CHAPTER I

[Illustration: Portrait of Eugene Field in 1885.]

EUGENE FIELD

A STUDY IN HEREDITY AND CONTRADICTIONS

By SLASON THOMPSON

With Portraits, Views and Fac-Simile Illustrations

VOLUME I

Published, December, 1901

Charles Scribner's Sons

New York

1901

BY WAY OF INTRODUCTION

Not as other memoirs are written would Eugene Field, were he alive,

have this study of his life. He would think more of making it reflect

the odd personality of the man than rehearse the birth, development,

daily life, and works of the author. If he had undertaken to write his

own life, as was once his intention, it would probably have been the

most remarkable work of fiction by an American author that ever

masqueraded in the quaker garments of fact. From title-page to

colophon--on which he would have insisted--the book would have been

one studied effort to quiz and queer (a favorite word of his) the

innocent and willing-to-be-deluded reader. "Tell your sister for me,"

I recall his saying, "what a kind, good, and deserving man I am. How I

love little children and [with a dry chuckle] elderly spinsters.

Relate how I was born of rich yet honest parents, was reared in the

'nurture and admonition of the Lord,' and, according to the bent of a

froward youth, have stumbled along to become the cynosure of a ribald

age."

Field's idea of a perfect memoir was that it should contain no facts

that might interfere with its being novel and interesting reading both

to the public and its subject. He set little store by genius, as he

tells us in one of his letters, and less by "that nonsense called

useful knowledge." His peculiar notions as to the field of biography

were once illustrated in one he furnished to a New York firm, which

proposed a series of biographies of well-known newspaper writers. It

was arranged that Field and William E. Curtis, the noted Washington

correspondent, should write each the other's biography for the series.

Mr. Curtis executed his sketch of Field in good faith; Field's sketch

of Mr. Curtis was a marvel of waggish invention. Through an actor of

the same name who some years before made quite a reputation as Samuel

of Posen, he traced Mr. Curtis's birth back to Bohemia, and carried

him at an early age to Jerusalem, where Curtis was said to have laid

the foundations of his fame and fortune peddling suspenders. Later he

sold newspapers on the streets, and, by practicing the shrewd and

self-denying habits of his race, quickly became the owner of the paper

for which he worked, which was called the New Jerusalem Messenger, the

recognized organ of the New Jerusalem Church.

Mr. Curtis's progressive tendencies, according to Field, quickly

involved him in trouble with the government; his paper was suppressed,

and he was banished from Jerusalem. When the special firmin of the

Sultan expelling Mr. Curtis from Turkish dominions was published, it

caused a great sensation in Chicago, where the Church of the New

Jerusalem was very strong, and created an immediate rivalry between

William Penn Nixon, editor of the Inter Ocean, and Melville E. Stone,

editor of the Morning News, to secure his services. Mr. Nixon sent him

a cablegram in Hebrew which was written by a Hebrew gentleman to whom

Nixon sold old clothes, while Mr. Stone's cablegram was prepared by

his father, the Rev. Mr. Stone, and was expressed in scriptural

phraseology which was not understood in Jerusalem as well as it was at

Galesburg, where Mr. Stone was then professor of the Hebrew language

and literature. Curtis accepted the offer couched in the language of

the Hebrew vender of old clothes and became a member of the editorial

staff of the Inter Ocean. His first effective work on that newspaper

was to convert Jonathan Young Scammon, then its owner, to the New

Jerusalem faith (Mr. Scammon, whose real name was John, was the most

prominent Swedenborgian in Chicago). Mr. Scammon was so grateful for

his conversion from infidelity that in a moment of religious

exaltation he raised Mr. Curtis's salary from $18 to $20.

And thus the biography of Mr. Curtis proceeded along lines that gave

the truth a wide berth, for Field held, with the old English jurists,

that the greater the truth the greater the libel.

At one time in our association Field, as seriously as he could,

entertained the thought of furnishing me with materials for an

extended sketch of his life, and I still have several envelopes on

which the inscription "For My Memoirs" bears witness to that purpose.

