The Opera is the largest theatre in the world, covering about three

acres. The site alone cost $2,000,000 and the building over $7,000,000.

The materials are marble and costly stone, and there are statues

of Poetry, Music, Drama, Dance, with other figures, medallions and

allegorical statuary until your head swims. The front of the roof is

sculptured with gilded masks and with collossal groups representing

Music and Poetry attended by the Muses and Goddesses of Fame. Apollo

with a golden lyre and two Pegasuses occupy the dome. The interior

has a grand staircase of marble with a rail of onyx, and the rest of

the interior is be-columned and be-frescoed to match. It is the most

beautiful building in Paris, and could hardly be surpassed if the

attempt were made regardless of expense. I would not try a detailed

description, for it would not convey the real effect, best described by

the word gorgeous.

From the Opera a street runs southerly called the Avenue de l’Opera,

the great shopping street of Paris, and at another angle goes the

Street de la Paix, where the most expensive jewelry stores and

millinery establishments are located. The name of this street is

properly pronounced de la Pay.

But the Boulevard continues, no longer the Capucines, but the Italiens.

Some years ago this was the great shopping-place, and it is not bad

now. As the ladies promenade past the Opera and into the Italiens,

the skirts unconsciously go a little higher. The boulevard proceeds,

the next section being called the Montmartre. This part interested me

a great deal. On the rue Montmartre, a side street to the right, is

the Y. M. C. A., and on Mt. Montmartre, a little to the left, is the

Moulin Rouge.

The Y. M. C. A. in Paris is one of the best things in the city, but

it does not get much newspaper notoriety. It is an English-speaking

organization, with convenient quarters, parlor, reception, billiard,

smoking-and dining-rooms. It is one place in Paris where there is no

café or bar, and it is a great help to young men from America who are

in this city by reason of their business or to study or to visit the

historic places. A great many use the Y. M. C. A. facilities, and a

membership card from Hutchinson or any other association in the world

is good for these privileges in the heart of Paris. I would recommend

to every American that when he goes to Paris he make his headquarters

at the Y. M. C. A., but I am not going to count on many of them doing

it. The Paris atmosphere has the same effect on a Y. M. C. A. that a

nice, warm August sun has on a cake of ice left on the sidewalk in

Hutchinson. I am not telling what I would like to, but I setting down

the facts as they appear to me. The man who goes to Paris and sticks to

the Y. M. C. A. as his loafing-place should have his halo ordered at

once. He has a cinch.

In the other direction, on Mt. Montmartre, is the Moulin Rouge. I do

not recommend it to nervous men, but it is one of the sights of this

city. When I was a boy I read somewhere about a “gilded palace of

sin,” and now I know what that means. The cowboys out west used to

have what they called “free-and-easies,” but the Moulin Rouge is not

free. I shut my eyes as the dancers loped by until a friend said the

next dance would be a quadrille. I once danced quadrilles myself, and

I thought there would be a breathing-place. The young people arranged

themselves as if they were going to dance a Virginia Reel, and I could

feel consciousness returning. The music struck up and the quadrille

began. At first it went as smooth as if it were at the Country Club.

Then each young lady passed the toe of her right foot over the head

of her partner. Then she turned and pointed the toe of her left foot

at the chandelier which hung from the ceiling. And then came the most

wonderful display of things that are put in the store windows at

home and marked “white goods sale,” or “lingerie.”

[Illustration: THE PLAIN QUADRILLE AT THE MOULIN ROUGE]

It was dreadfully embarrassing to me, as it must have been to any other

Kansas man present, but I braced myself, for I knew the worst was yet

to come. I felt like getting right up on my chair and saying, “Ladies,

there are gentlemen present.” But I didn’t, and I have been glad ever

since, for they might not have understood English and thought I wanted

a partner for the next quadrille.

Afterwards the proceedings became almost immodest.

So I do not recommend the Moulin Rouge, though I fear that this failure

on my part will not detract from the rush of strangers who are visiting

in Paris and who might go to the Y. M. C. A. But I will say in passing

that it is no place for a man unless his wife is with him, and it is

somewhat distracting even then.

