V. THE ODE

The term Ode is used of English poetry with considerable vagueness. The

Century Dictionary defines the word thus: "A lyric poem expressive of

exalted or enthusiastic emotion, especially one of complex or irregular

metrical form; originally and strictly, such a composition intended to

be sung." Compare with this the definition of Mr. Gosse, in his

collection of _English Odes_: "Any strain of enthusiastic and exalted

lyrical verse, directed to a fixed purpose, and dealing progressively

with one dignified theme."

Viewed from the purely metrical standpoint, English odes are commonly

either (_a_) regular Pindaric odes, imitative of the structure of the

Greek ode, or (_b_) irregular, so-called "Pindaric" or "Cowleyan" odes.

A third group may be made of forms based on the imitation of the choral

odes of the Greek drama. There is also a class of odes called

"Horatian," made up of simple lyrical stanzas; the name "ode" is applied

here only because of the content of the poem or because of resemblance

to the so-called odes (properly _carmina_ or songs) of Horace, and since

these Horatian odes show no metrical peculiarities they will not be

represented here.[39]

The characteristic effect of the ode is produced by the varying lengths

of lines employed, and the varying distances at which the rimes answer

one another. This variety, in the hands of a master of verse, is capable

of splendid effectiveness, but it gives dangerous license to the

unskilled writer.

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