But after serving as a source of eccentric and roguish humor for

several months, the idea was suffered to lapse, only to be revived in

suggestive references as he consigned some bit of manuscript to my

care or criticism. Any study of Field's life and character based on

such materials as he thus furnished would have been absolutely

misleading. It would have eliminated fact entirely and substituted the

most fantastic fiction in its stead. It would have built up a

grotesque caricature of a staid, church-going, circumspect citizen and

author instead of the ever-fascinating bundle of contradictions and

irresponsibility Field was to his legion of associates and friends.

There were two Fields--the author and the man--and it is the purpose

of this study to reproduce the latter as he appeared to those who knew

and loved him for what he was personally for the benefit of those who

have only known him through the medium of his writings. In doing this

it is far from my intention and farther from my friendship to disturb

any of the preconceptions that have been formed from the perusal of

his works. These are the creations of something entirely apart from

the man whose genius produced them. His fame as an author rests on his

printed books, and will endure as surely as the basis of his art was

true, his methods severely simple, and his spirit gentle and pure. In

his daily work the dominant note was that of fun and conviviality. It

was free from the acrimony of controversy. He abominated speech-makers

and lampooned political oracles. He was the unsparing satirist of

contemporary pretense, which in itself was sufficient to account for

the failure of the passing generation of literary critics to accord to

him the recognition which he finally won in their despite from the

reading public. Neither a sinner nor a saint was the man who went into

an old book-store in Chicago and bewildered the matter-of-fact dealer

in old editions with the inquiry, "Have you an unexpurgated copy of

Hannah More's 'Letters to a Village Maiden'?"

Everything Field wrote in prose or verse reflects his contempt for

earth's mighty and his sympathy for earth's million mites. His art,

like that of his favorite author and prototype, Father Prout, was "to

magnify what is little and fling a dash of the sublime into a

two-penny post communication." Sense of earthly grandeur he had little

or none. Sense of the minor sympathies of life--those minor sympathies

that are common to all and finally swell into the major song of

life--of this sense he was compact. It was the meat and marrow of his

life and mind, of his song and story. With unerring instinct Field, in

his study of humanity, went to the one school where the emotions,

wishes, and passions of mankind are to be seen unobscured by the veil

of consciousness. He was forever scanning whatever lies hidden within

the folds of the heart of childhood. He knew children through and

through because he studied them from themselves and not from books. He

associated with them on terms of the most intimate comradeship and

wormed his way into their confidence with assiduous sympathy. Thus he

became possessed of the inmost secrets of their childish joys and

griefs and so became a literary philosopher of childhood.

"In wit a man, in simplicity a child," nothing gloomy, narrow, or

pharisaical entered into the composition of Eugene Field. Like Jack

Montesquieu Bellew, the editor of the Cork Chronicle, "his finances,

alas! were always miserably low." This followed from his learning how

to spend money freely before he was forced to earn it laboriously. He

scattered his patrimony gaily and then when the last inherited cent

was gone, turned with, equal gayety to earning, not only enough to

support himself, but the wife and family that, with the royal and

reckless prodigality of genius, he provided himself with at the very

outset of his career.

If he set "no store by genius," he at least had that faith in his own

ability which "compels the elements and wrings a human music from the

indifferent air." From the time he applied himself to the ill-requited

work of journalism he never wavered or turned aside in his purpose to

make it the ladder to literary recognition. He was over thirty before

he realized that in three universities he had slighted the opportunity

to acquire a thorough equipment for literary work. But he was

undismayed, for did he not read in his beloved "Reliques of Father

Prout" how "Loyola, the founder of the most learned and by far the

most distinguished literary corporation that ever arose in the world,

was an old soldier who took up his 'Latin Grammar' when past the age

of thirty"?

It is the contrast and apparent contradiction between the individual

and the author that makes the character of Eugene Field interesting to

the student. If the man were simply any prosaic person possessed of

the gift of telling tales, writing stories, and singing lullabies,

this study of his life would have been left unwritten. Many authors

have I known who put all there was of them into their work, who were

personally a disappointment to the intellect and a trial to the flesh.

With Eugene Field the man was always a bundle of delightful surprises,

an ever unconventional personality of which only the merest suggestion

is given in his works.

In the study I have made of the life of Eugene Field in the following

pages I have received assistance from many sources, but none has been

of so great value as that from his father's friend, Melvin L. Gray, in

whose home Field found the counsel of a father and the loving sympathy

of a mother. The letters Mr. Gray placed at my disposal, whether

quoted herein or not, have been invaluable in filling in the portrait

of his beloved ward.

