Mary Aikenhead, herself, was, perhaps, too young—only eleven—to have any

very active share in the charities the Cork ladies exercised towards the

sufferers of ’98—but her father was an ardent sympathiser with “the

Cause,” and Lord Edward Fitzgerald was concealed, on one occasion, at

their house. Perhaps it was in memory of this—or perhaps it was because

she felt what I have tried to express: that the Sisterhood Mary

Aikenhead founded, proceeded so largely from ’Ninety-Eight and all it

stood for—that Lady Lucy Fitzgerald (or as she then was, Lady Lucy

Foley) left at her death, a generous legacy to the Sisters of Charity.

One cannot help thinking that the list of the first companions of Mary

Aikenhead must have sounded to Lady Lucy like a roll-call of names made

immortal in the ranks of the United Irishmen. There were Teelings,

Sweetmans, Clinches, O’Reillys, Bellews, and many others.

Mrs. Coleman (Mother Mary de Chantal) was born amid the troubles that

preceded ’98. “Her father, a gentleman farmer in Meath or Louth, ... was

suspected of disaffection. On the very night his little daughter was to

come into the world, the house was surrounded by a troop of armed men,

whose heavy footsteps, presently heard on the stairs, gave the alarm to

the inmates, who hurried away ‘the poor mistress’ under cover of the

darkness to an uninhabited hut sometimes used by the herd. She gave up

all for lost, and resigned herself to die, knowing well that no human

assistance awaited her in the hour of her utmost need. Her piety was

sincere, her faith was strong, and she had an ardent devotion to the

Blessed Virgin. As her husband forced open the door and led her into the

dark hut, she heard a voice distinctly say: ‘Do not fear, Mary, I will

protect you and your child’; while at the same time a bright light

filled the place. Then and there under its influence the child was

born.”

So, too, we may say, in the darkness of Ireland’s Agony in

’Ninety-Eight, illumined miraculously by the Faith and Hope and Charity

of Ireland’s womanhood, there was born the great Congregation to which

that little child was destined to belong.

------------------------------------------------------------------------

SARAH CURRAN AND ANNE DEVLIN

------------------------------------------------------------------------

Sarah Curran and Anne Devlin

“The rose left her cheek, the brave eyes grew dim,

She drained the bitter cup of sorrow to the brim—

When that sad September noon saw your young heart low,

And the dawn of Ireland shrouded in a bleak cloud of woe.

“I had died for you gladly, my courage never quailed,

When their swords pierced my bosom, their wild threats assailed;

Nor did their prison torture win from me a single tear—

_That_ memory of grief and pain would die if you were here.”

—Ethna Carbery: _Anne Devlin’s Lament for Emmet_.

SHALL we not join together the two women, whom love for Robert Emmet has

dowered with a common immortality, and whom a common agony of loss has

bound, one to the other, in the eternal sisterhood of sorrow? So best

shall our love and pity reach them both—the fragile girl who died of a

broken heart for _his_ sake, and the strong girl whose brave heart

faced—for _his_ sake likewise—tortures that were worse than death. And

let it not weaken our sympathy with Sarah Curran to remember that the

sentimental generation which wept for her (in the rose-tinted shades of

its Whig drawing-rooms, the while Tommy Moore set her sorrows to the

sweetest and saddest of music) _allowed Anne Devlin to die of

starvation_.

SARAH CURRAN

In thinking of Sarah Curran we paraphrase unconsciously the pitiful

lines of one of our Irish poets and say of her:

“There was a _maid_ whom Sorrow named his friend,

And _she_ of her high comrade Sorrow dreaming,

Went walking with slow steps.”

From her earliest years sorrow had walked with her as friend with

friend; and the sadness of her death was but in keeping with the sadness

of her birth, of her disposition, of her home-life, of her love story.

