CHAPTER I.

Transcriber's Note: Transcribed from page scans provided by the

the Hathi Trust Org. (The Ohio State University)

[Illustration: Front Cover]

[Illustration: Frontispiece]

THE SPIDER.

BY

FERGUS HUME,

AUTHOR OF "THE MYSTERY OF A HANSOM CAB," "THE SOLITARY FARM," ETC.

WARD, LOCK & CO., LIMITED,

LONDON, MELBOURNE AND TORONTO.

1910.

CONTENTS.

CHAPTER

I. A POSSIBLE PARTNERSHIP

II. A CONFIDENTIAL COMMUNICATION

III. HOW THE TRAP WAS SET

IV. WHO WAS CAUGHT IN THE TRAP

V. AFTER THE TRAGEDY

VI. TWO CONVERSATIONS

VII. LADY CORSOON'S APPEAL

VIII. THE GRIEF OF IDA

IX. WITCHCRAFT

X. MYSTERY

XI. THE NEEDLE IN THE HAYSTACK

XII. A TEMPTING OFFER

XIII. THE BAZAAR

XIV. RUN TO EARTH

XV. FACE TO FACE

XVI. THE SEARCH

XVII. IN THE TRAIN

XVIII. AT BOWDERSTYKE

XIX. A BOLD OFFER

XX. GERBY HALL

XXI. JUSTICE

XXII. THE END OF IT ALL

THE SPIDER.

CHAPTER I.

A POSSIBLE PARTNERSHIP.

The exterior of The Athenian Club, Pall Mall, represents an ordinary

twentieth century mansion, which it is; but within, the name is

justified by a Græco-Roman architecture of vast spaces, marble floors,

painted ceilings, and pillared walls, adapted, more or less

successfully, to the chilly British climate. The various rooms are

called by Latin names, and the use of these is rigidly enforced.

Standing outside the mansion, you know that you are in London; enter,

and you behold Athens--say, the abode of Alcibiades; listen, and

scraps of speech suggest Imperial Rome. Thus, the tastes of all the

members, whether old and pedantic, or young and frivolous, are

consulted and gratified. Modern slang, as well as the stately tongue

of Virgil, is heard in The Athenian, for the club, like St. Paul, is

all things to all men. For that reason it is a commercial success.

Strangers--they come eagerly with members to behold rumoured

glories--enter the club-house, through imitation bronze gates, into

the vestibulum, and pass through an inner door into the atrium. This

means that they leave the entrance room for the general conversation

apartment. To the right of this, looking from the doorway, is the

tablinum, which answers--perhaps not very correctly as regards the

name--the purposes of a library; to the left a lordly portal gives

admittance into the triclinium, that is, to the dining-room. At the

end of the atrium, which is the neutral ground of the club, where

members and strangers meet, swing-doors shut in the pinacotheca.

Properly this should be a picture-gallery, but, in deference to modern

requirements, it is used as a smoking-room. These three rooms,

spacious, ornate, and lofty, open under a colonnade, or peristyle, on

to a glass-roofed winter garden, which runs like a narrow passage

round the three sides of the building. The viridarium, as the members

call this cultivated strip of land, extends only twenty feet from the

marble pavement of the peristyle, and is bounded by the side-walls and

rear-walls of adjacent houses. It is filled with palms and tropical

plants, with foreign and native flowers, and, owing to a skilful

concealment of its limitations by the use of enormous mirrors,

festooned with creepers and ivy, it really resembles vast

pleasure-gardens extending to great distances. The outlook from

tablinum, pinacotheca, and triclinium is a triumph of perspective.

Below the state apartments on the ground floor are the kitchens, the

domestic offices, and the servants' rooms; above them, the cubicles

are to be found, where members, both resident or non-resident, sleep

when disposed on beds more comfortable than classical. Finally, on the

top floor, and reached by a lift, are billiard-rooms, card-rooms, and

a small gymnasium for those who require exercise. The whole scheme is

modelled on a larger scale from the House of Glaucus, as described by

Bulwer Lytton in "The Last Days of Pompeii." A perusal of this famous

story suggested the novelty to an enterprising builder, and the

Athenian Club is the successful result.

