III

June 16th.—I have a few lines more to add to this day’s entry before I

go to bed to-night.

About two hours after Sir Percival rose from the luncheon-table to

receive his solicitor, Mr. Merriman, in the library, I left my room

alone to take a walk in the plantations. Just as I was at the end of

the landing the library door opened and the two gentlemen came out.

Thinking it best not to disturb them by appearing on the stairs, I

resolved to defer going down till they had crossed the hall. Although

they spoke to each other in guarded tones, their words were pronounced

with sufficient distinctness of utterance to reach my ears.

“Make your mind easy, Sir Percival,” I heard the lawyer say; “it all

rests with Lady Glyde.”

I had turned to go back to my own room for a minute or two, but the

sound of Laura’s name on the lips of a stranger stopped me instantly. I

daresay it was very wrong and very discreditable to listen, but where

is the woman, in the whole range of our sex, who can regulate her

actions by the abstract principles of honour, when those principles

point one way, and when her affections, and the interests which grow

out of them, point the other?

I listened—and under similar circumstances I would listen again—yes!

with my ear at the keyhole, if I could not possibly manage it in any

other way.

“You quite understand, Sir Percival,” the lawyer went on. “Lady Glyde

is to sign her name in the presence of a witness—or of two witnesses,

if you wish to be particularly careful—and is then to put her finger on

the seal and say, ‘I deliver this as my act and deed.’ If that is done

in a week’s time the arrangement will be perfectly successful, and the

anxiety will be all over. If not——”

“What do you mean by ‘if not’?” asked Sir Percival angrily. “If the

thing must be done it SHALL be done. I promise you that, Merriman.”

“Just so, Sir Percival—just so; but there are two alternatives in all

transactions, and we lawyers like to look both of them in the face

boldly. If through any extraordinary circumstance the arrangement

should not be made, I think I may be able to get the parties to accept

bills at three months. But how the money is to be raised when the bills

fall due——”

“Damn the bills! The money is only to be got in one way, and in that

way, I tell you again, it SHALL be got. Take a glass of wine, Merriman,

before you go.”

“Much obliged, Sir Percival; I have not a moment to lose if I am to

catch the up-train. You will let me know as soon as the arrangement is

complete? and you will not forget the caution I recommended——”

“Of course I won’t. There’s the dog-cart at the door for you. My groom

will get you to the station in no time. Benjamin, drive like mad! Jump

in. If Mr. Merriman misses the train you lose your place. Hold fast,

Merriman, and if you are upset trust to the devil to save his own.”

With that parting benediction the baronet turned about and walked back

to the library.

I had not heard much, but the little that had reached my ears was

enough to make me feel uneasy. The “something” that “had happened”

was but too plainly a serious money embarrassment, and Sir Percival’s

relief from it depended upon Laura. The prospect of seeing her

involved in her husband’s secret difficulties filled me with dismay,

exaggerated, no doubt, by my ignorance of business and my settled

distrust of Sir Percival. Instead of going out, as I proposed, I went

back immediately to Laura’s room to tell her what I had heard.

She received my bad news so composedly as to surprise me. She evidently

knows more of her husband’s character and her husband’s embarrassments

than I have suspected up to this time.

“I feared as much,” she said, “when I heard of that strange gentleman

who called, and declined to leave his name.”

“Who do you think the gentleman was, then?” I asked.

“Some person who has heavy claims on Sir Percival,” she answered, “and

who has been the cause of Mr. Merriman’s visit here to-day.”

“Do you know anything about those claims?”

“No, I know no particulars.”

“You will sign nothing, Laura, without first looking at it?”

“Certainly not, Marian. Whatever I can harmlessly and honestly do to

help him I will do—for the sake of making your life and mine, love, as

easy and as happy as possible. But I will do nothing ignorantly, which

we might, one day, have reason to feel ashamed of. Let us say no more

about it now. You have got your hat on—suppose we go and dream away the

afternoon in the grounds?”

