CHAPTER X.

An hour had slipped by with the royal party, since Lysias had quitted the

company; the wine-cups had been filled and emptied many times; Eulaeus

had rejoined the feasters, and the conversation had taken quite another

turn, since the whole of the company were not now equally interested in

the same subject; on the contrary, the two kings were discussing with

Aristarchus the manuscripts of former poets and of the works of the

sages, scattered throughout Greece, and the ways and means of obtaining

them or of acquiring exact transcripts of them for the library of the

Museum. Hierax was telling Eulaeus of the last Dionysiac festival, and

of the representation of the newest comedy in Alexandria, and Eulaeus

assumed the appearance--not unsuccessfully--of listening with both ears,

interrupting him several times with intelligent questions, bearing

directly on what he had said, while in fact his attention was exclusively

directed to the queen, who had taken entire possession of the Roman

Publius, telling him in a low tone of her life--which was consuming her

strength--of her unsatisfied affections, and her enthusiasm for Rome and

for manly vigor. As she spoke her cheeks glowed and her eyes sparkled,

for the more exclusively she kept the conversation in her own hands the

better she thought she was being entertained; and Publius, who was

nothing less than talkative, seldom interrupted her, only insinuating a

flattering word now and then when it seemed appropriate; for he

remembered the advice given him by the anchorite, and was desirous of

winning the good graces of Cleopatra.

In spite of his sharp ears Eulaeus could understand but little of their

whispered discourse, for King Euergetes' powerful voice sounded loud

above the rest of the conversation; but Eulaeus was able swiftly to

supply the links between the disjointed sentences, and to grasp the

general sense, at any rate, of what she was saying. The queen avoided

wine, but she had the power of intoxicating herself, so to speak, with

her own words, and now just as her brothers and Aristarchus were at the

height of their excited and eager question and answer--she raised her

cup, touched it with her lips and handed it to Publius, while at the same

time she took hold of his.

The young Roman knew well enough all the significance of this hasty

action; it was thus that in his own country a woman when in love was wont

to exchange her cup with her lover, or an apple already bitten by her

white teeth.

Publius was seized with a cold shudder--like a wanderer who carelessly

pursues his way gazing up at the moon and stars, and suddenly perceives

an abyss yawning; at his feet. Recollections of his mother and of her

warnings against the seductive wiles of the Egyptian women, and

particularly of this very woman, flashed through his mind like lightning;

she was looking at him--not royally by any means, but with anxious and

languishing gaze, and he would gladly have kept his eyes fixed on the

ground, and have left the cup untouched; but her eye held his fast as

though fettering it with ties and bonds; and to put aside the cup seemed

to the most fearless son of an unconquered nation a deed too bold to be

attempted. Besides, how could he possibly repay this highest favor with

an affront that no woman could ever forgive--least of all a Cleopatra?

Aye, many a life's happiness is tossed away and many a sin committed,

because the favor of women is a grace that does honor to every man, and

that flatters him even when it is bestowed by the unloved and unworthy.

For flattery is a key to the heart, and when the heart stands half open

the voice of the tempter is never wanting to whisper: "You will hurt her

feelings if you refuse."

These were the deliberations which passed rapidly and confusedly through

the young Roman's agitated brain, as he took the queen's cup and set his

lips to the same spot that hers had touched. Then, while he emptied the

cup in long draughts, he felt suddenly seized by a deep aversion to the

over-talkative, overdressed and capricious woman before him, who thus

forced upon him favors for which he had not sued; and suddenly there rose

before his soul the image, almost tangibly distinct, of the humble water-

bearer; he saw Klea standing before him and looking far more queenly as,

proud and repellent, she avoided his gaze, than the sovereign by his side

could ever have done, though crowned with a diadem.

