CHAPTER XXIII.

"Es ist bestimmt, in Gottes Rath,

Dass man vom Liebsten was man hat

Muss scheiden."

Our merry little zauberfest of Christmas-eve was over. Christmas morning

came. I remember that morning well--a gray, neutral kind of day, whose

monotony outside emphasized the keenness of emotion within.

On that morning the postman came--a rather rare occurrence with us; for,

except with notes from pupils, notices of proben, or other official

communications, he seldom troubled us.

It was Sigmund who opened the door; it was he who took the letter, and

wished the postman "good-morning" in his courteous little way. I dare

say that the incident gave an additional pang afterward to the father,

if he marked it, and seldom did the smallest act or movement of his

child escape him.

"Father, here is a letter," he said, giving it into Eugen's hand.

"Perhaps it is for Friedel; thou art too ready to think that everything

appertains to thy father," said Eugen, with a smile, as he took the

letter and looked at it; but before he had finished speaking the smile

had faded. There remained a whiteness, a blank, a haggardness.

I had caught a glimpse of the letter; it was large, square, massive, and

there was a seal upon the envelope--a regular letter of fate out of a

romance.

Eugen took it into his hand, and for once he made no answer to the

caress of his child, who put his arms round his neck and wanted to climb

upon his knee. He allowed the action, but passively.

"Let me open it!" cried Sigmund. "Let me open thy letter!"

"No, no, child!" said Eugen, in a sharp, pained tone. "Let it alone."

Sigmund looked surprised, and recoiled a little; a shock clouding his

eyes. It was all right if his father said no, but a shade presently

crossed his young face. His father did not usually speak so; did not

usually have that white and pallid look about the eyes--above all, did

not look at his son with a look that meant nothing.

Eugen was usually prompt enough in all he did, but he laid aside that

letter, and proposed in a subdued tone that we should have breakfast.

Which we had, and still the letter lay unopened. And when breakfast

was over he even took up his violin and played runs and shakes and

scales--and the air of a drinking song, which sounded grotesque in

contrast with the surroundings. This lasted for some time, and yet the

letter was not opened. It seemed as if he could not open it. I knew that

it was with a desperate effort that he at last took it up, and--went

into his room and shut the door.

I was reading--that is, I had a book in my hands, and was stretched out

in the full luxury of an unexpected holiday upon the couch; but I could

no more have read under the new influence, could no more have helped

watching Sigmund, than I could help breathing and feeling.

He, Sigmund, stood still for a moment, looking at the closed door;

gazing at it as if he expected it to open, and a loved hand to beckon

him within. But it remained pitilessly shut, and the little boy had to

accommodate himself as well as he could to a new phase in his mental

history--the being excluded--left out in the cold. After making an

impulsive step toward the door he turned, plunged his hands into his

pockets as if to keep them from attacking the handle of that closed

door, and walking to the window, gazed out, silent and motionless. I

watched; I was compelled to watch. He was listening with every faculty,

every fiber, for the least noise, the faintest movement from the room

from which he was shut out. I did not dare to speak to him. I was very

miserable myself; and a sense of coming loss and disaster was driven

firmly into my mind and fixed there--a heavy prevision of inevitable

sorrow and pain overhung my mind. I turned to my book and tried to read.

It was one of the most delightful of romances that I held--no other than

"Die Kinder der Welt"--and the scene was that in which Edwin and

Toinette make that delightful, irregular Sunday excursion to the

Charlottenburg, but I understood none of it. With that pathetic little

real figure taking up so much of my consciousness, and every moment more

insistently so, I could think of nothing else.

Dead silence from the room within; utter and entire silence, which

lasted so long that my misery grew acute, and still that little figure,

which was now growing terrible to me, neither spoke nor stirred. I do

not know how long by the clock we remained in these relative positions;

by my feelings it was a week; by those of Sigmund, I doubt not, a

hundred years. But he turned at last, and with a face from which all

trace of color had fled walked slowly toward the closed door.

