About seven o'clock in the morning the village elder and his
assistants, whom I had sent for, arrived from the village. It was
impossible to drive to the scene of the crime: the rain that had begun
in the night was still pouring down in buckets. Little puddles had
become lakes. The grey sky looked gloomy, and there was no promise of
sunlight. The soaked trees appeared dejected with their drooping
branches, and sprinkled a whole shower of large drops at every gust of
wind. It was impossible to go there. Besides, it might have been
useless. The trace of the crime, such as bloodstains, human
footprints, etc., had probably been washed away during the night. But
the formalities demanded that the scene of the crime should be
examined, and I deferred this visit until the arrival of the police,
and in the meantime I made out a draft of the official report of the
case, and occupied myself with the examination of witnesses. First of
all I examined the gipsies. The poor singers had passed the whole
night sitting up in the ballrooms expecting to have horses given them
to convey them to the station. But horses were not provided; the
servants, when asked, only sent them to the devil, warning them at the
same time that his Excellency had forbidden anybody to be admitted to
him. They were also not given the samovar they asked for in the
morning. The more than singular and indefinite position in which they
found themselves in a strange house in which a corpse was lying, the
uncertainty as to when they could get away, and the damp melancholy
weather had driven the gipsies, both men and women, into such a state
of distress that in one night they had become thin and pale. They
wandered about from room to room, evidently much alarmed and expecting
some serious issue. By my examination I only increased their anxiety.
First because my lengthy examination delayed their departure from the
accursed house indefinitely, and secondly it alarmed them. The simple
people, imagining that they were seriously suspected of the murder,
began to assure me with tears in their eyes, that they were not guilty
and knew nothing about the matter. Tina, seeing me as an official
personage, quite forgot our former connexion, and while speaking to me
trembled and almost fainted with fright like a whipped little girl In
reply to my request not to be excited, and my assurance that I saw in
them nothing but witnesses, the assistants of justice, they informed
me in one voice that they had never been witnesses, that they knew
nothing, and that they trusted that in future God would deliver them
from all close acquaintance with judicial people.
I asked them by what road they had driven from the station, had they
not passed through that part of the forest where the murder had been
committed, had any member of their party quitted it for even a short
time, and had they not heard Olga's heartrending shriek.* This
examination led to nothing. The gipsies, alarmed by it, only sent two
members of the chorus to the village to hire vehicles. The poor people
wanted terribly to get away. For their misfortune there was already
much talk in the village about the murder in the forest, and these
swarthy messengers were looked at with suspicion; they were arrested
and brought to me. It was only towards evening that the harassed
chorus was able to get free from this nightmare and breathe freely, as
having hired five peasants' carts at three times the proper fare, they
drove away from the Count's house. Afterwards they were paid for their
visit, but nobody paid them for the moral suffering that they had
endured in the Count's apartments. . . .
* If all this was necessary for M. Kamyshev, would it not have been
easier to question the coachmen who had driven the gipsies.—A. Ch.
Having examined them, I made a search in the Scops Owl's room.* In
her trunks I found quantities of all sorts of old woman's rubbish, but
although I looked through all the old caps and darned stockings, I
found neither money nor valuables that the old woman had stolen from
the Count or his guests. . . . Nor did I find the things that had been
stolen from Tina some time before. . . . Evidently the old witch had
another hiding-place only known to herself.
* Why? We can admit that all this was done by the examining
magistrate in a drunken or sleepy condition, but why write about
it. Would it not have been better to hide from the reader these
gross mistakes?—A. Ch.
I will not give here the preliminary report I drafted about the
information I had obtained or the searches I had made. . . . It was
long; besides, I have forgotten most of it. I will only give a general
idea of it. First of all I described the condition in which I found
Olga, and I gave an account of every detail of my examination of her.
By this examination it was evident that Olga was quite conscious when
she answered me and purposely concealed the name of the murderer. She
did not _want_ that the murderer should suffer the penalty, and this
inevitably led to the supposition that the criminal was near and dear
to her.
The examination of her clothes, which I made together with the
commissary of the rural police who arrived very soon, produced very
much. . . . The jacket of her riding habit, made of velvet with a silk
lining, was still moist. The right side in which there was the hole
made by the dagger was saturated with blood and in places bore marks
of clotted blood. . . . The loss of blood had been very great, and it
was astonishing that Olga had not died on the spot. The left side was
also blood-stained. The left sleeve was torn at the shoulder and at
the wrist. . . . The two upper buttons were torn off, and at our
examination we did not find them. The skirt of the riding habit, made
of black cashmere, was found to be terribly crumpled; it had been
crumpled when they had carried Olga out of the wood to the vehicle and
from the vehicle to her bed. Then it had been pulled off, rolled into
a disorderly heap, and flung under the bed. It was torn at the
waistband. This tear was about ten inches long and in the length, and
had probably been made while she was being carried or when it was
pulled off; it might also have been made during her lifetime. Olga,
who did not like mending, and not knowing to whom to give the habit to
be mended, might have hidden away the tear under her bodice. I don't
think any signs could be seen in this of the savage rage of the
criminal, on which the assistant public prosecutor laid such special
emphasis in his speech at the trial. The right side of the belt and
the right-hand pocket were saturated with blood. The
pocket-handkerchief and the gloves, that were in this pocket, were
like two formless lumps of a rusty colour. The whole of the
riding-habit, to the very end of the skirt, was bespattered with spots
of blood of various forms and sizes. . . . Most of them, as it was
afterwards explained, were the impressions of the blood-stained
fingers and palms belonging to the coachmen and lackeys who had
carried Olga. . . . The chemise was bloody, especially on the right
side on which there was a hole produced by the cut of an instrument.
