Thus it was all the day long. Wherever that black horse and his rider went,

there followed victory. At last, toward the setting of the sun, the crisis

of the conflict came. That fortress yonder, on Bemiss' Heights, must be

won, or the American cause is lost! That cliff is too steep--that death is

too certain. The officers cannot persuade the men to advance. The Americans

have lost the field. Even Morgan, that iron man among iron men, leans on

his rifle and despairs of the field. But look yonder! In this moment when

all is dismay and horror, here crashing on, comes the black horse and his

rider. That rider bends upon his steed, his frenzied face covered with

sweat and dust and blood; he lays his hand upon that bold rifleman's

shoulder, and, as though living fire had been poured into his veins, he

seized his rifle and started toward the rock. And now look! now hold your

breath, as that Black Steed crashes up that steep cliff. That steed

quivers! he totters! he falls! No! No! Still on, still up the cliff, still

on toward the fortress. The rider turns his face and shouts, "Come on, men

of Quebec! come on!" That call is needless. Already the bold riflemen are

on the rock. Now British cannon pour your fires, and lay your dead in tens

and twenties on the rock. Now, red-coat hirelings, shout your battle-cry if

you can! For look! there, in the gate of the fortress, as the smoke clears

away, stands the Black Horse and his rider. That steed falls dead, pierced

by an hundred balls; but his rider, as the British cry for quarter, lifts

up his voice and shouts afar to Horatio Gates waiting yonder in his tent,

"Saratoga is won!" As that cry goes up to heaven, he falls with his leg

shattered by a cannon-ball. Who was the rider of the black horse? Do you

not guess his name? Then bend down and gaze on that shattered limb, and you

shall see that it bears the mark of a former wound. That wound was received

in the storming of Quebec. That rider of the Black Horse was Benedict

Arnold.

SHE CUT HIS HAIR.

You can always tell a boy whose mother cuts his hair. Not because the edges

of it look as if it had been chewed off by an absent-minded horse; but you

can tell it by the way he stops on the streets and wriggles his shoulders.

When a fond mother has to cut her boy's hair she is careful to guard

against any annoyance and muss by laying a sheet on the carpet. It has

never yet occurred to her to set him over a bare floor and put the sheet

around his neck. Then she draws the front hair over his eyes, and leaves it

there while she cuts that which is at the back; the hair which lies over

his eyes appears to be surcharged with electric needles, and that which is

silently dropping down over his shirtband appears to be on fire. She has

unconsciously continued to push his head forward until his nose presses his

breast, and is too busily engaged to notice the snuffling sound that is

becoming alarmingly frequent. In the meantime he is seized with an

irresistible desire to blow his nose, but recollects that his handkerchief

is in the other room. Then a fly lights on his nose, and does it so

unexpectedly that he involuntarily dodges and catches the points of the

shears in his left ear. At this he commences to cry and wish he was a man.

But his mother doesn't notice him. She merely hits him on the other ear to

inspire him with confidence and goes on with the work. When she is through

she holds his jacket-collar back from his neck, and with her mouth blows

the short bits of hair from the top of his head down his back. He calls

her attention to this fact, but she looks for a new place on his head and

hits him there, and asks him why he didn't use a handkerchief. Then he

takes his awfully disfigured head to the mirror and looks at it, and, young

as he is, shudders as he thinks of what the boys on the street will say.

AN APPEAL FOR LIBERTY.

BY JOSEPH STORY.

I call upon you, fathers, by the shades of your ancestors--by the dear

ashes which repose in this precious soil--by all you are, and all you hope

to be--resist every object of disunion, resist every encroachment upon your

liberties, resist every attempt to fetter your consciences, or smother your

public schools, or extinguish your system of public instruction.

I call upon you, mothers, by that which never fails in woman, the love of

your off-spring; teach them, as they climb your knees, or lean on your

bosoms, the blessings of liberty. Swear them at the altar, as with their

baptismal vows, to be true to their country, and never to forget or forsake

her.