On leaving the house we directed our steps to the nearest shade.

As we passed an open space among the trees in front of the house, there

was Count Fosco, slowly walking backwards and forwards on the grass,

sunning himself in the full blaze of the hot June afternoon. He had

a broad straw hat on, with a violet-coloured ribbon round it. A blue

blouse, with profuse white fancy-work over the bosom, covered his

prodigious body, and was girt about the place where his waist might

once have been with a broad scarlet leather belt. Nankeen trousers,

displaying more white fancy-work over the ankles, and purple morocco

slippers, adorned his lower extremities. He was singing Figaro’s famous

song in the Barber of Seville, with that crisply fluent vocalisation

which is never heard from any other than an Italian throat,

accompanying himself on the concertina, which he played with ecstatic

throwings-up of his arms, and graceful twistings and turnings of his

head, like a fat St. Cecilia masquerading in male attire. “Figaro qua!

Figaro la! Figaro su! Figaro giu!” sang the Count, jauntily tossing

up the concertina at arm’s length, and bowing to us, on one side of

the instrument, with the airy grace and elegance of Figaro himself at

twenty years of age.

“Take my word for it, Laura, that man knows something of Sir Percival’s

embarrassments,” I said, as we returned the Count’s salutation from a

safe distance.

“What makes you think that?” she asked.

“How should he have known, otherwise, that Mr. Merriman was Sir

Percival’s solicitor?” I rejoined. “Besides, when I followed you out of

the luncheon-room, he told me, without a single word of inquiry on my

part, that something had happened. Depend upon it, he knows more than

we do.”

“Don’t ask him any questions if he does. Don’t take him into our

confidence!”

“You seem to dislike him, Laura, in a very determined manner. What has

he said or done to justify you?”

“Nothing, Marian. On the contrary, he was all kindness and attention

on our journey home, and he several times checked Sir Percival’s

outbreaks of temper, in the most considerate manner towards me. Perhaps

I dislike him because he has so much more power over my husband than

I have. Perhaps it hurts my pride to be under any obligations to his

interference. All I know is, that I DO dislike him.”

The rest of the day and evening passed quietly enough. The Count

and I played at chess. For the first two games he politely allowed

me to conquer him, and then, when he saw that I had found him out,

begged my pardon, and at the third game checkmated me in ten minutes.

Sir Percival never once referred, all through the evening, to the

lawyer’s visit. But either that event, or something else, had produced

a singular alteration for the better in him. He was as polite and

agreeable to all of us, as he used to be in the days of his probation

at Limmeridge, and he was so amazingly attentive and kind to his wife,

that even icy Madame Fosco was roused into looking at him with a grave

surprise. What does this mean? I think I can guess—I am afraid Laura

can guess—and I am sure Count Fosco knows. I caught Sir Percival

looking at him for approval more than once in the course of the evening.

June 17th.—A day of events. I most fervently hope I may not have to

add, a day of disasters as well.

Sir Percival was as silent at breakfast as he had been the evening

before, on the subject of the mysterious “arrangement” (as the lawyer

called it) which is hanging over our heads. An hour afterwards,

however, he suddenly entered the morning-room, where his wife and

I were waiting, with our hats on, for Madame Fosco to join us, and

inquired for the Count.

“We expect to see him here directly,” I said.

“The fact is,” Sir Percival went on, walking nervously about the

room, “I want Fosco and his wife in the library, for a mere business

formality, and I want you there, Laura, for a minute too.” He stopped,

and appeared to notice, for the first time, that we were in our walking

costume. “Have you just come in?” he asked, “or were you just going

out?”

“We were all thinking of going to the lake this morning,” said Laura.

“But if you have any other arrangement to propose——”

“No, no,” he answered hastily. “My arrangement can wait. After lunch

will do as well for it as after breakfast. All going to the lake, eh? A

good idea. Let’s have an idle morning—I’ll be one of the party.”