"Sigmund!" I cried, in a loud whisper. "Come here, my child! Stay here,

with me."

"I must go in," said he. He did not knock. He opened the door softly,

and went in, closing it after him. I know not what passed. There was

silence as deep as before, after one short, inarticulate murmur. There

are some moments in this our life which are at once sacrificial,

sacramental, and strong with the virtue of absolution for sins past;

moments which are a crucible from which a stained soul may come out

white again. Such were these--I know it now--in which father and son

were alone together.

After a short silence, during which my book hung unheeded from my hand,

I left the house, out of a sort of respect for my two friends. I had

nothing particular to do, and so strolled aimlessly about, first into

the Hofgarten, where I watched the Rhine, and looked Hollandward along

its low, flat shores, to where there was a bend, and beyond the bend,

Kaiserswerth. It is now long since I saw the river. Fair are his banks

higher up--not at Elberthal would he have struck the stranger as being a

stream for which to fight and die; but to me there is no part of his

banks so lovely as the poor old Schöne Aussicht in the Elberthal

Hofgarten, from whence I have watched the sun set flaming over the broad

water, and felt my heart beat to the sense of precious possessions in

the homely town behind. Then I strolled through the town, and coming

down the Königsallée, beheld some bustle in front of a large,

imposing-looking house, which had long been shut up and uninhabited. It

had been a venture by a too shortly successful banker. He had built the

house, lived in it three months, and finding himself bankrupt, had one

morning disposed of himself by cutting his throat. Since then the house

had been closed, and had had an ill name, though it was the handsomest

building in the most fashionable part of the town, with a grand

_porte-cochère_ in front, and a pleasant, enticing kind of bowery garden

behind--the house faced the Exerzierplatz, and was on the promenade of

Elberthal. A fine chestnut avenue made the street into a pleasant wood,

and yet Königsallée No. 3 always looked deserted and depressing. I

paused to watch the workmen who were throwing open the shutters and

uncovering the furniture. There were some women-servants busy with brush

and duster in the hall, and a splendid barouche was being pushed through

the _porte-cochère_ into the back premises; a couple of trim-looking

English grooms with four horses followed.

"Is some one coming to live here?" I demanded of a workman, who made

answer:

"_Ja wohl!_ A rich English milord has taken the house furnished for six

months--Sir Le Marchant, _oder so etwas_. I do not know the name quite

correctly. He comes in a few days."

"So!" said I, wondering what attraction Elberthal could offer to a

rich English sir or milord, and feeling at the same time a mild

glow of curiosity as to him and his circumstances, for I humbly confess

it--I had never seen an authentic milord. Elberthal and Köln were

almost the extent of my travels, and I only remembered that at the

Niederrheinisches Musikfest last year some one had pointed out to me a

decrepit-looking old gentleman, with a bottle-nose and a meaningless

eye, as a milord--very, very rich, and exceedingly good. I had sorrowed

a little at the time in thinking that he did not personally better grace

his circumstances and character, but until this moment I had never

thought of him again.

"That is his secretary," pursued the workman to me, in an under-tone, as

he pointed out a young man who was standing in the middle of the hall,

note-book in hand. "Herr Arkwright. He is looking after us."

"When does the _Engländer_ come?"

"In a few days, with his servants and milady, and milady's maid and dogs

and bags and everything. And she--milady--is to have those rooms"--he

pointed overhead, and grinned--"those where Banquier Klein was found

with his throat cut. _Hè!_"

He laughed, and began to sing lustily, "In Berlin, sagt' er."

After giving one more short survey to the house, and wondering why the

apartments of a suicide should be assigned to a young and beautiful

woman (for I instinctively judged her to be young and beautiful), I went

on my way, and my thoughts soon returned to Eugen and Sigmund, and that

trouble which I felt was hanging inevitably over us.