To Edward D. Cowen, whose intimate friendship with Field covered a

period of nearly fifteen years in three cities and under varying

circumstances, these pages owe very much. From his brother, Roswell

Field, I have had the best sort of sympathetic aid and counsel in

filling out biographical detail without in any way committing himself

to the views or statements of this study.

Dr. Frank W. Reilly, to whom Field not only owed his vitalized

familiarity with Horace, "Prout," and "Kit North," but that

superficial knowledge of medical terms of which he made such constant

and effective use throughout his writings, has also placed me under

many obligations for data and advice.

To these and the others whose names are freely sprinkled through this

study I wish to make fitting acknowledgment of my many obligations,

and I trust the reader will share my grateful sentiments wherever the

faithful quotation marks remind him that such is their due.

SLASON THOMPSON.

CHICAGO, September 30th, 1901.

CONTENTS

CHAPTER PAGE

I. PEDIGREE 1

II. HIS FATHER'S FIRST LOVE-AFFAIR 13

III. THE DRED SCOTT CASE 36

IV. BIRTH AND EARLY YOUTH 49

V. EDUCATION 73

VI. CHOICE OF A PROFESSION 91

VII. MARRIAGE AND EARLY DOMESTIC LIFE 103

VIII. EARLY EXPERIENCES IN JOURNALISM 126

IX. IN DENVER, 1881-1883 143

X. ANECDOTES OF LIFE IN DENVER 158

XI. COMING TO CHICAGO 183

XII. PERSONAL CHARACTERISTICS 206

XIII. RELATIONS WITH STAGE FOLK 224

XIV. BEGINNING OF HIS LITERARY EDUCATION 271

XV. METHOD OF WORK 294

XVI. NATURE OF HIS DAILY WORK 314

ILLUSTRATIONS

PORTRAIT OF EUGENE FIELD IN 1885 _Frontispiece_

_Photogravure._

DRAWINGS AND FAC-SIMILES PAGE

"THE PEAR" IN FIELD'S GREEK TEXT 140

DAILY NEWS EDITORIAL COUNCIL OF WAR 213

_From a drawing by Eugene Field._

COMMODORE CRANE 236

_From a drawing by Eugene Field._

FIELD WITNESSING MODJESKA AS CAMILLE 244

_From a drawing by Eugene Field._

TWO PROFILES OF EUGENE FIELD 247

_The upper one drawn in pencil by Field himself;

