STRANGER: 'Theaetetus, with whom I am now speaking, is flying.'

THEAETETUS: That also is a sentence which will be admitted by every one

to speak of me, and to apply to me.

STRANGER: We agreed that every sentence must necessarily have a certain

quality.

THEAETETUS: Yes.

STRANGER: And what is the quality of each of these two sentences?

THEAETETUS: The one, as I imagine, is false, and the other true.

STRANGER: The true says what is true about you?

THEAETETUS: Yes.

STRANGER: And the false says what is other than true?

THEAETETUS: Yes.

STRANGER: And therefore speaks of things which are not as if they were?

THEAETETUS: True.

STRANGER: And say that things are real of you which are not; for, as we

were saying, in regard to each thing or person, there is much that is

and much that is not.

THEAETETUS: Quite true.

STRANGER: The second of the two sentences which related to you was first

of all an example of the shortest form consistent with our definition.

THEAETETUS: Yes, this was implied in recent admission.

STRANGER: And, in the second place, it related to a subject?

THEAETETUS: Yes.

STRANGER: Who must be you, and can be nobody else?

THEAETETUS: Unquestionably.

STRANGER: And it would be no sentence at all if there were no subject,

for, as we proved, a sentence which has no subject is impossible.

THEAETETUS: Quite true.

STRANGER: When other, then, is asserted of you as the same, and

not-being as being, such a combination of nouns and verbs is really and

truly false discourse.

THEAETETUS: Most true.

STRANGER: And therefore thought, opinion, and imagination are now proved

to exist in our minds both as true and false.

THEAETETUS: How so?

STRANGER: You will know better if you first gain a knowledge of what

they are, and in what they severally differ from one another.

THEAETETUS: Give me the knowledge which you would wish me to gain.

STRANGER: Are not thought and speech the same, with this exception, that

what is called thought is the unuttered conversation of the soul with

herself?

THEAETETUS: Quite true.

STRANGER: But the stream of thought which flows through the lips and is

audible is called speech?

THEAETETUS: True.

STRANGER: And we know that there exists in speech...

THEAETETUS: What exists?

STRANGER: Affirmation.

THEAETETUS: Yes, we know it.

STRANGER: When the affirmation or denial takes Place in silence and in

the mind only, have you any other name by which to call it but opinion?

THEAETETUS: There can be no other name.

STRANGER: And when opinion is presented, not simply, but in some form of

sense, would you not call it imagination?

THEAETETUS: Certainly.

STRANGER: And seeing that language is true and false, and that thought

is the conversation of the soul with herself, and opinion is the end of

thinking, and imagination or phantasy is the union of sense and opinion,

the inference is that some of them, since they are akin to language,

should have an element of falsehood as well as of truth?

THEAETETUS: Certainly.

STRANGER: Do you perceive, then, that false opinion and speech have

been discovered sooner than we expected?--For just now we seemed to be

undertaking a task which would never be accomplished.

THEAETETUS: I perceive.

STRANGER: Then let us not be discouraged about the future; but

now having made this discovery, let us go back to our previous

classification.

THEAETETUS: What classification?

STRANGER: We divided image-making into two sorts; the one

likeness-making, the other imaginative or phantastic.

THEAETETUS: True.

STRANGER: And we said that we were uncertain in which we should place

the Sophist.

THEAETETUS: We did say so.

STRANGER: And our heads began to go round more and more when it was

asserted that there is no such thing as an image or idol or appearance,

because in no manner or time or place can there ever be such a thing as

falsehood.

THEAETETUS: True.

STRANGER: And now, since there has been shown to be false speech and

false opinion, there may be imitations of real existences, and out of

this condition of the mind an art of deception may arise.

THEAETETUS: Quite possible.

STRANGER: And we have already admitted, in what preceded, that the

Sophist was lurking in one of the divisions of the likeness-making art?

THEAETETUS: Yes.

STRANGER: Let us, then, renew the attempt, and in dividing any class,

always take the part to the right, holding fast to that which holds the

Sophist, until we have stripped him of all his common properties, and

reached his difference or peculiar. Then we may exhibit him in his true

nature, first to ourselves and then to kindred dialectical spirits.

THEAETETUS: Very good.

STRANGER: You may remember that all art was originally divided by us

into creative and acquisitive.

