LONGFELLOW.

It was sunset. The day had been one of the sultriest of August. It would

seem as if the fierce alembic of the last twenty-four hours had melted it

like the pearl in the golden cup of Cleopatra, and it lay in the West a

fused mass of transparent brightness. The reflection from the edges of a

hundred clouds wandered hither and thither, over rock and tree and flower,

giving a strange, unearthly brilliancy to the most familiar things.

A group of children had gathered about their mother in the summer-house of

a garden which faced the sunset sky. The house was one of those square,

stately, wooden structures, white, with green blinds, in which of old times

the better classes of New England delighted, and which remain to us as

memorials of a respectable past. It stood under the arches of two gigantic

elms, and was flanked on either side with gardens and grounds which seemed

designed on purpose for hospitality and family freedom.

The evening light colored huge bosquets of petunias, which stood with

their white or crimson faces looking westward, as if they were thinking

creatures. It illumined flame-colored verbenas, and tall columns of pink

and snowy phloxes, and hedges of August roses, making them radiant as the

flowers of a dream.

The group in the summer-house requires more particular attention. The

father and mother, whom we shall call Albert and Olivia, were of the

wealthiest class of the neighbouring city, and had been induced by the

facility of railroad travelling, and a sensible way of viewing things, to

fix their permanent residence in the quiet little village of Q----. Albert

had nothing in him different from multitudes of hearty, joyous, healthily

constituted men, who subsist upon daily newspapers, and find the world a

most comfortable place to live in. As to Olivia, she was in the warm noon

of life, and a picture of vitality and enjoyment. A plump, firm cheek, a

dark eye, a motherly fulness of form, spoke the being made to receive and

enjoy the things of earth, the warm-hearted wife, the indulgent mother,

the hospitable mistress of the mansion. It is true that the smile on the

lip had something of earthly pride blended with womanly sweetness,--the

pride of one who has as yet known only prosperity and success, to whom no

mischance has yet shown the frail basis on which human hopes are built. Her

foot had as yet trod only the high places of life, but she walked there

with a natural grace and nobleness that made every one feel that she was

made for them and they for her.

Around the parents were gathered at this moment a charming group of

children, who with much merriment were proceeding to undo a bundle the

father had just brought from the city.

"Here, Rose," said little Amy, a blue-eyed, flaxen-haired pet, who seemed

to be a privileged character, "let _me_ come; don't be all night with your

orderly ways; let me cut that string." A sharp flash of the scissors, a

quick report of the bursting string, and the package lay opened to the

little marauder. Rose drew back, smiled, and gave an indulgent look at

her eager younger sister and the two little ones who immediately gathered

around. She was one of those calm, thoughtful, womanly young girls, that

seem born for pattern elder sisters, and for the stay and support of

mothers' hearts. She watched with a gentle, quiet curiosity the quick and

eager fingers that soon were busy in exposing the mysteries of the parcel.

"There's a dress for Rose," said Amy, triumphantly drawing out a delicate

muslin; "I can always tell what's for her."

"How?" put in the father, who stood regarding the proceeding with that air

of amused superiority with which the wearers of broadcloth look down on the

mysteries of muslin and barége.

"How?" said Amy, "why, because they look just like her. If I were to see

that lilac muslin in China, I should say it was meant for Rose. Now this is

mine, I know,--this bright pink; isn't it, mamma? No half shades about me!"

"No, indeed," said her mother; "that is your greatest fault, Amy."

"Oh, well, mamma, Rose has enough for both; you must rub us together, as

they do light red and Prussian blue, to make a neutral tint. But oh, what

a ribbon! oh, mother, what a love of a ribbon! Rose! Rose! look at this

ribbon! And oh, those buttons! Fred, I do believe they are for your new

coat! Oh, and those studs, father, where did you get them? What's in that

box? a bracelet for Rose, I know! oh, how beautiful! perfectly exquisite!

And here--oh!"

Here something happened to check the volubility of the little speaker; for

as she hastily, and with the license of a petted child, pulled the articles

from the parcel, she was startled to find lying among the numerous colored

things a black crape veil. Sombre, dark, and ill-omened enough it looked

there, with pink, and lilac, and blue, and glittering _bijouterie_ around

it!