There was no mistaking his manner, even if it had been possible to

mistake the uncharacteristic readiness which his words expressed, to

submit his own plans and projects to the convenience of others. He was

evidently relieved at finding any excuse for delaying the business

formality in the library, to which his own words had referred. My heart

sank within me as I drew the inevitable inference.

The Count and his wife joined us at that moment. The lady had her

husband’s embroidered tobacco-pouch, and her store of paper in her

hand, for the manufacture of the eternal cigarettes. The gentleman,

dressed, as usual, in his blouse and straw hat, carried the gay little

pagoda-cage, with his darling white mice in it, and smiled on them, and

on us, with a bland amiability which it was impossible to resist.

“With your kind permission,” said the Count, “I will take my small

family here—my poor-little-harmless-pretty-Mouseys, out for an airing

along with us. There are dogs about the house, and shall I leave my

forlorn white children at the mercies of the dogs? Ah, never!”

He chirruped paternally at his small white children through the bars of

the pagoda, and we all left the house for the lake.

In the plantation Sir Percival strayed away from us. It seems to be

part of his restless disposition always to separate himself from his

companions on these occasions, and always to occupy himself when he is

alone in cutting new walking-sticks for his own use. The mere act of

cutting and lopping at hazard appears to please him. He has filled the

house with walking-sticks of his own making, not one of which he ever

takes up for a second time. When they have been once used his interest

in them is all exhausted, and he thinks of nothing but going on and

making more.

At the old boat-house he joined us again. I will put down the

conversation that ensued when we were all settled in our places

exactly as it passed. It is an important conversation, so far as I am

concerned, for it has seriously disposed me to distrust the influence

which Count Fosco has exercised over my thoughts and feelings, and to

resist it for the future as resolutely as I can.

The boat-house was large enough to hold us all, but Sir Percival

remained outside trimming the last new stick with his pocket-axe. We

three women found plenty of room on the large seat. Laura took her

work, and Madame Fosco began her cigarettes. I, as usual, had nothing

to do. My hands always were, and always will be, as awkward as a man’s.

The Count good-humouredly took a stool many sizes too small for him,

and balanced himself on it with his back against the side of the shed,

which creaked and groaned under his weight. He put the pagoda-cage

on his lap, and let out the mice to crawl over him as usual. They

are pretty, innocent-looking little creatures, but the sight of them

creeping about a man’s body is for some reason not pleasant to me. It

excites a strange responsive creeping in my own nerves, and suggests

hideous ideas of men dying in prison with the crawling creatures of the

dungeon preying on them undisturbed.

The morning was windy and cloudy, and the rapid alternations of shadow

and sunlight over the waste of the lake made the view look doubly wild,

weird, and gloomy.

“Some people call that picturesque,” said Sir Percival, pointing over

the wide prospect with his half-finished walking-stick. “I call it a

blot on a gentleman’s property. In my great-grandfather’s time the

lake flowed to this place. Look at it now! It is not four feet deep

anywhere, and it is all puddles and pools. I wish I could afford to

drain it, and plant it all over. My bailiff (a superstitious idiot)

says he is quite sure the lake has a curse on it, like the Dead Sea.

What do you think, Fosco? It looks just the place for a murder, doesn’t

it?”

“My good Percival,” remonstrated the Count. “What is your solid English

sense thinking of? The water is too shallow to hide the body, and there

is sand everywhere to print off the murderer’s footsteps. It is, upon

the whole, the very worst place for a murder that I ever set my eyes

on.”

“Humbug!” said Sir Percival, cutting away fiercely at his stick. “You

know what I mean. The dreary scenery, the lonely situation. If you

choose to understand me, you can—if you don’t choose, I am not going to

trouble myself to explain my meaning.”