There, as also on the left shoulder of the bodice, and near the wrists
there were rents, and the wristband was almost torn off.
The things that Olga had worn, such as her gold watch, a long gold
chain, a diamond brooch, ear-rings, rings and a purse containing
silver coins, were found with the clothes. It was clear the crime had
not been committed with the intent of robbery.
The results of the post-mortem examination, made by “Screw” and the
district doctor in my presence on the day after Olga's death, were set
down in a very long report, of which I give here only a general
outline. The doctors found that the external injuries were as follows:
on the left side of the head, at the juncture of the temporal and the
parietal bones, there was a wound of about one and a-half inches in
length that went as far as the bone. The edges of the wound were not
smooth nor rectilinear. . . . It had been inflicted by a blunt
instrument, probably as we subsequently decided by the haft of the
dagger. On the neck at the level of the lower cervical vertebræ a red
line was visible that had the form of a semicircle and extended across
the back half of the neck. On the whole length of this line there were
injuries to the skin and slight bruises. On the left arm, an inch and
a half above the wrist, four blue spots were found. One was on the
back of the hand and the three others on the lower side. They were
caused by pressure, probably of fingers. . . . This was confirmed by
the little scratch made by a nail that was visible on one spot. The
reader will remember that the place where these spots were found
corresponds with the place where the left sleeve and the left cuff of
the bodice of the riding-habit were torn. . . . Between the fourth and
fifth ribs on an imaginary vertical line drawn from the centre of the
armpit there was a large gaping wound of an inch in length. The edges
were smooth, as if cut and steeped with liquid and clotted
blood. . . . The wound was deep. . . . It was made by a sharp
instrument, and as it appeared from the preliminary information, by
the dagger which exactly corresponded in width with the size of the
wound.
The interior examination gave as result a wound in the right lung and
the pleura, inflammation of the lung and hemorrhage in the cavity of
the pleura.
As far as I can remember, the doctors arrived approximately at the
following conclusion: (_a_) death was caused by anæmia consequent on a
great loss of blood; the loss of blood was explained by the presence
of a gaping wound on the right side of the breast. (_b_) the wound on
the head must be considered a serious injury, and the wound in the
breast as undoubtedly mortal; the latter must be reckoned as the
immediate cause of death. (_c_) The wound on the head was given with a
blunt instrument; the wound in the breast by a sharp and probably a
double-edged one. (_d_) the deceased could not have inflicted all the
above-mentioned injuries upon herself with her own hand; and (_e_)
there probably had been no offence against feminine honour.
In order not to put it off till Doomsday and then repeat myself, I
will give the reader at once the picture of the murder I sketched
while under the impression of the first inspections, two or three
examinations, and the perusal of the report of the post-mortem
examination.
Olga, having left the rest of the party, walked about the wood. Lost
in a reverie or plunged in her own sad thoughts—the reader will
remember her mood on that ill-fated evening—she wandered deep into the
forest. There she was met by the murderer. When she was standing under
a tree, occupied with her own thoughts, the man came up and spoke to
her. . . . This man did not awaken suspicions in her, otherwise she
would have called for help, but that cry would not have been
heart-rending. While talking to her the murderer seized hold of her
left arm with such strength that he tore the sleeve of her bodice and
her chemise and left a mark in the form of four spots. It was at that
moment probably that she shrieked, and this was the shriek heard by
the party. . . . She shrieked from pain and evidently because she read
in the face and movements of the murderer what his intentions were.
Either wishing that she should not shriek again, or perhaps acting
under the influence of wrathful feelings, he seized the breast of her
dress near the collar, which is proved by the two upper buttons that
were torn off and the red line the doctors found on her body. The
murderer in clutching at her breast and shaking her, had tightened the
gold watch-chain she wore round her neck. . . . The friction and the
pressure of the chain produced the red line. Then the murderer dealt
her a blow on the head with some blunt weapon, for example, a stick or
even the scabbard of the dagger that hung from Olga's girdle. Then
flying into a passion, or finding that one wound was insufficient, he
drew the dagger and plunged it into her right side with force—I say
with force, because the dagger was blunt.
This was the gloomy aspect of the picture that I had the right to draw
on the strength of the above-mentioned data. The question who was the
murderer was evidently not difficult to determine and seemed to
resolve itself. First the murderer was not guided by covetous motives
but something else. . . . Therefore it was impossible to suspect some
wandering vagabond or ragamuffin, who might be fishing in the lake.
The shriek of his victim could not have disarmed a robber: to take off
the brooch and the watch was the work of a second.
Secondly, Olga had purposely not told me the name of the murderer,
which she would not have done if the murderer had been a common
robber. Evidently the murderer was dear to her, and she did not wish
that he should suffer severe punishment on her account. . . . Such
people could only have been her mad father; her husband, whom she did
not love, but before whom she felt herself guilty; or the Count, to
whom perhaps in her soul she felt under obligations. . . . Her mad
father was sitting at home in his little house in the forest on the
evening of the murder, as his servant affirmed afterwards, composing a
letter to the chief of the district police, requesting him to overcome
the imaginary robbers who surrounded his house day and night. . . .
The Count had never left his guests before and at the moment the
murder was committed. Therefore, the whole weight of suspicion fell on
unfortunate Urbenin. His unexpected appearance, his mien, and all the
rest could only serve as good evidence.
Thirdly, during the last months Olga's life had been one continuous
romance. And this romance was of the sort that usually ends with crime
and capital punishment. An old, doting husband, unfaithfulness,
jealousy, blows, flight to the lover-Count, two months after the
marriage. . . . If the beautiful heroine of such a romance is killed,
do not look for robbers or rascals, but search for the heroes of the
romance. On this third count the most suitable hero-murderer was again
Urbenin.