‘With your permission,’ remarked Rudin, coolly, ‘the matter is very

simple. You do not believe in the value of general propositions--you do

not believe in convictions?’

‘I don’t believe in them, I don’t believe in anything!’

‘Very good. You are a sceptic.’

‘I see no necessity for using such a learned word. However----’

‘Don’t interrupt!’ interposed Darya Mihailovna.

‘At him, good dog!’ Pandalevsky said to himself at the same instant, and

smiled all over.

‘That word expresses my meaning,’ pursued Rudin. ‘You understand it; why

not make use of it? You don’t believe in anything. Why do you believe in

facts?’

‘Why? That’s good! Facts are matters of experience, every one knows what

facts are. I judge of them by experience, by my own senses.’

‘But may not your senses deceive you? Your senses tell you that the sun

goes round the earth,... but perhaps you don’t agree with Copernicus?

You don’t even believe in him?’

Again a smile passed over every one’s face, and all eyes were fastened

on Rudin. ‘He’s by no means a fool,’ every one was thinking.

‘You are pleased to keep on joking,’ said Pigasov. ‘Of course that’s

very original, but it’s not to the point.’

‘In what I have said hitherto,’ rejoined Rudin, ‘there is,

unfortunately, too little that’s original. All that has been well known

a very long time, and has been said a thousand times. That is not the

pith of the matter.’

‘What is then?’ asked Pigasov, not without insolence.

In discussions he always first bantered his opponent, then grew cross,

and finally sulked and was silent.

‘Here it is,’ continued Rudin. ‘I cannot help, I own, feeling sincere

regret when I hear sensible people attack----’

‘Systems?’ interposed Pigasov.

‘Yes, with your leave, even systems. What frightens you so much in that

word? Every system is founded on a knowledge of fundamental laws, the

principles of life----’

‘But there is no knowing them, no discovering them.’

‘One minute. Doubtless they are not easy for every one to get at, and to

make mistakes is natural to man. However, you will certainly agree

with me that Newton, for example, discovered some at least of these

fundamental laws? He was a genius, we grant you; but the grandeur of

the discoveries of genius is that they become the heritage of all. The

effort to discover universal principles in the multiplicity of phenomena

is one of the radical characteristics of human thought, and all our

civilisation----’

‘That’s what you’re driving at!’ Pigasov broke in in a drawling tone. ‘I

am a practical man and all these metaphysical subtleties I don’t enter

into and don’t want to enter into.’

‘Very good! That’s as you prefer. But take note that your very desire

to be exclusively a practical man is itself your sort of system--your

theory.’

‘Civilisation you talk about!’ blurted in Pigasov; ‘that’s another

admirable notion of yours! Much use in it, this vaunted civilisation! I

would not give a brass farthing for your civilisation!’

‘But what a poor sort of argument, African Semenitch!’ observed

Darya Mihailovna, inwardly much pleased by the calmness and perfect

good-breeding of her new acquaintance. ‘_C’est un homme comme il faut_,’

she thought, looking with well-disposed scrutiny at Rudin; ‘we must be

nice to him!’ Those last words she mentally pronounced in Russian.

‘I will not champion civilisation,’ continued Rudin after a short pause,

‘it does not need my championship. You don’t like it, every one to his

own taste. Besides, that would take us too far. Allow me only to remind

you of the old saying, “Jupiter, you are angry; therefore you are in the

wrong.” I meant to say that all those onslaughts upon systems--general

propositions--are especially distressing, because together with these

systems men repudiate knowledge in general, and all science and faith in

it, and consequently also faith in themselves, in their own powers. But

this faith is essential to men; they cannot exist by their sensations

alone, they are wrong to fear ideas and not to trust in them. Scepticism

is always characterised by barrenness and impotence.’

‘That’s all words!’ muttered Pigasov.

‘Perhaps so. But allow me to point out to you that when we say “that’s

all words!” we often wish ourselves to avoid the necessity of saying

anything more substantial than mere words.’

‘What?’ said Pigasov, winking his eyes.

‘You understood what I meant,’ retorted Rudin, with involuntary,

but instantly repressed impatience. ‘I repeat, if man has no steady

principle in which he trusts, no ground on which he can take a firm

stand, how can he form a just estimate of the needs, the tendencies and

the future of his country? How can he know what he ought to do, if----’

‘I leave you the field,’ ejaculated Pigasov abruptly, and with a bow he

turned away without looking at any one.