Cleopatra rejoiced to mark his long slow draught, for she thought the

Roman meant to imply by it that he could not cease to esteem himself

happy in the favor she had shown him. She did not take her eyes off him,

and observed with pleasure that his color changed to red and white; nor

did she notice that Eulaeus was watching, with a twinkle in his eyes, all

that was going on between her and Publius. At last the Roman set down

the cup, and tried with some confusion to reply to her question as to how

he had liked the flavor of the wine.

"Very fine--excellent--" at last he stammered out, but he was no longer

looking at Cleopatra but at Euergetes, who just then cried out loudly:

"I have thought over that passage for hours, I have given you all my

reasons and have let you speak, Aristarchus, but I maintain my opinion,

and whoever denies it does Homer an injustice; in this place 'siu' must

be read instead of 'iu'."

Euergetes spoke so vehemently that his voice outshouted all the other

guests; Publius however snatched at his words, to escape the necessity

for feigning sentiments he could not feel; so he said, addressing himself

half to the speaker and half to Cleopatra:

"Of what use can it be to decide whether it is one or the other--'iu' or

'siu'. I find many things justifiable in other men that are foreign to

my own nature, but I never could understand how an energetic and vigorous

man, a prudent sovereign and stalwart drinker--like you, Euergetes--can

sit for hours over flimsy papyrus-rolls, and rack his brains to decide

whether this or that in Homer should be read in one way or another."

"You exercise yourself in other things," replied Euergetes. "I consider

that part of me which lies within this golden fillet as the best that I

have, and I exercise my wits on the minutest and subtlest questions just

as I would try the strength of my arms against the sturdiest athletes.

I flung five into the sand the last time I did so, and they quake now

when they see me enter the gymnasium of Timagetes. There would be no

strength in the world if there were no obstacles, and no man would know

that he was strong if he could meet with no resistance to overcome. I

for my part seek such exercises as suit my idiosyncrasy, and if they are

not to your taste I cannot help it. If you were to set these excellently

dressed crayfish before a fine horse he would disdain them, and could not

understand how foolish men could find anything palatable that tasted so

salt. Salt, in fact, is not suited to all creatures! Men born far from

the sea do not relish oysters, while I, being a gourmand, even prefer to

open them myself so that they may be perfectly fresh, and mix their

liquor with my wine."

"I do not like any very salt dish, and am glad to leave the opening of

all marine produce to my servants," answered Publius. "Thereby I save

both time and unnecessary trouble."

"Oh! I know!" cried Euergetes. "You keep Greek slaves, who must even

read and write for you. Pray is there a market where I may purchase men,

who, after a night of carousing, will bear our headache for us? By the

shores of the Tiber you love many things better than learning."

"And thereby," added Aristarchus, "deprive yourselves of the noblest and

subtlest of pleasures, for the purest enjoyment is ever that which we

earn at the cost of some pains and effort."

"But all that you earn by this kind of labor," returned Publius, "is

petty and unimportant. It puts me in mind of a man who removes a block

of stone in the sweat of his brow only to lay it on a sparrow's feather

in order that it may not be carried away by the wind."

"And what is great--and what is small?" asked Aristarchus. "Very

opposite opinions on that subject may be equally true, since it depends

solely on us and our feelings how things appear to us--whether cold or

warm; lovely or repulsive--and when Protagoras says that 'man is the

measure of all things,' that is the most acceptable of all the maxims of

the Sophists; moreover the smallest matter--as you will fully appreciate

--acquires an importance all the greater in proportion as the thing is

perfect, of which it forms a part. If you slit the ear of a cart-horse,

what does it signify? but suppose the same thing were to happen to a

thoroughbred horse, a charger that you ride on to battle!

"A wrinkle or a tooth more or less in the face of a peasant woman matters

little, or not at all, but it is quite different in a celebrated beauty.

If you scrawl all over the face with which the coarse finger of the

potter has decorated a water-jar, the injury to the wretched pot is but

small, but if you scratch, only with a needle's point, that gem with the

portraits of Ptolemy and Arsinoe, which clasps Cleopatra's robe round her

fair throat, the richest queen will grieve as though she had suffered

some serious loss.

