CHAPTER XI

PENDLETON IS VASTLY ENLIGHTENED

The Hammondsville local was taking on its passengers. It was a sooty

train, made up of three coaches and a combination baggage and smoking

car. The gateman pointed out its conductor, inside, and the two

approached him.

He was a spare, elderly man with a wrinkled, shrewd face, and a short,

pointed manner of speech.

"Oh, the General Passenger Agent sent you?" said he, examining them.

"All right. What's wanted?"

"Your train stops at a station called Cordova, does it not?"

"It stops at every station on the run. Cordova's one of them."

"There is an institution at Cordova, I believe?"

"For deaf and dumb kids--yes."

"Of course some of the people from there ride in and out with you at

times."

"I don't get many of the youngsters. But the folks that run the place

often come to the city."

"You are acquainted with them, of course. I mean in the way that

local conductors come to be acquainted with their regular riders."

Purvis grinned.

"Say," said he. "It's hard to get acquainted with some of them asylum

people. There's only a couple of them that can talk!"

"I see." Pendleton noted Ashton-Kirk's dark eyes fixed steadfastly

upon the man's face as though he desired to read the remainder from

his expression. "There is one of them," continued the investigator,

"whom perhaps you have noticed. He's rather a small man, and wears

thick glasses. He also dresses very carefully, and he wears a silk

hat."

"Oh, yes," said the conductor, "I know him. He goes in and out quite

often. Very polite too. Always says good day with his fingers; if the

train is crowded, he's a great little fellow for getting up and giving

his seat to the ladies."

"Have you ever heard his name?"

"Yes. It's Locke. He's some kind of a teacher."

Ashton-Kirk thanked the man, and with Pendleton walked through the

gate. As they were descending the stairs to the street, Pendleton

said:

"And now he wears a silk hat, does he? But you have not made sure of

the man. You forgot to inquire if Mr. Locke favored the German

dramatists."

For a moment Ashton-Kirk looked puzzled, then he burst into a laugh.

"Ah," said he, "you remember that."

"Of course I remember it. How can I forget it? You go prancing about

so like a conjurer that there's not a moment that I don't expect

something. If you finish by dragging the murderer from your sleeve,

I'll not be at all astonished. Your methods lead me to expect some

such a finale."

"To explain each step as I take it," said the investigator, "would be

much more difficult than the work itself. However the time has now

arrived for me to enlighten you somewhat upon this point, at least. I

am quite convinced that this man Locke played a leading part in the

murder of Hume. He is in a manner definitely placed, and I can speak

of him without fracturing any of my prejudices."

They got into the car, and Ashton-Kirk continued to the chauffeur:

"Christie Place." Then to Pendleton, he added as the machine started,

"I want to make some inquiries at the house where Spatola lived; and

in order to make the matter clearer, we'll just drop in at 478."

As they proceeded along at a bounding pace, the investigator related

to Pendleton what had passed between Edyth Vale and himself a few

hours before. Pendleton drew a great breath of relief.

"Of course I knew that her part in the matter was something like

that," he said, "but I'm glad to hear it, just the same." He looked at

his friend for a moment and then continued: "But how did you know that

Edyth heard a door close immediately after the pistol shot?"

They had just drawn up in front of Hume's, and as Ashton-Kirk got out,

he said:

"If you had only used your eyes as we were going over the place," said

he, "you'd have no occasion to ask that question."

There was a different policeman at the door; but fortunately he knew

the investigator and they were allowed to enter at once. When about

half way up the stairs, Ashton-Kirk said:

"This, I think, is about the place where Miss Vale stopped when she

saw the light-rays moving across the ceiling and wall of the hall. You

get the first glimpse of those from this point. Remain here a moment

and I'll try and reproduce what she heard--with the exception of the

cry."

Pendleton obediently paused upon the stairs; Ashton-Kirk went on up

and disappeared. In a few moments there came a sharp, ringing report,

and Pendleton, dashing up the stairs, saw his friend standing holding

open the showroom door--the one with Hume's name painted upon it.

"It's the bell," said Ashton-Kirk, pointing to the gong at the top of

the door frame. "When I examined it this morning I saw that it was

screwed up too tight, and knew that it would make a sound much like a

pistol shot to ears not accustomed to it."

Pendleton stared in amazement at the simplicity of the thing.

"I see," said he. "While Edyth stood listening on the stairs someone

opened this door!"

"Yes; someone unacquainted with the place. Otherwise he would have

known of the bell."

"But how did you know that Edyth heard a door close?"

"Whoever rang the bell closed the door after him. It has a spring lock

like the street door; and was locked when Miss Vale tried it a few

moments later."

"You say that the ringing of the bell shows the person who rang the

bell to have been unacquainted with the place. I think you must be

wrong here. Spatola is acquainted with the place; he was here at the

time. This is proven by the scream of the frightened cockatoo which

followed the ringing of the bell."

"It was not a cockatoo that made the sound," said Ashton-Kirk. "Give

me a moment and I think I can convince you of that."

The gas in the hall was lighted; the investigator stopped at the foot

of the stairs leading to the fourth floor.

