CHAPTER LVI.

BRINGETH THIS TRUE STORY TO AN END.

Ye who have traced the pilgrim to the scene

Which is his last, if in your memories dwell

A thought that once was his, if on ye swell

A single recollection, not in vain

He wore his sandal shoon and scallop-shell.

BYRON.

Having related the story of my life as it happened, incident by

incident, and brought it down to that point at which stories are wont to

end, I find that I have little to add respecting others. My narrative

from first to last has been purely personal. The one love of my life was

Hortense--the one friend of my life, Oscar Dalrymple. The catalogue of

my acquaintances would scarcely number so many names as I have fingers

on one hand. The two first are still mine; the latter, having been

brought forward only in so far as they re-acted upon my feelings or

modified my experiences, have become, for the most part, mere memories,

and so vanish, ghost-like, from the page. Franz Müller is studying in

Rome, having carried off a prize at the Ecole des Beaux Arts, which

entitles him to three years at the Villa Medici, that Ultima Thule of

the French art-student's ambition. I hear that he is as full of whim and

jest as ever, and the very life of the Café Greco. May I some day hear

his pleasant laugh again! Dr. Chéron, I believe, is still practising in

Paris; and Monsieur de Simoncourt, I have no doubt, continues to

exercise the profession of Chevalier d'Industrie, with such failures and

successes as are incidental to that career.

As for my early _amourettes_, they have disappeared from my path as

utterly as though they had never crossed it. Of Madame de Marignan, I

have neither heard, nor desired to hear, more. Even Josephine's pretty

face is fast fading from my memory. It is ever thus with the transient

passions of _our première jeunesse._ We believe in them for the moment,

and waste laughter and tears, chaplets and sackcloth, upon them.

Presently the delusion passes; the earnest heart within us is awakened;

and we know that till now we have been mere actors in "a masquerade of

dreams." The chaplets were woven of artificial flowers. The funeral was

a mock funeral--the banquet a stage feast of painted fruits and empty

goblets! Alas! we cannot undo that foolish past. We may only hope to

blot it out with after records of high, and wise, and tender things.

Thus it is that the young man's heart is like the precious palimpsest of

old. He first of all defiles it with idle anacreontics in praise of love

and wine; but, erasing these by-and-by with his own pious hand, he

writes it over afresh with chronicles of a pure and holy passion, and

dedicates it to the fair saint of all his orisons.

Dalrymple and his wife are now settled in Italy, having purchased a

villa in the neighborhood of Spezzia, where they live in great

retirement. In their choice of such retirement they are influenced by

more than one good reason. In the first place, the death of the Vicomte

de Caylus was an event likely to be productive of many unpleasant

consequences to one who had deprived the French government of so

distinguished an officer. In the next, Dalrymple is a poor man, and his

wife is no longer rich; so that Italy agrees with their means as well as

with their tastes. Lastly, they love each other so well that they never

weary of their solitude, nor care to barter away their blue Italian

skies and solemn pine-woods for the glittering unrest of society.

Fascinated by Dalrymple's description of his villa and the life he led

in it, Hortense and I made up our minds some few weeks after our

marriage, to visit that part of Italy--perhaps, in case we were much

pleased with it, to settle there, for at least a few years. So I

prepared once more to leave my father's house; this time to let it, for

I knew that I should never live in it again.

It took some weeks to clear the old place out. The thing was necessary;

yet I felt as if it were a kind of sacrilege. To disturb the old dust

upon the library-shelves and select such books as I cared to keep; to

sort and destroy all kinds of hoarded papers; to ransack desks that had

never been unlocked since the hands that last closed them were laid to

rest for ever, constituted my share of the work. Hortense superintended

the rest. As for the household goods, we resolved to keep nothing, save

a few old family portraits and my father's plate, some of which had

descended to us through two or three centuries.

While yet in this unsettled state, with the house all in confusion and

the time appointed for our journey drawing nearer and nearer day by day,

a strange thing happened.

At the end of the garden, encroaching partly upon a corner of it, and

opening into the lane that bounded it on the other side of the hedge,

stood the stable belonging to the house.

It had been put to no use since my father's time, and was now so

thoroughly out of repair that I resolved to have it pulled down and

rebuilt before letting it to strangers. In the meantime, I went down

there one morning with a workman before the work of demolition

was begun.