I call upon you, young men, to remember whose sons you are; whose

inheritance you possess. Life can never be too short, which brings nothing

but disgrace and oppression. Death never comes too soon, if necessary in

defence of the liberties of your country.

I call upon you, old men, for your counsels, and your prayers, and your

benedictions. May not your gray hairs go down in sorrow to the grave, with

the recollection that you have lived in vain. May not your last sun sink in

the west upon a nation of slaves.

No; I read in the destiny of my country far better hopes, far brighter

visions. We, who are now assembled here, must soon be gathered to the

congregation of other days. The time of our departure is at hand, to make

way for our children upon the theatre of life. May God speed them and

theirs. May he who, at the distance of another century, shall stand here to

celebrate this day, still look round upon a free, happy, and virtuous

people. May he have reason to exult as we do. May he, with all the

enthusiasm of truth as well as of poetry, exclaim, that here is still his

country.

OLD UNCLE JAKE.

He was bowed by many a year of service; he was white-woolled, thick-lipped,

and a true son of Africa, yet a grand and knightly soul animated that dusky

breast--a soul that many a scion of the blood royal might envy.

The children loved him, the neighbors respected him, his own color looked

up to him as a superior being, and they whose goods and chattels he had

formerly been, were sure to heed his counsels in all important family

matters. Aye, he had an honorable record. If his skin was black, his soul

was white as the whitest and from lusty boyhood to the present there had

been no need of "stripes" for Uncle Jake.

He had been the playmate of "young marster," the boon companion in all

'possum hunts and fishing frolics, and when each had arrived at man's

estate the goodfellowship contracted in youth knew no surcease.

When the tocsin of war resounded through the South, and the call for

volunteers was made, "marster" was one of the first to buckle on his armor

and hasten to the front--doing so with greater heart as Uncle Jake was left

in charge of those dearer than life to him.

And royally did the poor unlettered African fulfil the trust committed to

his keeping. He took upon himself the burden of all plantation matters and

sooner than one hair on the heads of "missus or chillun" should be injured,

he would have sacrificed his life freely any day. And when the war was over

he positively refused to join in the hegira of his brethren, preferring

rather to live on in the same old place that had witnessed his birth and

the strength of his manhood's prime.

In grateful recognition of his long servitude a comfortable cottage was

built for him in a secluded nook of the plantation, in which, with his

faithful old wife, he lived a peaceful and contented life, tilling the few

acres which had been granted him and doing all sorts of odd jobs out of the

pure love he bore old marse.

But Uncle Jake was getting old now--more and more heavily the weight of

years fell upon him--the whiter grew his locks until at last the time came

when he could no longer pursue his accustomed duties, and all reluctant and

unwilling he took to his bed never to rise again.

For weeks and months he lingered on the "Border Land," attended by loving

hands, and his slightest wish was gratified; indeed, so long he hovered

between life and death, that those who loved him best began to cherish a

faint hope that he would be spared to them.

But the fiat had gone forth--Uncle Jake must die.

One evening, just as the setting sun was flooding the fair landscape with

his golden beams, a tearful group were assembled at his bedside, who had

been hastily summoned thither to bid farewell to one who had been so true a

friend to them all.

There were marster and missus and their children and Jake's own wife and

children, with a few of his fellow servants, all united in a democracy of

grief that knew no distinction of caste in the supreme moment.

No sound was heard save a half-suppressed sob now and then--the tick-tick

of the clock on the rude mantel and the labored breathing of the dying man.

For hours he had lain in a sort of stupor, broken only at intervals by

delirious mutterings, when suddenly his eyes, in which was a preternatural

brightness, opened and fixed themselves long and earnestly in turn upon

each one of the faces bent so sorrowfully over him.

Then in a feeble, fluttering voice, like the last effort of an expiring

taper, he addressed his master, who was tenderly wiping the moisture from

his brow:

"Ole marse, I'se been a good and faithful servant to yer all dese years,

has I not?"