"Persons," he continued, "who secretly enter buildings, as a rule

never trust to the lighting apparatus of the buildings. One reason for

this is that it is not under their control--another that they cannot

carry their light about with them."

He pointed to the lowermost step of the flight; there, as before, were

the stump of candle, the burnt matches, the traces of tallow upon the

wood.

"There were two or more men concerned in this crime," proceeded

Ashton-Kirk, "and that is the method of lighting that they chose--a

candle."

"Two men! How do you know that?" asked Pendleton.

"You shall see in a moment," replied the investigator. Then he

continued: "And the candle was used not only for illumination--it

served another purpose, and so supplied me with the first definite

information that my searching had given me up to that time."

Pendleton looked at the discouraged little candle end, with its long

black wick, the two charred splinters of pine wood and the eccentric

trail of tallow droppings. Then he shook his head.

"How you could get enlightenment from those things is beyond me," he

said. "But tell me what they indicated."

"The candle and the match-sticks count for little," said Ashton-Kirk.

"It is the tracings of melted tallow that possess the secret. Look

closely at them. At first glance they may seem the random drippings of

a carelessly held light. But a little study will show you a clearly

defined system contained in them."

"Well, you might say there were three lines of it," said Pendleton,

after a moment's inspection.

"Right," said Ashton-Kirk. "Three lines there are, and each follows a

row of tack heads. These latter were, apparently, once driven in to

hold down a step-protector of some sort which has since become worn

out and been removed."

The speaker took a pad of paper and a pencil from his pocket. Across

the pad he drew three lines one under the other. Then with another

glance at the candle droppings upon the step, he made a copy of them

that looked like this:

[Illustration: sketch of clue]

Pendleton bent over the result under the flare of the gas light; and

as he looked his eyes widened.

"Why," cried he, "they look like a stenographer's word-signs."

"Good!" said Ashton-Kirk. "And that, my dear fellow, is exactly what

they are. There, scrawled erratically in dripping tallow, is a three

word sentence in Benn Pitman's phonetic characters. It is roughly

done, and may have occupied some minutes; but it is well done, and in

excellent German. I'll write it out for you."

Then he wrote on the pad in big, plain Roman letters:

HINTER

WAYNE'S

BILDNISSE

"There it is," said the investigator, "done into the German language,

line for line. Brush up your knowledge now; let me see you turn it

into English."

Pendleton, whose German was rusty from long disuse, pondered over the

three words. Suddenly a light shot across his face; then his eyes were

in a blaze.

"_Behind Wayne's Portrait!_"

He fairly shouted the words. Astonishment filled him; he was trembling

with excitement.

"By Heaven," he gasped, "you have it, Kirk. Now I understand the

smashing of the portraits of General Wayne. There was something of

value hidden behind one of them--between the picture and the back! But

what?"

"It was nothing of any great bulk; the hiding place indicated points

that out, surely," said Ashton-Kirk, composedly. "A document of some

sort, perhaps."

Pendleton stood for a moment, lost in the wonder of the revelation;

then his mind began to work once more.

"But I can't understand the writing of the thing upon the step," said

he.

"It was the fact that it was written that proved to me that there were

at least two men concerned. One knew the hiding place of the coveted

object; and this is how he conveyed the information to his companion,"

pointing to the step.

"But," protested Pendleton, "why did he not put it into words? Surely

it would have been much easier?"

"Not for this particular person. As it happens, he was a mute."

Again Pendleton's eyes opened widely; then recollection came to him

and he said:

"It was Locke--the man concerning whom you were making inquiries of

the railroad conductor!"

Ashton-Kirk nodded, and replied.

"And it was he who shrieked when the door of the showroom opened. The

out-cry of a deaf-mute, if you have ever heard one, has the same

squawking, senseless sound as that of a psittaceous bird like the

parrot or cockatoo."

"But," said Pendleton, "the fact that the man who scrawled these signs

upon the step _was_ a deaf-mute, scarcely justifies the eccentricity

of the thing. Why did he not use a pencil, as you have done?"

"I can't say exactly, of course. But did it never happen that you were

without a pencil at a time when you needed one rather urgently?"

"This thing has sort of knocked me off my balance, I suppose," said

Pendleton, rather bewildered. "Don't expect too much of me, Kirk." He

stuffed his hands in his pockets dejectedly and continued: "You now

tell me that this man was a mute. Yesterday you said he was small,

that he was near-sighted, that he was well dressed and knew something

of the modern German dramatists. You also told the conductor that he

wore thick glasses and a silk hat. Now, I suppose I'm all kinds of an

idiot for not understanding how you know these things about a man you

never saw. But I confess it candidly; I _don't_ understand."

"It all belongs to my method of work," said Ashton-Kirk. "It's simple

enough when you go about it the right way. I have already given you my

reasons for thinking the man who did this," pointing to the step, "to

be a mute. I judged that he was of small stature because he chose the

bottom step upon which to trace his word signs. Even an ordinary sized

man would have selected one higher up."

"All right," said Pendleton. "That looks good to me, so far."

"The deductions that he was well dressed and also near-sighted were

from the one source. His hat fell off while he was tracing the signs;

that showed me that he was forced to stoop very close to his work in

order to see what he was about. You see that, don't you?"