* * * * *

Eugen was, that evening, in a mood of utter, cool aloofness. His trouble

did not appear to be one that he could confide--at present, at least. He

took up his violin and discoursed most eloquent music, in the dark, to

which music Sigmund and I listened. Sigmund sat upon my knee, and Eugen

went on playing--improvising, or rather speaking the thoughts which were

uppermost in his heart. It was wild, strange, melancholy, sometimes

sweet, but ever with a ringing note of woe so piercing as to stab,

recurring perpetually--such a note as comes throbbing to life now and

then in the "Sonate Pathetique," or in Raff's Fifth Symphony.

Eugen always went to Sigmund after he had gone to bed, and talked to him

or listened to him. I do not know if he taught him something like a

prayer at such times, or spoke to him of supernatural things, or upon

what they discoursed. I only know that it was an interchange of soul,

and that usually he came away from it looking glad. But to-night, after

remaining longer than usual, he returned with a face more haggard than I

had seen it yet.

He sat down opposite me at the table, and there was silence, with an

ever-deepening, sympathetic pain on my part. At last I raised my eyes to

his face; one elbow rested upon the table, and his head leaned upon his

hand. The lamp-light fell full upon his face, and there was that in it

which would let me be silent no longer, any more than one could see a

comrade bleeding to death, and not try to stanch the wound. I stepped up

to him and laid my hand upon his shoulder. He looked up drearily,

unrecognizingly, unsmilingly at me.

"Eugen, what hast thou?"

"_La mort dans l'âme_," he answered, quoting from a poem which we had

both been reading.

"And what has caused it?"

"Must you know, friend?" he asked. "If I did not need to tell it, I

should be very glad."

"I must know it, or--or leave you to it!" said I, choking back some

emotion. "I can not pass another day like this."

"And I had no right to let you spend such a day as this," he answered.

"Forgive me once again, Friedel--you who have forgiven so much and so

often."

"Well," said I, "let us have the worst, Eugen. It is something about--"

I glanced toward the door, on the other side of which Sigmund was

sleeping.

His face became set, as if of stone. One word, and one alone, after a

short pause, passed his lips--"_Ja!_"

I breathed again. It was so then.

"I told you, Friedel, that I should have to leave him?"

The words dropped out one by one from his lips, distinct, short, steady.

"Yes."

"That was bad, very bad. The worst, I thought, that could befall; but it

seems that my imagination was limited."

"Eugen, what is it?"

"I shall not have to leave him. I shall have to send him away from me."

As if with the utterance of the words, the very core and fiber of

resolution melted away and vanished, and the broken spirit turned

writhing and shuddering from the phantom that extended its arms for the

sacrifice, he flung his arms upon the table; his shoulders heaved. I

heard two suppressed, choked-down sobs--the sobs of a strong man--strong

alike in body and mind; strongest of all in the heart and spirit and

purpose to love and cherish.

"_La mort dans l'âme_," indeed! He could have chosen no fitter

expression.

"Send him away!" I echoed, beneath my breath.

"Send my child away from me--as if I--did not--want him," said

Courvoisier, slowly, and in a voice made low and halting with anguish,

as he lifted his gaze, dim with the desperate pain of coming parting,

and looked me in the face.

I had begun in an aimless manner to pace the room, my heart on fire,

my brain reaching wildly after some escape from the fetters of

circumstance, invisible but iron strong, relentless as cramps and

glaives of tempered steel. I knew no reason, of course. I knew no

outward circumstances of my friend's life or destiny. I did not wish to

learn any. I did know that since he said it was so it must be so.

Sigmund must be sent away! He--we--must be left alone; two poor men,

with the brightness gone from our lives.

The scene does not let me rightly describe it. It was an anguish allied

in its intensity to that of Gethsemane. Let me relate it as briefly as I

can.

I made no spoken assurance of sympathy. I winced almost at the idea of

speaking to him. I knew then that we may contemplate, or believe we

contemplate, some coming catastrophe for years, believing that so the

suffering, when it finally falls, will be lessened. This is a delusion.