"Now, what is there more perfect or more worthy to be treasured than the

noblest works of great thinkers and great poets.

"To preserve them from injury, to purge them from the errors which, in

the course of time, may have spotted their immaculate purity, this is our

task; and if we do indeed raise blocks of stone it is not to weight a

sparrow's feather that it may not be blown away, but to seal the door

which guards a precious possession, and to preserve a gem from injury.

"The chatter of girls at a fountain is worth nothing but to be wafted

away on the winds, and to be remembered by none; but can a son ever deem

that one single word is unimportant which his dying father has bequeathed

to him as a clue to his path in life? If you yourself were such a son,

and your ear had not perfectly caught the parting counsels of the dying-

how many talents of silver would you not pay to be able to supply the

missing words? And what are immortal works of the great poets and

thinkers but such sacred words of warning addressed, not to a single

individual, but to all that are not barbarians, however many they maybe.

They will elevate, instruct, and delight our descendants a thousand years

hence as they do us at this day, and they, if they are not degenerate and

ungrateful will be thankful to those who have devoted the best powers of

their life to completing and restoring all that our mighty forefathers

have said, as it must have originally stood before it was mutilated, and

spoiled by carelessness and folly.

"He who, like King Euergetes, puts one syllable in Homer right, in place

of a wrong one, in my opinion has done a service to succeeding

generations--aye and a great service."

"What you say," replied Publius, "sounds convincing, but it is still not

perfectly clear to me; no doubt because I learned at an early age to

prefer deeds to words. I find it more easy to reconcile my mind to your

painful and minute labors when I reflect that to you is entrusted the

restoration of the literal tenor of laws, whose full meaning might be

lost by a verbal error; or that wrong information might be laid before me

as to one single transaction in the life of a friend or of a blood-

relation, and it might lie with me to clear him of mistakes and

misinterpretation."

"And what are the works of the great singers of the deeds of the heroes-

of the writers of past history, but the lives of our fathers related

either with veracious exactness or with poetic adornments?" cried

Aristarchus. "It is to these that my king and companion in study devotes

himself with particular zeal."

"When he is neither drinking, nor raving, nor governing, nor wasting his

time in sacrificing and processions," interpolated Euergetes. "If I had

not been a king perhaps I might have been an Aristarchus; as it is I am

but half a king--since half of my kingdom belongs to you, Philometor--and

but half a student; for when am I to find perfect quiet for thinking and

writing? Everything, everything in me is by halves, for I, if the scale

were to turn in my favor"--and here he struck his chest and his forehead,

"I should be twice the man I am. I am my whole real self nowhere but at

high festivals, when the wine sparkles in the cup, and bright eyes flash

from beneath the brows of the flute-players of Alexandria or Cyrene--

sometimes too perhaps in council when the risk is great, or when there is

something vast and portentous to be done from which my brother and you

others, all of you, would shrink--nay perhaps even the Roman. Aye! so

it is--and you will learn to know it."

Euergetes had roared rather than spoken the last words; his cheeks were

flushed, his eyes rolled, while he took from his head both the garland of

flowers and the golden fillet, and once more pushed his fingers through

his hair.

His sister covered her ears with her hands, and said: "You positively

hurt me! As no one is contradicting you, and you, as a man of culture,

are not accustomed to add force to your assertions, like the Scythians,

by speaking in a loud tone, you would do well to save your metallic voice

for the further speech with which it is to be hoped you will presently

favor us. We have had to bow more than once already to the strength of

which you boast--but now, at a merry feast, we will not think of that,

but rather continue the conversation which entertained us, and which had

begun so well. This eager defence of the interests which most delight

the best of the Hellenes in Alexandria may perhaps result in infusing

into the mind of our friend Publius Scipio--and through him into that of

many young Romans--a proper esteem for a line of intellectual effort

which he could not have condemned had he not failed to understand it

perfectly.