"How did you know his hat fell off?" asked Pendleton, incredulously.

"Mrs. Dwyer is evidently paid to clean only the hall and lower

stairway," replied Ashton-Kirk, composedly. "And that she sticks

closely to that arrangement is shown by the condition of this upper

flight. The dust upon the step is rather thick. If you will notice,"

and he indicated a place on the second step, "here is a spot where a

round, flat object rested. That this object was a silk hat is

positive. You can see the sharp impress of the nap in the dust; here

is the curl in the exact center of the crown as seen in silk hats

only. And men who wear silk hats are usually well-dressed men."

"But how can you be at all sure that the hat fell off? Isn't it

possible that he took it off and laid it there?"

"Possible--yes--but scarcely probable. A well-dressed man is so from

instinct. And his instinctive neatness would hardly permit him to put

his well-kept hat down in the dust."

"Go on," said Pendleton.

"The stairs have been used since the hat fell there; but the dust has

not been disturbed. There is a hand-rail on the other side of the

flight, and consequently, all went up and down on that side."

"I can understand the thick glasses," said Pendleton, "his being

near-sighted suggested those. But what made you think he cared for the

modern German dramatists?"

"That was a hazard, merely," and the investigator laughed.

"He knew German and was apparently a man of intelligence. No man who

combines these two things can fail of admiration of Hauptmann,

Sudermann and their brothers of the pen. And then a mute who knew

shorthand well enough to have such ready recourse to it, struck me as

being unusual. They all know the digital sign language; but German and

phonography classed him as one above the ordinary. This knowledge

brought the suggestion of an institution. Then came the suggestion

that he might be an instructor in such an institution. The fragment

from the railroad ticket hinted that the institution might be out of

town. Fuller's research placed two such institutions. The ticket

counter at the railroad office narrowed it down to one. The conductor

of the train all but put his hand on the man."

There was a short silence. Then Pendleton drew a long breath.

"Well, Kirk," said he. "I don't mind admitting that you have me

winging. I'll tell you now it's clever; but if I can think of a

stronger word later, I'll work it in instead."

"We have a pretty positive line on one of the criminals, and we will

now turn to the other," said the investigator, briskly. "It was this

other who committed the murder. The infirmities of Locke, the mute,

made it impossible for him to venture into the rooms. The risks for a

deaf and short-sighted man would be too great. Danger might creep upon

him and he neither hear nor see it. For some reason which I have not

yet discovered, but it may have been distrust, he had not informed his

confederate as to the whereabouts of the object of their entrance.

When they got as far as this hall, he concluded to do so; but as

neither man had a pencil, he conveyed the information as shown; then

the confederate entered Hume's apartments by the door which Mrs.

Dwyer found open. This, by an oversight, may have been left unlocked,

or the criminals may have had a key. However, that does not affect the

case one way or another.

"It is my opinion that Hume was seated at his desk at this time and

heard the intruder enter the storage room; then pushing back his chair

as we saw it, he arose. The criminal, however, sprang upon and struck

him so expertly that he collapsed without a sound. Then the bayonet

came into play.

"A search followed for the thing desired--a search, short, sharp and

savage. The murderer either found what he sought, or the footsteps of

Miss Vale upon the stairs frightened him. At any rate he pulled open

the showroom door--the one with the gong; Locke, still in the hall,

screamed and both fled up these stairs to the roof and away."

Pendleton had waited patiently until his friend finished. Then he

said, with a twinkle in his eye:

"You say the murderer opened the show room door, the gong rang and

then Locke screamed. Now, old chap, that's not possible. If Locke is

deaf, he couldn't hear the gong; and so there would be no occasion for

him to cry out."

"I think if you'll go back over what I've really said," spoke

Ashton-Kirk, "you will find that I have made no mention of Locke

crying out because of the gong. I said the murderer opened the door

that has the gong. Then Locke screamed, not because he heard anything,

but because of the sight he saw."

"Ah!"

"He caught a glimpse of Hume upon the floor--as we saw him."

"You think, then, that Locke's intentions were not murder?"

"At the present time I am led to think so. The confederate either was

forced to kill to save himself, or he had nursed a private scheme of

revenge. And the ferocity of the blow with the bayonet inclines me to

prefer the latter as a theory."

"That brings us back to both Morris and Spatola," said Pendleton,

gravely. "By all accounts both bore Hume a bitter grudge. But the fact

that both criminals escaped by the roof shows familiarity with the

neighborhood, as Miss Vale pointed out to you. This seems to point to

Spatola."

"So does the purchase of the bayonet, and in the same indefinite

fashion," said Ashton-Kirk. "But come, we motored to Christie Place

more to inquire about this same Italian than anything else. So let's

set about it."

They thanked the policeman in charge and left the building. As they

proceeded down the street toward the house in which the newspapers had

informed them Spatola lived, the investigator paused suddenly.

"I think," said he, "it would be best for us to first see Spatola

himself, and ask a few questions. This might give us the proper point

of view for the remainder."

And so they once more got into the car; and away they sped toward the

place where the violinist was confined.

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