the lower one drawn by Modjeska. Reproduced from

a flyleaf of Mrs. Thompson's volume of autograph

verse._

A BAR OF MUSIC 295

_Written by Eugene Field._

TWO GOOD KNIGHTS AT FEAST 297

_From a drawing by Eugene Field._

HALF-TONE PLATES FACING PAGE

GENERAL MARTIN FIELD 6

_Eugene Field's Grandfather._

ESTHER S. FIELD 10

_Eugene Field's Grandmother._

ROSWELL MARTIN FIELD 18

_Eugene Field's Father._

CHARLES KELLOGG FIELD 46

EUGENE FIELD'S MOTHER 50

_From a Daguerreotype taken a year or two before

his birth._

EUGENE FIELD'S COUSINS, MARY FIELD FRENCH

AND HER YOUNGER HALF-SISTER, AUGUSTA JONES 54

_From a Daguerreotype taken before Eugene and

Roswell became members of Miss French's family

in Amherst, on the death of their mother._

THE FIELD HOMESTEAD AT NEWFANE, VT. 56

THE HOMESTEAD AT AMHERST, MASS. 60

_Now owned by Mr. Hiram Eaton, of New York._

A BIRD'S-EYE VIEW OF MONSON, MASS. 74

THE REV. JAMES TUFTS 78

WILLIAMS COLLEGE BUILDINGS, WILLIAMSTOWN, MASS. 82

THE OLD KNOX COLLEGE BUILDINGS, GALESBURG, ILL. 86

STATE UNIVERSITY BUILDINGS AT COLUMBIA, MO. 88

EARLY PORTRAITS OF EUGENE FIELD 92

MELVIN L. GRAY 96

MRS. MELVIN L. GRAY 100

MRS. EUGENE FIELD 110

ROBSON AND CRANE IN "SHARPS AND FLATS" 204

FIELD AT WORK 218

_The caricature from a drawing by Sclanders._

FRANCIS WILSON 228

WILLIAM J. FLORENCE 234

MODJESKA 242

JESSIE BARTLETT DAVIS 256

SOL SMITH RUSSELL 266

DR. FRANK W. REILLY 280

"FATHER PROUT" 288

_Francis Mahony._

EUGENE FIELD

CHAPTER I

PEDIGREE

"Sir John Maundeville, Kt.," was his prototype, and Father Prout was

his patron saint. The one introduced him to the study of British

balladry, the other led him to the classic groves of Horace.

"I am a Yankee by pedigree and education," wrote Eugene Field to Alice

Morse Earle, the author of "The Sabbath in Puritan New England," and

other books of the same flavor, "but I was born in that ineffably

uninteresting city, St. Louis."

How so devoted a child of all that is queer and contradictory in New

England character came to be born in "Poor old Mizzoorah," as he so

often wrote it, is in itself a rare romance, which I propose to tell

as the key to the life and works of Eugene Field. Part of it is told

in the reports of the Supreme Court of Vermont, part in the most

remarkable special pleas ever permitted in a chancery suit in America,

and the best part still lingers in the memory of the good people of

Newfane and Brattleboro, Vt., where "them Field boys" are still

referred to as unaccountable creatures, full of odd conceits, "an'

dredful sot when once they took a notion."

"Them Field boys" were not Eugene and his brother Roswell Martin

Field, the joint authors of translations from Horace, known as "Echoes

from the Sabine Farm," but their father, Roswell Martin, and their

uncle, Charles Kellogg, Field of Newfane aforesaid.

These two Fields were the sons of General Martin Field, who was born

in Leverett, Mass., February 12th, 1773, and of his wife, Esther Smith

Kellogg, who was the grandmother celebrated in more than one of Eugene

Field's stories and poems. Through both sides of the houses of Field

and Kellogg the pedigree of Eugene can be traced back to the first

settlers of New England. But there is no need to go back of the second

generation to find and identify the seed whence sprang the strangely

interesting subject of this study.

At the opening of the nineteenth century, as now, Newfane, then

Fayetteville, was a typical county seat. This pretty New England

village, which celebrated the centennial of its organization as a town

in 1874, is situated on the West River, some twelve miles from

Brattleboro, at which point that noisy stream joins the more sedate

Connecticut River. It nestles under the hills upon which, at a

distance of two miles, was the site of the original town of

Newfane--not a vestige of which remains to remind the traveller that

up to 1825 the shire town of Windham County overlooked as grand a

panorama as ever opened up before the eye of man. The reason for

abandoning the exposed location on the hills for the sheltered nook by

the river may be inferred from the descriptive adjectives. The present

town of Newfane clusters about a village square, that would have

delighted the heart of Oliver Goldsmith. The county highway bisects

it. The Windham County Hotel, with the windows of its northern end

grated to prevent the escape of inmates--signifying that its keeper is

half boniface and half county jailer--bounds it on the east, the Court

House and Town Hall, separate buildings, flank it on the west. The

Newfane Hotel rambles along half of its northern side, and the Field

mansion, with its front garden stretching to the road, does the same

for the southern half. In the rear, and facing the opening between the

Court House and the Town Hall, stands the Congregational Church, where

Eugene Field crunched caraway-seed biscuits when on a visit to his

grandmother, and back of this stands another church, spotless in the

white paint of Puritan New England meeting-houses, but deserted by its

congregation of Baptists, which had dwindled to the vanishing point.

In the centre of the village green is a grove of noble elms under

whose grateful shade, on the day of my visit to Newfane, I saw a

quartette of gray-headed attorneys, playing quoits with horse-shoes.

They had come up from Brattleboro to try a case, which had suffered

the usual "law's delay" of a continuance, and were whiling away the

hours in the bucolic sport of their ancestors, while the idle

villagers enjoyed their unpractised awkwardness. They all boasted how

they could ring the peg when they were boys.