Amy dropped it with instinctive repugnance, and there was a general

exclamation, "Mamma, what's this? how came it here? what did you get this

for?"

"Strange!" said Olivia; "it is a _mourning veil_. Of course I did not order

it. How it came in here nobody knows; it must have been a mistake of the

clerk."

"Certainly it is a mistake," said Amy; "we have nothing to do with

mourning, have we?"

"No, to be sure; what should we mourn for?" chimed in little Fred and Mary.

"What a dark, ugly thing it is!" said Amy, unfolding and throwing it over

her head; "how dismal it must be to see the world through such a veil as

this!"

"And yet till one has seen the world through a veil like that, one has

never truly lived," said another voice, joining in the conversation.

"Ah, Father Payson, are you there?" said two or three voices at once.

Father Payson was the minister of the village, and their nearest neighbor;

and not only their nearest neighbor, but their nearest friend. In the

afternoon of his years, life's day with him now stood at that hour when,

though the shadows fall eastward, yet the colors are warmer, and the songs

of the birds sweeter, than even in its jubilant morning.

God sometimes gives to good men a guileless and holy second childhood, in

which the soul becomes childlike, not childish, and the faculties in full

fruit and ripeness are mellow without sign of decay. This is that songful

land of Beulah, where they who have travelled manfully the Christian way

abide awhile to show the world a perfected manhood. Life, with its battles

and its sorrows, lies far behind them; the soul has thrown off its armor,

and sits in an evening undress of calm and holy leisure. Thrice blessed the

family or neighborhood that numbers among it one of these not yet ascended

saints! Gentle are they and tolerant, apt to play with little children,

easy to be pleased with simple pleasures, and with a pitying wisdom guiding

those who err. New England has been blessed in numbering many such among

her country pastors; and a spontaneous, instinctive deference honors them

with the title of Father.

Father Payson was the welcome inmate of every family in the village,

the chosen friend even of the young and thoughtless. He had stories for

children, jokes for the young, and wisdom for all. He "talked good," as the

phrase goes,--not because he was the minister, but because, being good,

he could not help it; yet his words, unconsciously to himself, were often

parables, because life to him had become all spiritualized, and he saw

sacred meanings under worldly things.

The children seized him lovingly by either hand and seated him in the

arbor.

"Isn't it strange," said Amy, "to see this ugly black thing among all these

bright colors? such a strange mistake in the clerk!"

"If one were inclined to be superstitious," said Albert, "he might call

this an omen."

"What did you mean, sir," asked Rose, quietly seating herself at his feet,

"by 'seeing life through this veil'?"

"It was a parable, my daughter," he said, laying his hand on her head.

"I never have had any deep sorrow," said Olivia, musingly; "we have been

favored ones hitherto. But why did you say one must see the world through

such a medium as this?"

"Sorrow is God's school," said the old man. "Even God's own Son was not

made perfect without it; though a son, yet learned he obedience by the

things that he suffered. Many of the brightest virtues are like stars;

there must be night or they cannot shine. Without suffering, there could be

no fortitude, no patience, no compassion, no sympathy. Take all sorrow out

of life, and you take away all richness and depth and tenderness. Sorrow is

the furnace that melts selfish hearts together in love. Many are hard and

inconsiderate, not because they lack capability of feeling, but because the

vase that holds the sweet waters has never been broken."

"Is it, then, an imperfection and misfortune never to have suffered?" said

Olivia.

Father Payson looked down. Rose was looking into his face. There was a

bright, eager, yet subdued expression in her eyes that struck him; it had

often struck him before in the village church. It was as if his words had

awakened an internal angel, that looked fluttering out behind them. Rose

had been from childhood one of those thoughtful, listening children with

whom one seems to commune without words. We spend hours talking with them,

and fancy they have said many things to us, which, on reflection, we find

have been said only with their silent answering eyes. Those who talk much

often reply to you less than those who silently and thoughtfully listen.