We know from the confidences of John Philpot Curran’s most intimate

friends that the brilliant gaiety of his convivial hours alternated with

fits of the blackest depression. His friend, Charles Phillips, writes of

him: “It was with him as it is with every person whose spirits are apt

to be occasionally excited—the depression is at intervals in exact

proportion.... He was naturally sensitive—domestic misfortunes rendered

his home unhappy—he flew for a kind of refuge into public life; and the

political ruin of his country, leaving him without an object of private

enjoyment or of patriotic hope, flung him upon his own heart-devouring

reflections.... It was a deplorable thing to see him, in the decline of

life, when visited by this constitutional melancholy. I have not

unfrequently accompanied him in his walks upon such occasions, almost at

the hour of midnight. He had gardens attached to the Priory, of which he

was particularly fond; and into these gardens, when so affected, no

matter at what hour, he used to ramble. It was then almost impossible to

divert his mind from themes of sadness. The gloom of his own thoughts

discoloured everything, and from calamity to calamity he would wander

on—seeing in the future nothing for hope, and in the past nothing but

disappointment.”

The home of such a man cannot have been a very happy one for his

children; and the sufferings imposed on his family by Curran’s attacks

of _melancholia_ must have been aggravated in the case of his youngest

daughter Sarah, who inherited, with her father’s genius and her father’s

artistic and musical sensibility, more than her share of her father’s

disposition to sadness. In the large dark mournful eyes of her, which

had also come to her from her father, was mirrored the hereditary

sadness of her soul.

This hereditary sadness, fostered by an unhappy home-life, was further

strengthened by two events which darkened her childhood. The one was the

death of her favourite sister, Gertrude, who died at the age of twelve,

when Sarah herself was a girl of eleven. Gertrude was a musical prodigy,

and the whole family, and especially Sarah and her father, who were

passionately fond of music, worshipped her. Curran insisted on the dead

girl being buried in the Priory grounds, and she was laid to rest under

a large tree on the lawn, directly opposite the window of the children’s

nursery. “Under its shade they [_i.e._ Gertrude and Sarah] had often sat

together, pulled the first primroses at its roots, and watched in its

leaves the earliest verdure of the spring. Many an hour, for many a

year, did the sorrowful survivor take her silent stand at the melancholy

window, gazing on the well-known spot, which constituted all her little

world of joys and sorrows. To this circumstance she attributed the

tendency to melancholy which formed so marked a feature of her character

through life.”[97]

Footnote 97:

Quoted by Madden from article entitled “Some Passages in the History

of Sarah Curran,” in “Literary Souvenir” of 1831. The writer is

believed to have been a lady of the Crawford family, who were intimate

friends of Sarah and her people.

Two years after Gertrude’s death, a grief even more intolerable befel

our poor Sarah. She lost her mother, whose favourite daughter she

was—and it was worse than death which caused the separation. Sarah was

fourteen at the time—old enough to feel the shame, and to suffer the

agony of it in every fibre of her pure and noble nature. So overwhelmed

was she with grief that it was thought advisable for her to leave the

Priory for some time. She therefore accepted the offer of hospitality

made her by an early college friend of her father, Rev. Thomas Crawford,

of Lismore, and remained with his family “until better thoughts at home

led to her return to it.”

At what time she learned to know Robert Emmet we are not definitely

informed. The Emmets and the Currans were old acquaintances—if not

friends—and for a time at least Thomas Addis Emmet and John Philpot

Curran were neighbours in Rathfarnham. They must have often met,

likewise, in the law-courts. Richard Curran, Sarah’s eldest brother, was

a fellow-student of Robert Emmet’s at Trinity, and it was ostensibly to

see him, and to enjoy the witty conversation of his father that Robert

Emmet, after his return from Paris in 1802, paid his frequent visits to

the Priory. Curran loved to see youth around him, and made the young men

heartily welcome.

And all the time it was Sarah that drew the young patriot to the house

her presence glorified for him—Sarah with her pale and delicate

loveliness, the soft cloud of her black hair, the haunting sadness of

her great dark eyes, the exquisite voice of her that moved him to the

very depths of his soul, singing some of the tender old Irish airs he

loved so well! Sarah with her fatal dower of loveliness, and genius, and

music, and passion—and sorrow.

* * * * *

It is quite certain that after the failure of the Insurrection of July

23rd, 1803, Emmet could have escaped to America, had not he risked his

all for the sake of one last meeting with his love. He came back to an

old lodging of his at the house of Mrs. Palmer at Harold’s Cross, and

from this place he sent a letter through Anne Devlin to Sarah Curran.

A few days later, Government received information that Emmet was at Mrs.

Palmer’s. On August 25, Major Sirr rode out there and captured him,

bringing him back handcuffed, to Dublin Castle, whence he was committed

to Kilmainham Gaol on the charge of High Treason.

