MADGE DUNDAS.

Evelyn's room looked out on to the terrace, away from the direction of

the wind, and the nurse had just gone to the window to open it further,

for the room, warmed by the afternoon sun, was growing rather hot. But

just then he stirred with a more direct and conscious movement than he

had yet made, half-sat up in bed, and with both hands suddenly felt at

the bandages that swathed the upper part of his face. Then he spoke in

those quick, staccato tones that were so characteristic.

"What has happened?" he said. "Where am I? What's going on? Why can't I

see? Madge----" And then he stopped suddenly.

She bit her lip for a moment, and just paused, summoning up her strength

to bear what she knew was coming. Then she went quickly to the bedside

and took his hand away from his face.

"Yes, dearest, I am here," she said. "Lie quiet, won't you, and we will

talk."

The nurse had come back from the window, and also stood by the bed.

Madge spoke to her quickly and low.

"Leave us, please, nurse," she said. "We have got to talk privately. I

will call you if I want you."

She left the room; Evelyn had instinctively answered to Madge's voice,

and had sunk back again on his pillows, and slowly in the long silence

that followed, his mind began piecing things together, burrowing,

groping, feeling for the things that had made their mark on his brain,

but were remembered at present only dimly. The remembrance of some shock

came first to him, and some sudden, stinging pain; next the smell of

heather, warm and fragrant, and another bitter-tasting smell, the smell

of blood. He put out his hand, and felt fumblingly over the clothes.

"Madge, are you still there?" he said quickly.

She took his hand.

"Yes, dear, sitting by you," she said. "I shall always be here whenever

you want me."

Then came the staccato voice again.

"But why can't I see you?" he asked. "What's this over my face?"

Again she gently pulled back his other hand, which was feeling the

bandages with quick, hovering movements like the antennæ of some insect.

"You were hurt, dear, you know," she said. "They had to bandage your

face, over your forehead and your eyes."

Again there was silence; his mind was beginning to move more quickly,

remembrance was pouring in from all sides.

"It was at Glen--Glen something, where we came by a night train, and you

flirted with a valet," he said.

"Yes, dear, Glen Callan," said Madge quietly. But her eyes yearned and

devoured him: all her heart was ready now, when the time came, to spring

towards him, enfolding him with love.

But his voice was fretful rather and irritable, from shock and

suffering.

"Yes, Glen Callan, of course," he said. "I said Glen Callan, didn't I?

We are there, still, I suppose. Yes? And you went fishing in the

morning, and I went shooting. Shooting?" he repeated.

All that Madge had ever felt before in her life grew dim in the

intensity of this. The moment was close now, but somehow she no longer

feared it. Fear could not live in these high altitudes: it died like

some fever-germ.

"Yes, dear, you went shooting," she said. "We were to meet at lunch, you

know. But just before lunch there was an accident. You were shot, shot

in the face."

His hands grew restless again, and he shifted backwards and forwards in

bed.

"Ah, yes," he said, "that is just what I could not remember. I was

shot--yes, yes: I remember how it stung, but it didn't hurt very much.

Then I fell down in the heather: I can't think why, but I stumbled--I

couldn't see. I was bleeding, too; the heather was warm and

sweet-smelling, but there was blood, too, that tasted so

horrible--like--like blood, there is nothing--all over my face. And

then--well, what then?"

"We brought you back, dear," said she, "and you had an operation. They

had to extract the shot. It was all done very satisfactorily: you are

going on very well."

Then all the nervous trembling in Evelyn's hands and the quick twitching

of his body ceased, and he lay quite still a moment, gathering himself

together to hear.

"Madge," he said, speaking more slowly, "will you please tell me all? I

don't think you have told me all yet. I want to hear it, for I feel

there is more yet. I was shot: that is all I know, and am lying here

with a bandaged face. Well?"

Madge's voice did not falter; that love and pity which possessed her had

for this moment anyhow complete mastery over the frailness and cowardice

of the mere flesh. She just took hold of both his hands, clasping them

tightly in her's, and spoke.

"You were shot all over the upper part of your face," she said.

"You----"

But he interrupted her.

"Who shot me?" he asked.

"Guy Ellington," she said. "The shot ricocheted off a rock and hit you.

It was not his fault."

"By Gad, poor devil!" said Evelyn.

"Yes, dear; I wrote to him just now, saying just that, how sorry I was

for him and how sorry you would be when you knew. You--you were shot

very badly, dear Evelyn. You were shot in the eyes, in both eyes----"

Again there was silence. Then he spoke hoarsely:

"Do you mean that, all that?" he said.

"Yes, dear; all that. And I had better say it. You are blind, Evelyn."

Then deep down from the very heart of her came the next words which

spoke themselves.

"I wish I could have died instead," she said.

He lay long absolutely motionless; there was no quiver of any kind on

the corners of his mouth to show that he even understood. But she knew

he understood, it was because he understood that he lay like that.

At last he spoke again, and the sorrow and anguish in his voice was

still comfort to her beyond all price.

"So I shall never see you again," he said.

Then she bent over the bed, and kissed him on the mouth.

"But never have I been so utterly yours as I am now!" she said, her

voice still strong and unwavering. "And, oh, how it fed my heart to know

what your first thought was, my darling. I think it would have broken if

it had been anything else!"

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The Angel of Pain · 第 31 / 54 题