And so it came to pass, that, on account of this quietly absorbent nature,

Rose had grown to her parents' hearts with a peculiar nearness. Eighteen

summers had perfected her beauty. The miracle of the growth and perfection

of a human body and soul never waxes old; parents marvel at it in every

household as if a child had never grown before; and so Olivia and Albert

looked on their fair Rose daily with a restful and trusting pride.

At this moment she laid her hand on Father Payson's knee, and said

earnestly,--"Ought we to pray for sorrow, then?"

"Oh, no, no, no!" interrupted Olivia, with an instinctive shudder,--such a

shudder as a warm, earnest, prosperous heart always gives as the shadow of

the grave falls across it,--"don't say yes!"

"I do not say we should pray for it," said Father Payson; "yet the Master

says, 'Blessed are they that mourn,' not 'Blessed are they that prosper.'

So heaven and earth differ in their judgments."

"Ah, me!" said Olivia, "I am afraid I have not courage to wish to be among

the blessed."

"Well," said Albert, whom the gravity of the discussion somewhat disturbed.

"let us not borrow trouble; time enough to think of it when it happens.

Come, the dew is falling, let us go in. I want to show Father Payson some

peaches that will tempt his Christian graces to envy. Come, Rose, gather up

here."

Rose, in a few moments, gathered the parcel together, and quietly flitted

before them into the house.

"Now," said Albert, "you'll see that girl will have everything quietly

tucked away in just the right place; not a word said. She is a born

housewife; it's in her, as much as it is in a pointer to show game."

"Rose is my right hand," said Olivia; "I should be lost without her."

Whence comes it, that, just on the verge of the great crises and

afflictions of life, words are often spoken, that, to after view, seem to

have had a prophetic meaning? So often do we hear people saying, "Ah, the

very day before I heard of this or that, we were saying so and so!" It

would seem sometimes as if the soul felt itself being drawn within the dark

sphere of a coming evil, of which as yet nothing outward tells. Then the

thoughts and conversation flow in an almost prophetic channel, which a

coming future too well interprets.

The evening passed cheerfully with our friends, notwithstanding the grave

conversation in the arbor. The mourning veil was laid away in a drawer

along with many of its brilliant companions, and with it the thoughts it

had suggested; and the merry laugh ringing from the half-open parlor-door

showed that Father Payson was no despiser of the command to rejoice with

them that do rejoice.

Rose played and sung, the children danced, and the mirth was prolonged till

a late hour in the evening.

Olivia and Albert were lingering in the parlor after the departure of the

family, busy in shutting windows, setting back chairs, and attending to all

the last duties of orderly householders.

A sudden shriek startled them; such a shriek as, once heard, is never

forgotten. With an answering cry of horror, they rushed up the stairs. The

hall lamp had been extinguished, but the passage and staircase were red

with a broad glare from the open door of the nursery.

A moment more showed them the drapery of the bed in which their youngest

child was sleeping all in flames; then they saw a light form tearing down

the blazing curtains.

"Oh, Rose! Rose! take care, for God's sake! your dress! you'll kill

yourself! oh, God help us!"

There were a few moments--awful moments of struggle--when none knew or

remembered what they did; a moment more and Rose lay panting in her

father's arms, enveloped in a thick blanket which he had thrown around her

burning night-dress. The fire was extinguished, the babe lay unawakened,

and only the dark flecks of tinder scattered over the bed, and the trampled

mass on the floor, told what had been. But Rose had breathed the hot breath

of the flame, deadly to human life, and no water could quench that inward

fire.

A word serves to explain all. The child's nurse had carelessly set a lamp

too near the curtains, and the night breeze had wafted them into the flame.

The apartment of Rose opened into the nursery, and as she stood in her

night-dress before her mirror, arranging her hair, she saw the flashing of

the flame, and, in the one idea of saving her little sister, forgot every

other. That act of self-forgetfulness was her last earthly act; a few short

hours of patient suffering were all that remained to her. Peacefully as she

had lived, she died, looking tenderly on her parents out of her large blue

eyes, and only intent to soothe their pain.

"Yes, I suffer," she said, "but only a short pain. We must all suffer

something. My Father thinks a very little enough for me. I have had such a

happy life, I _might_ bear just a little pain at the last."