Hither General Martin Field brought the young, and, as surviving

portraits testify, beautiful Mistress Kellogg to be his wife. Here to

them were born "them Field boys," Charles K. (April 24th, 1803) and

Roswell M. (February 22d, 1807), destined to be thorns in their

father's flesh throughout their school-days, his opponents in every

justice's court where they could volunteer to match their wits against

his, and, in the person of Roswell Martin, to be the distraction and

despair of the courts of Windsor County and Vermont, until a decision

of the Supreme Court so outraged that son's sense of the sacredness of

the marriage vow, that he shook the granite dust of Vermont from his

feet, and turned his face to the west, where he became the original

counsel in the Dred Scott case, married and had sons of his own.

[Illustration: GENERAL MARTIN FIELD.

_Eugene Field's Grandfather._]

But before taking up the thread of Roswell Martin Field's strange and

unique story, let me give a letter written by his father to his

sister, Miss Mary Field, then at the school of Miss Emma Willard in

Troy, N.Y., as exhibit number one, that Eugene Field came by his

peculiarities, literary and otherwise, by direct lineal descent.

Roswell was a phenomenal scholar, as his own eldest son was not. At

the age of eleven he was ready for college, and entered Middlebury

with his brother Charles, his senior by four years. How they conducted

themselves there may be judged from this letter to their sister:

Newfane, March 31st, 1822.

Dear Mary:

I sit down to write you my last letter while you remain at Troy.

Yours by Mr. Read was received, in which I find you allude to the

"severe and satyrical language" of mine in a former letter. That

letter was written upon the conduct of my children, which is an

important subject to me. If children are disobedient, a parent has a

right to be severe with them. If I recollect right I expressed to

you that your two oldest brothers' conduct was very reprehensible,

and I there predicted their ruin. But I then little thought that I

should soon witness the sad consequences of their ill-conduct. I

received a letter from President Bates about two weeks since and

another from Charles the same day, that Charles had been turned away

and forever dismissed from the college for his misconduct; Roswell

must suffer a public admonition and perhaps more punishment for his

evil deeds. Charles was turned out of college the 7th of March, and

I wrote on the week after to have him come directly home, but we

have heard nothing from him since. Where he is we can form no

conjecture. But probably he is five hundred miles distant without

money and without friends. I leave you to conjecture the rest.

Roswell is left alone at the age of fifteen to get along, if he is

permitted to stay through college.

These, Mary, are the consequences of dissipation and bad conduct.

And seeing as I do the temper and disposition of my children, that

they "are inclined to evil and that continually," can you wonder

that I write with severity to them? Our hopes are blasted as relates

to Charles and Roswell, and you cannot conceive the trouble which

they have given us. Your mother is almost crazy about them; nor are

we without fears as to you. I say now, as I said in my former

letter, that I wish my children were all at home at work. I am

convinced that an education will only prove injurious to them. If I

had as many sons as had the patriarch Jacob not one should ever

again go nigh a college. It is not a good calculation to educate

children for destruction. The boys' conduct has already brought a

disgrace upon our family which we can never outgrow. They

undoubtedly possess respectable talents and genius, but what are

talents worth when wholly employed in mischief?

I have expended almost two thousand dollars in educating the boys,

and now just at the close they are sent off in disgrace and infamy.

The money is nothing in comparison to the disgrace and ruin that

must succeed. Mary, think of these things often, and especially when

you feel inclined to be gay and airy. Let your brother's fate be a

striking lesson to you. For you may well suppose that you possess

something of the same disposition that he does, but I hope that you

will exercise more prudence than he has. You must now return home

with a fixed resolution to become a steady, sober, and industrious

girl. Give up literary pursuits and quietly and patiently follow

that calling which I am convinced is most proper for my children.

It does appear to me that if children would consider how much

anxiety their parents have for them they would conduct themselves

properly, if it was only to gratify their parents. But it is not so.

Many of them seem determined not only to wound the feelings of the

parents in the most cruel manner but also to ruin themselves.

Remember us respectfully to Dr. and Mrs. Willard, and I am your

affectionate father

MARTIN FIELD.