“And why not,” asked the Count, “when your meaning can be explained by

anybody in two words? If a fool was going to commit a murder, your lake

is the first place he would choose for it. If a wise man was going to

commit a murder, your lake is the last place he would choose for it. Is

that your meaning? If it is, there is your explanation for you ready

made. Take it, Percival, with your good Fosco’s blessing.”

Laura looked at the Count with her dislike for him appearing a little

too plainly in her face. He was so busy with his mice that he did not

notice her.

“I am sorry to hear the lake-view connected with anything so horrible

as the idea of murder,” she said. “And if Count Fosco must divide

murderers into classes, I think he has been very unfortunate in his

choice of expressions. To describe them as fools only seems like

treating them with an indulgence to which they have no claim. And to

describe them as wise men sounds to me like a downright contradiction

in terms. I have always heard that truly wise men are truly good men,

and have a horror of crime.”

“My dear lady,” said the Count, “those are admirable sentiments, and I

have seen them stated at the tops of copy-books.” He lifted one of the

white mice in the palm of his hand, and spoke to it in his whimsical

way. “My pretty little smooth white rascal,” he said, “here is a moral

lesson for you. A truly wise mouse is a truly good mouse. Mention that,

if you please, to your companions, and never gnaw at the bars of your

cage again as long as you live.”

“It is easy to turn everything into ridicule,” said Laura resolutely;

“but you will not find it quite so easy, Count Fosco, to give me an

instance of a wise man who has been a great criminal.”

The Count shrugged his huge shoulders, and smiled on Laura in the

friendliest manner.

“Most true!” he said. “The fool’s crime is the crime that is found out,

and the wise man’s crime is the crime that is NOT found out. If I could

give you an instance, it would not be the instance of a wise man. Dear

Lady Glyde, your sound English common sense has been too much for me.

It is checkmate for me this time, Miss Halcombe—ha?”

“Stand to your guns, Laura,” sneered Sir Percival, who had been

listening in his place at the door. “Tell him next, that crimes cause

their own detection. There’s another bit of copy-book morality for you,

Fosco. Crimes cause their own detection. What infernal humbug!”

“I believe it to be true,” said Laura quietly.

Sir Percival burst out laughing, so violently, so outrageously, that he

quite startled us all—the Count more than any of us.

“I believe it too,” I said, coming to Laura’s rescue.

Sir Percival, who had been unaccountably amused at his wife’s remark,

was just as unaccountably irritated by mine. He struck the new stick

savagely on the sand, and walked away from us.

“Poor dear Percival!” cried Count Fosco, looking after him gaily,

“he is the victim of English spleen. But, my dear Miss Halcombe, my

dear Lady Glyde, do you really believe that crimes cause their own

detection? And you, my angel,” he continued, turning to his wife, who

had not uttered a word yet, “do you think so too?”

“I wait to be instructed,” replied the Countess, in tones of freezing

reproof, intended for Laura and me, “before I venture on giving my

opinion in the presence of well-informed men.”

“Do you, indeed?” I said. “I remember the time, Countess, when you

advocated the Rights of Women, and freedom of female opinion was one of

them.”

“What is your view of the subject, Count?” asked Madame Fosco, calmly

proceeding with her cigarettes, and not taking the least notice of me.

The Count stroked one of his white mice reflectively with his chubby

little finger before he answered.

“It is truly wonderful,” he said, “how easily Society can console

itself for the worst of its shortcomings with a little bit of

clap-trap. The machinery it has set up for the detection of crime is

miserably ineffective—and yet only invent a moral epigram, saying

that it works well, and you blind everybody to its blunders from

that moment. Crimes cause their own detection, do they? And murder

will out (another moral epigram), will it? Ask Coroners who sit at

inquests in large towns if that is true, Lady Glyde. Ask secretaries

of life-assurance companies if that is true, Miss Halcombe. Read your

own public journals. In the few cases that get into the newspapers,

are there not instances of slain bodies found, and no murderers ever

discovered? Multiply the cases that are reported by the cases that are

NOT reported, and the bodies that are found by the bodies that are

NOT found, and what conclusion do you come to? This. That there are

foolish criminals who are discovered, and wise criminals who escape.