The members of such a club should have been classical scholars, but

these were in the minority. The greater portion of those who

patronised this latest London freak were extremely up-to-date, and

defended their insistent modernity amidst ancient artificial

environment by Acts xvii. 21: "For the Athenians and strangers which

were there spent their time in nothing else, but either to tell, or to

hear some new thing!" And certainly they acted well up to the text,

for all the scandal and novelty of the metropolis seemed to flow from

this pseudo-classical source. Plays were discussed in manuscript,

novels on the eve of publication; inventors came here to suggest plans

for airships, or to explain how the earth could signal to Mars. Some

members had brand new ideas for the improvement of motor mechanism,

others desired to evolve colour from sound, detailing with many words

how music could be made visible. As to politics, the Athenians knew

everything which was going on behind the scenes, and could foretell

equally truthfully a war, a change of Government, the abdication of a

monarch, or the revolt of an oppressed people. If any traveller

arrived from the Land-at-the-Back-of-Beyond with an account of a

newly-discovered island, or an entirely new animal, he was sure to be

a member of the club. Thus, although the interior of the Pall Mall

mansion suggested Greece and Rome, Nero and Pericles, the appointments

for comfort, for the quick dispatch of business or pleasure, and the

ideas, conversation, and dress of the members, were, if anything, six

months ahead of the present year of grace. The Athenian Club was

really a mixture or blending of two far-apart epochs, the very ancient

and the very modern; but the dark ages were left out, as the members

had no use for mediæval ignorance.

Over the mosaic dog with his warning lettering, "Cave Canem,"

strolled, one warm evening in June, a young man of twenty-four, whose

physical appearance was more in keeping with the classical

surroundings than were his faultlessly fitting dress-clothes. His

oval, clean-shaven face was that of a pure-blooded Hellene, his curly

golden hair and large blue eyes like the sky of Italy at noon,

suggested the Sun-god, and his figure, limber, active, and slender,

resembled the Hermes of the Palestra. He was almost aggressively

handsome, and apparently knew that he was, for he swaggered in with a

haughty lord-of-the-world air, entirely confident of himself and of

his capabilities. His exuberant vitality was as pronounced as were his

good looks, and there was a finish about his toilette which hinted at

a determination to make the most of his appearance. He assuredly

succeeded in accentuating what Nature had done for him, since even the

attendant, who approached to remove the young man's light overcoat,

appeared to be struck by this splendid vision of perfect health,

perfect beauty, and perfect lordship of existence. All the fairies

must have come to the cradle of this fortunate young gentleman with

profuse gifts. He seemed to be the embodiment of joyous life.

"Is Mr. Arthur Vernon here?" he asked, settling his waistcoat,

touching the flower in his button-hole, and pulling a handkerchief out

of his left sleeve.

"In the pinacotheca, sir," was the reply, for all the attendants were

carefully instructed in correct pronunciation. "Shall I tell him you

are here, Mr. Maunders?"

The gentleman thus named yawned lazily. "Thanks, I shall see him

myself;" and with a nod to the man, he walked lightly through the

atrium, looking like one of Flaxman's creations, only he was more

clothed.

Throwing keen glances right and left to see who was present and who

was not, Mr. Maunders entered the pinacotheca. This was an oblong

apartment with marble walls on three sides and a lordly range of

pillars on the fourth, which was entirely open to the gardens. Beyond

could be seen the luxuriant vegetation of the undergrowth, whence

sprang tall palms, duplicated in the background of mirrors. The mosaic

pavement of the smoking-room was strewn with Persian praying-mats,

whose vivid colouring matched the pictured floor. There were deep

armchairs and softly-cushioned sofas, all upholstered in dark red

leather, which contrasted pleasantly with the snowy walls. Many

small tables of white metal and classical shapes were dotted here,

there, and everywhere. As it was mid-June and extremely close, the

fireplace--looking somewhat incongruous in such a place--was filled

with ferns and white flowers, in red pots of earthenware, thus

repeating the general scheme of colour. Red and white, snow and fire,

with a spread of green in the viridarium--nothing could have been more

artistic.

Under the peristyle, and near a fountain whence water sprang from the

conch of a Triton to fall into a shallow marble basin with prismatic

hues, were several copper-topped tables. Near them, basket chairs

draped with brightly-hued rugs, were scattered in picturesque

disorder. One of them was occupied by a long, slim man of thirty. With

a cigarette between his lips and a cup of coffee at his elbow, he

stared straight in front of him, but looked up swiftly when he heard

Maunders' springy steps.

