THE KING. Tut! tut! I fear this is not a proper topic for--

THE GYPSY. It is a matter of interest to all your subjects, your

majesty.

THE KING. Well, well--go on. A public figure like myself must submit to

having his private affairs discussed. It is unfortunate, but--go on.

THE GYPSY. (_reciting_)--the approaching nuptials of the King and

the Princess of Basque. The details of the royal bride's trousseau are

already well known to the public, down to the last garter. The six

embroidered chemises from Astrakhan--

_The maid shows great interest. The King is embarrassed_.

THE KING. But, my dear fellow--really, you know--! This is--!

THE GYPSY. Items of this nature, your majesty, are recited in the

bazaar to audiences composed exclusively of women. Under the

circumstances there is surely no impropriety--

THE KING. Very well. I accept your explanation. But as your present

audience is not composed exclusively of women, I suggest that you omit

those details.

THE GYPSY. Your majesty, I omit them. The account continues....

(_Reciting_) The marriage has excellent reasons of state for being

made, inasmuch as it cements in friendship two kingdoms which have been

at war with each other off and on for a hundred years. But it has its

romantic side as well. It is, in fact, a love-match. The fact that the

royal lovers have never seen each other only emphasizes its romantic

quality. Their joy in beholding in actuality what they have for three

long months cherished so dearly in imagination, is a theme for the poet

laureate--who will, however, we fear, judging from his past

performances, hardly do it justice. It is, as we have said, a love-

match. The royal pair fell in love with what they had heard of each

other--the Princess of Basque with the image she had formed in her mind

from glowing reports of the King's valour, amounting to rashness, his

fluency of poetic speech, his manly bearing, and his irrepressible

wit.... (_The King nods gravely at each item_.) While the King

became madly enamoured of the reputation of the Princess of Basque for

sweetness, industry in good works, and the docility which befits a

wife, even of a King.... (_The King nods gravely at these items

also_.) She is, indeed, a pattern of all the domestic virtues--she

is quiet, obedient, dignified--

_There is a cry in a high feminine voice, outside. All look toward

the window. A girl appears, running past, with short loose hair tossing

about her face. She pauses, and flings herself over the window-ledge,

and is standing--panting, red-cheeked, smiling--in the room. The King

rises_.

THE KING. (_furious, yet coldly polite_) And who, in the name of

the sacred traditions of womanhood, are you?

THE FIGURE. I--I am the Princess of Basque!

_They stare at her_.

* * * * *

_Mid-day. Yellow curtains have been drawn across the broad window. On

the wide seat, the King, dressed in purple robes, sits with head bowed

in thought.... There is a noise of shouting outside. The King looks

up_.

THE KING. (_sadly_) There it is again.

King Arthur's Socks and Other Village Plays · 第 81 / 97 题