When he was arrested, two letters[98] in a lady’s hand-writing were

found in his possession. As these letters clearly showed that their

writer was fully acquainted with Emmet’s plans, the authorities were

most anxious to discover from whom they came. They half suspected that

they had been written by his sister, Mrs. Holmes, and that the language

of a love affair was adopted as a means of averting suspicion. Emmet, in

an agony of mind, lest the writer should be discovered, offered at his

Examination before the Privy Council to accept any consequences for

himself if the lady’s name should not appear.

Footnote 98:

MacDonagh: “Viceroy’s Post-Bag,” p. 342 _et seq._

Alas! it was his own mistaken trust in the turnkey of Kilmainham, George

Dunn, which put Government in possession of the knowledge they had

hitherto vainly sought. Dunn had been bribed by St. John Mason, Emmet’s

cousin, to facilitate his escape, but while pretending to fall in with

Mason’s plans he had in reality betrayed them to the Castle. Knowing

nothing of this, Emmet entrusted to George Dunn, a letter openly

addressed to “Miss Sarah Curran”—and this letter (which clearly

indicated her as the writer of the others) was, within an hour, in the

hands of the Chief Secretary.

Amid the other grim documents of the Home Office Secret Papers this love

letter of Emmet’s keeps strange company. It has been published, for the

first time, in “The Viceroy’s Post-Bag” (p. 358):—

“My dearest Love,

“I don’t know how to write to you. I never felt so oppressed in

my life as at the cruel injury I have done to you. I was seized

and searched with a pistol over me before I could destroy your

letters. They have been compared with those found before. I was

threatened with having them brought forward against me in Court.

I offered to plead guilty if they would suppress them. This was

refused. Information (without mentioning names) was required. I

refused, but offered since if I would be permitted to consult

others, and that they would consent to enter into any

accommodation of that nature to save the lives of those

condemned, that I would only require for my part of it to have

those letters suppressed, and that I would stand my trial. It

has been refused. My love, can you forgive me?

“I wanted to know whether anything had been done respecting the

person who wrote the letters, for I feared you might have been

arrested. They refused to tell me for a long time. At length,

when I said that it was but fair if they expected I should enter

into any accommodation that I should know for what I was to do

it, they then asked me whether bringing you into the room to me

would answer my purpose, upon which I got up and told them that

it might answer theirs better. I was sure you were arrested, and

I could not stand the idea of seeing you in that situation. When

I found, however, that this was not the case, I began to think

that they only meant to alarm me; but their refusal has only

come this moment and my fears are renewed. Not that they can do

anything to you even if they would be base enough to attempt it,

for they can have no proof who wrote them, nor did I let your

name escape me once, nor even acknowledge that they were written

directly to myself. But I fear they may suspect from the stile,

and from the hair, for they took the stock[99] from me, and I

have not been able to get it back from them, and that they may

think of bringing you forward.

Footnote 99:

Is this the black velvet stock with the lock of hair, marked

Miss C., attached to it which Madden says was sold at

Russborough’s auction in “the thirties”?

“I have written to your father to come to me to-morrow. Had you

not better speak to himself to-night. Destroy my letters that

there may be nothing against yourself, and deny having any

knowledge of me further than seeing me once or twice. For God’s

sake, write to me by the bearer one line to tell me how you are

in spirits. I have no anxiety, no care, about myself; but I am

terribly oppressed about you. My dearest love, I would with joy

lay down my life, but ought I to do more? Do not be alarmed;

they may try to frighten you, but they cannot do more. God bless

you, my dearest love.

“I must send this off at once; I have written it in the dark. My

dearest Sarah, forgive me.”

* * * * *

The next morning Major Sirr and a party of yeomanry presented themselves

at the Priory with warrants to search the house for papers, and arrest

Sarah Curran. The events of that morning are graphically described by

the Chief Secretary, Mr. Wickham, to the Home Secretary.

“_Secret_

“Dublin Castle, _Sept. 9, 1803_.

“My dear Sir,

“The writer of the letter found in Mr. Emmet’s pocket is

discovered. She proves to be Mr. Curran’s youngest daughter.