"Here you are at last!" he remarked somewhat coolly, and glanced at

his watch. "Why didn't you turn up to dinner as arranged? It's close

on nine o'clock."

"Couldn't get away from my aunt," replied Maunders, slipping leisurely

into an adjacent chair. "She seemed to have the blues about something,

and wouldn't let me go. Never was there so affectionate an aunt as

Mrs. Bedge, and never one so tryingly attentive."

"Considering that she has brought you up in the past, supplies you

with money at present, and intends to make you her heir in the future,

you might talk more kindly of her."

Maunders shrugged his shoulders. "Oh, the Eton-Oxford education was

all right; she did well by me there. But I don't get much money from

her now, and judging from that, I may be heir to very little."

"You ought to be glad that you are an heir to anything," said Vernon

frowning, for his friend's light tones jarred.

"Why?" asked the other. "My parents are dead long since. Aunt Emily is

my only relative, and has neither chick nor child. If she didn't

intend to leave me her money she should not have brought me up to

luxury and idleness."

"It would certainly be better if she had made you work," assented the

host contemptuously; "but you were always lazy and extravagant."

"I was born sitting down; I am a lily of the field and a rose of

Sharon."

"Likewise an ass."

"You think so?" said Maunders drily. "Well, I hope to change your

opinion on that point before we part."

"It will take a deal of changing. But all this talk is beside the

purpose of our meeting. You made this appointment with me, and----"

"Didn't keep it to the minute. I'm nearly two hours late. Well, what

does it matter?"

"Everything to me. I am a busy man," snapped the other sharply.

"So you say." Maunders looked very directly at his host. "Some fellows

don't think so. Your business----"

Vernon interrupted. "I have no business; I am an independent man."

"And yet a busy one," rejoined Maunders softly; "strange."

There was that significance in his tone which made Vernon colour,

although he remained motionless. He certainly was about to make a

hasty observation, but his guest looked at him so straightly and

smilingly, that he bit his lip and refrained from immediate speech.

Maunders, still smiling, took a cigarette from a golden case and

lighted up. "You might offer me a cup of coffee."

Vernon signalled to a passing attendant. "A cup of coffee for Mr.

Maunders."

"With a vanilla bean," directed the other man. "I don't like coffee

otherwise. And hurry up, please!" Then, when the servant departed, he

turned suavely to his host. "I forget what we were talking about."

"So do I," retorted Vernon coolly.

Maunders, smoking delicately, rested his wrists on the copper edge of

the table and looked searchingly into his friend's strong face. And

Vernon's face was strong--much stronger than that of his companion. He

likewise had blue eyes, but of a deep-sea blue, less shallow and more

piercing than those of Maunders. His face was also oval, with finely

cut features, but more scored with thought-marks; and his hair was as

dark, smooth, and short-cropped as that of the other's was golden,

curly, and--odd adjective to use in connection with a man--fluffy.

Both were clean-shaven, but Vernon's mouth was firm, while the lips of

Maunders were less compressed and betrayed indecision. The former had

the more athletic figure, the latter a more graceful one, and although

both were well groomed and well dressed, Vernon was less of the dandy

in his attention to detail. Poetically speaking, one man was Night and

the other Day; but a keen observer would have read that the first used

strength of body and brain to achieve his ends, while the last relied

more on cunning. And from the looks of the twain, cunning and strength

were about to try conclusions. Yet they had been child-friends,

school-friends, and--so far as their paths ran parallel--were

life-friends, with certain reservations.

"You were always as deep as a well, Arty," said Maunders, finally

removing his eyes from the other's face and turning to take his cup of

coffee.

"Don't call me Arty!" snapped Vernon irritably.

"You were Arty at Eton, when we were boys, tall and short."

"We are not at Eton now. I always think that there is something weak

in a man being called by his Christian name outside his family--much

less being ticketed with a confounded diminutive."

"You can call me Conny if you like, as you used to."

"I shan't, or even Constantine. Maunders is good enough for me."

"Oh is he?" The fair man glanced shrewdly over the coffee-cup he was

holding to his lips. "You hold to that."

"I hold to the name, not to the individual," said Vernon curtly.

"You don't trust me."

"I don't. I see no reason to trust you."

"Ah, you will when I explain why I asked you to meet me here," said

Maunders in his frivolous manner.

"I daresay; go on."

His friend sighed. "What a laconic beast you are, Arty."