"Yes, Jake."

"Ebber since we was boys togedder I'se lubed yer, and stuck to yer through

thick and thin, and now dat Jake is goin' home yer doan' treasure up

nothin' agin me, do yer, marse?"

"No, no, Jake."

"Old missus, come nearer, honey, Jake's eyes is gettin' mighty dim now, and

he kan't see yer. Yer'll nebber forgit how Jake tuk keer of yer an' de

chilluns when ole marster gone to de war? An' yer'll be kind to my wife and

chilluns for my sake, won't yer?"

"Yes, yes, Jake, I'll be kind to them, and I will never forget your

fidelity, old friend."

"T'ank de Lawd! I kin die happy now, when I'se know dat yer an' master will

'member me an' be kind to dem I'se leaving behind. An' de chillun--whar's

de chillun? I'se wants ter tell 'em all goodby an' say a las' few words to

dem, too."

And in his eagerness, with a strength born of death, the old man half arose

upon his elbow and laid a trembling hand upon the head of each of the

awe-struck children.

"God bless yer, chillun, one an' all. I lubs my own little picaninnies, but

I lubs old marster's just as well. I doan' want none o' yer to forgit how

Uncle Jake has trotted yer on his knee an' toted yer on his back an' keep'

a watchful eye on yer, les' yet git into mischief by yer pranks. Promise

me, chillun, dat you'll nebber forgit dese ting. It pleases Uncle Jake to

think yer'll 'member him arter he's gone from yer sight for ebber."

As well as they were able for their tears, the little ones gave the

required promise, and greatly pleased, the old man sank back exhausted upon

his pillow.

After lying a few minutes with closed eyes, as if in sleep, he suddenly

whispered:

"Dinah, whar is you? I wants yer to cum closer ter me, honey, an' put yer

arms around my neck an' lay yer cheek ter mine like yer used ter do when we

was courtin' down in de huckleberry patch. I wants ter die in yer arms, ole

wife. Yer is black, an' de white folks mought not be able ter see any booty

in yer, but Jake knows what a true an' lovin' wife you'se bin ter him, an'

he can see de booty dat's hidden out o' sight. I'se gwine ter cross ober

der great wide ribber dey call Death, into a kentry whar' dere'll nebber be

any mo' black skins--whar' I'll wear de white robe and de golden crown, an'

I'se got ter wait fur yer dere. Dinah, my lub! my lub! Hark, honey! doan'

yer hear de bells ob heaven a-ringing? An' doan' yer see de pearly gates

a-openin' to let ole black Jake go frew? I'se a comin', holy angels--I'se a

comin', blessed Lawd! Glory hallelewger! Ole Jake's mos' got ober de

ribber. His feet is touchin' de water--but it's gettin' so cold, Dinah,

honey--I can't feel de clasp of yer arms any mo'. I'se--"

And with a last, long, fluttering sigh, as knightly and true a soul as ever

dwelt in human breast took its light to a realm where there is indeed

neither black nor white, nor bond nor free, but all are like unto the

angels.

THE HOT AXLE.

BY T. DE WITT TALMAGE.

The express train was flying from Cork to Queenstown; it was going like

sixty--that is, about sixty miles an hour. No sight of Irish village to

arrest our speed, no sign of a breakdown; and yet the train halted. We

looked out of a window; saw a brakeman and a crowd of passengers gathering

around the locomotive, and a dense smoke arising. What was the matter? _A

hot axle!_

I thought then, as I think now, that is what is the matter with people

everywhere. In this swift, "express" American life, we go too fast for our

endurance. We think ourselves getting on splendidly, when, in the midst of

our success, we come to a dead halt. What is the matter? The nerves or

muscles or our brain give out; we make too many revolutions in an hour. _A

hot axle!_

Men make the mistake of working according to their opportunities, and not

according to their capacity of endurance. Can I be a merchant, and

president of a bank, and a director in a life insurance company, and a

school commission, and help edit a paper, and supervise the politics of our

ward, and run for Congress? "I can!" the man says to himself. The store

drives him; the bank drives him; the school drives him; politics drive him.