This discovery has given rise to some very unpleasant and

distressing scenes. It became indispensably necessary to search

the apartment of the lady for papers. She resided at her

father’s house in the country near Rathfarnham, within a short

distance of Butterfield Lane. Major Sirr was sent there this

morning with a letter addressed to Mr. Curran, of which I send a

copy inclosed. Unfortunately, Mr. Curran was not at home, and

still more unfortunately the young lady was not up, tho’ the

rest of the family (two other daughters and a son) were

assembled at breakfast, so that the Major entered the room where

she was still in bed. This circumstance occasioned a scene of

great confusion and distress, and was also productive of some

inconvenience, for whilst the Major and the other daughter were

giving assistance to Mr. Emmet’s correspondent—who was thrown

into violent convulsions—the eldest Miss Curran continued to

destroy some papers, the few scraps of which that were saved

were in Mr. Emmet’s hand-writing.

“I have the satisfaction to add that Mr. Curran is satisfied

that Government has acted throughout with great personal

delicacy towards him, and that on his part he has acted fairly

towards Government, and that he was unquestionably ignorant of

the connection between his daughter and Mr. Emmet.

“The Lord Lieutenant particularly requests that Miss Curran’s

name may not be mentioned. It is difficult that it should be

long concealed, but it is desirable that it should not be first

mentioned by any member of Government in either country.

“The Attorney-General, who has had the kindness to go himself to

Mr. Curran’s house at Rathfarnham, gives the most melancholy and

affecting account of the state in which he left the whole

family.”

* * * * *

Curran had been engaged by Emmet as his Counsel, but he immediately

threw up his brief. He had never liked the Emmets; but now when Robert’s

action had brought danger to his own family, and obstacles to his own

advancement, his feeling towards him—and towards his own daughter—became

a hatred, with elements of madness in it. Of his treatment of the latter

we shall speak later.

To the curt letter in which Curran announced to the prisoner his refusal

to act as his Counsel, Robert replied as follows:—

“I did not expect you to be my counsel: I nominated you because

not to have done so might have appeared remarkable. Had Mr.

——[100] been in town I did not even wish to have seen you, but

as he was not I wrote to you to come to me at once. I know that

I have done you very severe injury, much greater than I can

atone for with my life. That atonement I did offer to make

before the Privy Council, by pleading guilty if those documents

were suppressed. I offered more. I offered if I was permitted to

consult some persons, and if they would consent to an

accommodation for saving the lives of others, that I would only

require for my part of it the suppression of those documents,

and that I would abide the event of my own trial. This was also

rejected, and nothing but individual information (with the

exception of names) would be taken. My intention was not to

leave the suppression of these documents to possibility, but to

render it unnecessary for anyone to plead for me, by pleading

guilty to the charge myself.

Footnote 100:

Madden believes that the name indicated by the blank was that

of his brother-in-law, Robert Holmes. But it seems from other

references more likely to have been Councillor Burton—Curran’s

clerk.

“The circumstances that I am now going to mention I do not

state in my own justification. When I first addressed your

daughter I expected that in another week my own fate would be

decided. I knew that in case of success many others might look

on me differently from what they did at that moment, but I

speak with sincerity when I say that I never was anxious for

situation or distinction myself, and I did not wish to be

united to one who was. I spoke to your daughter neither

expecting, nor, in fact, under those circumstances, wishing,

that there should be a return of attachment, but wishing to

judge of her dispositions—to know how far they might not be

unfavourable or disengaged, and to know what foundation I

might afterwards have to count on. I received no encouragement

whatever. She told me she had no attachment for any person,

nor did she seem likely to have any that could make her wish

to quit you.

“I staid away till the time had elapsed when I found that the

event to which I have alluded was to be postponed indefinitely.

I returned by a kind of infatuation, thinking that to myself

only was I giving pleasure or pain. I perceived no progress of

attachment on her part, nor anything in her conduct to

distinguish me from a common acquaintance.

“Afterwards I had reason to suppose that discoveries were made,

and that I should be obliged to quit the Kingdom immediately;

and I came to make a renunciation of any approach to friendship

that might have been formed. On that very day she herself spoke

to me to discontinue my visits. I told her that it was my

intention, and I mentioned the reason. I then for the first time

found, when I was unfortunate, by the manner in which she was

affected, that there was a return of affection, and that it was

too late to retreat. My own apprehensions, also I found

afterwards were without cause, and I remained.

