The young king was very fond of the chase. When the summer was come he
rode forth with hawk and hound, one day, in a brilliant company of his
nobles. He got separated from them by and by, in a great forest, and
took what he imagined a near cut, to find them again; but it was a
mistake. He rode on and on, hopefully at first, but with sinking courage
finally. Twilight came on, and still he was plunging through a lonely
and unknown land. Then came a catastrophe. In the dim light he forced
his horse through a tangled thicket overhanging a steep and rocky
declivity. When horse and rider reached the bottom, the former had a
broken neck and the latter a broken leg. The poor little king lay there
suffering agonies of pain, and each hour seemed a long month to him.
He kept his ear strained to hear any sound that might promise hope of
rescue; but he heard no voice, no sound of horn or bay of hound. So at
last he gave up all hope, and said, “Let death come, for come it must.”
Just then the deep, sweet song of a nightingale swept across the still
wastes of the night.
“Saved!” the king said. “Saved! It is the sacred bird, and the prophecy
is come true. The gods themselves protected me from error in the
choice.”
He could hardly contain his joy; he could not word his gratitude. Every
few moments now he thought he caught the sound of approaching succor.
But each time it was a disappointment; no succor came. The dull hours
drifted on. Still no help came--but still the sacred bird sang on. He
began to have misgivings about his choice, but he stifled them. Toward
dawn the bird ceased. The morning came, and with it thirst and hunger;
but no succor. The day waxed and waned. At last the king cursed the
nightingale.
Immediately the song of the thrush came from out the wood. The king said
in his heart, “This was the true-bird--my choice was false--succor will
come now.”
But it did not come. Then he lay many hours insensible. When he came to
himself, a linnet was singing. He listened with apathy. His faith was
gone. “These birds,” he said, “can bring no help; I and my house and my
people are doomed.” He turned him about to die; for he was grown very
feeble from hunger and thirst and suffering, and felt that his end was
near. In truth, he wanted to die, and be released from pain. For long
hours he lay without thought or feeling or motion. Then his senses
returned. The dawn of the third morning was breaking. Ah, the world
seemed very beautiful to those worn eyes. Suddenly a great longing to
live rose up in the lad's heart, and from his soul welled a deep and
fervent prayer that Heaven would have mercy upon him and let him see
his home and his friends once more. In that instant a soft, a faint, a
far-off sound, but oh, how inexpressibly sweet to his waiting ear, came
floating out of the distance:
“Waw... he! waw... he! Waw-he!--waw-he!--waw-he!”
“That, oh, that song is sweeter, a thousand times sweeter than the voice
of the nightingale, thrush, or linnet, for it brings not mere hope, but
certainty of succor; and now, indeed, am I saved! The sacred singer has
chosen itself, as the oracle intended; the prophecy is fulfilled, and my
life, my house, and my people are redeemed. The ass shall be sacred from
this day!”
The divine music grew nearer and nearer, stronger--and stronger and ever
sweeter and sweeter to the perishing sufferer's ear. Down the declivity
the docile little donkey wandered, cropping herbage and singing as he
went; and when at last he saw the dead horse and the wounded king, he
came and snuffed at them with simple and marveling curiosity. The king
petted him, and he knelt down as had been his wont when his little
mistress desired to mount. With great labor and pain the lad drew
himself upon the creature's back, and held himself there by aid of the
generous ears. The ass went singing forth from the place and carried
the king to the little peasant-maid's hut. She gave him her pallet for
a bed, refreshed him with goat's milk, and then flew to tell the great
news to the first scouting-party of searchers she might meet.
The king got well. His first act was to proclaim the sacredness and
inviolability of the ass; his second was to add this particular ass to
his cabinet and make him chief minister of the crown; his third was to
have all the statues and effigies of nightingales throughout his kingdom
destroyed, and replaced by statues and effigies of the sacred donkey;
and, his fourth was to announce that when the little peasant maid should
reach her fifteenth year he would make her his queen and he kept his
word.
Such is the legend. This explains why the moldering image of the ass
adorns all these old crumbling walls and arches; and it explains why,
during many centuries, an ass was always the chief minister in that
royal cabinet, just as is still the case in most cabinets to this day;
and it also explains why, in that little kingdom, during many centuries,
all great poems, all great speeches, all great books, all public
solemnities, and all royal proclamations, always began with these
stirring words:
“Waw... he! waw... he!--waw he! Waw-he!”