We had some difficulty to get in, for the lock and hinges were rusted,

and the floor within was choked with fallen rubbish. At length we

forced an entrance. I thought I had never seen a more dreary interior.

My father's old chaise was yet standing there, with both wheels off. The

mouldy harness was dropping to pieces on the walls. The beams were

festooned with cobwebs. The very ladder leading to the loft above was so

rotten that I scarcely dared trust to it for a footing.

Having trusted to it, however, I found myself in a still more ruinous

and dreary hole. The posts supporting the roof were insecure; the tiles

were all displaced overhead; and the rafters showed black and bare

against the sky in many places. In one corner lay a heap of mouldy

straw, and at the farther end, seen dimly through the darkness, a pile

of old lumber, and--by Heaven! the pagoda-canopy of many colors, and the

little Chevalier's Conjuring Table!

I could scarcely believe my eyes. My poor Hortense! Here, at last, were

some relics of her father; but found in how strange a place, and by how

strange a chance!

I had them dragged out into the light, all mildewed and cob-webbed as

they were; whereupon an army of spiders rushed out in every direction, a

bat rose up, shrieking, and whirled in blind circles overhead. In a

corner of the pagoda we found an empty bird's-nest. The table was small,

and could be got out without much difficulty; so I helped the workman to

carry it down the ladder, and sending it on before me to the house,

sauntered back through the glancing shadows of the acacia-leaves, musing

upon the way in which these long-forgotten things had been brought to

light, and wondering how they came to be stored away in my own stable.

"Do you know anything about it, Collins?" I said, coming up suddenly

behind him in the hall.

"About what, sir?" asked that respectable servant, looking round with

some perplexity, as if in search of the nominative.

I pointed to the table, now being carried into the dismantled

dining-room.

Collins smiled--he had a remarkably civil, apologetic way of smiling

behind his hand, as if it were a yawn or a liberty.

"Oh, sir," said he, "don't you remember? To be sure, you were quite a

young gentleman at that time--but---"

"But what?" I interrupted, impatiently.

"Why, sir, that table once belonged to a poor little conjuring chap who

called himself Almond Pudding, and died...."

I checked him with a gesture.

"I know all that," I said, hastily. "I remember it perfectly; but how

came the things into my stable?"

"Your respected father and my honored master, sir, had them conveyed

there when the Red Lion was sold off," said Collins, with a sidelong

glance at the dining-room door. "He was of opinion, sir, that they might

some day identify the poor man to his relatives, in case of inquiry."

I heard the sound of a suppressed sob, and, brushing past him without

another word, went in and closed the door.

"My own Hortense!" I said, taking her into my arms. "My wife!"

Pale and tearful, she lifted her face from my shoulder, and pointed to

the table.

"I know what it is," she faltered. "You need not tell me. My heart tells

me!"

I led her to a chair, and explained how and where it had been found. I

even told her of the little empty nest from which the young birds had

long since flown away. In this tiny incident there was something

pathetic that soothed her; so, presently, when she left off weeping, we

examined the table together.

It was a quaint, fragile, ricketty thing, with slender twisted legs of

black wood, and a cloth-covered top that had once been green, but now

retained no vestige of its original color. This cloth top was covered

with slender slits of various shapes and sizes, round, square,

sexagonal, and so forth, which, being pressed with the finger, fell

inwards and disclosed little hiding-places sunk in the well of the

table; but which, as soon as the pressure was removed, flew up again by

means of concealed springs, and closed as neatly as before.

"This is strange," said Hortense, peering into one of the recesses. "I

have found something in the table! Look--it is a watch!"

I snatched it from her, and carried it to the window. Blackened and

discolored as it was, I recognised it instantly.

It was my own watch--my own watch of which I was so boyishly vain years

and years ago, and which I had lost so unaccountably on the night of the

Chevalier's performance! There were my initials engraved on the back,

amid a forest of flourishes, and there on the dial was that identical

little Cupid with the cornucopia of flowers, which I once thought such a

miracle of workmanship! Alas! what a mighty march old Time had stolen

upon me, while that little watch was standing still!

"Oh, Heaven!--oh, husband!"

Startled from my reverie more by the tone than the words, I turned and

saw Hortense with a packet of papers in her hand--old, yellow, dusty

papers, tied together with a piece of black ribbon.