That Mary did return home to be the mediator between her incensed and

stern father and his wayward and mischievous, but not incorrigible

sons, is part of the sequel to this letter. What her daughter, Mary

Field French, afterwards became to the sons of the younger of the

reprehensible pair of youthful collegians will appear later on in this

narrative. It is beautifully acknowledged in the dedication of Eugene

Field's "Little Book of Western Verse," which I had the honor of

publishing for the subscribers in 1889, more than three score years

after the date of the foregoing letter. In that dedication, with the

characteristic license of a true artist, Field credited the choice of

Miss French for the care of his youthful years to his mother:

_A dying mother gave to you

Her child a many years ago;

How in your gracious love he grew,

You know dear, patient heart, you know._

* * * * *

_To you I dedicate this book,

And, as you read it line by line.

Upon its faults as kindly look

As you have always looked on mine._

In truth, however, it was the living bereaved father who turned in the

bewilderment of his grief to the "dear patient heart" of his sister,

to find a second mother for his two motherless boys. To Martin Field,

Mary was a guardian daughter, to Charles K. and Roswell M. 1st, she

was a loyal and mediating sister, and to Eugene and Roswell M. 2d, she

was a loving aunt, as her daughter Mary was an indulgent mother and

unfailing friend. The last name survived "the love and gratitude" of

Eugene's dedication ten years.

As may have been surmised the parental forebodings of the grieved and

satirical General Field were not realized in the eternal perdition of

his two sons. Education did not prove their destruction. With more

than respectable talents Charles was reinstated at Middlebury, and

four months later graduated with high honors, while Roswell took his

degree when only fifteen years old, the plague and admiration of his

preceptors, and, we may well suppose, the pride and joy of the

agonized parents, who welcomed the graduates to Newfane with all the

profusion of a prodigal father and the love of a distracted but doting

mother. They never had any reason to doubt the nature of sister Mary's

reception.

Charles and Roswell studied law with their father in the quaint little

office detached from the Field homestead at Newfane. The word edifice

might fittingly be applied to this building which, though only one

room square and one story high, has a front on the public square,

with miniature Greek columns to distinguish it from the ordinary

outbuildings that are such characteristic appendages of New England

houses. The troubles of General Field with his two sons were not to

end when he got them away from the temptations of college life, for

they were prone to mischief, "and that continually," even under his

severe and watchful eye. This took one particular form which is the

talk of Windham County even yet. By reason of their presence in

General Field's office they were early apprised of actions at law

which he was retained to institute; whereupon they sought out the

defendant and offered their services to represent him gratis. Thus

the elder counsellor frequently found himself pitted in the justice's

courts against his keen-witted and graceless sons, who availed

themselves of every obsolete technicality, quirk, and precedent of

the law to obstruct justice and worry their dignified parent, whom

they addressed as "our learned but erring brother in the law." Not

infrequently these youthful practitioners triumphed in these legal

tilts, to the mortification of their father, who, in his indignation,

could not conceal his admiration for the ingenuity of their

misdirected professional zeal.

[Illustration: ESTHER S. FIELD.

_Eugene Field's Grandmother._]

Two years after his graduation, and when only seventeen years of age,

Eugene Field's father was sufficiently learned in the law to be

admitted to the bar of Vermont. They wasted no time in those good old

days. Before he was thirty, Roswell M. Field had represented his

native town in the General Assembly, had been elected several times

State's Attorney, and in every way seemed destined to play a notable

part in the affairs of Vermont, if not on a broader field. He was not

only a lawyer of full and exact learning, an ingenious pleader, and

a powerful advocate, but an exceptionally accomplished scholar. His

knowledge of Greek, Latin, French, and German rendered their

literature a perennial source upon which to draw for the illumination

and embellishment of the pure and virile English of which he was

master. It was from him that Eugene inherited his delight in queer and

rare objects of vertu and that "rich, strong, musical and sympathetic

voice" which would have been invaluable on the stage, and of which he

made such captivating use among his friends. Would that he had also

inherited that "strong and athletic" frame which, according to his

aged preceptor, enabled Roswell M. Field to graduate at the age of

fifteen. It is not, however, for his learning and accomplishments of

mind and person that we are interested in Roswell Martin Field, but

for the strange incident in his life that uprooted him from the

congenial environments of New England and the career opening so

temptingly before him, to transplant him to Missouri, there to become

the father of a youth, who, by all laws of heredity and by the

peculiar tang of his genius, should have been born and nurtured amid

the stern scenes and fixed customs of Puritan New England. That story

must be told in another chapter.

Eugene Field, a Study in Heredity and Contradictions — Volume 1 · 第 1 / 16 章