He takes all the scoldings and frets and exasperations of each position.

Some day, at the height of the business season, he does not come to the

store. From the most important meeting of the bank directors he is absent.

In the excitement of the most important political canvass he fails to be at

the place appointed. What is the matter? His health has broken down; the

train halts long before it gets to the station. _A hot axle!_

Literary men have great opportunities opening in this day. If they take all

that open, they are dead men, or worse--_living_ men that ought to be dead.

The pen runs so easy when you have good ink and smooth paper, and an easy

desk to write on, and the consciousness of an audience of one, two, or

three hundred thousand readers. So great is the invitation to literary

work, that the professional men of the day are overdone. They sit, faint

and fagged out, on the verge of newspapers and books; each one does the

work of three. And these men sit up late nights and choke down chunks of

meat without mastication, and scold their wives through irritability, and

maul innocent authors, and run the physical machinery with a liver

miserably given out. The driving shaft has gone fifty times a second. They

stop at no station. The steam-chest is hot and swollen. The brain and

digestion begins to smoke. Stop, ye flying quills! "Down brakes!" _A hot

axle!_

Some of our young people have read--till they are crazed--of learned

blacksmiths who at the forge conquered thirty languages; and shoemakers

who, pounding sole-leather, got to be philosophers; and of milliners who,

while their customers were at the glass trying on their spring hats, wrote

a volume of first-rate poems. The fact is, no blacksmith ought to be

troubled with more than five languages; and, instead of shoemakers becoming

philosophers, we would like to turn our surplus supply of philosophers into

shoemakers; and the supply of poetry is so much greater than the demand,

that we wish milliners would stick to their business. Extraordinary

examples of work and endurance may do us much good. Because Napoleon slept

only four hours a night, hundreds of students have tried the experiment;

but, instead of Austerlitz and Saragossa, there came of it only a sick

headache and a botch of a recitation.

Let us not go beyond our endurance, cutting short our days and making a

wreck of our life work, but labor earnestly, zealously, intelligently for

success; and in the twilight of old age peace and happiness will be

ours--not the shattered and praised remains of a career disastrously

checked.

THE CHILDREN.[2]

BY CHARLES DICKENS.

When the lessons and tasks are ended,

And the school for the day is dismissed,

And the little ones gather around me

To bid me "good-night" and be kissed;

Oh, the little white arms that encircle

My neck in a tender embrace!

Oh, the smiles that are halos of heaven,

Shedding sunshine and love on my face!

And when they are gone I sit dreaming

Of my childhood too lovely to last;

Of love, that my heart will remember

When it wakes to the pulse of the past.

Ere the world and its wickedness made me

A partner of sorrow and sin,

When the glory of God was about me,

And the glory of gladness within.

Oh, my heart grows weak as a woman's,

And the fountain of feelings will flow,

When I think of the paths steep and stony

Where the feet of the dear ones must go;

Of the mountains of sin hanging o'er them,

Of the tempests of fate blowing wild;

Oh, there's nothing on earth half so holy

As the innocent heart of a child.

They are idols of hearts and of households,

They are angels of God in disguise,

His sunlight still sleeps in their tresses,

His glory still beams in their eyes;

Oh, those truants from earth and from heaven,

They have made me more manly and mild,

And I know how Jesus could liken

The kingdom of God to a child.

Seek not a life for the dear ones

All radiant, as others have done,

But that life may have just as much shadow

To temper the glare of the sun;

I would pray God to guard them from evil,

But my prayer would bound back to myself;

Ah, a seraph may pray for a sinner,

But a sinner must pray for himself.

