TELESCOPIC VIEWS OF LUNAR SCENERY.

I have already warned you not to expect too much, even with the biggest

of telescopes; and just as a caution, I may, perhaps, tell you a story

I once heard of an astronomer who had a great telescope. It was a very

famous instrument, and people often came to the Observatory at night

to enjoy a look at the heavens. Sometimes these visitors were grave

philosophers, but frequently they were not very accomplished men of

science. One evening such a visitor came to the Observatory, and sent

in his name and an introduction to the astronomer, with a request

that he might enter the temple of mystery. The astronomer courteously

welcomed the stranger, and asked him what he specially desired to see.

“Oh!” said the visitor, “I have specially come to see the moon--that is

the object I am particularly interested about.”

“But,” said the astronomer, “my dear sir, I would show you the moon

with pleasure, if you were here at the proper time; but what brings you

here now? Look up; the evening is fine. There are the stars shining

brightly, but where is the moon? You see it is not up at present. In

fact, it won’t rise till about half-past two to-morrow morning, and it

is only nine o’clock now. Come back again in five or six hours, and you

shall observe the moon with the great telescope.”

But the visitor evidently thought the astronomer was merely trying to

get rid of him by a pretext. And he was equal to the occasion--he was

not going to be put off in that way.

“Of course, the moon is not up,” he replied; “any one can see that, and

that is the reason why I have come, for _if the moon had been up, I

could have seen it without your telescope at all_!”

Although no explorer can ever reach our satellite, yet it is hardly

an exaggeration to say that in some respects we know the geography of

the moon a good deal better than we know the geography of the earth.

Think of the continent of Africa. In that great country there are

mighty tracts, there are vast lakes and ranges of mountains, of which

we know but little. We could make a better map of Africa, so far at

least as its broad outlines are concerned, if it were fastened up on

our side of the moon than we actually possess at this moment. There

is no spot on the nearer side of the moon as large as an ordinary

parish in this country which has not been surveyed. There are maps

and charts of the moon showing every part of it, which is as big as a

good-sized field. Indeed, as there are no lunar clouds, the features

of its surface are never obscured whenever our own atmosphere will

permit us to make our observation. Artists have frequently sketched

the lunar features, and there is plenty of material for them to work

on. We have also had photographs taken of the moon, but there is a

special difficulty to be encountered in taking photographs of celestial

bodies which photographers of familiar objects on this earth do not

experience. For a photograph to be successful, everybody knows that

the first requisite is for the sitter to stay quiet while the plate

is being exposed. This is, unhappily, just what the moon cannot do. We

endeavor to obviate the difficulty by moving the telescope round so as

to follow the moon in its progress. This can be done with considerable

accuracy, but, unfortunately, there is another difficulty which lies

entirely beyond our control. As the rays of light from the moon perform

their journey through hundreds of miles of unsteady air, the rays are

bent hither and thither, so that the picture is more affected by the

atmosphere than in the case of a photographer’s portrait taken in the

studio. If we are merely _viewing_ the moon through the telescope, the

quivering effect on the rays of this long atmospheric voyage, though

rather inconvenient, does not prevent us from seeing the object, and we

can readily detect the true shape of each feature in spite of incessant

fluctuations. When, however, these rays fall not on the eye, but on

the photographic plate, they produce by their motion a picture which

cannot be much magnified without becoming very confused and wanting in

sharpness. Nevertheless, for the general outlines of our satellite’s

appearance and for the portraiture of its splendid features we have

derived the greatest assistance from photography.

[Illustration: FIG. 40.--The Full Moon.]

The adjoining picture (Fig. 40) gives a fair idea of what the full moon

looks like when viewed through a small telescope. I do not, however,

say that the lunar objects can then be observed under favorable

conditions; for when the moon is full is the very worst time for making

observations of our satellite. In fact, at this phase you can hardly

see anything except slight differences between the colors of different

parts. The best time for observing the moon is at the first quarter;

but even then you can only observe satisfactorily those objects which

happen to lie along the border between light and shade. To study the

moon properly you must, therefore, watch it during several different

phases, from the time when it presents a thin and delicate crescent

(just after new moon) until it has again waned to a thin and delicate

crescent (just before the next new moon). We want the relief given by

shadows to bring out the full beauty of lunar scenery.

On the map you will first notice the large dark-colored patches which

are so conspicuous on the moon’s face. They are, apparently, the empty

basins which great seas once filled. But if water was ever there it has

at all events now quite disappeared. These dark parts are, no doubt, a

good deal smoother than the rest of the surface; but we can see many

little irregularities which tell us that we are not looking at oceans.

The chief features I want you to observe are the curious rings which

you see in the figure; there is a very well-marked one a little below

the centre, and in the upper part many rings--large and small--are

crowded together. We call them lunar craters. You will see what they

are like from the model, of which a picture is shown in Fig. 42. But to

realize from this picture the proper scale of the object, you should

imagine it to be some miles in width. The cliffs which rise all round

to form the wall, as well as the mountain which adorns the centre, are

quite as high as any of the mountains in Great Britain.

[Illustration: FIG. 41.--View on the Moon.

(_By Lœwy and Puiseux, Paris Observatory._)

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