* * * * *

Returning to the boulevard. It changes its name to the Poissoniere, and

on this part is the office of the _Matin_, the great newspaper, which

has 750,000 circulation, prints only six pages, and pretends not to

care for advertising. The _Matin_ differs from most Parisian newspapers

in really printing news. The general run of papers here are purely

political, and put their editorials on the front page. They are very

abusive, and the editor has to fight frequent duels. The fighting is

done with pistols at a safe distance, and after an exchange of shots

with nobody hurt, the principals rush together and clinch, but it is

to kiss each other on both cheeks and rejoice that Honor has been

Satisfied. I wouldn’t mind the dueling, but I positively would not kiss

these Frenchmen, and so far as I can learn the society editresses do

not duel.

* * * * *

The _Matin_ is the paper that cleared Dreyfus after his trial and

conviction a few years ago. The story is interesting. Dreyfus was made

the victim of a conspiracy, and a document showing details of the

French army was attributed to him as a German spy. Everybody remembers

the trial and the fuss at the time. It became a contest between the

Honor of the French Army and Dreyfus. The _Matin_ took little part,

but, like most of the French, sided with the army. One evening at a

dinner an officer of the court exhibited the original of the document

which Dreyfus had been convicted of writing. Mr. Bueno-Varilla, editor

of the _Matin_, was present, and as the paper was passed around he

looked at it carelessly. That night when he reached home he remembered

that a few years before this same Dreyfus had written him a letter

about some engineering, and he dug up the letter. The handwriting was

not at all what he had seen that evening. He rushed to the telephone

and got the official who had shown the document, who promised to bring

it to him in the morning. They compared the spy information and the

Dreyfus letter which Bueno-Varilla had, and they were utterly unlike.

Next day the _Matin_ printed a photograph copy of the document, and

appealed to anyone who knew the handwriting to advise the _Matin_.

In a day or two a gentleman wrote and said it was the writing of a

drunken bankrupt army officer, named Esterhazey, inclosing letters from

the latter which proved it. Dreyfus was brought back from prison and

pardoned, Esterhazey skipped the country, and the honor of the French

army was flyspecked. All of this because Bueno-Varilla happened to keep

an old letter, and because he owned the _Matin_.

The boulevard next becomes the Bonne-Nouvelle, and then St. Denis and

then St. Martin, and has several other names before it reaches its end

in the Place de la Bastille.

This place is even more important in French history than Independence

Hall in ours. The 14th of July is celebrated every year, just as we

do the 4th of July as Independence Day, because on that date in 1789

the Bastille prison was destroyed by an uprising of the people which

became the French Revolution. The Bastille was especially odious

because political prisoners were confined there, and it only took an

order from the police to send a man or woman to its dungeons. Its use

for this purpose was so flagrant and so despotic that the first fury

of the revolution was directed against its walls, and it was entirely

destroyed, and the jailers and soldiers defending it were killed.

The place is now a large square surrounded by business houses and

ornamented by a statue of Liberty on a column 150 feet high. From the

beginning to the end of this great boulevard with the many names,

are places made historic by great men and hard fights. Now it is a

peaceful, broad avenue, with shops and cafés and handsome buildings,

the promenade-ground for the Parisian and of tourists from all

countries.

Some French Ways

PARIS, August 20.

There are practically no athletic sports in France, none at all in and

around Paris. In America the men put in a lot of time talking baseball,

football, boating and such-like. In France the men talk only politics

or gossip. There are no lodges and no clubs in France. This ought to

be applauded by the women, but as a matter of fact they probably wish

the men would do a little something in that line. There is a secret

order or two, but they are not strong and not recognized by the orders

in other countries. Frenchmen do not seem to care for athletics of any

kind. The nearest approach to it is fencing, and the young Frenchman

learns to use the sword so he can fight duels. The popular Hero is not

a ball-player nor a prize-fighter, but a man who has invented something

new or who has run off with the wife of a friend. They are venturesome

and personally brave, but they can’t stand for team work. The attempt

has been made to introduce a mild form of football, but every man on

the team wanted to be the star. I suppose if the French should organize

a baseball club every one of them would insist on being pitcher. They

will go up in balloons or airships with dashing recklessness and are

brave enough, if that trait is not merely the absence of caution and

calculation. French aviators are numerous and successful, though the

fatalities are still many. They have shown themselves good fighters

but not good losers. They will quarrel over a trifle and then forgive

and kiss each other in a manner that makes an American seasick. They

are polite in a veneer, for they will lift their hats and make goo-goo

eyes at every pretty woman, and they will let an old woman stand up in

a street car. They are industrious, thrifty, temperate, and cheerful.