"I found them there--there--there!" she faltered, pointing to a drawer

in the table which I now saw for the first time. "I chanced to press

that little knob, and the drawer flew out. Oh, my dear father!--see,

Basil, here are his patents of nobility--here is the certificate of my

birth--here are the title-deeds of the manor of Sainte Aulaire! This

alone was wanted to complete our happiness!"

"We will keep the table, Hortense, all our lives!" I explained, when the

first agitation was past.

"As sacredly," replied she, "as it kept this precious secret!"

* * * * *

My task is done. Here on my desk lies the piled-up manuscript which has

been my companion through so many pleasant hours. Those hours are over

now. I may lay down my pen, and put aside the whispering vine-leaves

from my casement, and lean out into the sweet Italian afternoon, as idly

as though I wore to the climate and the manner born.

The world to-day is only half awake. The little white town, crouched

down by the "beached margent" of the bay, winks with its glittering

windows and dozes in the sunshine. The very cicalas are silent. The

fishermen's barques, with their wing-like sails all folded to rest, rock

lazily at anchor, like sea-birds asleep. The cork-trees nod languidly to

each other; and not even yonder far-away marble peaks are more

motionless than that cloud which hangs like a white banner in the sky.

Hush! I can almost believe that I hear the drowsy washing of the tide

against the ruined tower on the beach.

And this is the bay of Spezzia--the lovely, treacherous bay of Spezzia,

where our English Shelley lost his gentle life! How blue those cruel

waters are to-day! Bluer, by Heaven! than the sky, with scarce a ripple

setting to the shore.

We are very happy in our remote Italian home. It stands high upon a

hill-side, and looks down over a slope of silvery olives to the sea.

Vineyard and orange grove, white town, blue bay, and amber sands lie

mapped out beneath our feet. Not a felucca "to Spezzia bound from Cape

Circella" can sail past without our observation.

"Not a sun can die, nor yet be born, unseen

By dwellers at my villa."

Nay, from this very window, one might almost pitch an orange into the

empty vettura standing in the courtyard of the Croce di Malta!

Then we have a garden--a wild, uncultured place, where figs and lemons,

olives "blackening sullen ripe," and prickly aloes flourish in rank

profusion, side by side; and a loggia, where we sit at twilight drinking

our Chianti wine and listening to the nightingales; and a study looking

out on the bay through a trellis of vine-leaves, where we read and write

together, surrounded by our books. Here, also, just opposite my desk,

hangs Müller's copy of that portrait of the Marquise de Sainte Aulaire,

which I once gave to Hortense, and which is now my own again. How often

I pause upon the unturned page, how often lay my pen aside, to look from

the painting to the dear, living face beneath it! For there she sits,

day after day, my wife! my poet! with the side-light falling on her

hair, and the warm sea-breezes stirring the soft folds of her dress.

Sometimes she lifts her eyes, those wondrous eyes, luminous from within

"with the light of the rising soul"--and then we talk awhile of our

work, or of our love, believing ever that

"Our work shall still be better for our love,

And still our love be sweeter for our work."

Perhaps the original of that same painting in the study may yet be ours

some day, with the old château in which it hangs, and all the broad

lands belonging thereunto. Our claim has been put forward some time now,

and our lawyers are confident of success. Shall we be happier, if that

success is ours? Can rank add one grace, or wealth one pleasure, to a

life which is already so perfect? I think not, and there are moments

when I almost wish that we may never have it in our power to test

the question.

But stay! the hours fly past. The sun is low, and the tender Italian

twilight will soon close in. Then, when the moon rises, we shall sail

out upon the bay in our own tiny felucca; or perhaps go down through the

town to that white villa gleaming out above the dark tops of yonder

cypresses, and spend some pleasant hours with Dalrymple and his wife.

They, too, are very happy; but their happiness is of an older date than

ours, and tends to other ends. They have bought lands in the

neighborhood, which they cultivate; and they have children whom they

adore. To educate these little ones for the wide world lying beyond that

blue bay and the far-off mountains, is the one joy, the one care of

their lives. Truly has it been said that

"A happy family

Is but an earlier heaven."

THE END.

In the Days of My Youth: A Novel · 第 56 / 56 章