Rudin stared at him, and smiled slightly, saying nothing.

‘Aha! he has taken to flight!’ said Darya Mihailovna. ‘Never mind,

Dmitri...! I beg your pardon,’ she added with a cordial smile, ‘what is

your paternal name?’

‘Nikolaitch.’

‘Never mind, my dear Dmitri Nikolaitch, he did not deceive any of us. He

wants to make a show of not _wishing_ to argue any more. He is conscious

that he _cannot_ argue with you. But you had better sit nearer to us and

let us have a little talk.’

Rudin moved his chair up.

‘How is it we have not met till now?’ was Darya Mihailovna’s question.

‘That is what surprises me. Have you read this book? _C’est de

Tocqueville, vous savez_?’

And Darya Mihailovna held out the French pamphlet to Rudin.

Rudin took the thin volume in his hand, turned over a few pages of

it, and laying it down on the table, replied that he had not read that

particular work of M. de Tocqueville, but that he had often reflected

on the question treated by him. A conversation began to spring up. Rudin

seemed uncertain at first, and not disposed to speak out freely; his

words did not come readily, but at last he grew warm and began to speak.

In a quarter of an hour his voice was the only sound in the room, All

were crowding in a circle round him.

Only Pigasov remained aloof, in a corner by the fireplace. Rudin spoke

with intelligence, with fire and with judgment; he showed much learning,

wide reading. No one had expected to find in him a remarkable man. His

clothes were so shabby, so little was known of him. Every one felt it

strange and incomprehensible that such a clever man should have suddenly

made his appearance in the country. He seemed all the more wonderful

and, one may even say, fascinating to all of them, beginning with

Darya Mihailovna. She was pluming herself on having discovered him, and

already at this early date was dreaming of how she would introduce Rudin

into the world. In her quickness to receive impressions there was much

that was almost childish, in spite of her years. Alexandra Pavlovna, to

tell the truth, understood little of all that Rudin said, but was full

of wonder and delight; her brother too was admiring him. Pandalevsky was

watching Darya Mihailovna and was filled with envy. Pigasov thought,

‘If I have to give five hundred roubles I will get a nightingale to

sing better than that!’ But the most impressed of all the party were

Bassistoff and Natalya. Scarcely a breath escaped Bassistoff; he sat the

whole time with open mouth and round eyes and listened--listened as

he had never listened to any one in his life--while Natalya’s face was

suffused by a crimson flush, and her eyes, fastened unwaveringly on

Rudin, were both dimmed and shining.

‘What splendid eyes he has!’ Volintsev whispered to her.

‘Yes, they are.’

‘It’s only a pity his hands are so big and red.’

Natalya made no reply.

Tea was brought in. The conversation became more general, but still by

the sudden unanimity with which every one was silent, directly Rudin

opened his mouth, one could judge of the strength of the impression he

had produced. Darya Mihailovna suddenly felt inclined to tease Pigasov.

She went up to him and said in an undertone, ‘Why don’t you speak

instead of doing nothing but smile sarcastically? Make an effort,

challenge him again,’ and without waiting for him to answer, she

beckoned to Rudin.

‘There’s one thing more you don’t know about him,’ she said to him,

with a gesture towards Pigasov,--‘he is a terrible hater of women, he is

always attacking them; pray, show him the true path.’

Rudin involuntarily looked down upon Pigasov; he was a head and

shoulders taller. Pigasov almost withered up with fury, and his sour

face grew pale.

‘Darya Mihailovna is mistaken,’ he said in an unsteady voice, ‘I do not

only attack women; I am not a great admirer of the whole human species.’

‘What can have given you such a poor opinion of them?’ inquired Rudin.

Pigasov looked him straight in the face.

‘The study of my own heart, no doubt, in which I find every day more

and more that is base. I judge of others by myself. Possibly this too is

erroneous, and I am far worse than others, but what am I to do? it’s a

habit!’

‘I understand you and sympathise with you!’ was Rudin’s rejoinder. ‘What

generous soul has not experienced a yearning for self-humiliation? But

one ought not to remain in that condition from which there is no outlet

beyond.’

‘I am deeply indebted for the certificate of generosity you confer on

my soul,’ retorted Pigasov. ‘As for my condition, there’s not much amiss

with it, so that even if there were an outlet from it, it might go to

the deuce, I shouldn’t look for it!’