THEAETETUS: Yes.

STRANGER: And the Sophist was flitting before us in the acquisitive

class, in the subdivisions of hunting, contests, merchandize, and the

like.

THEAETETUS: Very true.

STRANGER: But now that the imitative art has enclosed him, it is clear

that we must begin by dividing the art of creation; for imitation is

a kind of creation--of images, however, as we affirm, and not of real

things.

THEAETETUS: Quite true.

STRANGER: In the first place, there are two kinds of creation.

THEAETETUS: What are they?

STRANGER: One of them is human and the other divine.

THEAETETUS: I do not follow.

STRANGER: Every power, as you may remember our saying originally, which

causes things to exist, not previously existing, was defined by us as

creative.

THEAETETUS: I remember.

STRANGER: Looking, now, at the world and all the animals and plants,

at things which grow upon the earth from seeds and roots, as well as

at inanimate substances which are formed within the earth, fusile or

non-fusile, shall we say that they come into existence--not having

existed previously--by the creation of God, or shall we agree with

vulgar opinion about them?

THEAETETUS: What is it?

STRANGER: The opinion that nature brings them into being from some

spontaneous and unintelligent cause. Or shall we say that they are

created by a divine reason and a knowledge which comes from God?

THEAETETUS: I dare say that, owing to my youth, I may often waver in my

view, but now when I look at you and see that you incline to refer them

to God, I defer to your authority.

STRANGER: Nobly said, Theaetetus, and if I thought that you were one of

those who would hereafter change your mind, I would have gently argued

with you, and forced you to assent; but as I perceive that you will come

of yourself and without any argument of mine, to that belief which, as

you say, attracts you, I will not forestall the work of time. Let me

suppose, then, that things which are said to be made by nature are the

work of divine art, and that things which are made by man out of

these are works of human art. And so there are two kinds of making and

production, the one human and the other divine.

THEAETETUS: True.

STRANGER: Then, now, subdivide each of the two sections which we have

already.

THEAETETUS: How do you mean?

STRANGER: I mean to say that you should make a vertical division of

production or invention, as you have already made a lateral one.

THEAETETUS: I have done so.

STRANGER: Then, now, there are in all four parts or segments--two of

them have reference to us and are human, and two of them have reference

to the gods and are divine.

THEAETETUS: True.

STRANGER: And, again, in the division which was supposed to be made in

the other way, one part in each subdivision is the making of the things

themselves, but the two remaining parts may be called the making of

likenesses; and so the productive art is again divided into two parts.

THEAETETUS: Tell me the divisions once more.

STRANGER: I suppose that we, and the other animals, and the elements out

of which things are made--fire, water, and the like--are known by us to

be each and all the creation and work of God.

THEAETETUS: True.

STRANGER: And there are images of them, which are not them, but which

correspond to them; and these are also the creation of a wonderful

skill.

THEAETETUS: What are they?

STRANGER: The appearances which spring up of themselves in sleep or by

day, such as a shadow when darkness arises in a fire, or the reflection

which is produced when the light in bright and smooth objects meets

on their surface with an external light, and creates a perception the

opposite of our ordinary sight.

THEAETETUS: Yes; and the images as well as the creation are equally the

work of a divine hand.

STRANGER: And what shall we say of human art? Do we not make one house

by the art of building, and another by the art of drawing, which is a

sort of dream created by man for those who are awake?

THEAETETUS: Quite true.

STRANGER: And other products of human creation are also twofold and go

in pairs; there is the thing, with which the art of making the thing is

concerned, and the image, with which imitation is concerned.

THEAETETUS: Now I begin to understand, and am ready to acknowledge that

there are two kinds of production, and each of them twofold; in the

lateral division there is both a divine and a human production; in the

vertical there are realities and a creation of a kind of similitudes.

STRANGER: And let us not forget that of the imitative class the one part

was to have been likeness-making, and the other phantastic, if it could

be shown that falsehood is a reality and belongs to the class of real

being.

THEAETETUS: Yes.

STRANGER: And this appeared to be the case; and therefore now, without

hesitation, we shall number the different kinds as two.

THEAETETUS: True.

STRANGER: Then, now, let us again divide the phantastic art.

THEAETETUS: Where shall we make the division?