The hiding of a crime, or the detection of a crime, what is it? A

trial of skill between the police on one side, and the individual on

the other. When the criminal is a brutal, ignorant fool, the police in

nine cases out of ten win. When the criminal is a resolute, educated,

highly-intelligent man, the police in nine cases out of ten lose. If

the police win, you generally hear all about it. If the police lose,

you generally hear nothing. And on this tottering foundation you build

up your comfortable moral maxim that Crime causes its own detection!

Yes—all the crime you know of. And what of the rest?”

“Devilish true, and very well put,” cried a voice at the entrance of

the boat-house. Sir Percival had recovered his equanimity, and had come

back while we were listening to the Count.

“Some of it may be true,” I said, “and all of it may be very well

put. But I don’t see why Count Fosco should celebrate the victory of

the criminal over Society with so much exultation, or why you, Sir

Percival, should applaud him so loudly for doing it.”

“Do you hear that, Fosco?” asked Sir Percival. “Take my advice,

and make your peace with your audience. Tell them virtue’s a fine

thing—they like that, I can promise you.”

The Count laughed inwardly and silently, and two of the white mice in

his waistcoat, alarmed by the internal convulsion going on beneath

them, darted out in a violent hurry, and scrambled into their cage

again.

“The ladies, my good Percival, shall tell me about virtue,” he said.

“They are better authorities than I am, for they know what virtue is,

and I don’t.”

“You hear him?” said Sir Percival. “Isn’t it awful?”

“It is true,” said the Count quietly. “I am a citizen of the world,

and I have met, in my time, with so many different sorts of virtue,

that I am puzzled, in my old age, to say which is the right sort

and which is the wrong. Here, in England, there is one virtue. And

there, in China, there is another virtue. And John Englishman says my

virtue is the genuine virtue. And John Chinaman says my virtue is the

genuine virtue. And I say Yes to one, or No to the other, and am just

as much bewildered about it in the case of John with the top-boots as

I am in the case of John with the pigtail. Ah, nice little Mousey!

come, kiss me. What is your own private notion of a virtuous man, my

pret-pret-pretty? A man who keeps you warm, and gives you plenty to

eat. And a good notion, too, for it is intelligible, at the least.”

“Stay a minute, Count,” I interposed. “Accepting your illustration,

surely we have one unquestionable virtue in England which is wanting in

China. The Chinese authorities kill thousands of innocent people on the

most frivolous pretexts. We in England are free from all guilt of that

kind—we commit no such dreadful crime—we abhor reckless bloodshed with

all our hearts.”

“Quite right, Marian,” said Laura. “Well thought of, and well

expressed.”

“Pray allow the Count to proceed,” said Madame Fosco, with stern

civility. “You will find, young ladies, that HE never speaks without

having excellent reasons for all that he says.”

“Thank you, my angel,” replied the Count. “Have a bon-bon?” He took out

of his pocket a pretty little inlaid box, and placed it open on the

table. “Chocolat a la Vanille,” cried the impenetrable man, cheerfully

rattling the sweetmeats in the box, and bowing all round. “Offered by

Fosco as an act of homage to the charming society.”

“Be good enough to go on, Count,” said his wife, with a spiteful

reference to myself. “Oblige me by answering Miss Halcombe.”

“Miss Halcombe is unanswerable,” replied the polite Italian; “that

is to say, so far as she goes. Yes! I agree with her. John Bull does

abhor the crimes of John Chinaman. He is the quickest old gentleman

at finding out faults that are his neighbours’, and the slowest old

gentleman at finding out the faults that are his own, who exists on

the face of creation. Is he so very much better in this way than the

people whom he condemns in their way? English Society, Miss Halcombe,

is as often the accomplice as it is the enemy of crime. Yes! yes! Crime

is in this country what crime is in other countries—a good friend

to a man and to those about him as often as it is an enemy. A great

rascal provides for his wife and family. The worse he is the more

he makes them the objects for your sympathy. He often provides also

for himself. A profligate spendthrift who is always borrowing money

will get more from his friends than the rigidly honest man who only

borrows of them once, under pressure of the direst want. In the one

case the friends will not be at all surprised, and they will give.