"My name is Vernon, if you please."

"Always Vernon?" asked Maunders in silky tones. The other man sat up

alertly. "What do you mean?"

"I mean that I want you to take me into partnership."

"Partnership!" Vernon's face grew an angry red. "What the devil do you

know?"

"Softly! softly! I know many things, although there is no need to

swear. It's bad form, Vernon, deuced bad form. The fact is," he went

on gracefully, "my aunt keeps me short of money, and I want all I can

get to enjoy life. I thought as I am pretty good in finding out things

about people that you might invite me to become a partner in your

detective business."

Vernon cast a hasty glance around. Fortunately, there were no guests

under the peristyle, and only two men, out of earshot, in the

pinacotheca. "You are talking rubbish," he said roughly, yet

apprehensively.

"I don't think so. Your father died three years ago and left you with

next to nothing. Having no profession you did not know what to do,

and, ashamed to beg, borrow, or steal, you turned your powers of

observation to account on the side of the law against the criminal."

Maunders took a card from his waistcoat pocket and passed it along.

"'Nemo, Private Enquiry Agent, 22, Fenella Street, Covent Garden,' is

inscribed on that card. Nemo means Nobody, I believe; yet Nemo, as I

know, means Arthur Vernon of The Athenian Club."

The man addressed tore the card to pieces and threw them amongst the

flowers. "You talk rubbish," he said again, and still roughly. "How do

you connect me with this private enquiry agent?"

"Ah, that's too long a story to tell you just now." Maunders glanced

at his watch. "I am due at a ball in an hour, and want the matter

settled before I leave here."

"What matter?"

"The partnership matter." There was a pause. "Well?"

"I have nothing to say," said Vernon firmly.

Maunders rose. "In that case I'll cut along and go earlier than I

expected to Lady Corsoon's ball."

"Lady Corsoon!" Vernon changed colour and bit his lip.

"Yes. She didn't ask you to her ball, did she? She wouldn't, of

course, seeing that you are in love with her daughter Lucy. That young

lady is to marry money, and you haven't any but what you make out of

your detective business. Perhaps if I tell her that you are doing well

as Nemo, she might----"

By this time Vernon was on his feet. "Don't you dare, don't you dare!"

he panted hoarsely, and the perspiration beaded his brow.

"Oh!" Maunders raised his eyebrows. "Then it is true, after all."

"Sit down," commanded Vernon savagely, resuming his own seat. "We must

talk this matter out, if you please."

"I came here for that purpose. Only don't keep me too late. I am

engaged to Lucy for the third waltz, and must not disappoint her."

Vernon winced. "You have no right to call Miss Corsoon by her

Christian name."

"Why not? She's not engaged to you. I love her, and, as yet--as yet,

mind you, Vernon--I have as good a right as you to cut in."

"I understood that you were as good as engaged to Miss Dimsdale."

"Oh!" Maunders lightly flipped away a cigarette ash. "The shoe's on

the other foot there. She loves me, but I don't love her. Still,

there's money in the business if Ida becomes Mrs. Maunders. Old

Dimsdale's got no end of cash, and Ida inherits everything as his only

child. But he wants her to marry Colonel Towton---you know, the chap

who did so well in some hill-tribe extermination in India. But Ida

loves me, and Towton's got no chance, unless I marry Lucy Corsoon and

give him a look in."

"You're a cynical, conceited, feather-headed young ass," said Vernon

with cold, self-restrained fury, "and I forbid you to speak of Miss

Corsoon in that commercial way, much less call her by her Christian

name. She loves me and I love her, and we intend to marry, if----"

"If Lady Corsoon permits the match," finished Maunders, stretching out

his long legs. "It's no go, my dear fellow. She doesn't think you rich

enough for the girl."

"I never heard that Constantine Maunders was a millionaire," retorted

the other man bitterly.

"My face is my fortune, old chap, and there are various ways of

getting Lady Corsoon's consent."

"What ways?" asked Vernon suddenly and searchingly looking at his

friend.

"Ah, you ask too much. I am not your partner yet."

"That means you have some knowledge about Lady Corsoon which you can

use to force her to consent."

"Perhaps. I know a great deal about most people. Every one has his or

her secrets as well as her or his price."

"Are you a private enquiry agent also?" sneered Vernon, leaning back.

"Ah!" Maunders seized upon the half admission. "Then you _are_ Nemo?"