‘But that means--pardon the expression--to prefer the gratification of

your own pride to the desire to be and live in the truth.’

‘Undoubtedly,’ cried Pigasov, ‘pride--that I understand, and you, I

expect, understand, and every one understands; but truth, what is truth?

Where is it, this truth?’

‘You are repeating yourself, let me warn you,’ remarked Darya

Mihailovna.

Pigasov shrugged his shoulders.

‘Well, where’s the harm if I do? I ask: where is truth? Even the

philosophers don’t know what it is. Kant says it is one thing; but

Hegel--no, you’re wrong, it’s something else.’

‘And do you know what Hegel says of it?’ asked Rudin, without raising

his voice.

‘I repeat,’ continued Pigasov, flying into a passion, ‘that I cannot

understand what truth means. According to my idea, it doesn’t exist

at all in the world, that is to say, the word exists but not the thing

itself.’

‘Fie, fie!’ cried Darya Mihailovna, ‘I wonder you’re not ashamed to say

so, you old sinner! No truth? What is there to live for in the world

after that?’

‘Well, I go so far as to think, Darya Mihailovna,’ retorted Pigasov, in

a tone of annoyance, ‘that it would be much easier for you, in any case,

to live without truth than without your cook, Stepan, who is such a

master hand at soups! And what do you want with truth, kindly tell me?

you can’t trim a bonnet with it!’

‘A joke is not an argument,’ observed Darya Mihailovna, ‘especially when

you descend to personal insult.’

‘I don’t know about truth, but I see speaking it does not answer,’

muttered Pigasov, and he turned angrily away.

And Rudin began to speak of pride, and he spoke well. He showed that man

without pride is worthless, that pride is the lever by which the earth

can be moved from its foundations, but that at the same time he alone

deserves the name of man who knows how to control his pride, as the

rider does his horse, who offers up his own personality as a sacrifice

to the general good.

‘Egoism,’ so he ended, ‘is suicide. The egoist withers like a solitary

barren tree; but pride, ambition, as the active effort after perfection,

is the source of all that is great.... Yes! a man must prune away

the stubborn egoism of his personality to give it the right of

self-expression.’

‘Can you lend me a pencil?’ Pigasov asked Bassistoff.

Bassistoff did not at once understand what Pigasov had asked him.

‘What do you want a pencil for?’ he said at last

‘I want to write down Mr. Rudin’s last sentence. If one doesn’t write it

down, one might forget it, I’m afraid! But you will own, a sentence like

that is such a handful of trumps.’

‘There are things which it is a shame to laugh at and make fun of,

African Semenitch!’ said Bassistoff warmly, turning away from Pigasov.

Meanwhile Rudin had approached Natalya. She got up; her face expressed

her confusion. Volintsev, who was sitting near her, got up too.

‘I see a piano,’ began Rudin, with the gentle courtesy of a travelling

prince; ‘don’t you play on it?’

‘Yes, I play,’ replied Natalya, ‘but not very well. Here is Konstantin

Diomiditch plays much better than I do.’

Pandalevsky put himself forward with a simper. ‘You should not say that,

Natalya Alexyevna; your playing is not at all inferior to mine.’

‘Do you know Schubert’s “Erlkonig”?’ asked Rudin.

‘He knows it, he knows it!’ interposed Darya Mihailovna. ‘Sit down,

Konstantin. You are fond of music, Dmitri Nikolaitch?’

Rudin only made a slight motion of the head and ran his hand through his

hair, as though disposing himself to listen. Pandalevsky began to play.

Natalya was standing near the piano, directly facing Rudin. At the first

sound his face was transfigured. His dark blue eyes moved slowly about,

from time to time resting upon Natalya. Pandalevsky finished playing.

Rudin said nothing and walked up to the open window. A fragrant mist

lay like a soft shroud over the garden; a drowsy scent breathed from

the trees near. The stars shed a mild radiance. The summer night was

soft--and softened all. Rudin gazed into the dark garden, and looked

round.

‘That music and this night,’ he began, ‘reminded me of my student days

in Germany; our meetings, our serenades.’

‘You have been in Germany then?’ said Darya Mihailovna.

‘I spent a year at Heidelberg, and nearly a year at Berlin.’

‘And did you dress as a student? They say they wear a special dress

there.’

‘At Heidelberg I wore high boots with spurs, and a hussar’s jacket

with braid on it, and I let my hair grow to my shoulders. In Berlin the

students dress like everybody else.’