In the other case they will be very much surprised, and they will

hesitate. Is the prison that Mr. Scoundrel lives in at the end of his

career a more uncomfortable place than the workhouse that Mr. Honesty

lives in at the end of his career? When John-Howard-Philanthropist

wants to relieve misery he goes to find it in prisons, where crime is

wretched—not in huts and hovels, where virtue is wretched too. Who is

the English poet who has won the most universal sympathy—who makes the

easiest of all subjects for pathetic writing and pathetic painting?

That nice young person who began life with a forgery, and ended it

by a suicide—your dear, romantic, interesting Chatterton. Which gets

on best, do you think, of two poor starving dressmakers—the woman

who resists temptation and is honest, or the woman who falls under

temptation and steals? You all know that the stealing is the making of

that second woman’s fortune—it advertises her from length to breadth of

good-humoured, charitable England—and she is relieved, as the breaker

of a commandment, when she would have been left to starve, as the

keeper of it. Come here, my jolly little Mouse! Hey! presto! pass! I

transform you, for the time being, into a respectable lady. Stop there,

in the palm of my great big hand, my dear, and listen. You marry the

poor man whom you love, Mouse, and one half your friends pity, and the

other half blame you. And now, on the contrary, you sell yourself for

gold to a man you don’t care for, and all your friends rejoice over

you, and a minister of public worship sanctions the base horror of the

vilest of all human bargains, and smiles and smirks afterwards at your

table, if you are polite enough to ask him to breakfast. Hey! presto!

pass! Be a mouse again, and squeak. If you continue to be a lady much

longer, I shall have you telling me that Society abhors crime—and then,

Mouse, I shall doubt if your own eyes and ears are really of any use to

you. Ah! I am a bad man, Lady Glyde, am I not? I say what other people

only think, and when all the rest of the world is in a conspiracy to

accept the mask for the true face, mine is the rash hand that tears

off the plump pasteboard, and shows the bare bones beneath. I will get

up on my big elephant’s legs, before I do myself any more harm in your

amiable estimations—I will get up and take a little airy walk of my

own. Dear ladies, as your excellent Sheridan said, I go—and leave my

character behind me.”

He got up, put the cage on the table, and paused for a moment to count

the mice in it. “One, two, three, four——Ha!” he cried, with a look of

horror, “where, in the name of Heaven, is the fifth—the youngest, the

whitest, the most amiable of all—my Benjamin of mice!”

Neither Laura nor I were in any favorable disposition to be amused.

The Count’s glib cynicism had revealed a new aspect of his nature from

which we both recoiled. But it was impossible to resist the comical

distress of so very large a man at the loss of so very small a mouse.

We laughed in spite of ourselves; and when Madame Fosco rose to set

the example of leaving the boat-house empty, so that her husband might

search it to its remotest corners, we rose also to follow her out.

Before we had taken three steps, the Count’s quick eye discovered the

lost mouse under the seat that we had been occupying. He pulled aside

the bench, took the little animal up in his hand, and then suddenly

stopped, on his knees, looking intently at a particular place on the

ground just beneath him.

When he rose to his feet again, his hand shook so that he could hardly

put the mouse back in the cage, and his face was of a faint livid

yellow hue all over.

“Percival!” he said, in a whisper. “Percival! come here.”

Sir Percival had paid no attention to any of us for the last ten

minutes. He had been entirely absorbed in writing figures on the sand,

and then rubbing them out again with the point of his stick.