STRANGER: There is one kind which is produced by an instrument,

and another in which the creator of the appearance is himself the

instrument.

THEAETETUS: What do you mean?

STRANGER: When any one makes himself appear like another in his figure

or his voice, imitation is the name for this part of the phantastic art.

THEAETETUS: Yes.

STRANGER: Let this, then, be named the art of mimicry, and this the

province assigned to it; as for the other division, we are weary and

will give that up, leaving to some one else the duty of making the class

and giving it a suitable name.

THEAETETUS: Let us do as you say--assign a sphere to the one and leave

the other.

STRANGER: There is a further distinction, Theaetetus, which is worthy of

our consideration, and for a reason which I will tell you.

THEAETETUS: Let me hear.

STRANGER: There are some who imitate, knowing what they imitate, and

some who do not know. And what line of distinction can there possibly be

greater than that which divides ignorance from knowledge?

THEAETETUS: There can be no greater.

STRANGER: Was not the sort of imitation of which we spoke just now the

imitation of those who know? For he who would imitate you would surely

know you and your figure?

THEAETETUS: Naturally.

STRANGER: And what would you say of the figure or form of justice or of

virtue in general? Are we not well aware that many, having no knowledge

of either, but only a sort of opinion, do their best to show that this

opinion is really entertained by them, by expressing it, as far as they

can, in word and deed?

THEAETETUS: Yes, that is very common.

STRANGER: And do they always fail in their attempt to be thought just,

when they are not? Or is not the very opposite true?

THEAETETUS: The very opposite.

STRANGER: Such a one, then, should be described as an imitator--to be

distinguished from the other, as he who is ignorant is distinguished

from him who knows?

THEAETETUS: True.

STRANGER: Can we find a suitable name for each of them? This is clearly

not an easy task; for among the ancients there was some confusion

of ideas, which prevented them from attempting to divide genera into

species; wherefore there is no great abundance of names. Yet, for the

sake of distinctness, I will make bold to call the imitation which

coexists with opinion, the imitation of appearance--that which coexists

with science, a scientific or learned imitation.

THEAETETUS: Granted.

STRANGER: The former is our present concern, for the Sophist was classed

with imitators indeed, but not among those who have knowledge.

THEAETETUS: Very true.

STRANGER: Let us, then, examine our imitator of appearance, and see

whether he is sound, like a piece of iron, or whether there is still

some crack in him.

THEAETETUS: Let us examine him.

STRANGER: Indeed there is a very considerable crack; for if you look,

you find that one of the two classes of imitators is a simple creature,

who thinks that he knows that which he only fancies; the other sort has

knocked about among arguments, until he suspects and fears that he is

ignorant of that which to the many he pretends to know.

THEAETETUS: There are certainly the two kinds which you describe.

STRANGER: Shall we regard one as the simple imitator--the other as the

dissembling or ironical imitator?

THEAETETUS: Very good.

STRANGER: And shall we further speak of this latter class as having one

or two divisions?

THEAETETUS: Answer yourself.

STRANGER: Upon consideration, then, there appear to me to be two; there

is the dissembler, who harangues a multitude in public in a long speech,

and the dissembler, who in private and in short speeches compels the

person who is conversing with him to contradict himself.

THEAETETUS: What you say is most true.

STRANGER: And who is the maker of the longer speeches? Is he the

statesman or the popular orator?

THEAETETUS: The latter.

STRANGER: And what shall we call the other? Is he the philosopher or the

Sophist?

THEAETETUS: The philosopher he cannot be, for upon our view he is

ignorant; but since he is an imitator of the wise he will have a name

which is formed by an adaptation of the word sophos. What shall we name

him? I am pretty sure that I cannot be mistaken in terming him the true

and very Sophist.

STRANGER: Shall we bind up his name as we did before, making a chain

from one end of his genealogy to the other?

THEAETETUS: By all means.

STRANGER: He, then, who traces the pedigree of his art as follows--who,

belonging to the conscious or dissembling section of the art of causing

self-contradiction, is an imitator of appearance, and is separated from

the class of phantastic which is a branch of image-making into that

further division of creation, the juggling of words, a creation human,

and not divine--any one who affirms the real Sophist to be of this blood

and lineage will say the very truth.

THEAETETUS: Undoubtedly.

Sophist · 第 12 / 12 题