"Very often some striking poetical turn given to a subject makes it,

all at once, clear to our comprehension, even when long and learned

disquisitions have failed; and I am acquainted with such an one, written

by an anonymous author, and which may please you--and you too,

Aristarchus. It epitomizes very happily the subject of our discussion.

The lines run as follows:

"Behold, the puny Child of Man

Sits by Time's boundless sea,

And gathers in his feeble hand

Drops of Eternity.

"He overhears some broken words

Of whispered mystery

He writes them in a tiny book

And calls it 'History!'

"We owe these verses to an accomplished friend; another has amplified the

idea by adding the two that follow:

"If indeed the puny Child of Man

Had not gathered drops from that wide sea,

Those small deeds that fill his little span

Had been lost in dumb Eternity.

"Feeble is his hand, and yet it dare

Seize some drops of that perennial stream;

As they fall they catch a transient gleam--

Lo! Eternity is mirrored there!

"What are we all but puny children? And those of us who gather up the

drops surely deserve our esteem no less than those who spend their lives

on the shore of that great ocean in mere play and strife--"

"And love," threw in Eulaeus in a low voice, as he glanced towards

Publius.

"Your poet's verses are pretty and appropriate," Aristarchus now said,

"and I am very happy to find myself compared to the children who catch

the falling drops. There was a time--which came to an end, alas! with

the great Aristotle--when there were men among the Greeks, who fed the

ocean of which you speak with new tributaries; for the gods had bestowed

on them the power of opening new sources, like the magician Moses, of

whom Onias, the Jew, was lately telling us, and whose history I have read

in the sacred books of the Hebrews. He, it is true--Moses I mean--only

struck water from the rock for the use of the body, while to our

philosophers and poets we owe inexhaustible springs to refresh the mind

and soul. The time is now past which gave birth to such divine and

creative spirits; as your majesties' forefathers recognized full well

when they founded the Museum of Alexandria and the Library, of which I am

one of the guardians, and which I may boast of having completed with your

gracious assistance. When Ptolemy Soter first created the Museum in

Alexandria the works of the greatest period could receive no additions in

the form of modern writings of the highest class; but he set us--children

of man, gathering the drops--the task of collecting and of sifting them,

of eliminating errors in them--and I think we have proved ourselves equal

to this task.

"It has been said that it is no less difficult to keep a fortune than to

deserve it; and so perhaps we, who are merely 'keepers' may nevertheless

make some credit--all the more because we have been able to arrange the

wealth we found under hand, to work it profitably, to apply it well, to

elucidate it, and to make it available. When anything new is created by

one of our circle we always link it on to the old; and in many

departments we have indeed even succeeded in soaring above the ancients,

particularly in that of the experimental sciences. The sublime

intelligence of our forefathers commanded a broad horizon--our narrower

vision sees more clearly the objects that lie close to us. We have

discovered the sure path for all intellectual labor, the true scientific

method; and an observant study of things as they are, succeeds better

with us than it did with our predecessors. Hence it follows that in the

provinces of the natural sciences, in mathematics, astronomy, mechanics

and geography the sages of our college have produced works of unsurpassed

merit. Indeed the industry of my associates--"

"Is very great," cried Euergetes. "But they stir up such a dust that all

free-thought is choked, and because they value quantity above all things

in the results they obtain, they neglect to sift what is great from what

is small; and so Publius Scipio and others like him, who shrug their

shoulders over the labors of the learned, find cause enough to laugh in

their faces. Out of every four of you I should dearly like to set three

to some handicraft, and I shall do it too, one of these days--I shall do

it, and turn them and all their miserable paraphernalia out of the

Museum, and out of my capital. They may take refuge with you,

Philometor, you who marvel at everything you cannot do yourself, who are

always delighted to possess what I reject, and to make much of those whom

I condemn--and Cleopatra I dare say will play the harp, in honor of their

entering Memphis."