A little later her mind seemed to wander. "Mamma, mamma," she said,

hurriedly, "I put the things all away; the lilac muslin and the barége.

Mamma, that veil, the mourning veil, is in the drawer. Oh, mamma, that

veil was for you; don't refuse it; our Father sends it, and he knows best.

Perhaps you will see heaven through that veil."

It is appalling to think how near to the happiest and most prosperous

scene of life stands the saddest despair. All homes are haunted with awful

possibilities, for whose realization no array of threatening agents is

required,--no lightning, or tempest, or battle; a peaceful household lamp,

a gust of perfumed evening air, a false step in a moment of gayety, a

draught taken by mistake, a match overlooked or mislaid, a moment's

oversight in handling a deadly weapon,--and the whole scene of life is

irretrievably changed!

It was but a day after the scene in the arbor, and all was mourning in the

so lately happy, hospitable house; everybody looked through tears. There

were subdued breathings, a low murmur, as of many listeners, a voice of

prayer, and the wail of a funeral hymn,--and then the heavy tread of

bearers, as, beneath the black pall, _she_ was carried over the threshold

of her home, never to return.

And Olivia and Albert came forth behind their dead. The folds of the dark

veil seemed a refuge for the mother's sorrow. But how did the flowers of

home, the familiar elms, the distant smiling prospect look through its

gloomy folds,--emblem of the shadow which had fallen between her heart and

life? When she looked at the dark moving hearse, she wondered that the sun

still shone, that birds could sing, and that even her own flowers could be

so bright.

Ah, mother! the world had been just as full of sorrow the day before;

the air as full of "farewells to the dying and mournings for the dead";

but thou knewest it not! Now the outer world comes to thee through the

_mourning veil_!

But after the funeral comes life again,--hard, cold, inexorable life,

knocking with business-like sound at the mourner's door, obtruding its

common-place pertinacity on the dull ear of sorrow. The world cannot wait

for us; the world knows no leisure for tears; it moves onward, and drags

along with its motion the weary and heavy-laden who would fain rest.

Olivia would have buried herself in her sorrows. There are those who refuse

to be comforted. The condolence of friends seems only a mockery; and truly,

nothing so shows the emptiness and poverty of human nature as its efforts

at condolence.

Father Payson, however, was a visitor who would not be denied; there

was something of gentle authority in his white hairs that might not be

resisted. Old, and long schooled in sorrow, his heart many times broken

in past years, he knew all the ways of mourning. His was no official

common-place about "afflictive dispensations." He came first with that

tender and reverent silence with which the man acquainted with grief

approaches the divine mysteries of sorrow; and from time to time he

cast on the troubled waters words, dropped like seeds, not for present

fruitfulness, but to germinate after the floods had subsided.

He watched beside a soul in affliction as a mother waits on the crisis of a

fever whose turning is to be for life or for death; for he well knew that

great sorrows never leave us as they find us; that the broken spirit, ill

set, grows callous and distorted ever after.

He had wise patience with every stage of sorrow; he knew that at first

the soul is blind, and deaf, and dumb. He was not alarmed when returning

vitality showed itself only in moral spasms and convulsions; for in

all great griefs come hours of conflict, when the soul is tempted, and

complaining, murmuring, dark, skeptical thoughts are whirled like withered

leaves through all its desolate chambers.

"What have I learned by looking through this veil?" said Olivia to him,

bitterly, one day when they were coming out of a house where they had been

visiting a mourning family. "I was trusting in God as an indulgent Father;

life seemed beautiful to me in the light of his goodness; now I see only

his inflexible severity. I never knew before how much mourning and sorrow

there had been even in this little village. There is scarcely a house where

something dreadful has not at some time happened. How many families here

have been called to mourning since we have! I have not taken up a paper in

which I have not seen a record of two or three accidental deaths; some of

them even more bitter and cruel than what has befallen us. I read this

morning of a poor washerwoman, whose house was burned, and all her children

consumed, while she was away working for her bread. I read the other day of

a blind man whose only son was drowned in his very presence, while he could

do nothing to help him. I was visiting yesterday that poor dress-maker whom

you know. She has by toil and pains been educating a fine and dutiful son.