Just because they look at some things from a different viewpoint is no

reason why we should criticize them, and yet they are so different from

the neighbors that I can’t help mentioning a few things that are very

noticeable.

* * * * *

The French Government has a president, whose name few people know, and

a senate which has little power, and therefore the main factor is

the lower house. This kind of government is a mistake, for the large

legislative body rushes from one extreme to another; whenever its

majority changes, the cabinet resigns, and the result is inconstancy

and instability. Public sentiment is the controlling factor, and

it takes an acrobat to be a statesman in France. Sometimes the

flippety-flop is popular in America, but on the long run he loses. In

France he is succeeded by another just as good.

* * * * *

The French are great lovers of art, and in the Louvre they claim the

largest collection of pictures in the world. They looted Italy to get

them, but they have them. No living artist has a picture in the Louvre.

The fellows now on earth have to hang their pictures in the Salon or

the Luxembourg or some other gallery, a sort of artistic tryout, with

the judging done after they are no longer able to exert any personal

influence. I think modern art is as good as ancient art, or better,

except that every modern picture is not art. And I may add that in the

Paris Salon the pictures painted by the artists of today have just as

good color, better drawing and just as few clothes as the works of the

old masters in the Louvre. I get along right well with the old masters

until they paint Mary de Medici and Mary the mother of Christ sitting

and talking together, and then I want to go outside and say a few

things.

* * * * *

But while Paris is important in the world, politically, historically,

and artistically, its great distinction nowadays is in millinery and

dressmaking. The women go to Paris to shop, and the men go on account

of the women. The men of Paris are about the worst dressers in the

world. The women are the best. The Parisienne has the natural ability

to take a hat and stick a feather in it so the effect is brilliant. She

can wear a dress that costs much less than the gown of an English woman

or an American woman, and she can look stylish when the other women

have hard work to look decent. The American woman is second, and in a

few respects, like shoes and gloves, she can beat the French; but take

it all around, and the world removes its hat to the French milliner.

Of course the milliner is often a man, but he has to have his Parisian

model or he would fail. Let M. Worth or any of the other Monsieurs

who dictate styles in feminine attire go to London and he would be a

second-rater at once. This is true, whether you want to believe it or

not, and the doubter need only spend a few days on the Paris boulevards

to be convinced.

* * * * *

There may be some who think that the latest development in costumes,

the hobble skirt, has reached America. They are mistaken. No real

French hobble skirt could go down the street of an American city

without starting a riot. When one does get to the territory of the

Stars and Stripes the railroads will run excursion trains. The first

day or two in Paris I was nervous about this style of gown. When I saw

a saucy French lady in a dress which looked as if it was put on by a

glove-fitter, I felt that I ought to blush and look at the statuary. I

was told by the best feminine authority with me that in order to wear

one of those skirts it was necessary to discard any wearing apparel

which is usually beneath the female skirt. The poor, pretty things

would go along the street like boys in a sack-race trying to walk, and

by a slit up one side which was not buttoned for several feet from the

bottom, a little motion was secured. But when the lady crossed the

street, or when she climbed to the top of a bus or even stepped into

a cab, it was necessary in order that she maintain appearances that

there be not even a hole in her stocking above the knee. Of course I do

not speak from personal observation. Far be it from me to watch a lady

cross the street or climb into a vehicle. But I knew how it must be

from a careless study of the environment, and my theory was confirmed

by the evidence of all those who did not hide their eyes or observe

the scenery. And I will add that it is extremely difficult to keep the

blinders on while seeing the sights.