‘Tell us something of your student life,’ said Alexandra Pavlovna.

Rudin complied. He was not altogether successful in narrative. There

was a lack of colour in his descriptions. He did not know how to be

humorous. However, from relating his own adventures abroad, Rudin soon

passed to general themes, the special value of education and science,

universities, and university life generally. He sketched in a large and

comprehensive picture in broad and striking lines. All listened to him

with profound attention. His eloquence was masterly and attractive, not

altogether clear, but even this want of clearness added a special charm

to his words.

The exuberance of his thought hindered Rudin from expressing himself

definitely and exactly. Images followed upon images; comparisons started

up one after another--now startlingly bold, now strikingly true. It was

not the complacent effort of the practised speaker, but the very breath

of inspiration that was felt in his impatient improvising. He did not

seek out his words; they came obediently and spontaneously to his lips,

and each word seemed to flow straight from his soul, and was burning

with all the fire of conviction. Rudin was the master of almost the

greatest secret--the music of eloquence. He knew how in striking

one chord of the heart to set all the others vaguely quivering and

resounding. Many of his listeners, perhaps, did not understand very

precisely what his eloquence was about; but their bosoms heaved, it

seemed as though veils were lifted before their eyes, something radiant,

glorious, seemed shimmering in the distance.

All Rudin’s thoughts seemed centred on the future; this lent him

something of the impetuous dash of youth... Standing at the window, not

looking at any one in special, he spoke, and inspired by the general

sympathy and attention, the presence of young women, the beauty of the

night, carried along by the tide of his own emotions, he rose to the

height of eloquence, of poetry.... The very sound of his voice, intense

and soft, increased the fascination; it seemed as though some higher

power were speaking through his lips, startling even to himself....

Rudin spoke of what lends eternal significance to the fleeting life of

man.

‘I remember a Scandinavian legend,’ thus he concluded, ‘a king is

sitting with his warriors round the fire in a long dark barn. It was

night and winter. Suddenly a little bird flew in at the open door and

flew out again at the other. The king spoke and said that this bird

is like man in the world; it flew in from darkness and out again into

darkness, and was not long in the warmth and light.... “King,” replies

the oldest of the warriors, “even in the dark the bird is not lost, but

finds her nest.” Even so our life is short and worthless; but all that

is great is accomplished through men. The consciousness of being the

instrument of these higher powers ought to outweigh all other joys for

man; even in death he finds his life, his nest.’

Rudin stopped and dropped his eyes with a smile of involuntary

embarrassment.

‘_Vous êtes un poète_,’ was Darya Mihailovna’s comment in an undertone.

And all were inwardly agreeing with her--all except Pigasov. Without

waiting for the end of Rudin’s long speech, he quietly took his hat and

as he went out whispered viciously to Pandalevsky who was standing near

the door:

‘No! Fools are more to my taste.’

No one, however, tried to detain him or even noticed his absence.

The servants brought in supper, and half an hour later, all had taken

leave and separated. Darya Mihailovna begged Rudin to remain the night.

Alexandra Pavlovna, as she went home in the carriage with her brother,

several times fell to exclaiming and marvelling at the extraordinary

cleverness of Rudin. Volintsev agreed with her, though he observed that

he sometimes expressed himself somewhat obscurely--that is to say, not

altogether intelligibly, he added,--wishing, no doubt, to make his own

thought clear, but his face was gloomy, and his eyes, fixed on a corner

of the carriage, seemed even more melancholy than usual.

Pandalevsky went to bed, and as he took off his daintily embroidered

braces, he said aloud ‘A very smart fellow!’ and suddenly, looking

harshly at his page, ordered him out of the room. Bassistoff did not

sleep the whole night and did not undress--he was writing till morning

a letter to a comrade of his in Moscow; and Natalya, too, though she

undressed and lay down in her bed, had not an instant’s sleep and never

closed her eyes. With her head propped on her arm, she gazed fixedly

into the darkness; her veins were throbbing feverishly and her bosom

often heaved with a deep sigh.

IV

The next morning Rudin had only just finished dressing when a servant

came to him with an invitation from Darya Mihailovna to come to her

boudoir and drink tea with her. Rudin found her alone. She greeted him

very cordially, inquired whether he had passed a good night, poured him

out a cup of tea with her own hands, asked him whether there was sugar

enough in it, offered him a cigarette, and twice again repeated that she

was surprised that she had not met him long before. Rudin was about to

take a seat some distance away; but Darya Mihailovna motioned him to an

easy chair, which stood near her lounge, and bending a little towards

him began to question him about his family, his plans and intentions.