He is smitten down with hopeless disease, while her idiot child, who can

do nobody any good, is spared. Ah, this mourning veil has indeed opened my

eyes; but it has taught me to add all the sorrows of the world to my own;

and can I believe in God's love?"

"Daughter," said the old man, "I am not ignorant of these things. I have

buried seven children; I have buried my wife; and God has laid on me in my

time reproach, and controversy, and contempt. Each cross seemed, at the

time, heavier than the others. Each in its day seemed to be what I least

could bear; and I would have cried, '_Anything but this!_' And yet, now

when I look back, I cannot see one of these sorrows that has not been made

a joy to me. With every one some perversity or sin has been subdued, some

chain unbound, some good purpose perfected. God has taken my loved ones,

but he has given me love. He has given me the power of submission and of

consolation; and I have blessed him many times in my ministry for all I

have suffered, for by it I have stayed up many that were ready to perish."

"Ah," said Olivia, "you indeed have reason to be comforted, because you can

see in yourself the fruit of your sorrows; but I am not improving; I am

only crushed and darkened,--not amended."

"Have patience with thyself, child; weeping must endure for a night;

all comes not at once. 'No trial _for the present_ seemeth joyous'; but

'_afterwards_ it yieldeth the peaceable fruit';--have faith in this

_afterwards_. Some one says that it is not in the tempest one walks the

beach to look for the treasures of wrecked ships; but when the storm is

past we find pearls and precious stones washed ashore. Are there not even

now some of these in your path? Is not the love between you and your

husband deeper and more intimate since this affliction? Do you not love

your other children more tenderly? Did you not tell me that you had thought

on the sorrows of every house in this village? Courage, my child! that is a

good sign. Once, as you read the papers, you thought nothing of those who

lost friends; now you notice and feel. Take the sorrows of others to your

heart; they shall widen and deepen it. Ours is a religion of sorrow. The

Captain of our salvation was made perfect through suffering; our Father is

the God of all consolation; our Teacher is named the Comforter; and all

other mysteries are swallowed up in the mystery of the Divine sorrow. 'In

all our afflictions He is afflicted.' God refuseth not to suffer;--shall

we?"

There is no grave so desolate that flowers will not at last spring on it.

Time passed with Albert and Olivia with healing in its wings. The secret

place of tears became first a temple of prayer, and afterwards of praise;

and the heavy cloud was remembered by the flowers that sprung up after the

rain. The vacant chair in the household circle had grown to be a tender

influence, not a harrowing one; and the virtues of the lost one seemed to

sow themselves like the scattered seeds of a fallen flower, and to spring

up in the hearts of the surviving ones. More tender and more blessed is

often the brooding influence of the sacred dead than the words of the

living.

Olivia became known in the abodes of sorrow, and a deep power seemed given

her to console the suffering and distressed. A deeper power of love sprung

up within her; and love, though born of sorrow, ever brings peace with

it. Many were the hearts that reposed on her; many the wandering that she

reclaimed, the wavering that she upheld, the desolate that she comforted.

As a soul in heaven may look back on earth, and smile at its past sorrows,

so, even here, it may rise to a sphere where it may look down on the storm

that once threatened to overwhelm it.

It was on the afternoon of just such another summer day as we have

described at the opening of our story, that Olivia was in her apartment,

directing the folding and laying away of mourning garments. She took up the

dark veil and looked on it kindly, as on a faithful friend. How much had

she seen and learned behind the refuge of its sheltering folds! She turned

her thoughts within herself. She was calm once more, and happy,--happy with

a wider and steadier basis than ever before. A new world seemed opened

within her; and with a heart raised in thankfulness she placed the veil

among her most sacred treasures.

Yes, there by the smiling image of the lost one,--by the curls of her

glossy hair,--by the faded flowers taken from her bier, was laid in solemn

thankfulness the Mourning Veil.

The Atlantic Monthly, Volume 01, No. 01, November, 1857 A Magazine of Literature, Art, and Politics · 第 50 / 63 题