"I dare say!" answered the queen, laughing bitterly. "Still, it is to

be expected that your wrath may fall even on worthy men. Until then I

will practise my music, and study the treatise on harmony that you have

begun writing. You are giving us proof to-day of how far you have

succeeded in attaining unison in your own soul."

"I like you in this mood!" cried Euergetes. "I love you, sister, when

you are like this! It ill becomes the eagle's brood to coo like the

dove, and you have sharp talons though you hide them never so well under

your soft feathers. It is true that I am writing a treatise on harmony,

and I am doing it with delight; still it is one of those phenomena which,

though accessible to our perception, are imperishable, for no god even

could discover it entire and unmixed in the world of realities. Where is

harmony to be found in the struggles and rapacious strife of the life of

the Cosmos? And our human existence is but the diminished reflection of

that process of birth and decease, of evolution and annihilation, which

is going on in all that is perceptible to our senses; now gradually and

invisibly, now violently and convulsively, but never harmonyously.

"Harmony is at home only in the ideal world--harmony which is unknown

even among the gods harmony, whom I may know, and yet may never

comprehend--whom I love, and may never possess--whom I long for, and who

flies from me.

"I am as one that thirsteth, and harmony as the remote, unattainable

well--I am as one swimming in a wide sea, and she is the land which

recedes as I deem myself near to it.

"Who will tell me the name of the country where she rules as queen,

undisturbed and untroubled? And which is most in earnest in his pursuit

of the fair one: He who lies sleeping in her arms, or he who is consumed

by his passion for her?

"I am seeking what you deem that you possess.--Possess--!

"Look round you on the world and on life--look round, as I do, on this

hall of which you are so proud! It was built by a Greek; but, because

the simple melody of beautiful forms in perfect concord no longer

satisfies you, and your taste requires the eastern magnificence in which

you were born, because this flatters your vanity and reminds you, each

time you gaze upon it, that you are wealthy and powerful--you commanded

your architect to set aside simple grandeur, and to build this gaudy

monstrosity, which is no more like the banqueting-hall of a Pericles than

I or you, Cleopatra, in all our finery, are like the simply clad gods and

goddesses of Phidias. I mean not to offend you, Cleopatra, but I must

say this; I am writing now on the subject of harmony, and perhaps I shall

afterwards treat of justice, truth, virtue; although I know full well

that they are pure abstractions which occur neither in nature nor in

human life, and which in my dealings I wholly set aside; nevertheless

they seem to me worthy of investigation, like any other delusion, if by

resolving it we may arrive at conditional truth. It is because one man

is afraid of another that these restraints--justice, truth, and what else

you will--have received these high-sounding names, have been stamped as

characteristics of the gods, and placed under the protection of the

immortals; nay, our anxious care has gone so far that it has been taught

as a doctrine that it is beautiful and good to cloud our free enjoyment

of existence for the sake of these illusions. Think of Antisthenes and

his disciples, the dog-like Cynics--think of the fools shut up in the

temple of Serapis! Nothing is beautiful but what is free, and he only is

not free who is forever striving to check his inclinations--for the most

part in vain--in order to live, as feeble cowards deem virtuously, justly

and truthfully.

"One animal eats another when he has succeeded in capturing it, either in

open fight or by cunning and treachery; the climbing plant strangles the

tree, the desert-sand chokes the meadows, stars fall from heaven, and

earthquakes swallow up cities. You believe in the gods--and so do I

after my own fashion--and if they have so ordered the course of this life

in every class of existence that the strong triumph over the weak,

why should not I use my strength, why let it be fettered by those much-

belauded soporifics which our prudent ancestors concocted to cool the hot

blood of such men as I, and to paralyze our sinewy fists.