I only speak of these matters because they are much more in evidence in

Paris than are the Statue of Liberty, or the Column of Vendôme, or any

of the great places that the guide-books tell about.

* * * * *

The French are delightfully “natural” about many things. It is quite

the proper thing for a man and woman to hug and kiss each other in

public. At first this startled me and I felt that perhaps they were

excited. But no, it is just the proper way to manifest their feelings

at the time. Just imagine how it would be if the Frenchman across the

table from you put his arm around the lady next to him and she snuggled

up to him and patted his cheek with her unengaged hand. I felt like

getting right up and saying, “Excuse me. Am I intruding?” But I soon

learned that they didn’t mind us at all. Their idea of love is to let

go all holds and l-o-v-e. Their theory of matrimony is that it is

an arrangement based on family position, business and prospects. No

young woman can get a husband unless she has a dot, so much capital.

The parents arrange the matches, and usually do so carefully and

thoughtfully. The girl, who has not even been allowed to go to school

with the boys, has no idea of any other arrangement; and the man, who

has never thought of matrimony in another way, considers it a part of

his “career.”

A man in France cannot marry without the consent of his parents until

he is 25 and a woman not till she is 21. This law is strictly obeyed,

and there is no running off to some other state where the rule is

different. I suppose French marriages arranged in this apparently

cold-blooded manner by the parents turn out on the average as well as

they would if they let the young people rush in and “marry for love.”

But it doesn’t seem right to us, any more than our ways seem good to

them. Of course a Frenchman does not insist that his “sweetheart” shall

have a “dot,” so that kind of an arrangement is made by the parties

themselves. All of which seems very wrong to English and Americans; and

yet the French prove it is the best way by using the divorce figures,

for divorce is practically unknown in France. The French woman is the

business partner of her husband, and necessity makes them pull together

just as they were taught to do from their youth up. She doesn’t belong

to clubs any more than her husband does. She has a great deal of

liberty, and in fact is often the head of the firm.

In Dover Town

DOVER, ENGLAND, August 22.

One of the strange things in this old world is a boundary line. You

are on a railway in Germany, hearing no language but German. The train

crosses the imaginary line and you hear an entirely different language,

and if you try to use the words which were understood ten minutes

before, the people do not understand you. They are French, and they

not only speak a different language but they differ in custom, tastes

and looks. It would be just like a traveler from Hutchinson to Kansas

City being able to speak and understand what people said at Argentine,

but on arrival at the union depot in Kansas City finding a different

looking and different talking lot, who could not understand a word he

said. And arriving in the Kansas City depot neither understanding nor

being understood, would be something of an ordeal, especially if you

were trying to change trains and make a sharp connection. It is no

wonder that an ordinary Kansan traveling in this European land puts in

much of his time figuring out his route and a lot more doing it.

* * * * *

Of course it is a joy to arrive in England and be able to talk and

to understand everything that is said. Two hours after we left the

fish-smelly Boulogne I was quarreling in right fair English with a

railroad official because a train was late. In France we would have

had to stand around and look pleasant, for the official would not have

known whether we were cross about the train or the reciprocity treaty.

It often relieves your mind to tell a Frenchman or a German what you

think of him or his country in English, but it doesn’t cause him any

discomfort.

* * * * *

Dover is a most interesting town, with a castle, a harbor, a garrison,

and a history. It is the closest English port to France, and on a

clear day with good eyes and a vivid imagination you can see Calais

in France, 21 miles away. Ever since William the Conqueror came over

and did his conquering, the English have kept Dover fortified in such

a way that it would be difficult for another conqueror to follow his

example. The town lies along the shore and back into a small river

valley. The hills, about 300 feet high, begin at the water’s edge

and go up very rapidly. The biggest hill is on the east, and rises

straight up from the sea 375 feet. The face of the cliff is white, for

the rock formation is chalk, and, topped with green trees and a big

stone castle, makes a fine appearance from the water or from the beach.