The twig is so easily bended,

I have banished the rule and the rod;

I have taught them the goodness of knowledge,

They have taught me the goodness of God.

My heart is a dungeon of darkness,

Where I shut them from breaking a rule;

My frown is sufficient correction,

My love is the law of the school.

I shall leave the old house in the autumn,

To traverse its threshold no more--

Ah, how I shall sigh for the dear ones

That meet me each morn at the door.

I shall miss the good-nights and the kisses,

And the gush of their innocent glee,

The group on the green and the flowers

That are brought every morning to me.

I shall miss them at morn and eve,

Their songs in the school and the street,

Shall miss the low hum of their voices,

And the tramp of their delicate feet.

When lessons and tasks are all ended,

And death says the school is dismissed,

May the little ones gather around me

To bid me "good-night" and be kissed.

FOOTNOTES:

[2] Found in the desk of Charles Dickens after his death.

CHARITY.

When you meet with one suspected

Of some secret deed of shame,

And for this by all rejected

As a thing of evil fame,

Guard thine every look and action,

Speak no word of heartless blame,

For the slanderer's vile detraction

Yet may soil thy goodly name.

When you meet with one pursuing

Ways the lost have entered in,

Working out his own undoing

With his recklessness and sin;

Think, if placed in his condition,

Would a kind word be in vain,

Or a look of cold suspicion

Win thee back to truth again?

There are spots that bear no flowers,

Not because the soil is bad,

But the Summer's genial showers

Never made their bosoms glad.

Better have an act that's kindly

Treated sometimes with disdain,

Than, in judging others blindly,

Doom the innocent to pain.

NO OBJECTION TO CHILDREN.

It was a block of yellow-brown houses in South Boston, looking as much like

a sheet of gingerbread as anything.

An express-wagon had just backed up to No. 21 in that block, and the

driver, unloosing ropes here and there, proceeded to unpack the luggage.

"What have we here?" exclaimed Mrs. Bacon, the downstairs tenant. "A

menagerie, I do believe. Come here, John."

There was, indeed, on the very top of the load a gray horse that in the

twilight looked very real till one noticed the rockers on which it stood.

But there was a kennel with a live terrier's head at the window, a

bird-cage with its fluttering tenant, a crib and high chair besides,

suggesting that the folks in the other part might, in the language of Mrs.

Bacon, "make music."

Now, the downstairs tenants, Mr. and Mrs. Bacon, were precise, orderly

people, living, like many other city people, in desert-island fashion, and

only hoping that everybody else would mind their own business. It had been

for weeks their great comfort that the other part was unoccupied, and now

this load of household goods brimming over with pets and their belongings

was an unwelcome sight.

There were no young Bacons--no, indeed! Plants did not flourish in their

shaded windows nor canary birds splash water from their tiny baths upon the

clear glass. No dog barked a noisy welcome when his master returned at

night. No cat purred in her mistress's lap. The housekeeping of the Bacons

was a fight against dirt, dust, sunshine and noise; and somehow pets bring

all these.

"Well, John," said Mrs. Bacon as she turned from the window and pulled the

shade over the sacred glass, "there's an end to peace and quiet. We must

keep the entry doors locked; and don't you be whistling round to attract a

child. Give them an inch and they'll take an ell. If folks must have

rocking horses and what goes with them, they ought to move into the

country, where they will not be pestering other people."

But, to the surprise of the Bacons, they were not pestered, only by the

patter of little feet overhead, or a woman's voice singing cradle-songs or

joining in her child's laughter. Crying there was, too, sometimes, but it

was so soon hushed in motherly caresses that it seemed a sort of rainbow

grievance only.

At night, when the father came home, there was quite a joyful noise

upstairs, at which time John's face was a little wistful. But the new

family did not intrude for ever so small a favor.

Mrs. Bacon took good care to keep out of sight whenever the new tenants

were passing through the entry-way. One small pair of boots had

considerable traveling to do up and down the stairs for a stroll on the

sidewalk or to old Dorchester Heights, just beyond, for spoils of wild

flowers.