“There has been much culpability on my part in all this; but

there has also been a great deal of that misfortune which seems

uniformly to have accompanied me.

“That I have written to your daughter since an unfortunate event

has taken place was an additional breach of propriety, for which

I have suffered well. But I will candidly confess that I not

only do not feel it to have been of the same extent, but that I

consider it to have been unavoidable after what has passed; for

though I will not attempt to justify in the smallest degree my

former conduct, yet, when an attachment was once formed between

us—and a sincerer one never did exist—I feel that, peculiarly

circumstanced as I then was, to have left her uncertain of my

situation would neither have weaned her affections nor lessened

her anxiety; and looking upon her as one, whom, if I had lived,

I hoped to have had my partner for life, I did hold the removing

of her anxiety above every other consideration. I would rather

have had the affections of your daughter in the back settlements

of America, than the first situation this country could afford

without them.

“I know not whether this will be any extenuation of my offence.

I know not whether it will be any extenuation of it to know that

if I had that situation in my power at this moment I would

relinquish it to devote my life to her happiness. I know not

whether success would have blotted out the recollection of what

I have done. But I know that a man with the coldness of death on

him need not be made to feel any other coldness, and that he may

be spared any addition to the misery he feels, not for himself,

but for those to whom he has left nothing but sorrow.”

* * * * *

There were all the elements of the cad in John Philpot Curran’s

character, and these came to the surface after his return to his house

on September 9th, when he presented himself in the darkened chamber

where his daughter lay in her agony. After one terrible interview, he

refused to see her, or to speak to her, ever again.

He had perforce to shelter her for a little time longer under his

roof—for brain fever, followed by a temporary loss of reason, brought

her to death’s door. She was thus mercifully spared, as her friend said,

“the misery of travelling step by step, through the wilderness of woe

which Emmet’s trial and execution would have proved to her.”

On the night before his execution (while his love tossed in the delirium

of fever, and the sister who watched by her bed had her heart torn by

the way she called his name) Robert Emmet wrote two letters which are

eloquent of the thoughts of her which filled his heart until it ceased

to beat. One is addressed to her brother, Richard, who had found means

to send his friend a message of kindness, which might almost atone for

his father’s caddish cruelty:

“My dearest Richard,

“I find I have but a few hours to live; but if it was the last

moment, and that the power of utterance was leaving me, I would

thank you from the bottom of my heart for your generous

expressions of affection and forgiveness to me. If there was

anyone in the world in whose breast my death might be supposed

not to stifle every spark of resentment, it might be you. I have

deeply injured you—I have injured the happiness of a sister that

you love, and who was formed to give happiness to everyone about

her, instead of having her mind a prey to affliction. Oh!

Richard, I have no excuse to offer, but that I meant the

reverse. I intended as much happiness for Sarah as the most

ardent love could have given her. I never did tell you how much

I idolised her. It was not with a wild or unfounded passion, but

it was an attachment increasing every hour, from an admiration

of the purity of her mind and respect for her talents. I did

dwell in secret upon the prospect of our union. I did hope that

success, while it afforded the opportunity of our union, might

be a means of confirming an attachment which misfortune had

called forth. I did not look to honours for myself—praise I

would have asked from the lips of no man; but I would have

wished to read in the glow of Sarah’s countenance that her

husband was respected.

“My love, Sarah! it was not thus that I thought to have requited

your affection. I did hope to be a prop round which your

affections might have clung, and which would never have been

shaken; but a rude blast has snapped it, and they have fallen

over a grave.

“This is no time for affliction. I have had public motives to

sustain my mind, and I have not suffered it to sink; but there

have been moments in my imprisonment when my mind was so sunk by

grief on her account that death would have been a refuge. God

bless you, my dearest Richard. I am obliged to leave off

immediately.”

The second was addressed to Thomas Addis Emmet and his wife. It was

suppressed by the Lord Lieutenant’s orders, and found its final

destination in the Home Office Secret Papers, whence Mr. MacDonagh first

exhumed it:

“My dearest Tom and Jane,

“I am just going to do my last duty to my country. It can be

done as well on the scaffold as on the field. Do not give way to

any weak feeling on my account, but rather encourage proud ones

that I have possessed fortitude and tranquillity of mind to the

last.

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