"Euergetes--the well-doer--I was named at my birth; but if men choose to

call me Kakergetes--the evil-doer--I do not mind it, since what you call

good I call narrow and petty, and what you call evil is the free and

unbridled exercise of power. I would be anything rather than lazy and

idle, for everything in nature is active and busy; and as, with

Aristippus, I hold pleasure to be the highest good, I would fain earn the

name of having enjoyed more than all other men; in the first place in my

mind, but no less in my body which I admire and cherish."

During this speech many signs of disagreement had found expression, and

Publius, who for the first time in his life heard such vicious sentiments

spoken, followed the words of the headstrong youth with consternation and

surprise. He felt himself no match for this overbearing spirit, trained

too in all the arts of argument and eloquence; but he could not leave all

he had heard uncontroverted, and so, as Euergetes paused in order to

empty his refilled cup, he began:

"If we were all to act on your principles, in a few centuries, it seems

to me, there would be no one left to subscribe to them; for the earth

would be depopulated; and the manuscripts, in which you are so careful to

substitute 'siu' for 'iu', would be used by strong-handed mothers, if any

were left, to boil the pot for their children--in this country of yours

where there is no wood to burn. Just now you were boasting of your

resemblance to Alcibiades, but that very gift which distinguished him,

and made him dear to the Athenians--I mean his beauty--is hardly possible

in connection with your doctrines, which would turn men into ravening

beasts. He who would be beautiful must before all things be able to

control himself and to be moderate--as I learnt in Rome before I ever saw

Athens, and have remembered well. A Titan may perhaps have thought and

talked as you do, but an Alcibiades--hardly!"

At these words the blood flew to Euergetes' face; but he suppressed the

keen and insulting reply that rose to his lips, and this little victory

over his wrathful impulse was made the more easy as Lysias, at this

moment, rejoined the feasters; he excused himself for his long absence,

and then laid before Cleopatra and her husband the gems belonging to

Publius.

They were warmly admired; even Euergetes was not grudging of his praise,

and each of the company admitted that he had rarely seen anything more

beautiful and graceful than the bashful Hebe with downcast eyes, and the

goddess of persuasion with her hand resting on the bride's arm.

"Yes, I will take the part of Peitho," said Cleopatra with decision.

"And I that of Heracles," cried Euergetes.

"But who is the fair one," asked King Philometor of Lysias, whom you have

in your eye, as fulfilling this incomparably lovely conception of Hebe?

While you were away I recalled to memory the aspect of every woman and

girl who frequents our festivals, but only to reject them all, one after

the other."

"The fair girl whom I mean," replied Lysias, "has never entered this or

any other palace; indeed I am almost afraid of being too bold in

suggesting to our illustrious queen so humble a child as fit to stand

beside her, though only in sport."

"I shall even have to touch her arm with my hand!" said the queen

anxiously, and she drew up her fingers as if she had to touch some

unclean thing. If you mean a flower-seller or a flute-player or

something of that kind--"

"How could I dare to suggest anything so improper?" Lysias hastily

interposed. "The girl of whom I speak may be sixteen years old; she is

innocence itself incarnate, and she looks like a bud ready to open

perhaps in the morning dew that may succeed this very night, but which as

yet is still enfolded in its cup. She is of Greek race, about as tall as

you are, Cleopatra; she has wonderful gazelle-like eyes, her little head

is covered by a mass of abundant brown hair, when she smiles she has

delicious dimples in her cheeks--and she will be sure to smile when such

a Peitho speaks to her!"

"You are rousing our curiosity," cried Philometor. "In what garden,

pray, does this blossom grow?"

"And how is it," added Cleopatra, "that my husband has not discovered it

long since, and transplanted it to our palace."

"Probably," answered Lysias, "because he who possesses Cleopatra, the

fairest rose of Egypt, regards the violets by the roadside as too

insignificant to be worth glancing at. Besides, the hedge that fences

round my bud grows in a gloomy spot; it is difficult of access and

suspiciously watched. To be brief: our Hebe is a water-bearer in the

temple of Serapis, and her name is Irene."

The Sisters — Volume 2 · 第 4 / 5 章