“What’s the matter now?” he asked, lounging carelessly into the

boat-house.

“Do you see nothing there?” said the Count, catching him nervously by

the collar with one hand, and pointing with the other to the place near

which he had found the mouse.

“I see plenty of dry sand,” answered Sir Percival, “and a spot of dirt

in the middle of it.”

“Not dirt,” whispered the Count, fastening the other hand suddenly on

Sir Percival’s collar, and shaking it in his agitation. “Blood.”

Laura was near enough to hear the last word, softly as he whispered it.

She turned to me with a look of terror.

“Nonsense, my dear,” I said. “There is no need to be alarmed. It is

only the blood of a poor little stray dog.”

Everybody was astonished, and everybody’s eyes were fixed on me

inquiringly.

“How do you know that?” asked Sir Percival, speaking first.

“I found the dog here, dying, on the day when you all returned from

abroad,” I replied. “The poor creature had strayed into the plantation,

and had been shot by your keeper.”

“Whose dog was it?” inquired Sir Percival. “Not one of mine?”

“Did you try to save the poor thing?” asked Laura earnestly. “Surely

you tried to save it, Marian?”

“Yes,” I said, “the housekeeper and I both did our best—but the dog was

mortally wounded, and he died under our hands.”

“Whose dog was it?” persisted Sir Percival, repeating his question a

little irritably. “One of mine?”

“No, not one of yours.”

“Whose then? Did the housekeeper know?”

The housekeeper’s report of Mrs. Catherick’s desire to conceal her

visit to Blackwater Park from Sir Percival’s knowledge recurred to my

memory the moment he put that last question, and I half doubted the

discretion of answering it; but in my anxiety to quiet the general

alarm, I had thoughtlessly advanced too far to draw back, except at the

risk of exciting suspicion, which might only make matters worse. There

was nothing for it but to answer at once, without reference to results.

“Yes,” I said. “The housekeeper knew. She told me it was Mrs.

Catherick’s dog.”

Sir Percival had hitherto remained at the inner end of the boat-house

with Count Fosco, while I spoke to him from the door. But the instant

Mrs. Catherick’s name passed my lips he pushed by the Count roughly,

and placed himself face to face with me under the open daylight.

“How came the housekeeper to know it was Mrs. Catherick’s dog?” he

asked, fixing his eyes on mine with a frowning interest and attention,

which half angered, half startled me.

“She knew it,” I said quietly, “because Mrs. Catherick brought the dog

with her.”

“Brought it with her? Where did she bring it with her?”

“To this house.”

“What the devil did Mrs. Catherick want at this house?”

The manner in which he put the question was even more offensive than

the language in which he expressed it. I marked my sense of his want of

common politeness by silently turning away from him.

Just as I moved the Count’s persuasive hand was laid on his shoulder,

and the Count’s mellifluous voice interposed to quiet him.

“My dear Percival!—gently—gently!”

Sir Percival looked round in his angriest manner. The Count only smiled

and repeated the soothing application.

“Gently, my good friend—gently!”

Sir Percival hesitated, followed me a few steps, and, to my great

surprise, offered me an apology.

“I beg your pardon, Miss Halcombe,” he said. “I have been out of order

lately, and I am afraid I am a little irritable. But I should like to

know what Mrs. Catherick could possibly want here. When did she come?

Was the housekeeper the only person who saw her?”

“The only person,” I answered, “so far as I know.”

The Count interposed again.

“In that case why not question the housekeeper?” he said. “Why not go,

Percival, to the fountain-head of information at once?”

“Quite right!” said Sir Percival. “Of course the housekeeper is the

first person to question. Excessively stupid of me not to see it

myself.” With those words he instantly left us to return to the house.