One day Little Boots came back from this favorite resort, and instead of

climbing the stairs, as usual, strayed hesitatingly toward Mrs. Bacon's

kitchen door.

"Smells the gingerbread," soliloquized Mrs. Bacon, grimly. "Glad the door

is locked." She glanced toward it to be sure; yes, it was locked, though

the key had been transferred to another door. But shining through the

keyhole was a very bright and sweet-looking star of an eye. Only a moment

it twinkled, and then there was thrust in very gently the stem of a

dandelion, and the small boots scampered away up the stairs.

"Little mischief!" exclaimed Mrs. Bacon, and she would have pushed the

intruding stem outside, but her hands were in the dough. "If he wanted a

piece of gingerbread, why didn't he say so? Mebbe he was afraid of me; cats

run like all possessed when they see me. I can't have my key-holes choked

up with dandelion stems--that's so. Soon's I get my hands out of this it

will walk into the stove, that dandelion will." But the dandelion was too

fresh and perfect, and brought back the old childhood days to Mrs. Bacon so

clearly that she changed her mind. There was an old horseradish bottle on

the pantry-shelf which, filled with water, received the dandelion. There,

resting in the kitchen window, it smiled all day.

There was quite a commotion upstairs that night, and John and his wife,

drowsily hearing it, thanked their stars that they were not routed by

children's ails. The next day Mrs. Bacon's watchful ear caught the sound of

"Little Boots" on the stairs, and again the blue eyes twinkled at the

keyhole. This time the door opened in response:

"Well, child, what is it? Want some gingerbread?"

"Oh no, thank you, dear," said the little voice--a very hoarse little voice

it was, and the throat was all wrapped in flannel.

"I wanted to know if you liked my f'ower?"

"See?" Mrs. Bacon pointed to the glorified horseradish bottle.

"Is your name Mrs. Bacon, dear?"

"Bacon--no 'dear' about it."

"I like to call you 'dear.' Don't your little boy call you so?"

"No."

"Ally! Ally, child!" called the mother anxiously; "come back, darling;

you'll get cold."

"I'll take him up," responded Mrs. Bacon; and taking with unwonted

tenderness the three-years-old darling, she landed him safely upstairs.

"It's the croup," explained the mother. "He got cold yesterday, out for

dandelions--his favorite flower, ma'am. Calls 'em preserved sunshine; saw

me put up fruit last fall--there's where he got the idea; though, as to

telling where he gets all his ideas, that beats me. The doctor says he's

that kind of a child the croup is likely to go hard with. Scares me to

death to hear him cough."

"Goose oil is good for croup," remarked Mrs. Bacon.

"Did you ever try it?" asked the new neighbor, innocently.

"Me? No use for it. Got a bottle, though. Have it if you like."

Alas! the doctor's prophecy was true. The fatal disease developed that very

night.

* * * * *

Little boots are still and starry eyes shine afar off now. As he lay in his

beautiful last sleep, a flower amid the white flowers, a woman's brown hand

slipped a few dandelions tenderly--oh, so tenderly!--into the dainty cold

fingers.

"That is right, Mrs. Bacon, dear," said the poor mother. "'Preserved

sunshine!' That's what he is to us."

The new tenants have moved into the country, and No. 21, upper tenement, is

again to let.

Mrs. Bacon hopes the landlord will add to his advertisement, "No objection

to children."

BANFORD'S BURGLAR-ALARM.

"Another Daring Burglary!" read Mrs. Banford, as she picked up the morning:

paper. "Lucullus," she said, turning to her husband, "this is the fourth

outrage of the kind in this town within a week, and if you don't procure a

burglar-alarm, or adopt some other means of security, I shall not remain in

this house another night. Some morning we'll get up and find ourselves

murdered and the house robbed if we have to depend on the police for

protection."

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