Darya Mihailovna spoke carelessly and listened with an air of

indifference; but it was perfectly evident to Rudin that she was laying

herself out to please him, even to flatter him. It was not for nothing

that she had arranged this morning interview, and had dressed so simply

yet elegantly _a la Madame Récamier_! But Darya Mihailovna soon left off

questioning him. She began to tell him about herself, her youth, and

the people she had known. Rudin gave a sympathetic attention to

her lucubrations, though--a curious fact--whatever personage Darya

Mihailovna might be talking about, she always stood in the foreground,

she alone, and the personage seemed to be effaced, to slink away in the

background, and to disappear. But to make up for that, Rudin learnt

in full detail precisely what Darya Mihailovna had said to a certain

distinguished statesman, and what influence she had had on such and such

a celebrated poet. To judge from Darya Mihailovna’s accounts, one might

fancy that all the distinguished men of the last five-and-twenty years

had dreamt of nothing but how they could make her acquaintance, and

gain her good opinion. She spoke of them simply, without particular

enthusiasm or admiration, as though they were her daily associates,

calling some of them queer fellows. As she talked of them, like a rich

setting round a worthless stone, their names ranged themselves in a

brilliant circlet round the principal name--around Darya Mihailovna.

Rudin listened, smoking a cigarette, and said little. He could speak

well and liked speaking; carrying on a conversation was not in his line,

though he was also a good listener. All men--if only they had not been

intimidated by him to begin with--opened their hearts with confidence

in his presence; he followed the thread of another man’s narrative so

readily and sympathetically. He had a great deal of good-nature--that

special good-nature of which men are full, who are accustomed to feel

themselves superior to others. In arguments he seldom allowed his

antagonist to express himself fully, he crushed him by his eager,

vehement and passionate dialectic.

Darya Mihailovna expressed herself in Russian. She prided herself on her

knowledge of her own language, though French words and expressions

often escaped her. She intentionally made use of simple popular terms of

speech; but not always successfully. Rudin’s ear was not outraged by the

strange medley of language on Darya Mihailovna’s lips, indeed he hardly

had an ear for it.

Darya Mihailovna was exhausted at last and letting her head fall on the

cushions of her easy-chair she fixed her eyes on Rudin and was silent.

‘I understand now,’ began Rudin, speaking slowly, ‘I understand why you

come every summer into the country. This period of rest is essential for

you; the peace of the country after your life in the capital refreshes

and strengthens you. I am convinced that you must be profoundly

sensitive to the beauties of nature.’

Darya Mihailovna gave Rudin a sidelong look.

‘Nature--yes--yes--of course.... I am passionately fond of it; but do

you know, Dmitri Nikolaitch, even in the country one cannot do without

society. And here there is practically none. Pigasov is the most

intelligent person here.’

‘The cross old gentleman who was here last night?’ inquired Rudin.

‘Yes.... In the country though, even he is of use--he sometimes makes

one laugh.’

‘He is by no means stupid,’ returned Rudin, ‘but he is on the wrong

path. I don’t know whether you will agree with me, Darya Mihailovna, but

in negation--in complete and universal negation--there is no salvation

to be found? Deny everything and you will easily pass for a man of

ability; it’s a well-known trick. Simple-hearted people are quite ready

to conclude that you are worth more than what you deny. And that’s

often an error. In the first place, you can pick holes in anything; and

secondly, even if you are right in what you say, it’s the worse for

you; your intellect, directed by simple negation, grows colourless and

withers up. While you gratify your vanity, you are deprived of the true

consolations of thought; life--the essence of life--evades your

petty and jaundiced criticism, and you end by scolding and becoming

ridiculous. Only one who loves has the right to censure and find fault.’

‘_Voilà, Monsieur Pigasov enterré_,’ observed Darya Mihailovna. ‘What a

genius you have for defining a man! But Pigasov certainly would not have

even understood you. He loves nothing but his own individuality.’

‘And he finds fault with that so as to have the right to find fault with

others,’ Rudin put in.

Darya Mihailovna laughed.

‘“He judges the sound,” as the saying is, “the sound by the sick.” By

the way, what do you think of the baron?’

Rudin: A Novel · 第 3 / 11 段