The motive of the Count’s interference, which had puzzled me at

first, betrayed itself when Sir Percival’s back was turned. He had a

host of questions to put to me about Mrs. Catherick, and the cause

of her visit to Blackwater Park, which he could scarcely have asked

in his friend’s presence. I made my answers as short as I civilly

could, for I had already determined to check the least approach to

any exchanging of confidences between Count Fosco and myself. Laura,

however, unconsciously helped him to extract all my information, by

making inquiries herself, which left me no alternative but to reply

to her, or to appear in the very unenviable and very false character

of a depositary of Sir Percival’s secrets. The end of it was, that,

in about ten minutes’ time, the Count knew as much as I know of Mrs.

Catherick, and of the events which have so strangely connected us with

her daughter, Anne, from the time when Hartright met with her to this

day.

The effect of my information on him was, in one respect, curious enough.

Intimately as he knows Sir Percival, and closely as he appears to

be associated with Sir Percival’s private affairs in general, he is

certainly as far as I am from knowing anything of the true story of

Anne Catherick. The unsolved mystery in connection with this unhappy

woman is now rendered doubly suspicious, in my eyes, by the absolute

conviction which I feel, that the clue to it has been hidden by

Sir Percival from the most intimate friend he has in the world. It

was impossible to mistake the eager curiosity of the Count’s look

and manner while he drank in greedily every word that fell from my

lips. There are many kinds of curiosity, I know—but there is no

misinterpreting the curiosity of blank surprise: if I ever saw it in my

life I saw it in the Count’s face.

While the questions and answers were going on, we had all been

strolling quietly back through the plantation. As soon as we reached

the house the first object that we saw in front of it was Sir

Percival’s dog-cart, with the horse put to and the groom waiting by

it in his stable-jacket. If these unexpected appearances were to be

trusted, the examination of the house-keeper had produced important

results already.

“A fine horse, my friend,” said the Count, addressing the groom with

the most engaging familiarity of manner, “You are going to drive out?”

“I am not going, sir,” replied the man, looking at his stable-jacket,

and evidently wondering whether the foreign gentleman took it for his

livery. “My master drives himself.”

“Aha!” said the Count, “does he indeed? I wonder he gives himself the

trouble when he has got you to drive for him. Is he going to fatigue

that nice, shining, pretty horse by taking him very far to-day?”

“I don’t know, sir,” answered the man. “The horse is a mare, if you

please, sir. She’s the highest-couraged thing we’ve got in the stables.

Her name’s Brown Molly, sir, and she’ll go till she drops. Sir Percival

usually takes Isaac of York for the short distances.”

“And your shining courageous Brown Molly for the long?”

“Yes, sir.”

“Logical inference, Miss Halcombe,” continued the Count, wheeling round

briskly, and addressing me. “Sir Percival is going a long distance

to-day.”

I made no reply. I had my own inferences to draw, from what I knew

through the housekeeper and from what I saw before me, and I did not

choose to share them with Count Fosco.

When Sir Percival was in Cumberland (I thought to myself), he walked

away a long distance, on Anne’s account, to question the family at

Todd’s Corner. Now he is in Hampshire, is he going to drive away a

long distance, on Anne’s account again, to question Mrs. Catherick at

Welmingham?

We all entered the house. As we crossed the hall Sir Percival came out

from the library to meet us. He looked hurried and pale and anxious—but

for all that, he was in his most polite mood when he spoke to us.

“I am sorry to say I am obliged to leave you,” he began—“a long drive—a

matter that I can’t very well put off. I shall be back in good time

to-morrow—but before I go I should like that little business-formality,

which I spoke of this morning, to be settled. Laura, will you come into

the library? It won’t take a minute—a mere formality. Countess, may I

trouble you also? I want you and the Countess, Fosco, to be witnesses

to a signature—nothing more. Come in at once and get it over.”

He held the library door open until they had passed in, followed them,

and shut it softly.

I remained, for a moment afterwards, standing alone in the hall, with

my heart beating fast and my mind misgiving me sadly. Then I went on to

the staircase, and ascended slowly to my own room.

The Woman in White · 第 44 / 112 题