SEVENTH EVENING

"Along the margin of the shore stretches a forest of firs and

beeches, and fresh and fragrant is this wood; hundreds of nightingales

visit it every spring. Close beside it is the sea, the ever-changing

sea, and between the two is placed the broad high-road. One carriage

after another rolls over it; but I did not follow them, for my eye

loves best to rest upon one point. A Hun's Grave lies there, and the

sloe and blackthorn grow luxuriantly among the stones. Here is true

poetry in nature.

"And how do you think men appreciate this poetry? I will tell

you what I heard there last evening and during the night.

"First, two rich landed proprietors came driving by. 'Those are

glorious trees!' said the first. 'Certainly; there are ten loads of

firewood in each,' observed the other: 'it will be a hard winter,

and last year we got fourteen dollars a load'--and they were gone.

'The road here is wretched,' observed another man who drove past.

'That's the fault of those horrible trees,' replied his neighbour;

'there is no free current of air; the wind can only come from the

sea'--and they were gone. The stage coach went rattling past. All

the passengers were asleep at this beautiful spot. The postillion blew

his horn, but he only thought, 'I can play capitally. It sounds well

here. I wonder if those in there like it?'--and the stage coach

vanished. Then two young fellows came gallopping up on horseback.

There's youth and spirit in the blood here! thought I; and, indeed,

they looked with a smile at the moss-grown hill and thick forest. 'I

should not dislike a walk here with the miller's Christine,' said

one--and they flew past.

"The flowers scented the air; every breath of air was hushed; it

seemed as if the sea were a part of the sky that stretched above the

deep valley. A carriage rolled by. Six people were sitting in it. Four

of them were asleep; the fifth was thinking of his new summer coat,

which would suit him admirably; the sixth turned to the coachman and

asked him if there were anything remarkable connected with yonder heap

of stones. 'No,' replied the coachman, 'it's only a heap of stones;

but the trees are remarkable.' 'How so?' 'Why I'll tell you how they

are very remarkable. You see, in winter, when the snow lies very deep,

and has hidden the whole road so that nothing is to be seen, those

trees serve me for a landmark. I steer by them, so as not to drive

into the sea; and you see that is why the trees are remarkable.'

"Now came a painter. He spoke not a word, but his eyes sparkled.

He began to whistle. At this the nightingales sang louder than ever.

'Hold your tongues!' he cried testily; and he made accurate notes of

all the colours and transitions--blue, and lilac, and dark brown.

'That will make a beautiful picture,' he said. He took it in just as a

mirror takes in a view; and as he worked he whistled a march of

Rossini. And last of all came a poor girl. She laid aside the burden

she carried, and sat down to rest upon the Hun's Grave. Her pale

handsome face was bent in a listening attitude towards the forest. Her

eyes brightened, she gazed earnestly at the sea and the sky, her hands

were folded, and I think she prayed, 'Our Father.' She herself could

not understand the feeling that swept through her, but I know that

this minute, and the beautiful natural scene, will live within her

memory for years, far more vividly and more truly than the painter

could portray it with his colours on paper. My rays followed her

till the morning dawn kissed her brow."

Fairy Tales of Hans Christian Andersen · 第 97 / 223 题