"Yes," assented the dark man reluctantly, "although I can't guess how

you came to know about my business. I wish the fact kept dark, as it

would be disastrous for me in Society."

"Probably," admitted Maunders lazily. "One doesn't like to hob-nob

with an Asmodeus who goes in for unroofing houses."

"Yet you propose to join Asmodeus," chafed Vernon uneasily.

"Oh yes; I think it's a paying business, you see, and I want money.

How I learned about the matter is of no great consequence, and I don't

think any one else will connect you with this Nemo abstraction. And

when in partnership, I shall, of course, keep it dark for my own

sake."

"I daresay," sneered Vernon, secretly furious at having to submit.

"And on what terms do you propose to join in the business you

despise?"

"Half profits," said Maunders promptly.

"Really. You seem to set some value on yourself."

"No one else will if I don't," replied Maunders good-humouredly. "See

here, Arty--oh, then, Vernon if you will--your business as a private

enquiry agent is to find out things about people, and----"

"I beg your pardon, but you talk through your hat," interrupted Vernon

acidly. "My business is to assist people to settle business which the

general public is not supposed to know. I don't find out people's

business. They come to me with difficult cases, and I settle them to

the best of my ability."

"Yes, yes," said Maunders leniently, "you put the best complexion on

it, old man, but it's dirty work all the same."

"It is nothing of the sort," almost shouted Vernon; then sank his

voice to a furious whisper; "my business is perfectly honest and

clean. The nature of it requires secrecy, but I take up nothing the

doing of which would reflect on my honour. I have precious little

money and also a logical way of looking at things. For that reason I

trade as Nemo."

"Under the rose, of course," laughed Maunders. "You don't put your

goods in the shop window. However, I understand perfectly, and I am

willing to come in with you. Oh, make no mistake, my dear chap, I am

worth having as a partner, as I know heaps about Tom, Dick, and Harry,

which they would rather were kept out of the newspapers."

"I don't run a blackmailing business," said Vernon passionately.

"What a nasty word, and wholly unnecessary. I never suggested

blackmailing any one, that I know of. All I say is, that, having a

goodish acquaintance with the seamy side of Society life, I can earn

my half of the Nemo profits by assisting you."

"And if I refuse?"

"I shall hint--mind you I shan't say anything straight out--but I

shall hint that you are a professionally inquisitive person."

"I don't know if you are aware of it," said Vernon slowly, "but you

are a scoundrel."

"Oh, dear me, no; not at all," rejoined the other airily, "I am simply

a young man with the tastes of a duke and the income of a pauper.

Naturally I wish to supplement that income, and your secret business

seems to offer advantages in the way of earning immediate cash."

"And if I don't consent you will do your best to ruin me socially?"

"That's business," said Maunders promptly. "Get a man into a corner

and skin him at your leisure. Well, do you consent?"

"I can't do anything else, that I can see," said the other bitterly.

"However, you must give me a week to come to a decision."

"Take a month," answered the visitor generously. "I'm not in a hurry

to skin you, old man. You can't get out of the corner, you know. And

see here, if we make a fortune out of this business, I'll give you a

chance with Lucy, and take Ida Dimsdale with her ten thousand a year."

"Will she have that much?"

"Oh, certainly. I made inquiries," said Maunders coolly. "It's no use

jumping in the dark you know. Old Dimsdale--his Christian name's

Martin--was a Police Commissioner in Burmah some years ago, and shook

the pagoda-tree to some purpose. Now he's retired, and lives in a

gorgeously glorified bungalow, which he built at Hampstead. He's not a

bad chap, and Ida is uncommonly good-looking. I might do worse."

"What about Colonel Towton?"

"I'll cut him out. He's a very young colonel of forty-five, handsome

and smart, but with precious little brain about him. He's got an

ancient country house in Yorkshire, and--but here, I'll be talking all

the night." Maunders jumped up. "And Lucy is waiting for me. You can

take a month."

"Thank you," said Vernon frigidly. "I shall give you my answer then."

"It will be 'yes,' of course; you can't say anything else. I

say"---Maunders threw a laughing glance over his shoulder--"by this

time you must have changed your opinion as to my being an ass," and he

departed still laughing.

Vernon ran after him and touched his shoulder. "Not an ass, but a

scoundrel," he breathed with suppressed passion, and Maunders'

laughter increased.

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