Begun 1445. Finished about 1480.]

In the Divinity Schools (Fig. 398) these great arches show themselves

throughout as the supports of the otherwise helpless vault; in Henry

VII.’s Chapel they are visible only in the side vaults, which are

strutted up from them with strong tracery, but their upper portions

penetrate the central vault, and become concealed from view.

The same system is carried into the apse (Fig. 399), and that with the

most surprising skill. The apse is supposed to be a portion of an entire

octagon, with an aisle supported by eight small columns, of which two

are lost by its conjunction with the straight part of the chapel. These

columns being converted into pendants, the structural arches supply, as

before described, the support demanded, but in this case they converge

to the central part of the octagon.

[Illustration: Fig. 399. Henry VII.’s Chapel, Westminster Abbey, Plan of

Apse.]

The treatment of this point in detail cannot intelligibly be described

in words. It is, perhaps, the most consummately skilled piece of

designing to be found in the whole range of Mediæval vaulting.

I have now completed my running (and all too rapid) sketch of the arched

and vaulted systems of Mediæval architecture, though purposely leaving

to another occasion the subject of domes. The limits of three lectures

have only sufficed to give a somewhat cursory glance at its salient

points, leaving the treasures of its detail to be searched out by the

zealous student.

No subject in the whole history of architecture is so remarkable, or

would more richly repay the investigator. I commend it to your

individual study, and will only add that our own country is more rich in

the variety of its vaulting than any other, and that London is

especially well supplied with objects of study, containing, as it does,

excellent examples of nearly every variety of vaulting, from the stern

severity of the work of King Edward the Confessor in the substructures

of his monastic buildings at Westminster, to that gorgeous and

astonishing work which I have just been describing, and of which we may

boldly assert (whatever may be our individual preferences), that _the

world does not contain its equal_.

Lectures on the rise and development of medieval architecture; vol. 2 · 第 59 / 70 题