There is not only this old castle, which is a fort with a regiment

of soldiers, but the cliff is mined and tunneled, and big cannon are

at the opening in the earth, ready to shoot the stuffing out of any

hostile fleet or army which comes this way. The only time the castle

was ever captured was when Cromwell worked some strategem and got it

away from the Royalists. After looking it all over I don’t see how

any army could possibly capture Dover castle so long as the defenders

stayed awake.

The Romans first built a fort here, and the remains of the old Roman

walls are still a small part of the present fortifications. The Saxons

built some, then the Normans, and after that various generations of

English,--so that the castle contains specimens of a lot of different

styles of architecture. On the whole it is one of the most imposing

castles in Europe, both by location and by construction.

This castle business is peculiar. Sometimes a little runt of a building

with a tower and a high fence is famous in history and story because of

a great fight, or a brilliant robber who lived there. To the tourist it

is a disappointment. I suppose every one gets his idea of what a castle

looks like from the reading done in his youth. When I was a boy I

thought a castle must be a good deal like the court-house at Cottonwood

Falls, which is 80 feet high, with a mansard roof and a jail with

barred windows in the rear. Then I got a larger idea, something like

the Reformatory at Hutchinson. And when I came to personally see these

ancient castles I have frequently had to back up to my early theories.

Now I am an expert in castles, and can talk of them without admitting

to myself it is all guess-work. When we started up the Rhine from Bonn

I occupied an unquestioned place as an authority, for I had been in

the great castle country before. But this time my trip was reversed.

To an admiring company of boat acquaintances I pointed out in the

distance a magnificent castle we were approaching. I started to tell

the legend of the castle, when it became apparent that the structure

was a cement plant. Then I was more careful, but soon located another,

a really splendid castle standing off a little from the river. I would

have gotten through all right if some smart aleck had not butted in

with the uncalled for information that the building was a brewery. But

that is what a real castle looks like, the Hutchinson Reformatory, a

cement plant, or a brewery, whichever comparison comes easiest for you

to understand.

* * * * *

Dover was one of the “Cinque Ports.” Five little towns along the coast

of the channel had a sort of organization which was given recognition

by the government under the early Norman kings. The towns were granted

privileges and relieved from burdens of taxation in consideration of

furnishing ships in time of war. The principal work of a navy at that

time was to capture merchant vessels, slug the crews and keep the

cargoes; so the towns prospered under the arrangement. It has been

only a couple of hundred years since there was a standing army or a

royal navy. When the king declared war he issued a call and the lords

and knights responded with their men, and the army was formed for the

campaign. If any of the nobles got sore on the king, they took their

troops and went home. A navy was raised in the same way, only by the

towns along the coast instead of by individuals. Such an army and navy

was not satisfactory, but the English parliament refused to furnish

money for a standing army until after the days of good Queen Anne,

about 200 years ago. Now the English army is not near as large as the

armies on the continent, but the English navy is kept twice the size

of any other navy in the world. Germany is the country that England

suspects as a possible enemy. Germany and France are crossways right

now over which shall get the most of Morocco, and England is bound

to stand by France in case of trouble. Morocco isn’t worth anything

to anybody, but it may cause a terrible war between the most highly

civilized nations of Europe. And yet some people are opposed to

arbitration because of “national honor.” The opponents of arbitration

ought to come over to these poor countries laboring under the weight of

big armies and navies, and see how people are suffering because of the

foolish feudal notion that the way to decide which is right is to fight

it out.

* * * * *

We ate our lunch today in a restaurant which proudly boasts that its

steps were the place where David Copperfield rested during his search

for his aunt, Betsey Trotwood. Little Dorrit lived at Dover, and the

men and women of Dickens land often visited or made their homes in

this quaint old seaport or in its vicinity. Shut your eyes to the big

cliff and its imposing fortress, forget the harbor with its ships and

men of war, quit observing the narrow streets and crooked lanes which

run up and down the side of the hill, and live with the people that

Dickens made so real that to most of us they surely existed. That is

Dover, a different Dover from the red-coated, fish-smelling, quaintly

architectured place in which people are buying and selling, and a Dover

which will live as long as the English language is read.

Old Canterbury Today

CANTERBURY, ENGLAND, August 24.

A Jayhawker in Europe · 第 6 / 9 段