laughed

at, not with, people. There was something rather striking in her

appearance, but little pleasing. She looked at odds with the world, or

with her lot in it, or with her present circumstances, or something. I

was satisfied that she knew something of Eugen, though, when I once

pointed her out to him and asked if he knew her, he looked at her, and

after a moment's look, as if he remembered, shook his head, saying:

"There is something a little familiar to me in her face, but I am sure

that I have never seen her--most assuredly never spoken to her."

Yet I had often seen her look at him long and earnestly, usually with a

certain peculiar smile, and with her head a little to one side as if she

examined some curiosity or _lusus naturæ_. I was too little curious

myself to know Eugen's past to speculate much about it; but I was quite

sure that there was some link between him and that dark, bitter,

sarcastic-looking girl, Anna Sartorius.

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