THE CRITIC

Some years ago I wrote a book, and no one read it save myself; it

occupies a dusty nook, all sad and lonesome, on the shelf. And having

found I couldn't write such stories as would please the mob, I sternly

said, "I'll wreak my spite on those who can hold down the job." So now

I sit in gloomy state and roast an author every day, and show he's a

misguided skate who should be busy baling hay. The people read me as I

cook my victims, and exclaim with glee, "If he would only write a book,

oh where would Scott and Dickens be?"

I used to think that I could sing, but when a few sweet trills I'd

shed, the people would arise and fling dead cats and cabbage at my

head. Then, realizing that my throat was modeled on the foghorn plan,

I said, "If I can't sing a note, I'll surely roast the folks who can!"

I go to concerts and look wise, and shudder as in misery; in vain the

prima donna tries to win approving smiles from me; in vain the tenor or

the bass, to gain from me admiring looks, pours floods of music through

his face--I squirm as though on tenderhooks. And people watch my

curves and sigh; "He has it all by heart, by jing! What melody would

reach the sky if he would but consent to sing!"

When I was young I painted signs, but not a soul my work would buy, for

all my figures and my lines were out of drawing and awry. And so I

said; "It breaks my heart that I can't sell a single sign; but in the

noble realms of art as critic I shall surely shine!" And so I grew a

Vandyke beard, and let my hair grow long as grass, and studied up a

jargon weird, and learned to wear a single glass. Then to the

galleries I went and looked at paintings with a frown, and wept in

dismal discontent that art's so crushed and beaten down. And people

followed in my tracks to ascertain my point of view; whenever I applied

the ax they gaily swung the cleaver, too. And often, through a solemn

hush, I'd hear my rapt admirers say: "If he would only use the brush,

Mike Angelo would fade away!"

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