Let the blow rather come short, sharp, and without forewarning;

preparation heightens the agony.

"Friedel," said he at last, "you do not ask why must this be."

"I do not need to ask why. I know that it must be, or you would not do

it."

"I would tell you if I could--if I might."

"For Heaven's sake, don't suppose that I wish to pry--" I began. He

interrupted me.

"You will make me laugh in spite of myself," said he. "You wish to pry!

Now, let me see how much more I can tell you. You perhaps think it

wrong, in an abstract light, for a father to send his young son away

from him. That is because you do not know what I do. If you did, you

would say, as I do, that it must be so--I never saw it till now. That

letter was a revelation. It is now all as clear as sunshine."

I assented.

"Then you consent to take my word that it must be so, without more."

"Indeed, Eugen, I wish for no more."

He looked at me. "If I were to tell you," said he, suddenly, and an

impulsive light beamed in his eyes. A look of relief--it was nothing

else--of hope, crossed his face. Then he sunk again into his former

attitude--as if tired and wearied with some hard battle; exhausted, or

what we more expressively call _niedergeschlagen_.

"Now something more," he went on; and I saw the frown of desperation

that gathered upon his brow. He went on quickly, as if otherwise he

could not say what had to be said: "When he goes from me, he goes to

learn to become a stranger to me. I promise not to see him, nor write to

him, nor in any way communicate with him, or influence him. We

part--utterly and entirely."

"Eugen! Impossible! _Herrgott!_ Impossible!" cried I, coming to a stop,

and looking incredulously at him. That I did not believe. "Impossible!"

I repeated, beneath my breath.

"By faith men can move mountains," he retorted.

This, then, was the flavoring which made the cup so intolerable.

"You say that that is and must be wrong under all circumstances," said

Eugen, eying me steadily.

I paused. I could almost have found it in my heart to say, "Yes, I do."

But my faith in and love for this man had grown with me; as a daily

prayer grows part of one's thoughts, so was my confidence in him part of

my mind. He looked as if he were appealing to me to say that it must be

wrong, and so give him some excuse to push it aside. But I could not.

After wavering for a moment, I answered:

"No. I am sure you have sufficient reasons."

"I have. God knows I have."

In the silence that ensued my mind was busy. Eugen Courvoisier was not a

religious man, as the popular meaning of religious runs. He did not say

of his misfortune, "It is God's will," nor did he add, "and therefore

sweet to me." He said nothing of whose will it was; but I felt that had

that cause been a living thing--had it been a man, for instance, he

would have gripped it and fastened to it until it lay dead and impotent,

and he could set his heel upon it.

But it was no strong, living, tangible thing. It was a breathless

abstraction--a something existing in the minds of men, and which they

call "Right!" and being that--not an outside law which an officer of

the law could enforce upon him; being that abstraction, he obeyed it.

As for saying that because it was right he liked it, or felt any

consolation from the knowledge--he never once pretended to any such

thing; but, true to his character of Child of the World, hated it with

a hatred as strong as his love for the creature which it deprived him

of. Only--he did it. He is not alone in such circumstances. Others have

obeyed and will again obey this invisible law in circumstances as

anguishing as those in which he stood, will steel their hearts to

hardness while every fiber cries out, "Relent!" or will, like him,

writhe under the lash, shake their chained hands at Heaven, and--submit.

"One more question, Eugen. When?"

"Soon."

"A year would seem soon to any of us three."

"In a very short time. It may be in weeks; it may be in days. Now,

Friedhelm, have a little pity and don't probe any further."

But I had no need to ask any more questions. The dreary evening passed

somehow over, and bed-time came, and the morrow dawned.

For us three it brought the knowledge that for an indefinite time

retrospective happiness must play the part of sun on our mental horizon.

The first violin: A novel · 第 23 / 41 章